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Robert A. Heinlein (1907–1988)

Author of Starship Troopers

456+ Works 174,097 Members 2,599 Reviews 727 Favorited
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About the Author

Robert Anson Heinlein was born on July 7, 1907 in Butler, Mo. The son of Rex Ivar and Bam Lyle Heinlein, Robert Heinlein had two older brothers, one younger brother, and three younger sisters. Moving to Kansas City, Mo., at a young age, Heinlein graduated from Central High School in 1924 and show more attended one year of college at Kansas City Community College. Following in his older brother's footsteps, Heinlein entered the Navel Academy in 1925. After contracting pulmonary tuberculosis, of which he was later cured, Heinlein retired from the Navy and married Leslyn MacDonald. Heinlein was said to have held jobs in real estate and photography, before he began working as a staff writer for Upton Sinclair's EPIC News in 1938. Still needing money desperately, Heinlein entered a writing contest sponsored by the science fiction magazine Thrilling Wonder Stories. Heinlein wrote and submitted the story "Life-Line," which went on to win the contest. This guaranteed Heinlein a future in writing. Using his real name and the pen names Caleb Saunders, Anson MacDonald, Lyle Monroe, John Riverside, and Simon York, Heinlein wrote numerous novels including For Us the Living, Methuselah's Children, and Starship Troopers, which was adapted into a big-budget film for Tri-Star Pictures in 1997. The Science Fiction Writers of America named Heinlein its first Grand Master in 1974, presented 1975. Officers and past presidents of the Association select a living writer for lifetime achievement. Also, the Science Fiction and Fantasy Hall of Fame inducted Heinlein in 1998. Heinlein died in 1988 from emphysema and other related health problems. Heinlein's remains were scattered from the stern of a Navy warship off the coast of California. (Bowker Author Biography) show less

Includes the names: Heinlein R, Heinlein R, Heinlein Ra, Lyle Monroe, R. Khajnlajn, R.A. Heinlein, Anson MacDonald, Heinlein Robert, Robert Khajnlajn, Robert Khainlain, Robert KHaĭlaĭn, Robert A. Heinleir, A. Robert Heinlein, Robert A. Heinlein, Heinlein Robert A., Heinlein A. Robert, Robert A. Heinlein, Robert E. Heinlein, Robert A. Heinlien, Robert A. Heinlein, Roberrt A. heinlein, Хайнлайн Р., Robert Anson Heinlein, Robert Anson Heinlein, Хайнлайн Р. 9, editor Robert Heinlein, R.A.ハインライン, Хайнлайн Р. 13, Хайнлайн Р. 23, רוברט הינלין, Robert A. Heinlein - Ed., R・A ハインライン, Robert A- Editor, Heinlein, רוברט א הינלין, Хайнлайн Роберт, Роберт Хайнлайн, Written by Robert A. Heinlein, Роберт Гайнлайн, Робърт Хайнлайн, Роберт Хайнлайн, Heinlein; Robert Anson Heinlein, Robert A. Heinlein: De tijdpoort, Robert A. Heinlein: Ruimtejockey, ロバート A.ハインライン, Robert A. guest editorial Heinlein, ロバート・A.ハインライン, ロバート・A ハインライン, ロバート・A. ハインライン, ロバート・A・ハインライン, Robert A. Heinlein: T' Kan exploderen, Robert A. Heinlein: Slavernij op Venus, Роберт Ансон Хайнлайн, Робърт Ансън Хайнлайн, Robert A. Heinlein: De donkere holen van Luna, Robert A. Heinlein: Heerlijk weer terug te zijn, Robert A. Heinlein: De man die de maan verkocht., Richard Robert A.; Illustrated by Powers Heinlein

Series

Works by Robert A. Heinlein

Starship Troopers (1959) 13,436 copies, 252 reviews
Stranger in a Strange Land (1961) 12,145 copies, 181 reviews
The Moon Is a Harsh Mistress (1966) 11,418 copies, 212 reviews
Stranger in a Strange Land (Uncut Edition) (1991) 9,224 copies, 159 reviews
Time Enough for Love (1973) 5,975 copies, 67 reviews
Friday (1982) 5,445 copies, 75 reviews
The Cat Who Walks Through Walls (1985) 5,245 copies, 56 reviews
Job: A Comedy of Justice (1984) 4,571 copies, 57 reviews
The Door into Summer (1956) 4,390 copies, 89 reviews
The Number of the Beast (1980) 4,195 copies, 48 reviews
Have Spacesuit, Will Travel (1958) 4,068 copies, 64 reviews
The Puppet Masters (1951) 3,942 copies, 53 reviews
Glory Road (1963) 3,907 copies, 56 reviews
I Will Fear No Evil (1970) 3,662 copies, 43 reviews
Double Star (1956) 3,378 copies, 86 reviews
Citizen of the Galaxy (1957) 3,361 copies, 73 reviews
To Sail Beyond the Sunset (1987) 3,314 copies, 26 reviews
Farnham's Freehold (1964) 3,224 copies, 48 reviews
Tunnel in the Sky (1955) 3,091 copies, 47 reviews
The Past Through Tomorrow (1967) 2,931 copies, 23 reviews
Podkayne of Mars (1963) 2,678 copies, 39 reviews
Orphans of the Sky (1963) 2,644 copies, 44 reviews
Methuselah's Children (1941) 2,626 copies, 20 reviews
Red Planet (1949) 2,612 copies, 36 reviews
Starman Jones (1953) 2,382 copies, 36 reviews
The Rolling Stones (1952) 2,342 copies, 30 reviews
The Green Hills of Earth (1951) 2,286 copies, 25 reviews
Sixth Column (1941) 2,285 copies, 30 reviews
Space Cadet (1948) 2,281 copies, 25 reviews
Revolt in 2100 (1939) 2,247 copies, 24 reviews
Farmer in the Sky (1950) 2,227 copies, 30 reviews
Time for the Stars (1956) 2,186 copies, 42 reviews
The Star Beast (1954) 2,167 copies, 29 reviews
Beyond This Horizon (1942) 2,149 copies, 35 reviews
The Unpleasant Profession of Jonathan Hoag (1959) 2,095 copies, 26 reviews
Expanded Universe (1980) 2,060 copies, 13 reviews
The Man Who Sold the Moon (1939) 2,059 copies, 26 reviews
Between Planets (1951) 2,004 copies, 28 reviews
Assignment in Eternity (1941) 1,917 copies, 23 reviews
Waldo & Magic, Inc. (1950) 1,852 copies, 20 reviews
Rocket Ship Galileo (1947) 1,823 copies, 29 reviews
The Menace from Earth (1959) 1,778 copies, 14 reviews
For Us, The Living: A Comedy of Customs (2004) 1,510 copies, 35 reviews
Variable Star (2006) 1,318 copies, 45 reviews
Grumbles from the Grave (1989) 1,246 copies, 12 reviews
Requiem (1992) 799 copies, 5 reviews
The Notebooks of Lazarus Long (1978) 770 copies, 10 reviews
The worlds of Robert A. Heinlein (1966) — Introduction — 700 copies, 4 reviews
Revolt in 2100 • Methuselah's Children (1998) 663 copies, 4 reviews
Tomorrow the Stars (1952) — Editor — 656 copies, 6 reviews
The Fantasies of Robert A. Heinlein (1999) 388 copies, 10 reviews
Tramp Royale (1992) 355 copies, 3 reviews
''All You Zombies - -'' | Five Classic Stories (1959) 274 copies, 19 reviews
Take Back Your Government (1992) 237 copies, 3 reviews
The Past Through Tomorrow, Vol. 1 (1939) 162 copies, 2 reviews
The Past Through Tomorrow, Vol. 2 (1977) 146 copies, 2 reviews
Assignment in Eternity, Vol 2 (1941) 114 copies, 3 reviews
Man Who Sold the Moon / Orphans of the Sky (2013) 91 copies, 1 review
The best of Robert Heinlein (1973) 90 copies, 1 review
Destination Moon (1950) 88 copies, 1 review
The Year of the Jackpot (1952) 86 copies, 2 reviews
Starship Troopers 3: Marauder [2008 film] (2008) — Author — 75 copies
Silent Thunder/Universe (1991) — Contributor — 71 copies, 1 review
The Roads Must Roll [short fiction] (1940) 67 copies, 2 reviews
Life Line (1939) 67 copies, 1 review
The Puppet Masters [1994 film] (1994) — Writer — 64 copies
Magic, Inc. (1940) 50 copies, 2 reviews
The Best of Robert A.Heinlein, 1939-1942 (1977) 49 copies, 2 reviews
Universe [short fiction] (1941) 47 copies, 5 reviews
Lost Legacy (1941) 45 copies
By His Bootstraps [short fiction] (1941) 43 copies, 3 reviews
Tenderfoot in Space (1956) 42 copies
Ordeal in Space [short fiction] (1948) 41 copies, 1 review
Misfit [short fiction] (1939) 40 copies, 1 review
"—We Also Walk Dogs" [short fiction] (1941) 38 copies, 1 review
The Best of Robert Heinlein 1947-1959 (1977) 34 copies, 1 review
Blowups Happen [short fiction] (1940) 33 copies, 1 review
Coventry [short fiction] (1940) 30 copies, 2 reviews
Historia del futuro II (1981) 27 copies, 1 review
Project Moonbase and Others (2008) 27 copies, 1 review
If This Goes On (1940) 25 copies, 1 review
Historia del futuro I (2009) 24 copies, 2 reviews
The Long Watch [short story] (1948) 24 copies, 1 review
The Black Pits of Luna [short fiction] (1947) 22 copies, 1 review
Logic of Empire [short fiction] (1941) 22 copies, 1 review
It's Great to Be Back [short fiction] (1946) 21 copies, 1 review
Searchlight [short fiction] (1962) 19 copies, 1 review
Delilah and the Space Rigger [short story] (1949) 19 copies, 1 review
Waldo (2019) 18 copies, 3 reviews
Space Jockey [short story] (1947) 18 copies
Sky Lift (1953) 16 copies, 1 review
Our Fair City [Short Story] (1948) 16 copies, 1 review
Requiem en andere verhalen (1979) 15 copies
Historia del futuro III (1986) 14 copies, 1 review
Goldfish Bowl (1943) 13 copies
They (1941) 13 copies, 1 review
Gulf (1949) 12 copies, 1 review
Requiem [short fiction] (1939) 12 copies
Alpha : science fictionnoveller. 1 (1980) — Contributor — 12 copies
Supernova (1974) 11 copies
Let There Be Light [short fiction] (1940) 11 copies, 1 review
Das große Robert A. Heinlein Lesebuch (1986) 11 copies, 1 review
'—All You Zombies—' (1959) 10 copies, 1 review
Historia del futuro IV (1986) 10 copies, 1 review
Free Men (1946) 10 copies
Jerry Was A Man (1947) 9 copies
The Complete Future History (2017) 9 copies, 1 review
Common Sense [short fiction] 8 copies, 1 review
Successful Operation (1940) 8 copies
Elsewhen [short story] (1941) 8 copies
Drie SF-novellen (1978) 8 copies
Heinlein Box Set (1975) 7 copies
How To Be A Politician (1992) 7 copies
Pied Piper (1943) 7 copies
The Bulletin Board (1951) 6 copies
This I Believe 6 copies, 1 review
Great Sf Heinlein Bxs (1979) 5 copies
Topeltstaar (2019) 5 copies
Destination Outreterres (2022) 5 copies
Creating a Genre (2010) 5 copies
"Beyond Doubt" 5 copies, 1 review
Poor Daddy (1949) 5 copies
Friday, part 3 of 3 (1983) 4 copies
Infanteria stelar♯ (1993) 4 copies
La sombra del espacio (1979) 4 copies
Universo (2004) 4 copies
Friday, part 1 of 3 (1983) 4 copies
Witch's Daughters (1946) 4 copies, 1 review
Friday, part 2 of 3 (1983) 4 copies
Science Fiction Omnibus 2 4 copies, 1 review
A Bathroom of Her Own (1946) 4 copies
Urania #323 (1963) — Author — 3 copies
Galaktika kodanik (2021) 3 copies
Heil! 3 copies
They Do It with Mirrors (1947) 3 copies
On The Slopes Of Vesuvius (1947) 3 copies
Dance Session 3 copies
Farmer in the Sky / Orbitsville (1990) — Contributor — 3 copies
Science Fiction Omnibus 3 copies, 1 review
Kawaleria Kosmosu (1994) 2 copies
Longue vie (1999) 2 copies
Missione nell'eternità (1992) 2 copies
Non temerò alcun male (1972) 2 copies
Jackpots (2011) 2 copies
Metuusala lapsed (2023) 2 copies
Kangelaste tee (2025) 2 copies
Pied Piper 2 copies
Cliff and the Calories (1950) 2 copies
16 Heinleins 1 copy
Lazarus Long books 1 copy, 1 review
Tetralogiya Buduschego (2006) 1 copy
Stea dublă 1 copy
Route de la gloire (1988) 1 copy
Dubler 1 copy
Pioniere im Weltall (1951) 1 copy
1967 1 copy
The Elephant Circuit (2023) 1 copy
Elsdiek 1 copy
Ajt a nyrba 1 copy

Associated Works

This I Believe: The Personal Philosophies of Remarkable Men and Women (2006) — Contributor — 1,147 copies, 36 reviews
The World Treasury of Science Fiction (1989) — Contributor — 969 copies, 2 reviews
Adventures in Time and Space (1946) — Contributor, some editions; Contributor, some editions — 611 copies, 8 reviews
Starship Troopers [1997 film] (1997) — Original book; Author — 567 copies, 7 reviews
Masterpieces: The Best Science Fiction of the Century (2001) — Contributor — 525 copies, 9 reviews
Fifty Short Science Fiction Tales (1963) — Contributor — 499 copies, 7 reviews
Godbody (1986) — Introduction, some editions — 439 copies, 14 reviews
The Ascent of Wonder: The Evolution of Hard SF (1994) — Contributor — 438 copies, 6 reviews
A Treasury of Great Science Fiction, Volume 1 (1959) — Contributor — 378 copies, 5 reviews
Omnibus of Science Fiction (1952) — Contributor — 356 copies, 9 reviews
A Treasury of Great Science Fiction, Volume 2 (1959) — Contributor — 354 copies, 3 reviews
Where Do We Go from Here? (1971) — Contributor — 350 copies, 8 reviews
A Treasury of Great Science Fiction [2-volume set] (1959) — Contributor — 323 copies, 6 reviews
There Will Be War (1983) — Contributor — 291 copies
Masterpieces of Fantasy and Enchantment (1988) — Contributor — 286 copies, 4 reviews
The Road to Science Fiction #3: From Heinlein to Here (1979) — Contributor — 265 copies, 4 reviews
The Astounding Science Fiction Anthology (1952) — Contributor — 252 copies, 2 reviews
Writing Science Fiction & Fantasy (1991) — Contributor — 244 copies, 2 reviews
Cats in Space...and Other Places (1992) — Contributor — 242 copies
The World Turned Upside Down (2005) — Contributor — 242 copies, 6 reviews
American Science Fiction: Five Classic Novels 1956–58 (2012) — Contributor — 230 copies, 1 review
The Glory That Was (1960) — Introduction, some editions — 228 copies, 1 review
The Arbor House Treasury of Modern Science Fiction (1980) — Contributor — 227 copies, 2 reviews
Tomorrow's Children (1966) — Contributor — 222 copies, 5 reviews
The Fantasy Hall of Fame (1998) — Contributor — 218 copies, 1 review
A Century of Science Fiction (1962) — Contributor — 209 copies, 2 reviews
A Treasury of Science Fiction (1948) — Contributor, some editions — 201 copies, 3 reviews
Isaac Asimov Presents : The Great SF Stories 1 (1939) (1939) — Contributor — 190 copies, 4 reviews
The Arbor House Treasury of Great Science Fiction Short Novels (1980) — Contributor — 189 copies, 1 review
The Wesleyan Anthology of Science Fiction (2010) — Contributor — 171 copies, 3 reviews
Space Odyssey (1983) — Contributor — 167 copies, 3 reviews
The Best from Fantasy and Science Fiction: 9th Series (1961) — Contributor — 163 copies
Another Round at the Spaceport Bar (1989) — Contributor — 160 copies
The Golden Age of Science Fiction (1946) — Contributor; Contributor — 158 copies, 3 reviews
Time Probe: The Sciences in Science Fiction (1967) — Contributor — 156 copies, 3 reviews
The Endless Frontier (1979) — Contributor — 155 copies, 2 reviews
Worlds to Come (1942) 151 copies, 3 reviews
The Road to Science Fiction #2: From Wells to Heinlein (1979) — Contributor — 147 copies, 1 review
A Treasury of Modern Fantasy (1981) — Contributor — 144 copies, 1 review
Three Times Infinity (1958) — Contributor — 137 copies, 1 review
The SFWA Grand Masters, Volume 1 (1999) — Contributor — 137 copies, 2 reviews
Spectrum (1961) — Contributor — 132 copies, 3 reviews
The Future Makers (1968) — Contributor — 132 copies, 3 reviews
Beyond Tomorrow (1934) — Contributor — 126 copies, 2 reviews
Mars, We Love You (1971) — Contributor — 124 copies, 2 reviews
American Science Fiction: Nine Classic Novels of the 1950s (2012) — Contributor — 122 copies, 3 reviews
First Contact (1971) — Contributor — 118 copies
The Worlds of Science Fiction (1963) — Contributor — 118 copies, 1 review
Analog Anthology #1: Fifty Years of the Best Science Fiction From Analog (1980) — Contributor — 118 copies, 1 review
Infinite Stars: Dark Frontiers (2019) — Contributor — 117 copies, 3 reviews
Great Science Fiction Stories (1964) — Contributor — 113 copies, 2 reviews
Science Fiction Terror Tales (1955) — Contributor — 112 copies
Foundations of Fear (1992) — Contributor — 108 copies, 2 reviews
Thor's Hammer (1979) — Contributor — 107 copies, 1 review
Apeman, Spaceman (1968) — Contributor — 107 copies, 3 reviews
The Saturday Evening Post Reader of Fantasy and Science Fiction (1963) — Contributor — 104 copies, 1 review
New Destinies, Volume 7, Spring 1989 (1989) — Contributor — 103 copies, 2 reviews
Unknown Worlds : Tales from Beyond (1988) — Contributor — 103 copies
The Prentice Hall Anthology of Science Fiction and Fantasy (2000) — Contributor — 101 copies, 2 reviews
Best SF Two (1956) — Contributor — 101 copies, 1 review
Giants Unleashed (1965) — Contributor — 99 copies, 2 reviews
The Dark Side (1965) — Contributor — 96 copies, 2 reviews
The Magazine of Fantasy & Science Fiction: A 30-Year Retrospective (1980) — Contributor — 94 copies, 1 review
The Best of All Possible Worlds (1980) — Contributor — 93 copies, 2 reviews
Science Fiction: The Future (1971) — Contributor — 90 copies, 1 review
Cities of Wonder (1968) — Contributor — 88 copies
Citizens (2011) — Contributor — 87 copies, 3 reviews
Between Time and Terror (1995) — Contributor — 86 copies
Bangs and Whimpers: Stories about the End of the World (1999) — Contributor — 86 copies, 2 reviews
Other Dimensions: Ten Stories of Science Fiction (1973) — Contributor — 84 copies, 2 reviews
L. Ron Hubbard Presents Writers of the Future, Volume 20 (2004) — Contributor — 81 copies
More Adventures in Time and Space (1955) — Contributor — 77 copies, 1 review
Masters of Fantasy (1992) — Contributor — 76 copies
Future Tense (1968) — Contributor — 74 copies
6 Great Short Novels of Science Fiction (1954) — Contributor — 74 copies, 1 review
18 Greatest Science Fiction Stories (1966) — Contributor, some editions — 73 copies, 1 review
Dangerous Dimensions: Mind-Bending Tales of the Mathematical Weird (2021) — Contributor — 71 copies, 1 review
First Flight: Maiden Voyages in Space and Time (1966) — Contributor — 70 copies
Time Travelers: Fiction in the Fourth Dimension (1997) — Contributor — 69 copies, 3 reviews
The Paganism Reader (2004) — Contributor — 67 copies, 1 review
Of Worlds Beyond (1964) — Contributor — 64 copies, 1 review
Rod Serling's Other Worlds (1978) — Contributor — 63 copies, 1 review
Timescapes (1997) — Contributor — 63 copies
Science Fiction for People Who Hate Science Fiction (1966) — Contributor — 60 copies, 1 review
Survival of Freedom (1981) — Contributor — 57 copies, 1 review
The Astounding-Analog Reader Volume One (1972) — Contributor — 55 copies
Tomorrow X 4 (1964) — Contributor — 54 copies
Tomorrow's Worlds: Ten Stories of Science Fiction (1969) — Contributor — 54 copies, 2 reviews
Classic Science Fiction (1995) — Contributor — 52 copies
Selections from Beyond Human Ken (1954) — Contributor — 52 copies
Introductory Psychology through Science Fiction (1974) — Contributor — 50 copies, 1 review
Turning Points: Essays on the Art of Science Fiction (1977) — Contributor — 50 copies
Beyond the Stars (Tales of Adventure in Time and Space) (1983) — Contributor — 49 copies
Science Fiction: The Great Years Vol II (1976) — Contributor — 48 copies
The Pocket Book of Science-Fiction (1943) — Contributor — 48 copies, 2 reviews
Dimension X (Coronet Books) (1974) — Contributor — 47 copies
The End of the World (1956) — Contributor — 47 copies, 1 review
Science Fiction (1973) — Contributor — 45 copies, 1 review
In Dreams Awake (1975) — Contributor — 45 copies
Science Fiction Novel: Imagination and Social Criticism (1969) — Contributor — 45 copies
Shadows of Fear (1994) — Contributor — 44 copies
The Others (1969) — Contributor — 44 copies
The Folio Science Fiction Anthology (2016) — Contributor — 43 copies
Windows into Tomorrow (1975) — Contributor — 40 copies
14 Great Tales of ESP (1969) — Contributor — 40 copies, 1 review
Destination Moon [1950 film] (1950) — Author — 39 copies, 1 review
Dimension X: Five Science Fiction Novellas (1970) — Contributor — 38 copies
Sense of Wonder: A Century of Science Fiction (2011) — Contributor — 37 copies, 1 review
Tomorrow, Tomorrow, and Tomorrow ... (1974) — Contributor — 33 copies, 1 review
First Voyages (1981) — Contributor — 31 copies, 1 review
Classic Science Fiction: The First Golden Age (1978) — Contributor — 29 copies, 2 reviews
The Best from Startling Stories (1953) — Introduction — 29 copies
Analog Anthology #8: Writers' Choice Volume II (1984) — Contributor — 28 copies
Shot in the Dark (1950) — Contributor — 24 copies
If This Goes Wrong . . . (2016) — Contributor — 23 copies, 1 review
Now Begins Tomorrow (1969) — Contributor — 23 copies
Analog Anthology #2: Readers' Choice (1982) — Contributor — 22 copies, 1 review
The Other Side of the Clock (1969) — Contributor — 19 copies
Overruled! (2020) — Contributor — 19 copies
Heyne Science Fiction Jahresband 1983. (1983) — Contributor — 17 copies
Galaxy Science Fiction 1970 July, Vol. 30, No. 4 (1970) — Contributor — 16 copies
Political science fiction;: An introductory reader (1974) — Contributor — 16 copies
Masterpieces of Science Fiction (1978) — Author — 15 copies
Fremde aus dem All. Lübbes Auswahlband. Science Fiction-Geschichten. (1982) — Contributor, some editions — 15 copies
Science fiction verhalen [1969] — Contributor, some editions — 14 copies, 1 review
Space Pioneers (2018) — Contributor — 13 copies, 1 review
Rejser i tid og rum : en bog om science fiction (1973) — Author, some editions — 12 copies, 1 review
Starship Troopers (1998) 12 copies
Die Fußangeln der Zeit. Die schönsten Zeitreise- Geschichten I. (1984) — Contributor, some editions — 11 copies
Astounding Science Fiction 1941 07 (1941) — Contributor — 11 copies
As Tomorrow Becomes Today (1974) — Contributor — 10 copies
Die besten Science Fiction Geschichten (1962) — Author, some editions — 10 copies
Wide-Angle Lens: Stories of Time and Space (1980) — Contributor — 9 copies
Astounding Science Fiction 1941 03 (1941) — Contributor — 9 copies
Astounding Science Fiction 1940 02 (1940) — Contributor — 9 copies
Astounding Science Fiction 1957 09 (1957) — Contributor — 9 copies, 1 review
Alfa Twee: SF-Verhalen (1974) — Contributor — 8 copies
Bruna Science Fiction Omnibus 2 (1969) — Contributor — 8 copies
Astounding Science Fiction 1950 07 (1950) — Contributor — 7 copies
Astounding Science Fiction 1956 02 (1956) — Contributor — 7 copies
Astounding Science Fiction 1956 04 (1956) — Contributor — 7 copies
Verhalen omnibus (1967) — Contributor — 7 copies
Astounding Science Fiction 1942 08 (1942) — Contributor — 6 copies
Astounding Science Fiction 1941 01 (1941) — Contributor — 6 copies
Omni Magazine October 1979 (1979) — Contributor — 6 copies
Writing Books for Boys and Girls (1952) — Contributor, some editions — 5 copies
Bifrost n°57 (2010) — Contributor — 5 copies
Faseskift : science fiction noveller : et udvalg (1984) — Author, some editions — 5 copies, 1 review
Astounding Science Fiction 1940 06 (1940) — Contributor — 4 copies
Out of This World 7: An Anthology of Science Fiction (1968) — Contributor — 3 copies
Den elektriske myre og andre science fiction-fortællinger (1984) — Author, some editions — 2 copies, 1 review
Historier fra andre verdener — Contributor; Author, some editions — 2 copies, 1 review
Fantascienza Gamma, n. 14 (1967) — Contributor — 1 copy
Astonishing Stories, Vol. 03, No. 03, March 1942 (1942) — Contributor; Contributor — 1 copy
Avontuur in ruimte & tijd nummer 1 — Contributor — 1 copy
4 tidsrejser : en antologi (1978) — Author, some editions — 1 copy, 1 review

Tagged

20th century (483) adventure (411) aliens (369) American (377) anthology (371) classic (583) collection (448) ebook (1,168) fantasy (1,201) fiction (12,023) goodreads (415) hardcover (409) Heinlein (2,535) mmpb (495) novel (1,757) own (868) owned (389) paperback (1,585) PB (462) read (2,322) science fiction (35,254) Science Fiction/Fantasy (1,069) sf (6,437) sff (1,798) short stories (1,044) speculative fiction (636) time travel (543) to-read (5,186) unread (815) young adult (569)

Common Knowledge

Legal name
Heinlein, Robert Anson
Other names
Heinlein, R. A.
MacDonald, Anson
Monroe, Lyle
Riverside, John
Saunders, Caleb
York, Simon
Birthdate
1907-07-07
Date of death
1988-05-08
Gender
male
Education
United States Naval Academy (B.Eng.|1929)
Occupations
novelist
short story writer
essayist
screenwriter
naval officer
aeronautical engineer
Organizations
United States Navy
Science Fiction and Fantasy Writers of America
Awards and honors
SFWA Grand Master (1974)
SF Hall Of Fame (Posthumous Inductee, 1998)
Forry Award, Los Angeles Science Fantasy Society (1980)
Relationships
Heinlein, Virginia (wife)
Short biography
Robert Anson Heinlein was born in July 1907, in Missouri.  A military career was ended by tuberculosis in 1934.  After a brief attempt at politics, he became a hugely prolific science fiction author, writing novels and short stories until his death in 1988.

Robert Anson Heinlein July 7, 1907 – May 8, 1988) was an American science-fiction author, aeronautical engineer, and retired Naval officer. Sometimes called the "dean of science fiction writers", he was among the first to emphasize scientific accuracy in his fiction, and was thus a pioneer of the subgenre of hard science fiction. His published works, both fiction and non-fiction, express admiration for competence and emphasize the value of critical thinking. His work continues to have an influence on the science-fiction genre, and on modern culture more generally.

Heinlein became one of the first American science-fiction writers to break into mainstream magazines such as The Saturday Evening Post in the late 1940s. He was one of the best-selling science-fiction novelists for many decades, and he, Isaac Asimov, and Arthur C. Clarke are often considered the "Big Three" of English-language science fiction authors. Notable Heinlein works include Stranger in a Strange Land, Starship Troopers (which helped mold the space marine and mecha archetypes) and The Moon Is a Harsh Mistress. His work sometimes had controversial aspects, such as plural marriage in The Moon is a Harsh Mistress, militarism in Starship Troopers and technologically competent women characters that were strong and independent, yet often stereotypically feminine – such as Friday.

A writer also of numerous science-fiction short stories, Heinlein was one of a group of writers who came to prominence under the editorship (1937–1971) of John W. Campbell at Astounding Science Fiction magazine, though Heinlein denied that Campbell influenced his writing to any great degree.

Heinlein used his science fiction as a way to explore provocative social and political ideas, and to speculate how progress in science and engineering might shape the future of politics, race, religion, and sex. Within the framework of his science-fiction stories, Heinlein repeatedly addressed certain social themes: the importance of individual liberty and self-reliance, the nature of sexual relationships, the obligation individuals owe to their societies, the influence of organized religion on culture and government, and the tendency of society to repress nonconformist thought. He also speculated on the influence of space travel on human cultural practices.

Heinlein was named the first Science Fiction Writers Grand Master in 1974. Four of his novels won Hugo Awards. In addition, fifty years after publication, seven of his works were awarded "Retro Hugos"—awards given retrospectively for works that were published before the Hugo Awards came into existence. In his fiction, Heinlein coined terms that have become part of the English language, including grok, waldo and speculative fiction, as well as popularizing existing terms like "TANSTAAFL", "pay it forward", and "space marine". He also anticipated mechanical computer-aided design with "Drafting Dan" and described a modern version of a waterbed in his novel Beyond This Horizon. In the first chapter of the novel Space Cadet he anticipated the cell phone, 35 years before Motorola invented the technology. Several of Heinlein's works have been adapted for film and television.
Cause of death
emphysema
Nationality
USA
Birthplace
Butler, Missouri, USA
Places of residence
Butler, Missouri, USA
Kansas City, Missouri, USA
Los Angeles, California, USA
Bonny Doon, California, USA
Carmel, California, USA
Colorado, USA
Place of death
Carmel, California, USA
Burial location
cremated (Ashes spread in the Pacific)
Associated Place (for map)
California, USA

Members

Discussions

Feet Are Hard... in Good Show Sir! — bad science fiction and fantasy covers (June 9)
Revolt in 2100 in Good Show Sir! — bad science fiction and fantasy covers (November 2025)
The Puppet Masters in Good Show Sir! — bad science fiction and fantasy covers (November 2025)
Heinlein didn't deserve this in Good Show Sir! — bad science fiction and fantasy covers (July 2025)
Is that you, Heinlein? in Good Show Sir! — bad science fiction and fantasy covers (August 2024)
Heinlein - yay or nay? in Science Fiction Fans (January 2023)

Reviews

2,864 reviews
***Re-read November 2021 for a book club
I've read this book in my early twentieth, but apart from the general idea of a hero waging a war on some bug-like aliens I didn't remember a thing. So the re-read was in many ways a rediscovery of this book for me.
Short, fast-pacing and with some exhilarating battle scenes this book actually has very little plot movements. The hero, young man Juan Rico, in a spur of the moment decides to enlist and the apparent drive to this decision is his desire to show more get a franchise, which is limited to people who served in the military for a period of two years. The bigger part of the text is dedicated to discussing some moral and philosophical points of social organization. While the aggressive anti-communist position is understandable for an American author writing during the Cold War, some other ideas are really mind boggling.
One is the clear idolizing of the military in general and the over-the-board promotion of the battle experience as the epitome of feelings and the ultimate way to understanding the meaning of life and everything. This is especially troubling for a book written so soon after the World War II.
Another is the statement that any contact with another sentient civilization has to result in war.
Yet another, and the most troubling for me, is the social structure of the depicted society. The worldbuilding outside of the military world is very limited and made in few broad strokes.
We're to understand, that all the important governmental positions can only be taken by the veterans and they're the ones that can vote and be elected. It is mentioned, that the non-franchise citizens are protected by the law, but this is not expanded and I just don't believe there could be a just system that would work in such a society.
There is a corporal punishment, even public corporal punishment both in the military and for the non-franchise for administrative offenses. Rico and one other recruit go through such a public procedure during their military training and the scenes are awful.
There are almost no women in this world. All we know is that women make better pilots and that Rico's mother had to defer to her husband's decisions when it came to writing to her son. And how exactly would they perform public flogging on women?
And there is no opposition movements in this society. The only political decision everyone has to make is either to enlist or not. All the governmental decisions are taken as good and reasonable one, there are no anti-war movements and etc. Have you ever seen a society like this?
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Reading the reviews here on Goodreads, this is clearly a divisive book. Folks seem either to love it or hate it. It was nominated for Hugo, Nebula, Locus SF, and Prometheus awards, although it did not end up winning any of them. While it's not Heinlein's best, I think it's a fairly solid effort.

At its core, the story is about what all good science fiction is about: What does it mean to be human? Friday explores that question in the setting of a futuristic world that is rapidly degrading show more through balkanization and surreptitious control by multinational corporations. The eponymous character, Friday Jones, is an "artificial person" (AP) – what today we would call a genetically engineered person – who has no legal rights, although she is technically free, unlike some APs who are slaves or indentured. As an AP, Friday is stronger and more intelligent than "real" people, and she is also immune to many diseases. However, because of rampant prejudice and fear against APs, she hides her talents as much as possible, relying on them only when necessary. As one might expect, it becomes more necessary to rely on those characteristics as the story continues.

I found the mixture of Friday's superhumanness and subhumanness intriguing. Her constant fear of being found out as an AP is tempered by the knowledge that she can, at any time, perform feats that are impossible for the average person. In one way or another, she is almost never among equals, and societal prejudice (and fear of that prejudice) conspires to scuttle any potential moments when she might otherwise have had a meaningful encounter with another AP. The people she meets are constantly drawing lines, both literally and figuratively, to delineate their tolerance, and far too often Friday finds herself on the opposite side of those lines.

Having grown up in the 1980s, I remember some of the discussions (and fear) about test-tube babies and the supposed horrors they would create. Debates today about genetic modifications and human cloning are descendants of those discussions. Also, the way Heinlein portrays people talking about APs also reminded me of some of the ways people today talk about genetically modified organisms (GMOs), using words like "frankenfoods" to incite fear and cynicism.

Some reviewers have criticized the book for having no clear plot, which doesn't make sense to me. What I think they mean is that there is no singular MacGuffin driving the entire story. But there is most definitely a plot: Friday's discovery of her own humanity. Yes, it meanders sometimes, and there is backtracking and indecision at others. But isn't that the way of it in everybody's life? Who wants a story about someone who goes directly from point A to point B? So what if we never find out the full details about Red Thursday? MacGuffins are fine enough for what they can do, but it is wrong to think that a MacGuffin is required to have a plot worth reading.

There is one piece that requires a little more in-depth analysis, partly because it is controversial, but more importantly because I think it highlights what is wrong with some of the criticism of this novel. However, first I must issue a

Trigger Warning

In Chapter 2, Friday gets gang raped. There is no way to discuss this gently.

A lot of reviewers dislike this scene, and it's understandable why. For one thing, it's an incredibly uncomfortable – if such an inadequate word may be used – scene to read, not merely because it is a rape, but because of the detached way in which Friday handles it. First, she criticizes the act of rape as an outdated method of interrogation: "No professional group uses either beating or rape before interrogation today; there is no profit in it; any professional is trained to cope with either or both." Then, Friday outlines three such coping methods: A) "detach the mind and wait for it to be over"; B) "emulate the ancient Chinese adage" (which adage that may be is never revealed, or at least I didn't pick up on it); and C) use the event "as an opportunity to gain an edge" over one's captors. Finally, Friday transitions from academic theory to application, indicating her choice of method C (with a little B) and explaining her calculated responses to the relative unpleasantness of each of the four men who raped her.

The scene (indeed, the whole chapter, which later subjects Friday to a variety of tortures) is both terrible and terrifying. I was eventually able to integrate only by justification of it being part of the extremely harsh world, run nominally by balkanized states but in reality by multinational corporations, in which Friday lives, works and plays. As she narrates later about the probability of her being killed if she continues with a particular job, "If you don't believe that such things can happen, we aren't living in the same world and there is no point in your reading any more of this memoir." Criticism against the way Friday handles being raped seems largely to ignore the realities of the world in which Friday lives, a world in which it is not only prudent but expected that those who trade in secrets (as she does) be trained to handle such methods. I daresay such training occurs in the primary world – not to say that it is right, but that it happens.

There are some who suggest that this scene shows that Heinlein is dismissive of rape, and that Friday's method of handling being raped is somehow commentary by the author that rape itself is not a big deal or that all women who are raped should respond similarly to Friday. This sort of "crit fic" analysis goes directly against the text. Friday acknowledges that she has suffered "bruises, contusions, and multiple personal indignities – even heartbreaking ones had I been an untrained female" (emphasis added). There is no suggestion in the text that every person should be able to handle such a situation in the same way, or that even having such training and being able to handle gang rape in the way Friday did is a good thing. It is an unfortunate – another inadequate word – part of Friday's world that such occurrences exist, but ignoring their existence does not make them go away. Friday has been trained because it makes sense for her to be, given her career and the world she lives in, but it is absurd to extend that idea to propose that Heinlein thinks all real-life women should treat gang rape the same way as a specially trained, genetically engineered woman who lives in a fictional future does.

More striking than the event itself is the later revelation that one of her rapists (known variously as "Mac," "Pete" and "Percival") is a member of Friday's security detail during an off-planet job. When she confronts him and asks why he participated, Pete says, "I did it because I wanted to. Because you are so sexy you could corrupt a Stylite. Or cause Venus to switch to Lesbos. I tried to tell myself I couldn't avoid it. But I [k]new better." This goes against the conventional idea that rape is about power and domination, rather than sex, and the all-to-common excuse that such violation is a compulsion on the part of the perpetrator. In lieu of killing Pete (he even offers to make it look like a suicide), Friday demands various information and explanations from him. She also says that letting her go pee (after the rape, but before the other tortures) was when she decide he was "not totally beyond hope." Later, while making her escape from her employers – whom she deduces are most likely going to kill her once the job is over – Pete helps her, and they eventually get married. That's right: Friday marries one of her rapists. Those who have a problem with how Friday handles the rape scene in situ also dislike these later developments.

Those who criticize this book (and Heinlein) seem to focus more on the fact that Friday has the wrong responses to being gang raped, according to their view, rather than asking why it is that Friday has the reactions she does. Friday is not dehumanized by the assault, nor does she dehumanize her assaulters. Partly this is because she is already dehumanized by the fact of her existence. From the beginning she identifies herself as an Artificial Person, and the entire novel is an exploration of what it means to be human. She travels from place to place seeking to find those who will accept her for who she really is, rather than for the various identities she takes on during the course of her work. It is somewhat ironic that despite this very clear and ubiquitous theme throughout the novel, some readers can't see through their own preconceived notions about rape enough to allow Friday her own thoughts and reactions.
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What can I say? This book was charming. Except for one little (kind of not little, actually pretty creepy) quibble, which I will get to later. This is Heinlein, no doubt about it. It has all the trappings: libertarian leanings; benign, rather than openly hostile, sexism (though I wouldn't call this feminist by any means, at least there are female characters who say things and have feelings, even if they ultimately are accessories rather than full people); an eye-rolling horror of the aging show more female form. I mean, I could go on but we know Heinlein, so I won't.

And yet, I loved this book a lot more than any other Heinlein I've read, and not just for what I am pretty sure was a little friendly jab at Asimov about a third of the way in. I loved this book because at its heart, it's a love story between a man and a cat. A kind of douchy but ultimately pretty ok man, and a very cantankerous but extremely lovable cat. And it's a pretty fun and satisfying time travel story, where pretty much everything works out the way you want it to. Also, both 1970 and 2000 are hilarious in their conception.

And yet. Here's that quibble. The relationship between Ricky and Dan disturbs me at best, horrifies me at worst. This is a man who got a young girl who idolizes him and calls him "Uncle Danny" to put herself in cold sleep at the tender age of 21 so that he can marry this perfect paragon who he has groomed. He stays spotless in her memory because he puts himself in cold sleep while she's a little girl, and although it's set up to be her choice whether or not she decides to go into cold sleep and wake up in the future to marry her "Uncle Danny," come ON. It's kind of like if The Doctor had actually married Amy Pond, except in addition to being a constant presence in her childhood he also was a family friend, which: ew.

So...it was a fun time-travel novel and Pete's the best but...that final thing just kind of has ruined it for me. Damnit, Heinlein.
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Max Jones flees his abusive stepfamily, carrying his late uncle's prized astrogation manuals, which he has memorized. He heads to Earthport hoping to claim his uncle's spot in the exclusive Astrogators' Guild, but finds he has no official inheritance.

He partners with a drifter named Sam. Together, they forge service records and stow away aboard the star cruiser Asgard. Max takes a lowly job in the stewards' department, tending to livestock and pets.

A fatal accident and catastrophic computer show more failures leave the Asgard lost in deep space, stripped of the vital mathematical tables required to pilot the ship. Stepping up in the crisis, Max reveals his photographic memory and deep knowledge of astrogation. He successfully calculates the complex jumps required to rescue the ship, eventually earning his way into the prestigious guild show less

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