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Lillian Hellman (1905–1984)

Author of Pentimento

47+ Works 3,844 Members 57 Reviews 13 Favorited

About the Author

Playwright Lillian Hellman was born in New Orleans on June 20, in 1905. After studying at New York and Columbia Universities, Hellman worked in publishing and as a book reviewer and play-reader. In 1934, Hellman had her first success as a playwright with The Children's Hour. In the play, Hellman show more mixed social, political, and moral issues along with more personal ones. Among some of Hellman's other successful plays are The Little Foxes, Watch on the Rhine, The Searching Wind, and Toys in the Attic. Hellman was also a screenwriter who wrote many film scripts and adapted the works of other authors for film and the stage. Hellman's memoirs include An Unfinished Woman and Pentimento. For more than 30 years Hellman had a relationship with "hard-boiled" detective writer Dashiell Hammett. She lived with him until his death in 1961, and shared his commitment to radical political causes. Hellman's appearance before Senator Joseph McCarthy's House Committee on Un-American Activities in 1952 resulted in her being blacklisted in Hollywood. Her book, Scoundrel Time, explores her experiences during the McCarthy era. Nearly blind and confined to a wheelchair, Lillian Hellman died of cardiac arrest in 1984. (Bowker Author Biography) show less
Image credit: Lillian Hellman uncredited foto by Nutrias

Series

Works by Lillian Hellman

Pentimento (1973) 697 copies
The Children's Hour (1934) 465 copies
Scoundrel Time (1976) 454 copies
Six Plays by Lillian Hellman (1960) 434 copies
The Little Foxes (1939) 315 copies
Maybe: A story (1657) 109 copies
The Collected Plays (1971) 92 copies
Toys in the Attic (1960) 71 copies
Watch on the Rhine (1941) 58 copies
Candide: A Comic Operetta (1956) — Author — 55 copies
The Little Foxes [1941 film] (1941) — Screenwriter — 49 copies
The Autumn Garden (1951) 45 copies
Another Part of the Forest (1947) 35 copies
Dead End [1937 film] (1937) — Screenwriter — 26 copies
The Chase [1966 film] (1966) — Screenwriter — 23 copies
Watch on the Rhine [1943 film] (1943) — Dialogue — 20 copies
The North Star [1943 film] (1943) — Screenwriter — 13 copies
Days to come (1936) 9 copies
Candide: Original 1956 Broadway Cast Recording (2003) — Lyricist — 7 copies
The North Star (1943) 3 copies
Autumn Garden (1951) 3 copies
These Three [1936 film] (2016) — Screenwriter — 3 copies
Plays 2 copies
The Dark Angel [1935 film] (1935) — Screenwriter — 2 copies
Julia (1994) 2 copies
Skakavci 1 copy

Associated Works

The Big Knockover: Selected Stories and Short Novels (1943) — Introduction — 945 copies
The Norton Book of Women's Lives (1993) — Contributor — 406 copies
The Lark (1952) — Adapter, some editions — 356 copies
Six Modern American Plays (1951) — Contributor — 264 copies
This Is My Best (1942) — Contributor — 181 copies
Sixteen Famous American Plays (1777) — Playwright — 177 copies
Famous American Plays of the 1950s (1962) — Contributor — 161 copies
Writers at Work 03 (1967) — Interviewee — 139 copies
The Literature of the American South: A Norton Anthology (1997) — Contributor — 96 copies
Twenty Best Plays of the Modern American Theatre (1939) — Contributor — 73 copies
Best American Plays: Third Series, 1945-1951 (1952) — Contributor — 66 copies
Four Contemporary American Plays (1961) — Contributor — 50 copies
Contemporary Drama - 11 Plays (1956) — Contributor — 43 copies
Julia [1977 film] (1993) — Original book — 35 copies
50 Best Plays of the American Theatre [4-volume set] (1969) — Contributor — 31 copies
The Gutting of Couffignal [Short story] (1925) — Afterword, some editions — 15 copies
Toys in the Attic [1963 film] (1963) — Original play — 3 copies
50 Best Plays of the American Theatre, Volume 2 (1969) — Contributor — 3 copies

Tagged

20th century (94) American (78) American drama (25) American literature (122) anthology (202) autobiography (174) biography (204) collection (36) crime (80) crime fiction (33) detective (35) drama (342) essays (28) fiction (304) French (25) French literature (23) hardboiled (47) Hellman (32) history (45) Lillian Hellman (52) literature (124) memoir (314) Modern Library (28) mystery (152) noir (57) non-fiction (160) play (105) plays (302) playscript (26) read (50) script (46) short stories (117) theatre (237) to-read (134) unread (24) USA (31) women (95) women's studies (24) writers (28) writing (35)

Common Knowledge

Canonical name
Hellman, Lillian
Legal name
Hellman, Lillian Florence
Birthdate
1905-06-20
Date of death
1984-06-30
Gender
female
Nationality
USA
Birthplace
New Orleans, Louisiana, USA
Place of death
Martha's Vineyard, Massachusetts, USA
Cause of death
cardiac arrest
Places of residence
New Orleans, Louisiana, USA
New York, New York, USA
Hollywood, California, USA
Martha's Vineyard, Massachusetts, USA
Education
New York University
Columbia University
Occupations
playwright
screenwriter
memoirist
Relationships
Hammett, Dashiell (partner)
Organizations
League of American Writers
Screen Writers Guild
Awards and honors
American Academy of Arts and Letters (1962)
Fellow, American Academy of Arts and Sciences (1960)
National Institute of Arts and Letters (1946)
Short biography
Lillian Hellman was a popular playwright whose most successful works were created between the 1930s and the 1960s. She also published several bestselling volumes of memoirs. Several of her plays were made into films. Ms. Hellman was equally famous for refusing to testify before the House Un-American Activities Committee in 1952, and for her long romantic relationship with Dashiell Hammett.
She also conducted a lengthy feud with writer Mary McCarthy.

Members

Reviews

The past haunts the couples and former couples of this small Southern town. Like real life, everyone is unlikable, but unlike real life everyone confronts their self delusions.
 
Flagged
jscape2000 | Nov 20, 2022 |
Not least of my complaints about the plays, broadly speaking, is the tedious ubiquity of the shrew-figure. 'Toys in the Attic' is, perhaps, the most compelling piece in the collection, as it draws relatively complex psychological portraits; includes richly universal images, such as a sympathetic male lead reminiscent of Lorraine Hansberry's Walter Younger; and moves with a cadence not found elsewhere. I find Hellman, at her worst, to be pedantic, pretentious, and arcane.
 
Flagged
BeauxArts79 | 1 other review | Nov 9, 2022 |

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Statistics

Works
47
Also by
24
Members
3,844
Popularity
#6,592
Rating
3.9
Reviews
57
ISBNs
151
Languages
9
Favorited
13
Touchstones
97

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