Robin Hemley
Author of Turning Life into Fiction
About the Author
Robin Hemley is director of the Nonfiction Writing Program at the University of Iowa
Works by Robin Hemley
Do-Over!: In which a forty-eight-year-old father of three returns to kindergarten, summer camp, the prom, and other embarrassments (2009) 120 copies, 21 reviews
I'll Tell You Mine: Thirty Years of Essays from the Iowa Nonfiction Writing Program (2015) — Editor — 8 copies
Borderline Citizen: Dispatches from the Outskirts of Nationhood (American Lives) (2020) 5 copies, 2 reviews
Associated Works
Touchstone Anthology of Contemporary Creative Nonfiction: Work from 1970 to the Present (2007) — Contributor — 219 copies, 3 reviews
Fakes: An Anthology of Pseudo-Interviews, Faux-Lectures, Quasi-Letters, "Found" Texts, and Other Fraudulent Artifacts (2012) — Contributor — 84 copies, 4 reviews
Family Resemblance: An Anthology and Exploration of 8 Hybrid Literary Genres (2015) — Contributor — 25 copies
Family Trouble: Memoirists on the Hazards and Rewards of Revealing Family (2013) — Contributor — 21 copies
Conjunctions: 46, Selected Subversions: Essays on the World at Large (2006) — Contributor — 10 copies
Tagged
Common Knowledge
- Gender
- male
- Relationships
- Hemley, Cecil (father)
Gottlieb, Elaine (mother) - Short biography
- Robin Hemley comes from a literary family. His father, Cecil Hemley, was the founder of the Noonday Press and was the longtime editor and translator of nobel Laureate, Isaac Bashevis Singer, as well as a poet and novelist. His mother, Elaine Gottlieb Hemley, was a short story writer and also a Singer translator. When Robin was five, his family moved from New York City to Athens, Ohio where his father was the first director of the Ohio University Press. After the death of Robin’s father, Robin’s mother moved the family to Pennsylvania, Missouri, and finally, to South Bend, Indiana where she was a professor of creative writing at Indiana university-South Bend. Robin attended St. Andrews School in Sewanee, TN in high school and also Momoyama Gakuin in Osaka (as detailed in Do-Over!), and later attended Indiana University where he majored in East Asian Languages and Cultures and Anthropology, before finally settling on Comparative Literature. After college, he went to The Iowa Writers Workshop where he graduated in Fiction Writing. He then lived for five months in a farm house in Cuddebackville, New York with the writers David Shields and Kate Sontag – where he was supposed to be writing but mostly just worried about the future. He moved to Chicago in the early 80’s, landing his first job as an editorial assistant at Playboy Magazine, where he worked for a year and a half before receiving an Illinois Arts Council grant that allowed him to quit his full-time job and work as a freelancer and adjunct professor at the School of the Art Institute of Chicago. After blowing an interview to be the Assistant Fiction Editor at Esquire, he was accepted as a Fellow at the Fine Arts Work Center in Provincetown, where he completed his first book of short stories, ALL YOU CAN EAT, which was accepted first by the famous/infamous editor Gordon Lish at Knopf (and then rejected by the same editor a week later) before it found a good home at Atlantic Monthly Press.
Among his academic appointments, he has taught at The University of North Carolina at Charlotte, Western Washington University, St. Lawrence University, The University of Utah, and The University of Iowa, where he has served as Director of the Nonfiction Writing Program. He has four daughters from two marriages and he has a running motor that keeps him inperpetual motion. Some days he can’t figure out how he sat still long enough to write eight books.
Among his favorite books as a child, he loved reading Greek myths, the Oz series, the Narnia books, Sci-Fi and “speculative fiction, comic books, Kafka, Borges, Isaac Babel, Ray Bradbury, Ursula Leguin, and the wonderful Richard Hughes classic, A High Wind in Jamaica. His tastes have broadened only slightly since then – he deeply regrets selling his comic book collection when he was nineteen and so can’t bring himself to pick up a comic book, but he does read the occasional graphic novel, such as Allison Bechdel’s Fun Home.
Visit his website at www.robinhemley.com - Nationality
- USA
- Associated Place (for map)
- USA
Members
Reviews
Robin Hemley’s erudite essay collection Borderline Citizen probes the meaning of nationality.
Profiling enclaves and exclaves, overseas territories, and displaced people, the essays reveal the human and environmental costs of fighting for something which cannot be truly owned or defined. These explorations are global, stopping in China, the Philippines, Ecuador, and Point Roberts in Washington and illuminating history, culture, and peculiarities of national celebrations in limbo. They show more profile refugees in Australia, Cuba, and in resettlement camps along the India-Bangladesh border and consider war survivors and their dead, knowing that war and strife continually redefine nationhood, as do land swaps, economics, and migration.
Hemley is confronted with the flippant question of whether he’s a patriot, which he ponders in light of Snowden’s defection and refugee crises. He notes the arbitrary nature of boundaries and governments: territory changes hands, Hong Kong is given over, and Russian immigrants inhabit the renamed Kaliningrad. He also observes apathetic national celebrations filled with cotton candy and ice cream that are little more than tourist events and wryly witnesses “authentic” dances and costumes that have lost their meaning in the presence of transnational corporate homogeneity. Such incongruous details infuse a playful humor into serious situations.
Teasing wordplays and irony come in: a “man who is three Union Jacks to the wind” argues his Britishness in the isolated Falklands, considered worthless until injured national pride provoked a territorial war. Another essay pokes fun at jurisdictional challenges resulting from feudal land-swaps along the Belgian-Netherlands border. As a whole, the collection acknowledges human beings’ yearning to be part of a collective, but also illuminates the unforeseen, tragic, and sometimes hilarious consequences of belonging.
“Are we not all citizens of the world?” asks Borderline Citizen, a thought-provoking work that troubles the complexities of nationhood.
Reviewed by Wendy Hinman, Foreword Reviews
March / April 2020
https://www.forewordreviews.com/reviews/borderline-citizen/ show less
Profiling enclaves and exclaves, overseas territories, and displaced people, the essays reveal the human and environmental costs of fighting for something which cannot be truly owned or defined. These explorations are global, stopping in China, the Philippines, Ecuador, and Point Roberts in Washington and illuminating history, culture, and peculiarities of national celebrations in limbo. They show more profile refugees in Australia, Cuba, and in resettlement camps along the India-Bangladesh border and consider war survivors and their dead, knowing that war and strife continually redefine nationhood, as do land swaps, economics, and migration.
Hemley is confronted with the flippant question of whether he’s a patriot, which he ponders in light of Snowden’s defection and refugee crises. He notes the arbitrary nature of boundaries and governments: territory changes hands, Hong Kong is given over, and Russian immigrants inhabit the renamed Kaliningrad. He also observes apathetic national celebrations filled with cotton candy and ice cream that are little more than tourist events and wryly witnesses “authentic” dances and costumes that have lost their meaning in the presence of transnational corporate homogeneity. Such incongruous details infuse a playful humor into serious situations.
Teasing wordplays and irony come in: a “man who is three Union Jacks to the wind” argues his Britishness in the isolated Falklands, considered worthless until injured national pride provoked a territorial war. Another essay pokes fun at jurisdictional challenges resulting from feudal land-swaps along the Belgian-Netherlands border. As a whole, the collection acknowledges human beings’ yearning to be part of a collective, but also illuminates the unforeseen, tragic, and sometimes hilarious consequences of belonging.
“Are we not all citizens of the world?” asks Borderline Citizen, a thought-provoking work that troubles the complexities of nationhood.
Reviewed by Wendy Hinman, Foreword Reviews
March / April 2020
https://www.forewordreviews.com/reviews/borderline-citizen/ show less
Do-Over!: In which a forty-eight-year-old father of three returns to kindergarten, summer camp, the prom, and other embarrassments by Robin Hemley
Looking back at your life and many of the rites of passage in it, there are probably things you'd change. Things that didn't quite happen as planned, things that make you wince when you remember them, and things that you didn't do and wish you had in hindsight. And that's why the idea of Robin Hemley's Do-Over: In which a forty-eight-year-old father of three returns to kindergarten, summer camp, the prom, and other embarrassments is so incredibly appealing. Most of us have experienced the show more "If only" or "I wish" and even the "I should have" when thinking back on different times in our lives. Hemley actually set out to "do-over" those things that niggled at him in that way.
Each chapter takes a certain event or period of time in his life that he wanted to revisit, not in the impossible task of replacing his memories with something different but to try and experience them in a different, positive way. There is a lot of humor in this book (imagine a 48 year old man re-doing kindergarten or going to the prom) but there's a lot of honest introspection too. Obviously Hemley's life wasn't completely consumed by these events as his adult life continued on even as he worked on his project. But being older certainly gave him a different perspective on each stage as he faced it. He was able to face the class bully with equanimity. He looked with amuseument on the stress of SAT preparation (something few if any high school juniors can do). And yet he learned a lot from re-experiencing these events, both about himself and about the world that his daughters live in now. Much of what he did gave him great insight into his own family and into his parenting, a truly valuable lesson. In initially not being able to let go of his own past mistakes or embarrassments, Hemley has crafted a witty, entertaining, and well-written memoir that was a delight to read. It also begs the question, what in your life would you like to do-over? show less
Each chapter takes a certain event or period of time in his life that he wanted to revisit, not in the impossible task of replacing his memories with something different but to try and experience them in a different, positive way. There is a lot of humor in this book (imagine a 48 year old man re-doing kindergarten or going to the prom) but there's a lot of honest introspection too. Obviously Hemley's life wasn't completely consumed by these events as his adult life continued on even as he worked on his project. But being older certainly gave him a different perspective on each stage as he faced it. He was able to face the class bully with equanimity. He looked with amuseument on the stress of SAT preparation (something few if any high school juniors can do). And yet he learned a lot from re-experiencing these events, both about himself and about the world that his daughters live in now. Much of what he did gave him great insight into his own family and into his parenting, a truly valuable lesson. In initially not being able to let go of his own past mistakes or embarrassments, Hemley has crafted a witty, entertaining, and well-written memoir that was a delight to read. It also begs the question, what in your life would you like to do-over? show less
Do-Over!: In which a forty-eight-year-old father of three returns to kindergarten, summer camp, the prom, and other embarrassments by Robin Hemley
Robin Hemley went on a mission to get a second chance at some of the things he messed up, or he thought had been messed up for him, the first time around. It is an interesting idea, to see if you can go back and “fix” those mistakes. But when a 48 year old goes back to kindergarten there are also going to be some laughs. His conversational tone, the fact that he can see the absurd and share it with us, and his whole approach to the project and the people he meets or remeets make it a lot show more of fun to read. He doesn’t take himself too seriously and doesn’t mind making a joke at his own expense. But it isn’t just a joke either. He does get serious sometimes as he explores his past and tries to see if he can change the way he thinks about the things he finds there and in turn change his outlook about his present. It does end up a learning experience for him, sometimes unexpectedly. It’s interesting to see how he has different memories of an experience than someone else who shared the experience with him; or how people reacted (it was amazing how supportive people were) to his project and the reaction and acceptance of the kids of various ages to his presence; or his reaction as an adult to some of the things that the children were taught, (classroom repeating in unison “Different is great!” looks different from an adult perspective); and to see how things have changed and how they have stayed the same over the years. It is a very entertaining read that is both funny and thought provoking. I liked how he worked both the serious and the absurd sides, not only into the book, but into the entire project. And Robin Hemley tells a good story. In the end I think that is what made the project come alive and made the journey with Hemley a trip you wanted to go on. show less
Do-Over!: In which a forty-eight-year-old father of three returns to kindergarten, summer camp, the prom, and other embarrassments by Robin Hemley
When I got my latest early review copy, Do Over: In which a forty-eight-year-old father of three returns to kindergarten, summer camp, the prom and other embarrassments, from Library Thing, I thought it looked a little dull, and I was eager to read it and get it over with. The premise is that the writer, Robin Hemley, has decided to re-do parts of his childhood that were unhappy or did not go well. He picked 10 events or time periods from Kindergarten to High School and spent the better part show more of a year re-visiting those time periods in an effort to make better memories and learn something about himself.
He sets up a series of rules about how these events will transpire and writes 10 essays- one about each experience. He revisits Kindergarten, 6th grade and 8th grade. He re-does summer camp, study abroad in Japan, a school play that went awry, goes to his first prom and explores the notion of home for someone who never lived in one place for very long while growing up.
I was very surprised that this stunt turned into a surprisingly poignant and charming traditional memoir. As he relived all his child-hood faux pas as an adult, he told his own story. It is revealed slowly and in roughly chronological order with the saddest and sweetest tales coming toward the end. The death of his mother, the feelings that accompany the notion of not really having a true place to call home, and regrets at youthful bad behavior.
Mr Hemley achieves something rare in almost every essay. He manages to meet his younger self while navigating the cafeterias and classrooms and of his youth and come away with surprising clarity and insight about all his different re-dos. I found myself wrapped up in his little experiment and I cheered for him wildly as each chapter unfolded with minimal awkwardness and an unexpected amount of good karma and genuine interest in his project. His writing is both touching and at times very very funny.
I applaud Mr. Hemley’s courage. I tried to think of some way I might re-do something I hated about my youth and the only thing I could think of to do would not even be worth trying. If I was successful I am not sure how much it would mean to me.
I was pleasantly surprised by this well crafted work of non-fiction. If you enjoy well written memoir--this is a prefect choice. show less
He sets up a series of rules about how these events will transpire and writes 10 essays- one about each experience. He revisits Kindergarten, 6th grade and 8th grade. He re-does summer camp, study abroad in Japan, a school play that went awry, goes to his first prom and explores the notion of home for someone who never lived in one place for very long while growing up.
I was very surprised that this stunt turned into a surprisingly poignant and charming traditional memoir. As he relived all his child-hood faux pas as an adult, he told his own story. It is revealed slowly and in roughly chronological order with the saddest and sweetest tales coming toward the end. The death of his mother, the feelings that accompany the notion of not really having a true place to call home, and regrets at youthful bad behavior.
Mr Hemley achieves something rare in almost every essay. He manages to meet his younger self while navigating the cafeterias and classrooms and of his youth and come away with surprising clarity and insight about all his different re-dos. I found myself wrapped up in his little experiment and I cheered for him wildly as each chapter unfolded with minimal awkwardness and an unexpected amount of good karma and genuine interest in his project. His writing is both touching and at times very very funny.
I applaud Mr. Hemley’s courage. I tried to think of some way I might re-do something I hated about my youth and the only thing I could think of to do would not even be worth trying. If I was successful I am not sure how much it would mean to me.
I was pleasantly surprised by this well crafted work of non-fiction. If you enjoy well written memoir--this is a prefect choice. show less
This review was written for LibraryThing Early Reviewers.Awards
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