F. Scott Fitzgerald (1896–1940)
Author of The Great Gatsby
About the Author
F(rancis) Scott Fitzgerald was born in St. Paul, Minnesota, on September 24, 1896. He was educated at Princeton University and served in the U.S. Army from 1917 to 1919, attaining the rank of second lieutenant. In 1920 Fitzgerald married Zelda Sayre, a young woman of the upper class, and they had a show more daughter, Frances. Fitzgerald is regarded as one of the finest American writers of the 20th Century. His most notable work was the novel, The Great Gatsby (1925). The novel focused on the themes of the Roaring Twenties and of the loss of innocence and ethics among the nouveau riche. He also made many contributions to American literature in the form of short stories, plays, poetry, music, and letters. Ernest Hemingway, who was greatly influenced by Fitzgerald's short stories, wrote that Fitzgerald's talent was "as fine as the dust on a butterfly's wing." Yet during his lifetime Fitzgerald never had a bestselling novel and, toward the end of his life, he worked sporadically as a screenwriter at motion picture studios in Los Angeles. There he contributed to scripts for such popular films as Winter Carnival and Gone with the Wind. Fitzgerald's work is inseparable from the Roaring 20s. Berenice Bobs Her Hair and A Diamond As Big As The Ritz, are two short stories included in his collections, Tales of the Jazz Age and Flappers and Philosophers. His first novel The Beautiful and Damned was flawed but set up Fitzgerald's major themes of the fleeting nature of youthfulness and innocence, unattainable love, and middle-class aspiration for wealth and respectability, derived from his own courtship of Zelda. This Side of Paradise (1920) was Fitzgerald's first unqualified success. Tender Is the Night, a mature look at the excesses of the exuberant 20s, was published in 1934. Much of Fitzgerald's work has been adapted for film, including Tender is the Night , The Great Gatsby, and Babylon Revisited which was adapted as The Last Time I Saw Paris by Metro-Goldwyn-Mayer in 1954. The Last Tycoon, adapted by Paramount in 1976, was a work in progress when Fitzgerald died of a heart attack on December 21, 1940, in Hollywood, California. Fitzgerald is buried in the historic St. Mary's Cemetery in Rockville, Maryland. (Bowker Author Biography) show less
Series
Works by F. Scott Fitzgerald
Novels and Stories 1920-1922: This Side of Paradise / Flappers and Philosophers / The Beautiful and the Damned / Tales of the Jazz Age (2000) 472 copies, 3 reviews
Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald (2002) 320 copies, 3 reviews
The curious case of Benjamin Button, and six other stories (Penguin Modern Classics) (2008) 215 copies, 6 reviews
Collected Stories of F. Scott Fitzgerald (Barnes & Noble Library of Essential Reading): Flappers and Philosophers and Tales of the Jazz Age (2007) 160 copies, 5 reviews
F. Scott Fitzgerald: A Life in Letters: A New Collection Edited and Annotated by Matthew J. Bruccoli (1994) 136 copies
Trimalchio: An Early Version of 'The Great Gatsby' (The Cambridge Edition of the Works of F. Scott Fitzgerald) (2000) 132 copies, 1 review
The Curious Case of Benjamin Button and Other Tales of the Jazz Age {4 stories} (2008) 131 copies, 2 reviews
F. Scott Fitzgerald: The Great Gatsby, All the Sad Young Men & Other Writings 1920–26 (LOA #353) (Library of America, 353) (2022) 118 copies, 1 review
The Diamond as Big as the Ritz and other stories [Penguin Popular Classics] (1962) 114 copies, 1 review
The Great Gatsby / Tender is the Night / This Side of Paradise / The Beautiful and the Damned / The Last Tycoon (1977) 71 copies
Tender Is the Night / This Side of Paradise / The Great Gatsby / The Last Tycoon (2000) — Author — 66 copies
L'étrange histoire de Benjamin Button : Suivie de Un diamant gros comme le Ritz (2009) 54 copies, 4 reviews
Curious Case of Benjamin Button & Other Stories (Penguin Active Reading (Graded Readers)) (2011) 33 copies
The "Great Gatsby" and "The Diamond as Big as the Ritz" (Collector's Library) (2005) 23 copies, 1 review
The Diamond as Big as the Ritz and Other Stories [adapted - Longman Structural Readers] (1974) 23 copies
F. Scott Fitzgerald Collection: The Great Gatsby, The Beautiful and Damned and Tender is the Night (Collins Classics) (2010) 20 copies
Fitzgerald: My Lost City: Personal Essays, 1920-1940 (The Cambridge Edition of the Works of F. Scott Fitzgerald) (2005) 14 copies
As ever, Scott Fitz--;: Letters between F. Scott Fitzgerald and his literary agent Harold Ober, 1919-1940 (1972) 12 copies
I grandi romanzi e i racconti: Al di qua del paradiso-Belli e dannati-Il grande Gatsby-Tenera è la notte-Racconti dell'età del jazz. Ediz. integrali (2012) 12 copies
The Classic F. Scott Fitzgerald Collection: 5-Volume box set edition (Arcturus Classic Collections, 4) (2021) 11 copies
The Great Gatsby (New Windmills KS4) 11 copies
Crack Up - With Other Uncollected Pieces, Note-books & Unpublished Letters, Together With Letters From Gertrude Stein.. (1956) 9 copies
Absolution, Le Premier Mai (May Day), Retour a Babylone (Babylon Revisited) (French Edition) (1972) 9 copies
The Early Short Stories of F. Scott Fitzgerald (Dover Thrift Editions: Short Stories) (2015) 8 copies, 1 review
Short Fiction 8 copies
The Great Gatsby / The Last Tycoon / This Side of Paradise / Tender is the Night / The Stories (1953) 7 copies
The Great Gatsby and Related Stories [Deckle Edge Paper]: The Library of America Corrected Text (2023) 6 copies
Gods of Darkness 6 copies
Works of F. Scott Fitzgerald 6 copies
Reading & Training : F. Scott Fitzgerald : The great Gatsby [book + sound recording] (2008) — Writer — 5 copies
Three hours between planes 5 copies
Estranhos Embora Íntimos e Outros Contos Inéditos — Author — 5 copies
Reading & Training : F. Scott Fitzgerald : The diamond as big as the Ritz [book + sound recording] (2008) — Writer — 5 copies
The I.O.U. 4 copies
Benjamin Button / This Side of Paradise / The Beautiful and Damned / The Diamond as big as The Ritz 3 copies
The Basil, Josephine, and Gwen Stories (The Cambridge Edition of the Works of F. Scott Fitzgerald) (2009) 3 copies
This Side of Paradise / The Last Tycoon — Author — 3 copies
Troppo Carina Per Dirlo A Parole (Italian Edition) Piccoli Classici Paperback (Too cute for words and tell other stories) (1994) 3 copies
Spires and Gargoyles: Early Writings, 1909-1919 (The Cambridge Edition of the Works of F. Scott Fitzgerald) (2010) 3 copies
The Crack-Up & other stories 3 copies
Mal Por Mal e Outros Contos 3 copies
Stories of the Roaring Twenties / Aus den tollen zwanziger Jahren {3 stories} (1984) — Author — 3 copies
Great Interviews of the 20th Century: F Scott Fitzgerald by Michel Mok (2007) — Contributor — 3 copies
A Night At The Fair 2 copies
38 racconti 2 copies
Il decennio perduto (in 38 racconti) 2 copies
THE CRACK-UP E OUTROS ESCRITOS 2 copies
The Curious Case of Benjamin Button: And Six Other Stories (Penguin Modern Classics) (2008) 2 copies
Manhattan, Baltimore, Paris. Erzählungen aus den zwanziger und dreißiger Jahren. Englisch - deutsch. (1993) 2 copies
TURKEY REMAINS AND HOW TO INTER THEM with Numerous Scarce Recipes from The Note-books of F. Scott Fitzgerald 2 copies, 1 review
Noveller 2 copies
Cuentos 2 copies
Fie Fie Fi-Fi: A Facsimile of the 1914 Musical Score, With Illustrations from the Original (1996) 2 copies
A Patriotic Short [short fiction] 2 copies
A este lado del paraíso ; El gran Gatsby ; [traducción, A este lado del paraíso, Juan Benet Goitia ; traducción, El gran Gatsby, E. Piñas] (1979) — Author — 2 copies
Όμορφοι και καταραμένοι 1 copy
Due torti (in 38 racconti) 1 copy
Niño Bien 1 copy
Létà del jazz 1 copy
Франсис Скот Фицджералд 3 - избрани творби в три тома - Нежна е нощта ; Последният магнат ; Писма 1 copy
Ночь нежна (Russian Edition) 1 copy
Ventotto racconti 1 copy
Francis Scott Fitzgerald - La Festa dei bambini | Mary Wilkins Freeman - Il vento nel cespuglio di rose — Author — 1 copy
BLINDETEA NOPTII 1 copy
GETSBI I MADH 1 copy
Festa da ballo 1 copy
Takový Pěkný Par 1 copy
El gran Gatsby y El extraño caso de Benjamin Button (Filo y Contrafilo nº 33) (Spanish Edition) (2016) 1 copy
I capolavori Di Francis Scott Fitzgerald. Di qua dal paradiso. Il grande Gatsby. Tenera e la notte. 1 copy
Ir maiga nakts-- : romāns 1 copy
Czuła jest noc 1 copy
Piękni i przeklęci 1 copy
La tarde de un escritor 1 copy
gli ultimi fuochi 1 copy
Gatsby The Great 1 copy
The Great Gatsby 1 copy
Cuentos reunidos 1 copy
Seleta Gatsby 1 copy
[Title missing] 1 copy
“The Long Way Out” 1 copy
Best of Fitzgerald: The Diamond as Big as the Ritz and The Curious Case of Benjamin Button (2020) 1 copy
Quatro novelas e um conto: As ficções do platô 8 de Mil platôs, de Deleuze e Guattari (Portuguese Edition) (2019) 1 copy
Patt Hobby & Orson Welles 1 copy
The Great Gatsby / Tales of the Jazz Age / The Beautiful and Damned / This Side of Paradise / Tender is the Night (2012) 1 copy
Tales of the Jazz Age 1 copy
Collectible Deluxe THE GREAT GATSBY and OTHER CLASSIC WORKS Bonded Leather Collectible Book NEW 1 copy
Best Jazz Age Stories 1 copy
Classic American Fiction: four books by F. Scott Fitzgerald in a single file, improved 8/25/2010 (2009) 1 copy
Франсис Скот Фицджералд 2 - избрани творби в три тома - Отсам в Рая ; Новели ; Великият Гетсби 1 copy
F. Scott Fitzgerald Papers 1 copy
The Dial, Vol. 1. — owner — 1 copy
The Stories of Fitzgerald 1 copy
Borrowed time; short stories 1 copy
The Hungry Ocean 1 copy
Издержки хорошего воспитания 1 copy
Somnis d'hivern ; també: La Bernice es talla els cabells = Winter dreams ; also: Bernice bobs her hair (2013) 1 copy
The Top 10 Short Stories - The 1920's - The Americans: The top ten short stories written in the 1920s by authors from America (audio) 1 copy, 1 review
Temperature 1 copy
três horas entre dois aviões 1 copy
Crazy Sundays 1 copy
The Great Gatspy 1 copy
Gatsby and More: The Great Gatsby, The Man Who Was Thursday and Three O. Henry Stories (2021) 1 copy
The Curious Case of Benjamin Button: And Other Tales of the Jazz Age (First Avenue Classics ™) (2019) 1 copy
FILOSOFI E MASCHIETTE 1 copy
Tender Is the Night: A Novel 1 copy
(THE GREAT GATSBY) BY FITZGERALD, F. SCOTT(Author)Compact Disc{The Great Gatsby} on 01 Oct-2002 (2002) 1 copy
The Great Gatsby. Complete Edition with Original Illustrations: Classic American Literature (2020) 1 copy
Az utolsó cézár 1 copy
The LETTERS Of F. SCOTT FITZGERALD. Edited, and With an Introduction, by Andrew Turnbull. (1963) 1 copy
The F. Scott Fitzgerald BBC Radio Collection: The Great Gatsby and Other BBC Radio Readings (2018) 1 copy
Crónicas de hollywood 1 copy
Lo, the Poor Peacock! 1 copy
Associated Works
Fierce Pajamas: An Anthology of Humor Writing from The New Yorker (2001) — Contributor — 788 copies, 5 reviews
Great American Short Stories: From Hawthorne to Hemingway (2004) — Contributor — 672 copies, 2 reviews
The World of the Short Story: A 20th Century Collection (1986) — Contributor — 511 copies, 4 reviews
The American Short Story: A Collection of the Best Known and Most Memorable Stories by the Great American Authors (1994) — Contributor — 370 copies
American Fantastic Tales : Terror and the Uncanny from Poe to the Pulps (2009) — Contributor — 290 copies, 4 reviews
First Fiction: An Anthology of the First Published Stories by Famous Writers (1994) — Contributor — 196 copies, 1 review
Classic American Short Stories [Barnes & Noble Leatherbound Classics] (2001) — Contributor — 174 copies, 1 review
Vampires, Wine and Roses: Chilling Tales of Immortal Pleasure (1997) — Contributor — 169 copies, 2 reviews
The Graphic Canon, Vol. 3: From Heart of Darkness to Hemingway to Infinite Jest (2013) — Contributor — 162 copies, 1 review
Novel History: Historians and Novelists Confront America's Past and Each Other (2001) — Contributor — 139 copies, 1 review
Adaptations: From Short Story to Big Screen: 35 Great Stories That Have Inspired Great Films (2005) — Contributor — 136 copies, 1 review
The Norton Anthology of American Literature, Volume 2: 1865 to Present (1979) — Contributor, some editions — 135 copies
The Glorious American Essay: One Hundred Essays from Colonial Times to the Present (2020) — Contributor — 116 copies
Writing New York: A Literary Anthology (Expanded 10th-Anniversary Edition) (2008) — Contributor — 101 copies, 1 review
Alfred Hitchcock Presents : Stories My Mother Never Told Me (1963) — Contributor — 94 copies, 2 reviews
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 72 copies, 1 review
The lucifer society;: Macabre tales by great modern writers (1972) — Contributor — 52 copies, 1 review
The Signet Classic Book of Contemporary American Short Stories (1985) — Contributor — 47 copies, 1 review
Published and Perished: Memoria, Eulogies, and Remembrances of American Writers (2002) — Contributor — 41 copies, 1 review
The Haves and Have Nots: 30 Stories About Money and Class in America (1999) — Contributor — 37 copies
Best-Loved Short Stories: Flaubert, Chekhov, Kipling, Joyce, Fitzgerald, Poe and Others (2004) — Contributor — 34 copies
Summoned to the Séance: Spirit Tales from Beyond the Veil: 56 (British Library Tales of the Weird) (2024) — Contributor — 26 copies
The Best of Both Worlds: An Anthology of Stories for All Ages (1968) — Contributor — 25 copies, 1 review
The night before Chancellorsville, and other Civil War stories (1957) — Contributor — 13 copies, 1 review
Die Fußangeln der Zeit. Die schönsten Zeitreise- Geschichten I. (1984) — Contributor, some editions — 11 copies
The Best Short Stories of 1940 and the Yearbook of the American Short Story (1940) — Contributor — 8 copies
Amerika, Amerika bloemlezing — Contributor — 8 copies
The Best Short Stories of 1931 and the Yearbook of the American Short Story (1931) — Contributor — 7 copies, 1 review
The Best Short Stories of 1922 and the Yearbook of the American Short Story (2017) — Contributor — 7 copies
Best-in-Books Volume 48: Dodsworth; The Battler; Rain; Bernice Bobs Her Hair; The Great Impersonation; We; The Man Nobody Knows; The Royal Road to Romance; Life of Christ; The… (1961) — Contributor — 5 copies
The Best from Cosmopolitan — Contributor — 4 copies
Gefährliche Ferien - Südfrankreich: mit Martin Walker und vielen anderen (detebe) (2016) — Contributor — 3 copies
Modern Short Stories — Contributor — 3 copies
The Best Short Stories of 1933 and the Yearbook of the American Short Story (1933) — Contributor — 2 copies
The Ethnic Image in Modern American Literature, 1900-1950, Volumes 1-2 (1984) — Contributor — 1 copy
Avon Modern Short Story Monthly No. 7 (14 Great stories by 14 Great Authors) (1943) — Contributor — 1 copy
Trumps: A Collection of Short Stories — Contributor — 1 copy
Tagged
Common Knowledge
- Canonical name
- Fitzgerald, F. Scott
- Legal name
- Fitzgerald, Francis Scott Key
- Other names
- D'Invilliers, Thomas Parke
- Birthdate
- 1896-09-24
- Date of death
- 1940-12-21
- Gender
- male
- Education
- Holy Angels Convent
Nardin Academy
St. Paul Academy
Newman School
Princeton University - Occupations
- novelist
short story writer
screenwriter
playwright
poet
lyricist (show all 7)
second lieutenant - Organizations
- United States Army
- Awards and honors
- New Jersey Hall of Fame
Fitzgerald Theater - Agent
- Harold Ober (1929--1940)
- Relationships
- Fitzgerald, Zelda (wife)
Smith, Scottie Fitzgerald (daughter)
Lanahan, Eleanor (granddaughter)
Perkins, Maxwell E. (friend)
Wilson, Edmund (friend)
Hemingway, Ernest (friend) (show all 14)
Cowley, Malcolm (friend)
Murphy, Gerald (friend)
Lardner, Ring (friend)
West, Nathanael (friend)
Bishop, John Peale (friend)
Graham, Sheilah (girlfriend)
Key, Francis Scott (cousin)
Ring, Frances Kroll (personal secretary) - Short biography
- Francis Scott Key Fitzgerald (September 24, 1896 – December 21, 1940) was an American novelist, essayist, screenwriter, and short-story writer, although he was best known for his novels depicting the flamboyance and excess of the Jazz Age—a term which he coined. During his lifetime, he published four novels, four collections of short stories, and 164 short stories. Although he temporarily achieved popular success and fortune in the 1920s, Fitzgerald only received wide critical and popular acclaim after his death. He is widely regarded as one of the greatest American writers of the 20th century.
Fitzgerald was born into an upper-middle-class family in St. Paul, Minnesota, but was primarily raised in New York. He attended Princeton University, but due to a failed relationship and a preoccupation with writing, he dropped out in 1917 to join the army. While stationed in Alabama, he fell in love with rich socialite Zelda Sayre. Although she initially rejected him due to his financial situation, Zelda agreed to marry Fitzgerald after he had published the commercially successful This Side of Paradise (1920).
In the 1920s, Fitzgerald frequented Europe, where he was influenced by the modernist writers and artists of the "Lost Generation" expatriate community, particularly Ernest Hemingway. His second novel, The Beautiful and Damned (1922), propelled him into the New York City elite. To maintain his lifestyle during this time, he also wrote several stories for magazines. His third novel, The Great Gatsby (1925), was inspired by his rise to fame and relationship with Zelda. Although it received mixed reviews, The Great Gatsby is now widely praised, with some even labeling it the "Great American Novel". While Zelda was placed at a mental institute for her schizophrenia, Fitzgerald completed his final novel, Tender Is the Night (1934).
Faced with financial difficulties due to the declining popularity of his works, Fitzgerald turned to Hollywood, writing and revising screenplays. After a long struggle with alcoholism, he died in 1940, at the age of 44. A fifth, unfinished novel, The Last Tycoon (1941), was completed by Edmund Wilson and published after Fitzgerald's death. - Cause of death
- heart attack
- Nationality
- USA
- Birthplace
- St. Paul, Minnesota, USA
- Places of residence
- St. Paul, Minnesota, USA
Buffalo, New York, USA
New York, New York, USA
Towson, Maryland, USA
Hollywood, California, USA
Hackensack, New Jersey, USA (show all 10)
Princeton, New Jersey, USA
Montgomery, Alabama, USA
Paris, Île-de-France, France
Encino, California, USA - Place of death
- Hollywood, California, USA
- Burial location
- Rockville Union Cemetery, Rockville, Maryland, USA (1940)
St. Mary's Cemetery, Rockville, Maryland, USA (1975, reburied at the family plot) - Map Location
- USA
Members
Discussions
The Great Gatsby, LE (10.iv.2025) in Folio Society Devotees (April 2025)
Arete Editions’ The Curious Case of Benjamin Button in Fine Press Forum (November 2023)
Century Press - Letterpress The Great Gatsby in Fine Press Forum (November 2022)
Found: Classic literature starts on a beach teen girl swimming to island with boy in Name that Book (June 2022)
"This Side of Paradise" - should I give up or keep reading? in Book talk (November 2015)
The Great Gatsby - FS editions in Folio Society Devotees (March 2015)
The Great Gatsby in Geeks who love the Classics (June 2013)
GR: The Great Gatsby- get in and read before the film release! in 75 Books Challenge for 2013 (April 2013)
F. Scott Fitzgerald story in Name that Book (February 2012)
Reviews
Perhaps more than any other book I have ever read, this marvellous novel leads up to its final sentence. There are lots of novels with memorable or poignant final sentences, but the whole crux of "The Great Gatsby resides in the final four paragraphs, and, in particular, in the closing sentence, "And so we beat on, boats against the current, borne back ceaselessly into the past."
At the simplest level this is a love story. Gatsby as a young and impoverished man meets, and falls deeply in love show more with, Daisy Fay, but is posted to Europe as America becomes involved in the First World War. Now, in 1922 Gatsby is immensely wealthy, and buys a huge mansion in New Jersey just across the sound from the house where Daisy now lives with her husband Tom Buchanan. Nick Carraway, the beautifully understated narrator of the novel first encounters Gatsby staring out across the sound. What Nick doesn't realise is that Gatsby is transfixed by the view, staring at a bright green light at the end of the Buchanans' jetty, which he sees as a token of his unfading love for Daisy.
Throughout the summer Gatsby holds a series of wild parties to which everyone in the neighbourhood seems to come. Gatsby takes little part in these revelries, and only later do we discover that he doesn't like parties at all, and only hosted them in the vague hope that Daisy might eventually chance to come along to one of them. The parties are certainly uproarious affairs, and it comes as a bit of a shock to remember that they were happening against the backdrop of America's misplaced experiment with Prohibition. Champagne and spirits flow with great abandon.
Throughout the novel Gatsby remains an enigma - no-one seems to know who he is, or where he came from. Conflicting speculations abound, with some characters asserting, vehemently, that he is a German spy while others aver, equally rigorously, that he belongs to one of Europe's older royal houses. Gatsby himself is scarcely to be believed, telling Nick Carraway at different times that he had inherited his money from an immensely wealthy family, only later to describe how he had had to struggle when he started in business because he lacked any capital or inheritance. He quickly adapts his story, but already the cracks are there for doubters to probe.
Carraway goes through a range of emotion reactions towards Gatsby, at different times admiring him, liking him despising him, though in the end admiration shines through. "Gatsby turned out all right in the end".
The other characters are finely drawn, too. Tom Buchanan is simply odious: a racist, arrogant thug who is shielded from the realities of life by his huge wealth. Daisy, Buchanan's wife and the great obsessive love of Gatsby's life isn't faultless, either. She is a slightly ephemeral character, and we see more of her through Gatsby's recollections or Jordan Baker's tales of their shared youth than we really learn from our encounters with the woman herself. On balance she and Tom are well suited to each other: "They were careless people, Tom and Daisy — they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made. . . ."
Gatsby has clearly had some dubious connections (or "gonnegtions" as Meyer Wolfsheim, one of his cronies would say). Indeed, there is a chilling paradoxical footnote for later readers. Wolfsheim, the stereotypical rendition of a Jewish gangster, makes a big point about the shell company he uses to launder the proceeds of his villainy. What now seems bizarre to us is that he calls this company the "Swastika Holding Company". Of course, the novel was published in 1925 and set in 1922 and that symbol had not yet acquired its later chilling associations. It is merely fortuitous that a Jewish character should choose to adopt it.
All of this makes the book sound somewhat chaotic. Not a bit of it. The novel flows with great pace, and Firtzgerald's prose has an almost hypnotic effect. Is it The Great American Novel? I don't know. However, I do know that it is A Great American Novel, and that's enough for me. show less
At the simplest level this is a love story. Gatsby as a young and impoverished man meets, and falls deeply in love show more with, Daisy Fay, but is posted to Europe as America becomes involved in the First World War. Now, in 1922 Gatsby is immensely wealthy, and buys a huge mansion in New Jersey just across the sound from the house where Daisy now lives with her husband Tom Buchanan. Nick Carraway, the beautifully understated narrator of the novel first encounters Gatsby staring out across the sound. What Nick doesn't realise is that Gatsby is transfixed by the view, staring at a bright green light at the end of the Buchanans' jetty, which he sees as a token of his unfading love for Daisy.
Throughout the summer Gatsby holds a series of wild parties to which everyone in the neighbourhood seems to come. Gatsby takes little part in these revelries, and only later do we discover that he doesn't like parties at all, and only hosted them in the vague hope that Daisy might eventually chance to come along to one of them. The parties are certainly uproarious affairs, and it comes as a bit of a shock to remember that they were happening against the backdrop of America's misplaced experiment with Prohibition. Champagne and spirits flow with great abandon.
Throughout the novel Gatsby remains an enigma - no-one seems to know who he is, or where he came from. Conflicting speculations abound, with some characters asserting, vehemently, that he is a German spy while others aver, equally rigorously, that he belongs to one of Europe's older royal houses. Gatsby himself is scarcely to be believed, telling Nick Carraway at different times that he had inherited his money from an immensely wealthy family, only later to describe how he had had to struggle when he started in business because he lacked any capital or inheritance. He quickly adapts his story, but already the cracks are there for doubters to probe.
Carraway goes through a range of emotion reactions towards Gatsby, at different times admiring him, liking him despising him, though in the end admiration shines through. "Gatsby turned out all right in the end".
The other characters are finely drawn, too. Tom Buchanan is simply odious: a racist, arrogant thug who is shielded from the realities of life by his huge wealth. Daisy, Buchanan's wife and the great obsessive love of Gatsby's life isn't faultless, either. She is a slightly ephemeral character, and we see more of her through Gatsby's recollections or Jordan Baker's tales of their shared youth than we really learn from our encounters with the woman herself. On balance she and Tom are well suited to each other: "They were careless people, Tom and Daisy — they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made. . . ."
Gatsby has clearly had some dubious connections (or "gonnegtions" as Meyer Wolfsheim, one of his cronies would say). Indeed, there is a chilling paradoxical footnote for later readers. Wolfsheim, the stereotypical rendition of a Jewish gangster, makes a big point about the shell company he uses to launder the proceeds of his villainy. What now seems bizarre to us is that he calls this company the "Swastika Holding Company". Of course, the novel was published in 1925 and set in 1922 and that symbol had not yet acquired its later chilling associations. It is merely fortuitous that a Jewish character should choose to adopt it.
All of this makes the book sound somewhat chaotic. Not a bit of it. The novel flows with great pace, and Firtzgerald's prose has an almost hypnotic effect. Is it The Great American Novel? I don't know. However, I do know that it is A Great American Novel, and that's enough for me. show less
Set amongst the old-money elites that Jay Gatsby courts (albeit Minnesota rather than Long Island), this Fitzgerald story surprises with suggestions of the supernatural:
“There was a contagion of evil in the air.”
It opens with Eddie (aged 19), home for the Christmas holidays, saying of Ellen:
“She had flowered suddenly and I, being a man and only a year older, hadn’t flowered at all.”
The print version I read, adds:
“She was nearly complete, yet the dew was still on show more her.”
Hmmmm.
They've been neighbours since childhood, but his sense of entitlement, tingled with lust, and increasingly disguised as concern, permeates the story in uneasy ways.
There are glitzy parties, and Ellen has many admirers, but Eddie is especially perturbed by one:
“A hard thin-faced man of about thirty-five with an air of being scarred, and a slight sinister smile. His eyes were a sort of taunt to the whole human family - they were the eyes of an animal, sleepy and quiescent in the presence of another species. They were helpless yet brutal, unhopeful yet confident. It was as if they felt themselves powerless to originate activity, but infinitely capable of profiting by a single gesture of weakness in another.”
Eddie is ostensibly concerned for Ellen, but his feelings are more complex. What follows is a white-knuckle exploration of the ethics of enforced protection, based on a hunch. It would make an excellent film.
Image: A locomotive train pulls into Chicago station in the 1920s. (Source)
The final paragraph might have been seen in a positive way in 1927, but verges on the creepy now:
“Of course she's coming out this fall, and I have two more years at New Haven; still, things don't look so impossible as they did a few months ago. She belongs to me in a way - even if I lose her she belongs to me.”
Quotes
• “His voice was muffled as though he were speaking through a silk scarf, and it seemed to come from a long way off.”
• “There began a slow, calculated assault on me, wordless and terrible. I felt what I can only call a strangeness stealing over me--akin to the strangeness I had felt all afternoon, but deeper and more intensified. It was like nothing so much as the sensation of drifting away.”
Short story club
I read this in Black Water 2: More Tales of the Fantastic, by Alberto Manguel, from which I’m reading one story a week with The Short Story Club, starting 24 March 2025.
You can read this story HERE.
You can join the group here. show less
“There was a contagion of evil in the air.”
It opens with Eddie (aged 19), home for the Christmas holidays, saying of Ellen:
“She had flowered suddenly and I, being a man and only a year older, hadn’t flowered at all.”
The print version I read, adds:
“She was nearly complete, yet the dew was still on show more her.”
Hmmmm.
They've been neighbours since childhood, but his sense of entitlement, tingled with lust, and increasingly disguised as concern, permeates the story in uneasy ways.
There are glitzy parties, and Ellen has many admirers, but Eddie is especially perturbed by one:
“A hard thin-faced man of about thirty-five with an air of being scarred, and a slight sinister smile. His eyes were a sort of taunt to the whole human family - they were the eyes of an animal, sleepy and quiescent in the presence of another species. They were helpless yet brutal, unhopeful yet confident. It was as if they felt themselves powerless to originate activity, but infinitely capable of profiting by a single gesture of weakness in another.”
Eddie is ostensibly concerned for Ellen, but his feelings are more complex. What follows is a white-knuckle exploration of the ethics of enforced protection, based on a hunch. It would make an excellent film.
Image: A locomotive train pulls into Chicago station in the 1920s. (Source)
The final paragraph might have been seen in a positive way in 1927, but verges on the creepy now:
“Of course she's coming out this fall, and I have two more years at New Haven; still, things don't look so impossible as they did a few months ago. She belongs to me in a way - even if I lose her she belongs to me.”
Quotes
• “His voice was muffled as though he were speaking through a silk scarf, and it seemed to come from a long way off.”
• “There began a slow, calculated assault on me, wordless and terrible. I felt what I can only call a strangeness stealing over me--akin to the strangeness I had felt all afternoon, but deeper and more intensified. It was like nothing so much as the sensation of drifting away.”
Short story club
I read this in Black Water 2: More Tales of the Fantastic, by Alberto Manguel, from which I’m reading one story a week with The Short Story Club, starting 24 March 2025.
You can read this story HERE.
You can join the group here. show less
Great novel with a little bit of everything going on… the difference between men driven from the heart and men driven from the head, the emptiness of fair weather friends, the hidden motivations that shape men’s decisions, and the collateral damage of volatile people, to name a few. The author chooses to land primarily on the mistake we often make of living in the past, chasing dreams that have already passed us by. All told, the author did a lot with this little novel, and he did it well.
This is a mess of a book. A beautiful mess, but still a mess.
We’re dropped into the middle of things as Dick and Nicole Driver are living in the Riviera, hosting and entertaining a motley group of friends through a mostly rich and idle summer.
Dick is a successful psychiatrist, and Nicole is a celebrated wealthy beauty who is devotedly in love with him. The lesser planets orbiting these two stars are just that: lesser beings who are shepherded by the Drivers. All seems frothy, light, show more exciting, and perhaps a bit too rich for a steady diet.
Enter Rosemary, a starlet from America, who turns Dick’s head and is the catalyst for the really messy parts of the story. We have a hint or two that something’s quite wrong, apart from Rosemary.
In part two we learn that Nicole has schizophrenia, and Dick is her doctor as well as her husband. The strains of this relationship bring about Dick’s eventual...collapse.
Fitzgerald is fascinated by the rich; he somehow thought they were different from us ordinary folks. But in this book he can’t conceal that their values and lives are shallow and based on the merest ephemera.
What makes the book a mess, I think, is that Fitzgerald seems to be trying to write two quite different narratives as one. It’s clear that Dick and Nicole start out as modeled on Gerald and Sarah Murphy, a wealthy couple who lived on the Riviera for years in much the same way as the Divers of Part One. But in Part Two, the couple morphs into imaginary portraits of Scott and Zelda Fitzgerald. That transition isn’t well-handled (to be fair, I don’t think it could be done well), and the book falters badly because of it.
Fitzgerald’s portrayal of his own disastrous, sloppy slide into alcoholism is brilliantly done, however, and redeemed the book for me.
There’s some beautiful writing here, a lot of it. That made up for some of the weaknesses.
Just as an aside, until I read this I had no idea of the depth and breadth of of Fitzgerald’s fear, disdain, and hatred toward women. He loved them, but they made him miserable; that misery is very much present in this book.
Well worth reading, even if just for the writing and the perfect picture of what would become the Jet Setters in the late 1920’s. show less
We’re dropped into the middle of things as Dick and Nicole Driver are living in the Riviera, hosting and entertaining a motley group of friends through a mostly rich and idle summer.
Dick is a successful psychiatrist, and Nicole is a celebrated wealthy beauty who is devotedly in love with him. The lesser planets orbiting these two stars are just that: lesser beings who are shepherded by the Drivers. All seems frothy, light, show more exciting, and perhaps a bit too rich for a steady diet.
Enter Rosemary, a starlet from America, who turns Dick’s head and is the catalyst for the really messy parts of the story. We have a hint or two that something’s quite wrong, apart from Rosemary.
In part two we learn that Nicole has schizophrenia, and Dick is her doctor as well as her husband. The strains of this relationship bring about Dick’s eventual...collapse.
Fitzgerald is fascinated by the rich; he somehow thought they were different from us ordinary folks. But in this book he can’t conceal that their values and lives are shallow and based on the merest ephemera.
What makes the book a mess, I think, is that Fitzgerald seems to be trying to write two quite different narratives as one. It’s clear that Dick and Nicole start out as modeled on Gerald and Sarah Murphy, a wealthy couple who lived on the Riviera for years in much the same way as the Divers of Part One. But in Part Two, the couple morphs into imaginary portraits of Scott and Zelda Fitzgerald. That transition isn’t well-handled (to be fair, I don’t think it could be done well), and the book falters badly because of it.
Fitzgerald’s portrayal of his own disastrous, sloppy slide into alcoholism is brilliantly done, however, and redeemed the book for me.
There’s some beautiful writing here, a lot of it. That made up for some of the weaknesses.
Just as an aside, until I read this I had no idea of the depth and breadth of of Fitzgerald’s fear, disdain, and hatred toward women. He loved them, but they made him miserable; that misery is very much present in this book.
Well worth reading, even if just for the writing and the perfect picture of what would become the Jet Setters in the late 1920’s. show less
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