Small Island

'Small Island' is set in dingy 1948 London, a time when landlords were allowed to deter undesirable tenants by putting up a sign that read, “No Irish, no coloureds, no dogs”, and frequently did so which was a shock to many Commonwealth immigrants who had helped Britain win the war and been brought up to believe that they would be welcomed into the 'Mother Country' by its grateful inhabitants.

The story is told by four people, two women and two men, two Jamaican and two English. Hortense Roberts, honey-skinned and impeccably white-gloved, has attended a private school that made her familiar with Wordsworth, Shakespeare and the baking of fairy cakes. Hortense is married to Gilbert, a man she doesn’t love but who was her means of show more getting to England. Gilbert had left Jamaica to serve as a member of the West Indian RAF volunteers in England during WWII but on to his return his homeland soon realised that he would now never be content there on his 'small island' and so joined the 'Windrush' exodus to Britain dreaming of a better life.

The reality however, was a filthy rented room in Queenie Bligh's decaying house in Earls Court. In peacetime, Gilbert soon comes to realise how much his uniform had shielded him from the worst excesses of racism. As a black civilian, all that is on offer to him are the worst, lowest-paid jobs and the meanest lodgings. When haughty Hortense joins him in London she is horrified by what she sees. She is baffled when Queenie, her white London landlady, says, “I’m not worried about what busybodies say. I don’t mind being seen in the street with you.” because it is Queenie not her who is badly educated and “dressed in a scruffy housecoat with no brooch or jewel, no glove or even a pleasant hat to lift the look a little”.

Queenie, like Hortense, married not out of love but a need to escape, in her case from her family’s farm in the Midlands. In her teens, she was rescued by an indulgent aunt and taken to live in London, but when her aunt died, she was faced with choice of the drudgery of her birthplace or marry Bernard, a staid bank clerk with some questionable personal habits. Her marriage is cold and dull so when Bernard joined up she wasn't exactly heartbroken. Bernard served in the RAF and was posted to India as groundcrew but didn't reappear immediately when the war was over. His eventual return home with his insecurities intact throws Queenie's new life into turmoil.

This novel could easily have become a tragic litany of ingrained prejudice and stupidity, but for Levy’s gentle, mocking humour, mainly at the expense of Gilbert and Bernard, who are constantly upstaged by their wilful wives. This humour makes this book immensely readable. The story is entrancing and disturbing at the same time because it's sadly loosely based on fact. I thoroughly enjoyed it and it deserves all the praise that it garnered. show less

"There are some words once spoken split the world in two. Before you say them and after.” (497)

So it is that the experience of WWII has split the world for the characters in Andrea Levy’s Small Island. Gilbert and Hortense Joseph, and Bernard and Queenie Bligh, alternately narrate the story by chapter. For them, there is only “Before” (the war) and 1948.

Jamaican Gilbert Joseph is an honest and ambitious young man who volunteers with the RAF during WWII to fight for his “Mother Country.” England, he knows, has opportunities to offer that his small island cannot; and in 1948, he dreams to emigrate. Hortense Roberts, a haughty, young school teacher also dreams of a better life in England. Gilbert becomes her ticket off of her show more native island, and they enter into a marriage of convenience. In England, Queenie Bligh, an compassionate and liberal-minded woman whose husband, Bernard, has not yet returned from war, agrees to board the Josephs. But the reality of their new life is far removed from their dream. Their one-room accommodation is a hovel; and England, far from a land of opportunity, is a nation struggling to recover from the ravages of war. But most humiliating for Gilbert and Hortense is the hateful prejudice which blindsides them, and the incomprehensible reality that they are not welcome in their esteemed “Mother Country.” When Bernard Bligh, a timid, bigoted bank clerk, returns home from the war, what had been an untenable situation becomes unlivable.

“And at that moment I longed to be once more in Jamaica. I yearned for home as a drunk man for whiskey. For only there could I be sure that someone looking on my face for the first time would regard it without reaction. No gapes, no gawps, no cussing, no looking quickly away as if seeing something unsavoury. Just a meeting as unremarkable as passing your mummy in the kitchen. What a thing was this to wish for. That a person regarding me should think nothing. What a forlorn desire to seek indifference.” (315)

Small Island is beautifully written and hauntingly real. Levy develops a cast of unforgettable characters who navigate empire, prejudice, war, and love in an unforgettable story. A must read! show less

I read this book when it first came out and just reread it with my Seminar in Historical Fiction students. I'm really happy that I chose it to close out the course.

Levy tells her tale through as somewhat complex structure. She uses four narrators: Queenie, a white working class British woman; Bernard, her ultraconservative husband; Gilbert, a Jamaican who served in the RAF during World War II; and Hortense, Gilbert's wife, a proud woman who believes her education will get her anywhere. Added to this, Levy gives us two timeframes, 1948 (present day) and "Before," which ranges from 1924 to 1948. In addition, the characters move among many locations, including London, Jamaica, Hertfordshire, India, France, and Brighton. If this sounds show more confusing, well, surprisingly, it isn't.

All of these characters live on dreams--hopes to better their lives. In the prologue, a seven year-old Queenie visits the 1924 British Exhibition in Wembley and leaves convinced that she has been "in Africa." Queenie dreams of escaping her father's pig farm, of becoming a lady, of living a more comfortable life in London, of motherhood. But as it happens, the road to that dream takes her to marriage with a "solid" but dispassionate man--Bernard, a bank clerk. Hortense is convinced from an early age that she will go to England and live in a big house with doorbell that goes ding-a-ling--and that she will marry her handsome playboy cousin, Michael Roberts. All his life, Gilbert Joseph has been told that Jamaicans are British subjects, and he believes that if he can just get to England, opportunities will open wide. What better way than to fight for the Mother Country? And Bernard--poor Bernard. He doesn't really know how to dream, so his dream is the dream of the British Empire: British superiority, a stiff upper lip, living your life as others think you should. For him, the war is becomes a real game-changer.

The characters' lives become complicated and intertwined when Gilbert and Hortense marry, emigrate to England with high expectations (Gilbert first, Hortense several months later) and rent a room in Queenie's house. In time, they learn a lot about the way of the world--particularly the English world--and even more about themselves.

I don't want to give up any more particulars of plot, so let me just say that this is a lovely book, finely written and imagined, with more than one meaningful message for us all. show less

Character-driven historical fiction set in 1948 (and flashing back to “Before”) about two mismatched couples, Britons Bernard and Queenie, and Jamaicans Gilbert and Hortense. It tells a story of the migration of the two Jamaicans to post-WWII London, and the differences between their expectations and the realities. Though Gilbert has served in the RAF, fighting in WWII for the “Mother Country,” he and Hortense experience racism and intolerance.

In Jamaica, Hortense dreams of living in England, where she believes she will have a much better life. She agrees to fund Gilbert’s journey in return for his promise to send for her once he gets settled in London. Gilbert aspires to law school. He is educated but can only find work as a show more driver. Queenie suffers through the Blitz in London. She takes in Caribbean tenants, including Gilbert, to earn rental income. Bernard’s military service takes him to India, where he endures a variety of traumatic ordeals. When he fails to return, Queenie decides he has died in the war.

The strength of this novel lies in the characters. Levy weaves together multiple voices into a thought-provoking narrative that sheds light on the history of race and class in Britain. Each of the four tells his or her story in first person, so the reader becomes well-acquainted with them. Some are more likeable than others, but all feel authentic. The writing is richly detailed, providing a vivid sense of what life was like at the time in England, India, and Jamaica. Parts of this story are gut-wrenching and engender a feeling of outrage at the racial hatred directed toward the Jamaican characters. The author uses sarcastic humor to help develop the characters’ relationships and provide a break between harsh scenes. The ending is particularly emotional and well-crafted, providing a ray of hope for the future. It should appeal to those interested in modern classics or the history of multiculturalism in England. show less

Character-driven historical fiction set in 1948 (and flashing back to “Before”) about two mismatched couples, Britons Bernard and Queenie, and Jamaicans Gilbert and Hortense. It tells a story of the migration of the two Jamaicans to post-WWII London, and the differences between their expectations and the realities. Though Gilbert has served in the RAF, fighting in WWII for the “Mother Country,” he and Hortense experience racism and intolerance.

In Jamaica, Hortense dreams of living in England, where she believes she will have a much better life. She agrees to fund Gilbert’s journey in return for his promise to send for her once he gets settled in London. Gilbert aspires to law school. He is educated but can only find work as a show more driver. Queenie suffers through the Blitz in London. She takes in Caribbean tenants, including Gilbert, to earn rental income. Bernard’s military service takes him to India, where he endures a variety of traumatic ordeals. When he fails to return, Queenie decides he has died in the war.

The strength of this novel lies in the characters. Levy weaves together multiple voices into a thought-provoking narrative that sheds light on the history of race and class in Britain. Each of the four tells his or her story in first person, so the reader becomes well-acquainted with them. Some are more likeable than others, but all feel authentic. The writing is richly detailed, providing a vivid sense of what life was like at the time in England, India, and Jamaica. Parts of this story are gut-wrenching and engender a feeling of outrage at the racial hatred directed toward the Jamaican characters. The author uses sarcastic humor to help develop the characters’ relationships and provide a break between harsh scenes. The ending is particularly emotional and well-crafted, providing a ray of hope for the future. It should appeal to those interested in modern classics or the history of multiculturalism in England. show less

Interesting exploration of one aspect of British imperialism --in this case it is Jamaican young men fighting for the UK in WWII, and how they fared in the aftermath. Set mostly in London, before and after 1948, there are lots of well-drawn scenes of very ugly racism, akin to but different than in the US. The British kept their slavery and exploitation offshore, in the colonies, so never developed a Jim Crow system at home. How did they respond when the war required them to come face to face with actual black people? Apparently, not very well, as this story illustrates. I really enjoyed this. The characterizations, dialogue, shifts in point of view - all very well done.

Firstly, I must say that I listened to this and the narrator was simply fabulous. She had all of the accent down really well, even the shades of difference between Aunt Dorothy & Queenie, or that between Hortense & Gilbert. Just really very very convincing and, I suspect, not an easy trick to pull off.
This is set during WW2 and in the years immediately after, with the bulk of the story being set in 1948. The Empire Windrush arrives in London, bringing with it Gilbert, a Jamaican man who has served in the RAF and is now looking to make his future in England. He ends up lodging with Queenie Bly, who has a house in Earl's Court and a husband who hasn't yet made it back from the war. It is told in their voices, and those of their show more respective partners, Hortense & Bernard. Tlod with some elements of flash back, you find out that they have a complicated relationship and that life hasn't been plain sailing for any of them. At times this is brilliantly funny, at others it is really difficult to listen to. Partly that is the attitudes reflected in the book. I accept that they are highly likely to be representative of their time, but the scene in the cinema had my blood boiling. All I can say is that I think (and I hope) that as a nation we've moved on a lot since this book was set. but it isn't just the racism, there is the insufferable sexism that both Queenie & Hortense are subject to, but with much less outrage on anyone's part. As I said, I would hope that we can take comfort in the fact that we have moved on from this.
I thought this was really very well written. The different voices telling their tales, at times the same incident from more that one perspective. And the back story fills in as the book progresses. This kept me listening, and waning to know what happened next, right to the end. And I'm still wondering where their lives lead from the last page - where are they all now? show less