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François Truffaut (1932–1984)

Author of Hitchcock: A Definitive Study of Alfred Hitchcock

68+ Works 3,608 Members 59 Reviews 5 Favorited

About the Author

Francois Truffaut was one of the principal figures in the French New Wave movement of the 1950s and early 1960s. As a young critic for the avant-garde film magazine Les Cahiers du Cinema, he formulated the politique des auteurs---the idea that directors with a personal vision are the true authors show more of films, rather than conventional screenwriters or script-bound directors. An admirer of American films, Truffaut was much influenced by Alfred Hitchcock (see Vol. 1). In several of his own films, Truffaut, who had an unhappy childhood and youth, portrayed a fictionalized version of himself, a character called Antoine Doinel, to create personal cinema. The first of these films, which was also his first feature film, was The Four Hundred Blows (1959). It is still one of the most popular of his works. Other notable Truffaut films are Shoot the Piano Player (1960), the lyrical menage a trois Jules and Jim (1961), the Academy Award-winning Day for Night (1973), The Last Metro (1980), and The Woman Next Door (1981). (Bowker Author Biography) show less

Series

Works by François Truffaut

The Films in My Life (1978) 272 copies
Fahrenheit 451 [1966 film] (1966) — Director; Screenwriter — 180 copies
Breathless [1960 film] (1960) — Screenwriter — 177 copies
The 400 Blows [1959 film] (1959) — Director — 160 copies
Jules and Jim [1962 film] (1962) — Director; Screenwriter; Producer — 139 copies
Correspondence, 1945-1984 (1988) 88 copies
Shoot the Piano Player [1960 film] (1960) — Director; Director — 70 copies
Jules and Jim [screenplay] (1968) 60 copies
The Last Metro [1980 film] (1985) — Director/Screenwriter — 59 copies
Le plaisir des yeux (1987) 57 copies
Day for Night [1973 film] (1973) 52 copies
Truffaut by Truffaut (1985) 45 copies
Love on the Run [1979 film] (1979) — Director/Screenwriter — 40 copies
The Wild Child [1970 film] (1970) 38 copies
The Bride Wore Black [1968 film] (1968) — Director — 35 copies
Stolen Kisses [1968 film] (1968) 34 copies
The Soft Skin [1964 film] (1979) 34 copies
Letters (1989) 32 copies
The Story of Adele H [1975 film] (1975) — Director/Screenwriter — 31 copies
Small Change: A Film Novel (1976) 31 copies
The Man Who Loved Women [1977 film] (1977) — Director — 30 copies
Two English Girls [1971 film] (1999) — Director — 27 copies
Confidentially Yours [1983 film] (1999) — Director — 25 copies
Bed & Board [1970 film] (1999) — Director/Screenwriter — 25 copies
Mississippi Mermaid [1969 film] (2001) — Director — 24 copies
Small Change [1976 film] (1976) 21 copies
Day for Night [script] (1975) 19 copies
The 400 Blows [screenplay] (1969) 19 copies
Antoine and Colette [1962 film] (1962) — Director — 15 copies
The Green Room (1978) 12 copies
Criterion 101 — Director — 9 copies
A Gorgeous Girl Like Me [1972 film] (1972) — Director — 8 copies
The Wild Child [script] (1973) 4 copies
The Last Metro [script] (2001) 3 copies
The Bride Wore Black [1968 film] (1968) — Director — 2 copies
LECONS DE CINEMA (TP) (2021) 1 copy

Associated Works

Fahrenheit 451 (1953) — Afterword, some editions — 54,044 copies
Close Encounters of the Third Kind [1977 film] (1977) — Actor — 548 copies
Jules and Jim (1953) — Introduction, some editions — 485 copies
Film: A Montage of Theories (1966) — Contributor — 82 copies
The Little Thief [1988 film] (1988) — Story — 13 copies
Paras elokuvakirja (1995) — Contributor — 5 copies
La Nouvelle Vague [book] (2004) 2 copies
Mata Hari, agent H21 [1964 film] — Screenplay — 1 copy

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Common Knowledge

Canonical name
Truffaut, François
Birthdate
1932-02-06
Date of death
1984-10-21
Burial location
Cimetière de Montmartre, Paris, France
Gender
male
Nationality
France
Birthplace
Paris, France
Place of death
Neuilly-sur-Seine, Hauts-de-Seine, France
Places of residence
Paris, France
Neuilly-sur-Seine, Hauts-de-Seine, France
Education
Self-taught
Occupations
film critic
film director
screenwriter
film producer
actor
Relationships
Bazin, Andre (mentor)
Moreau, Jeanne (actress)
Organizations
Cahiers du cinema
Short biography
François Truffaut was one of the most influential figures in film history. He was largely self-taught, but became one of France's leading film critics during the 1950s. His promotion of the "auteur theory" (politique des auteurs) eventually revolutionized film criticism and led to a re-evaluation of the work of Abel Gance, Max Ophuls, Roberto Rossellini, Alfred Hitchcock, Howard Hawks, Nicholas Ray, and others. He and his colleagues at the pioneering French film magazine Cahiers du cinéma developed a more personal, freewheeling vision of filmmaking that achieved world fame as the French New Wave (Nouvelle vague). Truffaut was born on to an unmarried mother, a circumstance that would shape much of his life and work. He was taken in by his maternal grandparents. In 1933, his mother married Roland Truffaut, an architectural draftsman, who adopted young François, but he didn't live with them until 1939. Many details from his childhood, freely reworked, can be found in Truffaut's semi-autobiographical debut film, Les 400 Coups (The 400 Blows, 1960). As a teenager, he joined various film clubs and societies, where he earned a reputation for his outspoken opinions on films and directors. He was befriended by older intellectuals and cultural figures such as André Bazin, Louise de Vilmorin, and Jean Cocteau. In 1950, Truffaut got a job as a society reporter for Elle magazine and quickly established a reputation as a film critic. Through his work at Cahiers du cinéma and his frequent attendance of screenings at the Cinématheque Française headed by Henri Langlois, Truffaut became friends with other young critics who eventually became leading filmmakers of the French New Wave. During the late 1950s and early 1960s, the peak of the New Wave, Truffaut created and directed a brilliant series of films. In the 1970s, he made other notable films, especially his homage to moviemaking Day for Night (1973), which won the Academy Award for Best Foreign Film. The Last Metro (1980), a portrayal of complicated moral choices during the Occupation, received 10 Césars, including Best Picture. In 1981, he published the book Les Films de ma vie (Films in my life); his correspondance was translated and published posthumously in 1988. In 1983, Truffaut was diagnosed with a brain tumor and died at age 52.

Members

Reviews

Good. I think Truffaut could've gone into more detail and pulled more out, while being a little less critical about some of his concerns. It's obvious Hitchcock really didn't have much feedback on his opinions. And I also wish he would've talked more about the social and political implications of the films, as opposed to the psychology and morals. Still, it holds a great deal of practical information for film students, as well as behind-the-scenes information for movie buffs.
 
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JuntaKinte1968 | 16 other reviews | Dec 6, 2023 |
A book made from François Truffaut’s famous interviews with Alfred Hitchcock originally published in 1967 and comprising a review of his films and related discussions. It is interesting for occasional Hollywood type stories about celebrities, disussion of the various techniques that Hitchcock invented, Truffaut’s insight into the relationship among Hitchcock’s films and for what it reveals about H. himself. Many excellent still images from his movie sets are included. We are also reminded of the business aspect of film making. Hitchcock relates that it is more difficult for the audience to commiserate with Robert Cummings (whom I watched as a kid in “Love that Bob” episodes. [The magic of You tube reveals that it co-starred Dwayne Hickman!]) than with Jimmy Stewart, since there is suspense only if we feel that we know the protagonist, and he recounts several instances of a film being less than he wanted because of whom he was obligated to cast in a key role. Mention is also made of the effect of the disappearance of the star system on his career in the 60s.
You can learn a lot about movies and suspense movies in particular here, e.g. “The better the villain, the better the picture”. Truffaut is always interested and complimentary, but Hitchcock’s understated humor is sometimes difficult to enjoy on the written page.
… (more)
 
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markm2315 | 16 other reviews | Jul 1, 2023 |
Una radiante lección de cine. 500 preguntas en casi 50 horas grabadas de una conversación mítica entre dos de los mejores cineastas de la historia: Alfred Hitchcock y François Truffaut, quien más que autor del libro, se consideraba un provocador del mismo. En primera persona, Hitchcock da una cátedra sobre los principales elementos de la cinematografía: producción, guion, fotografía, sonido, montaje y hasta promoción de películas; el mago del suspenso va desglosando su obra entera cinta por cinta, hablando de eventos personales y profesionales con los que tuvo que lidiar, además de confesar la gestación de ideas, guiones y la complejidad de la mise-en-scène. Es tal la importancia e influencia de El cine según Hitchcock, que directores de la talla de Martin Scorsese y Wes Anderson no sólo reconocen haberlo leído, sino que regresan a su lectura eventualmente.… (more)
 
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armandoasis | 16 other reviews | Mar 27, 2023 |

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Statistics

Works
68
Also by
11
Members
3,608
Popularity
#7,016
Rating
4.0
Reviews
59
ISBNs
245
Languages
14
Favorited
5

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