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Pearl S. Buck (1892–1973)

Author of The Good Earth

430+ Works 37,100 Members 676 Reviews 78 Favorited

About the Author

Pearl S. Buck, June 26, 1892 - March 6, 1973 Pearl Sydenstricker Buck was an American author, best know for her novels about China. Buck was born on June 26, 1892, in Hillsboro, West Virginia, but as the daughter of Presbyterian missionaries she was taken to China in infancy. She received her early show more education in Shanghai, but returned to the United States to attend college, and graduated from Randolph-Macon Woman's College in Virginia in 1914. Buck became a university teacher there and married John Lossing Buck, an agricultural economist, in 1917. Buck and her husband both taught in China, and she published magazine articles about life there. Her first novel East Wind, West Wind was published in 1930. Buck achieved international success with The Good Earth, which won the Pulitzer Prize in 1932. This story of a Chinese peasant family's struggle for survival was later made into a MGM film. Buck resigned from the Presbyterian Board of Foreign Missions after publishing an article that was critical of missionaries. She returned to the United States because of political unrest in China. Buck's novels during this period include Sons, A House Divided, and The Mother. She also wrote biographies of her father (Fighting Angel) and her mother (The Exile). She won the Nobel Prize for Literature in 1938. During her career, Buck published over 70 books: novels, nonfiction, story collections, children's books, and translations from the Chinese. She also wrote under the pseudonym John Sedges. In the United States, Buck was active in the civil rights and women's rights movements. In 1942 she founded the East and West Association to promote understanding between Asia and the West. In 1949, Buck established Welcome House, the first international interracial adoption agency. In 1964, she established the Pearl S. Buck foundation to sponsor support for Amerasian children who were not considered adoptable. Pearl Buck died in Danbury, Vermont, on March 6, 1973. (Bowker Author Biography) show less

Series

Works by Pearl S. Buck

The Good Earth (1931) 15,366 copies, 289 reviews
The Big Wave (1948) 3,120 copies, 23 reviews
Pavilion of Women (1946) 1,384 copies, 29 reviews
Imperial Woman (1956) 1,314 copies, 26 reviews
Peony (1948) 1,017 copies, 23 reviews
Dragon Seed (1942) 992 copies, 15 reviews
East Wind, West Wind (1929) 888 copies, 27 reviews
Sons (1932) 768 copies, 24 reviews
The Living Reed (1963) 661 copies, 18 reviews
Christmas Day in the Morning (1955) 652 copies, 11 reviews
A House Divided (1934) 629 copies, 15 reviews
The Three Daughters of Madam Liang (1969) 583 copies, 11 reviews
Mandala (1970) 558 copies, 5 reviews
The Mother (1930) 543 copies, 15 reviews
Kinfolk (1949) 380 copies, 9 reviews
The Story Bible (1971) 361 copies, 2 reviews
Letter from Peking (1957) 334 copies, 5 reviews
My Several Worlds (1954) 321 copies, 1 review
The Exile (1936) 320 copies, 5 reviews
The Patriot (1939) 302 copies, 2 reviews
The Good Earth / Sons / A House Divided (1931) 295 copies, 2 reviews
The Hidden Flower (1952) 291 copies, 2 reviews
Portrait of a Marriage (1948) 245 copies, 5 reviews
Fighting Angel (1936) 229 copies, 5 reviews
The Promise (1943) 217 copies, 4 reviews
Come, My Beloved (1953) 196 copies, 3 reviews
Death in the Castle (1965) 191 copies, 6 reviews
A Bridge for Passing (1901) 187 copies, 4 reviews
The Eternal Wonder (2013) 185 copies, 8 reviews
The Time is Noon (1966) 185 copies, 3 reviews
God's men (1951) 184 copies, 5 reviews
The New Year (1968) 174 copies, 2 reviews
This Proud Heart (1938) 165 copies
The Angry Wife (1946) 152 copies, 4 reviews
The Child Who Never Grew (1950) 144 copies, 9 reviews
The Goddess Abides (1972) 134 copies, 5 reviews
Command the Morning (1959) 119 copies, 3 reviews
The Townsman (1969) 113 copies, 1 review
China Sky (1942) 89 copies, 1 review
Fourteen Stories (1961) 88 copies, 2 reviews
All Under Heaven (1973) 85 copies
The Long Love (1949) — Author — 83 copies, 2 reviews
The Rainbow (1974) 83 copies, 1 review
The Big Wave and Other Stories (1950) 78 copies, 1 review
Fairy Tales of the Orient (1965) 70 copies
Hearts Come Home and Other Stories (1970) 67 copies, 2 reviews
The Good Earth by Pearl S. Buck [graphic novel] (2017) — Original author — 65 copies, 3 reviews
China Flight (1979) 65 copies, 1 review
Pearl S. Buck's Oriental Cookbook (1972) 61 copies, 3 reviews
Other Gods (1940) 59 copies, 1 review
Voices in the House (1956) 58 copies, 1 review
Pearl S. Buck's Book of Christmas (1974) 50 copies, 1 review
The Kennedy Women (1970) 50 copies, 2 reviews
Satan Never Sleeps (1975) — Author — 50 copies, 1 review
Matthew, Mark, Luke and John (1967) 45 copies, 1 review
East and West: Stories (1975) 30 copies, 1 review
To My Daughters, with Love (1985) 26 copies
Christmas Ghost (1960) 25 copies, 1 review
The Dragon Fish (1997) 24 copies
Of Men and Women (1971) 23 copies
Bright Procession (1978) 22 copies, 1 review
A Pearl Buck Reader, Vol. 2 (1985) 22 copies, 1 review
A Pearl Buck Reader, Vol. 1 (1985) 22 copies
The People of Japan (1966) 21 copies
Pearl Buck's America (1971) 19 copies
The Water-Buffalo Children (1943) 19 copies, 1 review
Words of Love (1974) 18 copies, 1 review
The Young Revolutionist (1973) 18 copies
Pearl S. Buck, 1938 (1991) 18 copies
China Past and Present (1972) 17 copies
Today and Forever: Stories of China (1960) 17 copies, 1 review
The Beech Tree (1974) 14 copies
A Gift for the Children (1973) 14 copies
The Little Fox in the Middle (1980) 13 copies, 1 review
The Good Earth [abridged] (1989) 13 copies
The Big Fight (1965) 12 copies, 1 review
Obras escogidas (1931) 12 copies
Novelas de Pearl S. Buck III (1977) 11 copies, 1 review
Omnibus 11 copies
The Chinese Story Teller (1971) 11 copies
The Spirit and the Flesh (1946) 10 copies
One Bright Day (1965) 9 copies
China As I See It (1971) 8 copies
Satan Never Sleeps [1962 film] (1962) — Writer — 8 copies
All Men Are Brothers (1933) 7 copies
Joy of Children (1974) 7 copies
China Trilogy (1947) 7 copies
Yu Lan, the Flying Boy of China (1945) 7 copies, 1 review
Twenty-Seven Stories (1943) 6 copies
My Mother's House (1981) 6 copies
Die beiden Schwestern (1975) 6 copies
Welcome child (1963) 6 copies
China Gold (1947) 6 copies
Mrs. Starling's Problem (1973) 6 copies
China (1978) 5 copies
Children for Adoption (1965) 5 copies
Novelas I (1958) 5 copies
Mübarek Toprak (2023) 4 copies
Genug für ein Leben (1964) — Author — 4 copies
Novelas. V 4 copies
Novelas II 4 copies
The China I Knew (1990) 4 copies
The Big Wave 3 copies
A Certain Star (1957) 3 copies
The Chinese Novel (1974) 3 copies
The Complete Woman (1971) 3 copies
Terre coréenne (1992) 3 copies
Kinfolk, Part 1 3 copies
Children and the World (1977) 3 copies
Novelas IV 3 copies, 1 review
Orhideja 2 copies
Chinese Story Teller (1971) 2 copies
Altri Dei 2 copies
Pearl S. Buck 2 copies
LA CASA DEI FIORI (1971) 2 copies
KIRIK ÜMİTLER 2 copies
Mujer imperial 2 copies, 1 review
Novelas. III 2 copies
Los hijos prohibidos (1974) 2 copies
Pavilion of Women, Part 1 (1977) 2 copies
Pavilion of Women, Part 2 (1977) 2 copies
American Argument (1950) 2 copies
Opere 1 copy
Imperial Woman, Part 2 (1977) 1 copy
Orkide 1 copy
Moren 1 copy
Jezna žena 1 copy
Matka (2008) 1 copy
Between Two Worlds (1992) 1 copy
Ponosno srce 1 copy
Pearl Buck omnibus 1 copy, 1 review
Time is Noon 1 copy
Novelas 1 copy
La Coupe dorée (1976) 1 copy
The Exhile 1 copy
Mãe 1 copy
සරුබිම (2007) 1 copy
Vlastenec 1 copy
Ein Stern am Himmel (2005) 1 copy
ÄITI 1 copy
The New Year 1 copy
O Patríota 1 copy
الأم 1 copy
THE EXILE. 1 copy
Bambuskottet 1 copy
Bambú 1 copy
Sh̲ne Roman 1 copy
Gersemi 1 copy
A Pavillion of Women (1949) 1 copy
L'esule (2021) 1 copy
Je teprve poledne 1 copy, 1 review
Amor (1960) 1 copy
Mándalá 1 copy
Ema : romaan (1994) 1 copy
Stories of China (1941) 1 copy
Synové 1 copy, 1 review
Le opere 1 copy
Les femmes kennedy (1970) 1 copy
L'arcobaleno (1985) 1 copy
Relatos de la Biblia (1975) 1 copy
Mandala 1 copy

Associated Works

Young Fu of the Upper Yangtze (1932) — Introduction — 1,552 copies, 16 reviews
The Best American Mystery Stories of the Century (2000) — Contributor — 513 copies, 7 reviews
My Country and My People (1938) — Introduction, some editions — 248 copies, 4 reviews
Great Modern Short Stories (1955) — Contributor — 195 copies
Best Loved Books for Young Readers 02 (1876) — Contributor — 185 copies, 2 reviews
Short Stories from the Strand (1992) — Contributor — 150 copies, 1 review
An American Album: One Hundred and Fifty Years of Harper's Magazine (2000) — Contributor — 145 copies, 1 review
Home for Christmas: Stories for Young and Old (2002) — Contributor — 140 copies, 12 reviews
101 Years' Entertainment: The Great Detective Stories 1841-1941 (1941) — Contributor — 111 copies, 1 review
Masterpieces of Mystery : The Prizewinners (1976) — Contributor — 100 copies
Women's Magazines, 1940-1960: Gender Roles and the Popular Press (1998) — Contributor — 95 copies, 1 review
Great American Mystery Stories of the 20th Century (1989) — Contributor — 91 copies
Great Tales of Mystery & Suspense (1981) — Contributor — 67 copies, 1 review
Great American Short Stories (1977) — Contributor — 65 copies
The Arbor House Treasury of Mystery and Suspense (1981) — Contributor — 57 copies
O. Henry Memorial Award Prize Stories of 1943 (1943) — Contributor — 53 copies
The Seas of God: Great Stories of the Human Spirit (1944) — Contributor — 32 copies, 2 reviews
Pulitzer Prize Reader (1961) — Contributor — 27 copies
The Best of Both Worlds: An Anthology of Stories for All Ages (1968) — Contributor — 25 copies, 1 review
The Good Earth [1937 film] (1937) — Original book — 24 copies
Currents in Fiction (1968) — Contributor — 23 copies
The Adventures of Marco Polo (1948) — Foreword — 21 copies
The Writer's Book (2011) — Contributor — 20 copies
Pearl S. Buck: A Biography (1969) — Contributor — 20 copies
Garden to order (1963) — Introduction — 20 copies
Fifty Enthralling Stories of the Mysterious East (1937) — Contributor — 17 copies
The Panorama of Modern Literature (1934) — Contributor — 17 copies, 1 review
Heart to Heart: Stories for Grandparents (2002) — Contributor — 16 copies
Nobel Writers on Writing (2000) — Contributor — 15 copies
A Treasury of Doctor Stories (2005) — Contributor — 12 copies
Lady of Beauty (1997) — Foreword — 10 copies
Home for Christmas: Stories to Warm the Heart (1998) — Contributor — 8 copies
Mammoth Book of World War II Stories (1989) — Contributor — 7 copies
Life Styles (2001) — Contributor — 6 copies
Voiceless India — Introduction — 5 copies
Our Family (1939) — Introduction — 4 copies
Reader's Digest Condensed Books 1952 v03 (1953) — Contributor — 4 copies
The Word Lives On: A Treasury of Spiritual Fiction (1951) — Contributor — 3 copies
The Big Wave [1961 film] — Original novel — 2 copies
Ten Great Stories: A New Anthology (1945) — Contributor — 2 copies
Writer's Roundtable (1959) 2 copies
Coronet, April 1941 — Contributor — 1 copy
Reader's Digest 4 in 1 The New Year etc. — Contributor — 1 copy
Im Kerzenschein. Geschichten zum Träumen (1900) — Contributor — 1 copy
The Avon Annual: 18 Great Story of Today (1944) — Contributor — 1 copy
O. Henry Memorial Award Prize Stories of 1934 (1934) — Contributor — 1 copy
O Pioneers! / The Great Gatsby / The Good Earth (1989) — Contributor — 1 copy

Tagged

20th century (312) American (158) American literature (356) Asia (324) biography (162) China (2,180) Christmas (147) classic (561) classics (525) ebook (152) family (199) fiction (3,577) historical (171) historical fiction (1,062) history (143) Japan (214) Kindle (157) literature (495) Nobel Prize (144) non-fiction (97) novel (531) own (127) Pearl S. Buck (227) Pulitzer (116) Pulitzer Prize (176) read (235) Roman (244) to-read (1,271) unread (186) women (111)

Common Knowledge

Canonical name
Buck, Pearl S.
Legal name
Buck, Pearl Sydenstricker
Other names
Zhenzhu,Sai
Sedges, John
Sydenstricker, Pearl Comfort (birth name)
Birthdate
1892-06-26
Date of death
1973-03-06
Gender
female
Education
Randolph-Macon Woman's College (AB|1914 ∙ Classics)
Cornell University (MA|1926)
Occupations
novelist
teacher
Organizations
American Academy of Arts and Letters (1936)
Presbyterian Church in the United States
Kappa Delta
Founder East and West Association (1942)
Founder Welcome House (1949)
Founder Pearl S. Buck Foundation (1964)
Awards and honors
Nobel Prize (Literature, 1938)
Pulitzer Prize (1932)
Relationships
Spurling, Hilary (biographer)
Short biography
Pearl Sydenstricker was the daughter of Southern Presbyterian missionaries. She spent much of her life in China, though she graduated from Randolph-Macon Woman's College in Lynchburg, Virginia. From childhood she was bilingual in English and Chinese. She married an agricultural economist named John Lossing Buck in 1917, and together they lived in rural Anhwei province, an impoverished area. Her Pulitzer Prize-winning novel The Good Earth, and other stories set in China are based on what she learned while living there. In 1935, after divorcing John Buck, Pearl married publisher Richard Walsh. In 1938, Buck became the first American woman to win the Nobel Prize in literature. She is buried at Green Hills Farm, in Bucks County, Pennsylvania.
Cause of death
cancer (lung)
Nationality
USA
Birthplace
Hillsboro, West Virginia, USA
Places of residence
Zhenjiang, China
Nanjing, China
Bucks County, Pennsylvania, USA
Ithaca, New York, USA
Place of death
Danby, Vermont, USA
Burial location
Green Hills Farm, Perkasie, Pennsylvania, USA
Associated Place (for map)
USA

Members

Discussions

March 2025: Pearl S. Buck in Monthly Author Reads (March 2025)
Found: Children's Book about Giant Wave in Japan in Name that Book (December 2022)

Reviews

746 reviews
And when he was weary he lay down upon his land and he slept and the health of the earth spread into his flesh and he was healed of his sickness.

The Good Earth
follows Wang Lung from his wedding day to his death, as he goes from a poor farmer to a rich patriarch. But is he happier at the end? (That's basically the point of what I found to be an interesting novel, albeit a depressing one.)

At different times, The Good Earth reminded me of [b:The Grapes of Wrath|18114322|The Grapes of show more Wrath|John Steinbeck|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1375670575l/18114322._SY75_.jpg|2931549] and [b:East of Eden|4406|East of Eden|John Steinbeck|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1544744853l/4406._SY75_.jpg|2574991] (both of which were written later). Ms. Buck's goal was to write a family saga featuring well-rounded Chinese characters, not the stereotypes that had previously peopled western literature about the Chinese. (She was a fascinating person -- so far ahead of her time when it comes to equality issues. If you don't know anything about Ms. Buck, look her up.)

Excerpts from various literary critiques were included at the end of edition I read. Two criticisms that I found interesting were (a) cultural corrections made by Chinese-American critics and (b) protests about her featuring mostly poor, uneducated characters. Ms. Buck's response to these issues were basically that China is a huge country with diverse culture and she was accurately depicting the area where she lived, and that the characters she featured represent people who aren't going to write about themselves.

*As part of my classic-of-the-month project, this summer is devoted to white people (two British men & an American woman) writing about Asia: ([b:A Passage to India|45195|A Passage to India|E.M. Forster|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1421883612l/45195._SY75_.jpg|4574850], this book, and [b:The Painted Veil|99664|The Painted Veil|W. Somerset Maugham|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1320421719l/99664._SY75_.jpg|1069201]. I've purposely picked books that (hopefully) aren't ragingly racist.
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As a work of historical fiction, Imperial Woman follows the political history, as well as the gossipy side of that history, pretty well. And as is usually the case with Buck's fiction, her storytelling skills immediately bring the reader into the novel. For what is the fourth or fifth time, I began reading a Buck novel with only the intent to look at the first few pages and quickly found myself some ninety pages in.

I am not sure about Buck's accuracy in detailing actual Chinese beliefs and show more cultural attitudes--she often seems to read her own values into theirs, whether they be Chinese peasants or aristocrats. But Buck does manage to pull off quite a feat in making Western readers side almost entirely with the Chinese view of Western inroads into China. More than that, Buck can cock a snook better than anyone when criticizing Western missionaries, ambassadors, their wives, and merchants.

Against this grand context of China versus the West during the last half of the nineteenth century, there is also the personal story of the Empress Tzu Hsi (Cixi). Quite a story it is, of a concubine who works her way to the throne and ultimate power, dispensing with three emperors along the way and a host of princes, generals, retainers, and imperial eunuchs. Always a reactionary, Tzu Hsi nevertheless generates sympathy all the while. And even when Buck ends the novel, the reader finds Tzu Hsi plotting to control yet a fourth emperor, the boy emperor Puyi. Then, Buck chooses to close her book before that equally tragic tale can begin in full--which would come on the very deathbed of Tzu Hsi.
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One thing I could not understand and do not yet and this was the apparent lack of interest or curiosity in Americans about other countries and peoples. I remember my wonder that my college mates never asked me about China, or what the people there ate and how the lived and whether China was like our country. So far as I can remember, no one ever asked me a question about the vast humanity on the other side of the globe.

Pearl Buck is the woman whose name is trotted out to show the folly of show more the Nobel Prize. No Joyce. No Proust. No Tolstoy or Rilke. But Pearl Buck, right there, 1938. Even at the time it was considered a poor choice, and she knew it.

The award came, as I have before, at a time when I needed it most. I had met that difficult period of a writer’s life, when the reaction, which the American public invariably bestows upon anyone whom it has discovered and praised, has set in. Since the praise is always too much and too indiscriminate the opposing criticism and contempt are also too much and too indiscriminate.

Yet I grew up reading Pearl Buck’s novels: along with Jack London and Poe they’re among the first serious bits of literature I can recall reading. As early as I can remember I had an insatiable interest in Asia, and I devoured a number of volumes from my small school library, including the series that began with The Good Earth. It’s been so long since I read those, and I’ve heard the scorn that has been heaped on her, and I thought: Well, probably a middle school kid doesn’t know much. But just by chance I walked into a bookstore and looked around for a long time before deciding I really wasn’t interested in buying anything, but as the bookshop owner didn’t seem to be getting much business and looked so hopeful I felt bad about leaving empty-handed, so I grabbed a dusty, cheap paperback copy of Pearl Buck’s autobiography for a dollar (35 Thai baht), not even really intending to read it. I went from there immediately to lunch, and opened the book to find one of the most awkward opening sentences in history:

This morning I rose early, as is my habit, and as usual I went to the open window and looked out over the land that is to me the fairest I know.

Why the “to me?” Why not just “the land that is the fairest I know?” Things did not immediately bode well for My Several Worlds. And yet lunch continued, as it must, and I trudged on. And I started to like it. Then I really started to like it. Yes, it was quaint and sort of brittle, and there were some unfortunate choices of phrasing, and there were entire sections that I could have done without, but finally it was of enormous interest, and I thought: this woman is spat upon why? Not counting a recent boost from Oprah (naturally), Buck has remained in critical neglect and forgotten by readers for some time. My Several Worlds is long out-of-print. But I’ll wager that few autobiographies are as interesting or as rewarding as this. The woman lived a hell of a life, and it’s amazing to see so many of the events, the trials, and, most of all perhaps, the interior battles that are there on the page and even seem barely realized by the author – and it is these inner conflicts that make the book fascinating. She was raised by missionaries, which is enough to automatically discount most people as worthless, and yet, while she loved her parents, there is also a sad acknowledgment of the futility, and even the potential harm, of the missions:

But somewhere I learned from Thoreau, who doubtless learned it from Confucius, that if a man comes to do his own good for you, then you must flee that man and save yourself.

Not to mention that she was one of the more notable divorcees of the 1930s.

Buck has a knee-jerk loathing of anything associated with “Communism, ” yet she admits that the Chinese merely chose the best of a couple of awful options available to them, and says that the Russian peasants were the lowest of the low, and so it was no wonder they latched onto Communism:

I had seen poverty in China and starvation in famine times and I was later to see poverty in my own country in city slums and in southern towns, but never had I, nor have I since, seen poverty equal to pre-revolutionary Russia.

This, it should be added, includes a later trip to India.

The descriptions of Chinese life are detailed and fascinating (Buck learned Chinese fluently before English), as are the descriptions of the tumultuous times that would eventually drive her out of China forever. Buck got to know a wide cross-section of Chinese society, from the peasants to the intellectuals, who would quickly evolve from the traditional Confucian intellectuals of empirical times to the “Westernized intellectuals” who Buck all but blames for driving the country to disaster. And perhaps she’s right. She reproduces an exchange in the New York Times: a Chinese professor living in the States takes Buck to task for the depictions in The Good Earth as not being true-to-life, and she responds by very carefully and methodically pointing out that the gentleman, despite being Chinese, has no idea what he’s talking about. I’m inclined to side with Pearl.

Pearl Buck can seem naïve. She did not live in the United States and barely knew the country until she was in her twenties, and holds it up on a pedestal as being mostly saintly, and entirely innocent of the sort of crass acts of the British, Germans, and other white folk in China, which certainly isn’t true, even if the U. S. was less blatantly obvious about their thieving. She also likes to use the term “we Americans, ” as if to convince herself that she is fully American, as apple pie, like everyone else. But this is undermined time and again by statements she makes, in which she bemoans American insularity, or unfavorably compares the American family system with the Chinese (in which it is very rare that unfortunates like the elderly or orphans are simply left to fend for themselves), and feels American children to be among the unhappiest on earth, or when she finally discovers, in an exhibition of paintings by black painters in New York, the “sad dark faces… dead bodies swinging from trees… charred remains of houses and tragic children” and the disgusting racism of the time: “It was a blow from which I could not recover.”

Yet Mrs. Buck is not exempt from a woefully tin-eared attempt at dialect, either, right out of the Stepin’ Fetchit handbook:

“Whyn’t you tell me you was comin’ to see Mist’ Billy Phelps, lady?” he demanded. “I always tends to his company first.”

I find the author’s contradictions and uncertainties fascinating. She doesn’t hold herself up as an ideal, and her autobiography is thankfully free of self-congratulation. I’m willing to forgive her missteps because overall this is a valuable and illuminating book. We meet figures from her past, like her Confucian tutor (But the important lesson he taught me was that if one would be happy he must not raise his head above his neighbor’s. “He who raises his head above the heads of others, ” Mr. Kung said, “will sooner or later be decapitated.”). We witness a massive nation in the early stages of titanic change. The turmoil that was gripping China in Buck’s time was comparable to that bubbling up in Russia and Europe. There was constant government instability after the end of the imperial dynasty – at one point Buck and her family barely escaped being massacred by a mob through the grace of a servant who was able to hide them – and the country went from empress to child emperor to warlords to Nationalists to Japanese to Communists in a relatively short period of time. Though eventually she finds peace in America – and it here, later in the book, that the focus shifts to America and thus, for me, loses much interest – she remains haunted by the ghosts of her Chinese past.

I doubt that America is any less insular now than it was in Buck’s time, and what she feared would eventually happen - that ignorance would lead America to unnecessary wars in Asia - has occurred a few times over. Perhaps now is a worthwhile time to reevaluate Pearl Buck.
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This is the first in a trilogy of novels published in the 1930s about the lives of generations of a family of Chinese peasants in the late 19th and early 20th centuries. The author was American Pearl S Buck, daughter of Presbyterian missionaries and who spent much of the first 40 years of her life in China. This novel was, rather counter-intuitively, the best-selling novel in the US in 1931 and 1932, in which latter year it won the Pulitzer Prize, while Buck herself was the first American show more woman to win the Nobel Prize in Literature in 1938.
The beauty of the novel is that the land, the soil, the earth of the title is almost a character in its own right. It belongs to farmer Wang Lung and his family which early on in the novel consists of himself, his young wife O-Lan, and their two young sons, and Wang's father; with a feckless uncle, with his wife and son, lurking in the background. Wang works hard but struggles. Famine comes to the land and desperate times. His family moves to a southern city where, eventually they encounter political turbulence and Wang acquires a small fortune of gold coins. Back home in his village, he wisely buys land and grows his farm, becoming prosperous. There are sad and tragic scenes, humour, pathos and an interesting cast of characters. One shocking aspect is the way daughters are treated as opposed to sons, girls are described as "slaves" who are (though not in Wang's family) sold off (or even killed) during times of hardship to help the family.
Part of the overall allure and mystery of the novel is its seeming to take place outside time and place - we don't find out the names of most of Wang's family members, and the outside world rarely impinges on their lives, with unspecified references to wars and revolutions, which I thought must refer to the Boxer rebellion of 1901 and the revolution that overthrew the Manchus in 1911-12, though the the stretches of time in the family's lives seems longer than these events allow - Wang is about 20 at the novel's start and about 70 at its end. I love Buck's writing style and her deep empathy for her characters and their landscape and culture.
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Lists

1940s (1)
1950s (1)
Asia (1)
. (1)
1930s (2)

Awards

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Richard Hoffman Translator
Mark Buehner Illustrator
Eugene Field Contributor
Marcel Prévost Contributor
Adalbert Stifter Contributor
Charles Dickens Contributor
Bret Harte Contributor
Alphonse Daudet Contributor
Maxim Gorky Contributor
Sir Walter Scott Contributor
O. Henry Contributor
Mary Austin Contributor
Feodor Dostoyevsky Contributor
Guy de Maupassant Contributor
François Coppée Contributor
John Fox Contributor
L. Frank Baum Contributor
Anthony Trollope Contributor
Maxime Du Camp Contributor
Arthur Train Contributor
Frank R. Stockton Contributor
J. M. Barrie Contributor
Henry Van Dyke Contributor
Israel Zangwill Contributor
Washington Irving Contributor
Jeanyee Wong Illustrator
Robert Jones Illustrator
Fyodor Dostoyevsky Contributor
Andrew Garve Contributor
Andrea Damiano Translator
Bep Zody Translator
Liv Malling Translator
Anthony Heald Narrator
S. Kortemeier Cover designer
Oscar Mendes Translator
Ernst Simon Translator
Richard Hoffmann Translator
Justinian Frisch Translator
Bruno Oddera Translator
Stanis La Bruna Translator
Clare Lennart Translator
Ferruccio Fölkel Contributor
Lisbeth Renner Translator
Guillermo Gossé Translator
Luis Gossé Translator
Lou Marchetti Cover artist
Louis Renner Translator
Elvira Martin Translator
Gerard Messelaar Translator
Ingrid Jespersen Translator
Maria Meinert Translator
Renée Grollero Translator
Anne Polzer Translator
Bettina Hansmann Translator
Kurt Werth Illustrator
Donald Lizzul Illustrator
renateursula Übersetzer
Anna Marie Magagna Illustrator
Elaine Scull Illustrator
Fritz Francken Translator

Statistics

Works
430
Also by
83
Members
37,100
Popularity
#492
Rating
3.9
Reviews
676
ISBNs
1,159
Languages
30
Favorited
78

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