The Memory of Love
by Aminatta Forna
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Description
Adrian Lockheart is a psychologist escaping his life in England. Arriving in Freetown in the wake of civil war, he struggles with the intensity of the heat, dirt and secrets this country hides. A story unfolds about ordinary people in extrordinary circumstances and the indelible effects of the past.Tags
Recommendations
Member Recommendations
tangentialine same elegiac, lyrical tone; same discussion of the ravages of civil war; analysis of white-black people interaction.
20
tangentialine same elegiac, lyrical tone; same discussion of the ravages of civil war; also, outsider who comes to help.
anonymous user Not a literary masterpiece, but a young girl's memoir of her harrowing experiences in Sierra Leone during the period of Forna's book.
whymaggiemay Forna's first book about the civil war, told by four women.
krazy4katz Angel is a baker who makes cakes to support her husband and grandchildren. The story takes place in Rwanda after the genocidal war of 1994. Through her baking of cakes, Angel heals those around her as well as herself.
Member Reviews
Having already read this year’s Orange Prize winner, The Tiger’s Wife, earlier this year I have to ask myself, “What in the world were the judges thinking?” This stunning novel, that tells the heartbreaking story of the detritus of the Sierra Leone war years, came in what? Second or third? How is that possible? This novel is breathtaking and polished. That other novel is a flawed first attempt. This novel tells how the war in Sierra Leone left the residents bruised and hurting. That other novel dealt with a war too and its effect on the populace. But this novel tore your guts out and that other novel left me feeling like a bystander, with only a casual interest. Both books had two separate threads, years apart, that the author show more weaved back and forth, telling the story. But this novel was seamlessly constructed while that other novel had me wondering what was going on. What did the judges see, that passed me by?
Adrian is a psychologist from the UK serving a one year placement in Sierra Leone, working with those people deeply affected by the war and suffering from PTSD and other emotional disorders. He works in a mental hospital and in a medical hospital. Elias Cole is a patient in the hospital, in the last throes of pulmonary disease. He is telling Adrian his story of the days when he was a young college lecturer and the first man walked on the moon. Kai is a young surgeon who is fighting the demons that have plagued him since the war years a decade ago. Adrian unwittingly finds the one woman who can draw the three of them together.
This is the story of modern Africa, told with intelligence and heart. These people are real and this author slyly places the reader on the streets of the city and, through the multistrand effect, makes it all seem so heartbreakingly real. The effects of war on the people can never be overlooked, but how they deal with peace is another story.
“So the man has lost all his young family without knowing it. They’ll be buried by the time the news reaches him. No telephones, no post, the far reaches of the country are virtually cut off. Somebody will have to carry the message to him. Every day Kai sees women on the wards lying next to their sick children. The women’s listlessness frustrates the foreign doctors, who try to urge them to take better care, to own responsibility for monitoring their child’s vital signs. The local nurses, though, show less surprise. And Kai recognizes the expression of the mothers. It is submission, submission in the face of the inevitable. People think war is the worst this country has ever seen: they have no idea what peace is like. The courage it takes to simply endure.” (Page 282)
Yes, I’m afraid this is the book that should’ve won the Orange Prize. If only they would ask me to judge. Oh well. Very highly recommended. show less
Adrian is a psychologist from the UK serving a one year placement in Sierra Leone, working with those people deeply affected by the war and suffering from PTSD and other emotional disorders. He works in a mental hospital and in a medical hospital. Elias Cole is a patient in the hospital, in the last throes of pulmonary disease. He is telling Adrian his story of the days when he was a young college lecturer and the first man walked on the moon. Kai is a young surgeon who is fighting the demons that have plagued him since the war years a decade ago. Adrian unwittingly finds the one woman who can draw the three of them together.
This is the story of modern Africa, told with intelligence and heart. These people are real and this author slyly places the reader on the streets of the city and, through the multistrand effect, makes it all seem so heartbreakingly real. The effects of war on the people can never be overlooked, but how they deal with peace is another story.
“So the man has lost all his young family without knowing it. They’ll be buried by the time the news reaches him. No telephones, no post, the far reaches of the country are virtually cut off. Somebody will have to carry the message to him. Every day Kai sees women on the wards lying next to their sick children. The women’s listlessness frustrates the foreign doctors, who try to urge them to take better care, to own responsibility for monitoring their child’s vital signs. The local nurses, though, show less surprise. And Kai recognizes the expression of the mothers. It is submission, submission in the face of the inevitable. People think war is the worst this country has ever seen: they have no idea what peace is like. The courage it takes to simply endure.” (Page 282)
Yes, I’m afraid this is the book that should’ve won the Orange Prize. If only they would ask me to judge. Oh well. Very highly recommended. show less
What a wonderful book this was!
[The Memory of Love] is set in Sierra Leone in the aftermath of the decade-long 1990’s civil war. Adrian is an English psychologist who has come to Freetown for a year--to help? In search of professional fulfillment? To escape a vaguely dissatisfying marriage? He becomes friendly with Kai, a surgeon, who has never been outside of Sierra Leone. Many have left, including his closest friend, who is entreating him to join him in America, and he is on the brink of deciding to go. Elias, in the end stages of respiratory disease, wants someone to listen to his recollections (curiously, in a country where no one else will talk about the past), and reaches out to Adrian as his audience.
Of course, just below the show more surface of the stories in the novel is the grim reality of the war and related atrocities, and their effects on individuals and society, but Forna approaches this with a relatively light touch, if that is possible. In fact she seems to circle around it, approaching it from the past and from the future, gradually closing in on the specific experiences of individuals, showing the impact of the war from multiple angles. But what is most memorable, and this is probably the point, is the sweetness, joy, and beauty of life and love, between people but also love of place and country, all of which Forna has a gift for describing.
From the very first page:
"This is how it is when you glimpse a woman for the first time, a woman you know you could love. People are wrong when they talk of love at first sight. It is neither love nor lust. No. As she walks away from you, what you feel is loss. A premonition of loss."
The first part of book unwinds slowly and lyrically, but halfway through I could not put it down. I am not sure what I liked the most about The Memory of Love—its authentic and complex characters, the beautiful and arresting writing, an engaging and skillfully developed plot, or its ability to be quietly thought-provoking about life and the human condition. Highly recommended!
4.5 stars show less
[The Memory of Love] is set in Sierra Leone in the aftermath of the decade-long 1990’s civil war. Adrian is an English psychologist who has come to Freetown for a year--to help? In search of professional fulfillment? To escape a vaguely dissatisfying marriage? He becomes friendly with Kai, a surgeon, who has never been outside of Sierra Leone. Many have left, including his closest friend, who is entreating him to join him in America, and he is on the brink of deciding to go. Elias, in the end stages of respiratory disease, wants someone to listen to his recollections (curiously, in a country where no one else will talk about the past), and reaches out to Adrian as his audience.
Of course, just below the show more surface of the stories in the novel is the grim reality of the war and related atrocities, and their effects on individuals and society, but Forna approaches this with a relatively light touch, if that is possible. In fact she seems to circle around it, approaching it from the past and from the future, gradually closing in on the specific experiences of individuals, showing the impact of the war from multiple angles. But what is most memorable, and this is probably the point, is the sweetness, joy, and beauty of life and love, between people but also love of place and country, all of which Forna has a gift for describing.
From the very first page:
"This is how it is when you glimpse a woman for the first time, a woman you know you could love. People are wrong when they talk of love at first sight. It is neither love nor lust. No. As she walks away from you, what you feel is loss. A premonition of loss."
The first part of book unwinds slowly and lyrically, but halfway through I could not put it down. I am not sure what I liked the most about The Memory of Love—its authentic and complex characters, the beautiful and arresting writing, an engaging and skillfully developed plot, or its ability to be quietly thought-provoking about life and the human condition. Highly recommended!
4.5 stars show less
Shortlisted for the Orange Prize, The Memory of Love is the story of two love triangles. One is set in the chaotic post-colonial days of Sierra Leone, and the second takes place in the aftermath of the country's civil war. The story switches back and forth between the two time periods, and between the perspectives of three men. As each love triangle unfolds, and then the two become connected, we see the web of ways in which our choices impact the people we love.
The story opens with Elias Cole relating the story of his life to a British counselor, Adrian, who is in Sierra Leone as a volunteer. Elias, we learn, was a young professor in love with a colleague's wife during the turbulent early 1960s. He tells a story of obsession, unrequited show more love, and betrayal, yet withholds something, even now, after all these years. As Adrian listens and tries to help Elias bring to light his true role in the events surrounding Julius and Saffia Kamara, Adrian's own life is in turmoil. Why is he here? What does he want to accomplish? As Elias's story unfolds, Adrian unwittingly plays out the same complex love triangle: he becomes obsessed with a woman who loves another and in the process betrays a friend.
The third voice heard in the novel is that of a young surgeon, Kai. A victim of nightmares and insomnia, he immerses himself in his work and wonders if it is time to join his best friend in America, leaving behind the trauma of his country. Through Kai we learn of some of the brutal acts perpetrated throughout the war and the untenable position people are in now, with over 90% of the people suffering from post traumatic stress disorder. The decisions and actions of Elias, Adrian, and Kai represent groups of people: those forced to choose between personal suffering and collusion, those forced to live with horrible memories and the absence of hope, and those Westerners who come in behind the war wanting to help and leaving again as soon as their rotation is up. But the experiences of these three men are also very personal stories of loss, love, and memory.
I found The Memory of Love powerful in the descriptions of how civilians and rebels are now living side by side with what Adrian calls "the fragmentation of the conscience". By focusing on the present and suppressing their memories, millions of people are trying to get by in modern Sierra Leone. But can people (and a country) heal if they remain internally fragmented? I also found of interest how the author treats the subject of Western aid workers. In the book, they are seen as people who come to pad their resume or ease their conscience, but without being asked to help and without understanding the people's needs or desires. These short-timers are ignored or despised, sometimes giving foreigners the impression that Sierra Leoneans are not trying to help themselves or improve the situation in their country.
I wish the book had contained more history. Perhaps simply because of my own proclivities, I found that I had to read an online history of the war in order to fully understand and appreciate the novel. Dates, place names, and forces are alluded to, but much is left for the reader to either know or to skip, reading the novel more as a Everyman's experience of war and its aftermath. I also wish that the author had chosen to write from the perspective of some of the women in the book. There are some very strong female characters, but they are always described from the perspective of the men around them. I found that dissatisfying. It's a good book, but left me wanting more. I'm looking forward to discovering additional authors from the country. show less
The story opens with Elias Cole relating the story of his life to a British counselor, Adrian, who is in Sierra Leone as a volunteer. Elias, we learn, was a young professor in love with a colleague's wife during the turbulent early 1960s. He tells a story of obsession, unrequited show more love, and betrayal, yet withholds something, even now, after all these years. As Adrian listens and tries to help Elias bring to light his true role in the events surrounding Julius and Saffia Kamara, Adrian's own life is in turmoil. Why is he here? What does he want to accomplish? As Elias's story unfolds, Adrian unwittingly plays out the same complex love triangle: he becomes obsessed with a woman who loves another and in the process betrays a friend.
The third voice heard in the novel is that of a young surgeon, Kai. A victim of nightmares and insomnia, he immerses himself in his work and wonders if it is time to join his best friend in America, leaving behind the trauma of his country. Through Kai we learn of some of the brutal acts perpetrated throughout the war and the untenable position people are in now, with over 90% of the people suffering from post traumatic stress disorder. The decisions and actions of Elias, Adrian, and Kai represent groups of people: those forced to choose between personal suffering and collusion, those forced to live with horrible memories and the absence of hope, and those Westerners who come in behind the war wanting to help and leaving again as soon as their rotation is up. But the experiences of these three men are also very personal stories of loss, love, and memory.
I found The Memory of Love powerful in the descriptions of how civilians and rebels are now living side by side with what Adrian calls "the fragmentation of the conscience". By focusing on the present and suppressing their memories, millions of people are trying to get by in modern Sierra Leone. But can people (and a country) heal if they remain internally fragmented? I also found of interest how the author treats the subject of Western aid workers. In the book, they are seen as people who come to pad their resume or ease their conscience, but without being asked to help and without understanding the people's needs or desires. These short-timers are ignored or despised, sometimes giving foreigners the impression that Sierra Leoneans are not trying to help themselves or improve the situation in their country.
I wish the book had contained more history. Perhaps simply because of my own proclivities, I found that I had to read an online history of the war in order to fully understand and appreciate the novel. Dates, place names, and forces are alluded to, but much is left for the reader to either know or to skip, reading the novel more as a Everyman's experience of war and its aftermath. I also wish that the author had chosen to write from the perspective of some of the women in the book. There are some very strong female characters, but they are always described from the perspective of the men around them. I found that dissatisfying. It's a good book, but left me wanting more. I'm looking forward to discovering additional authors from the country. show less
What a beautiful and elegantly written book! One caveat that I would give is that because the story goes back and forth in time, as well as having several threads with different characters - the book can initially seem a wee bit confusing. But by the time I was about 60 pages into the book, I no longer had any difficulty with the nonlinear time, nor the who was whom It's a wonderful read on so many levels. The many strands of the story give us insight into different perceptions of several characters as to what happened both back in time and in the current time. One of the characters, Adrian, a psychologist who goes to Sierra Leone to assist in the war torn country helped me realize something that had never really occured to me. Possible show more small spoiler alert - it would seem that the author feels that those that have survived the Sierra Leone civil war are all suffering witha degree of PTSD. Perhaps that is true of anyone who has survived a war, at least for some time. One thing that really amazed me is how of all of the separate strands all came together by the end of the book.
The Civil War is more a part of the background to the story - though an essential part of the story. The characters come to life so beautifully and fully . Truly a beautiful though tragic story -and yet Memory of Love does not get bogged down in sorrow.
Like it's title, this book really is about love at it's heart. 4.75 stars from me. I'm still so carried away by the different characters' , the entire story -and the way that everything comes together in the end. I'm willing to bet that this book takes the Orange Prize for 2011. This is book that will stay with me for a long time. show less
The Civil War is more a part of the background to the story - though an essential part of the story. The characters come to life so beautifully and fully . Truly a beautiful though tragic story -and yet Memory of Love does not get bogged down in sorrow.
Like it's title, this book really is about love at it's heart. 4.75 stars from me. I'm still so carried away by the different characters' , the entire story -and the way that everything comes together in the end. I'm willing to bet that this book takes the Orange Prize for 2011. This is book that will stay with me for a long time. show less
‘This is their reality. And who is going to come and give the people who live here therapy to cope with this?’ asks Attila and waves a hand at the view. ‘You call it a disorder, my friend. We call it life.’ – Aminatta Forna, The Memory of Love
In 2001, British psychologist Adrian Lockheart volunteers to help with mental health services in Sierra Leone, where residents are recovering from civil war. Terminally ill, aging academic Elias Cole, one of Adrian’s patients, tells Adrian his story of love and loss, almost as if he is seeking absolution. Adrian develops a friendship with local surgeon, Kai Mansaray, who is haunted by his own past traumas and lost love. Adrian is the focal point for the convergence of these three show more storylines.
This is a novel that works on multiple levels. It is a story of obsessive love, betrayal, the transience of memories, the recent history of Sierra Leone (1960s to 2000s), political corruption, and the traumatic impact of war on mind, body, and soul. Forna expertly weaves the storylines together and the common elements become more pronounced as the story progresses. The writing is stunning – elegant, expressive, and emotionally convincing. It is a pleasing blend of plot and characterization. I found it engrossing and kept trying to figure out all the interconnections. I am not sure what else I could ask from a book.
Be aware that it contacts graphic descriptions of war-related violence and symptoms of PTSD. show less
In 2001, British psychologist Adrian Lockheart volunteers to help with mental health services in Sierra Leone, where residents are recovering from civil war. Terminally ill, aging academic Elias Cole, one of Adrian’s patients, tells Adrian his story of love and loss, almost as if he is seeking absolution. Adrian develops a friendship with local surgeon, Kai Mansaray, who is haunted by his own past traumas and lost love. Adrian is the focal point for the convergence of these three show more storylines.
This is a novel that works on multiple levels. It is a story of obsessive love, betrayal, the transience of memories, the recent history of Sierra Leone (1960s to 2000s), political corruption, and the traumatic impact of war on mind, body, and soul. Forna expertly weaves the storylines together and the common elements become more pronounced as the story progresses. The writing is stunning – elegant, expressive, and emotionally convincing. It is a pleasing blend of plot and characterization. I found it engrossing and kept trying to figure out all the interconnections. I am not sure what else I could ask from a book.
Be aware that it contacts graphic descriptions of war-related violence and symptoms of PTSD. show less
The Memory of Love takes place shortly after Sierra Leone's Civil War (1991-99). Adrian, a British psychologist, has returned to the country following an initial short volunteer experience. He's left his wife and daughter at home in the hopes of making a difference, helping the people of Sierra Leone recover from trauma. His methods are viewed skeptically at first, but eventually he begins to have a positive impact on his patients. Kai is a brilliant young surgeon working in the same hospital, and haunted by war trauma and lost love:
And when he wakes from dreaming of her, is it not the same for him? The hollowness in his chest, the tense yearning, the loneliness he braces against every morning until he can immerse himself in work and show more forget. Not love. Something else, something with a power that endures. Not love, but a memory of love. (p. 185)
Kai is still in love with Nenebah, a woman who left him some time ago. He also misses his best friend Tejani, who left the country to practice medicine in the US. Kai toys with the idea of joining him, and takes steps necessary for immigration, but is clearly ambivalent about leaving other loved ones behind in Sierra Leone.
In Sierra Leone, silence rules the day: the war is simply not discussed; personal stress is suppressed, as if it's all a big secret. Most of Adrian's cases suffer from post-traumatic stress disorder, having witnessed horrific violence during the war that they have been unable to deal with on an emotional and psychological level. And then there is Elias, the patient who on the surface appears the most "normal." Elias checks himself into the hospital, knowing he is near the end of his life. He has a compelling need to unload his personal story on someone, and Adrian begins meeting with him. Elias worked at the university, first as a lecturer and ultimately as dean. While his personal circumstances kept him away from most of the violence, he and other academics were arrested under suspicion of some vaguely described wrongdoing. Elias describes his response to this event, and its impact on important people in his life, in a matter-of-fact way but gradually Adrian realizes there's much more to Elias' story.
Aminatta Forna uses patient stories, gradually revealed through Adrian's therapy, to help the reader imagine the war's events. She also builds a web of people which I found fascinating. Kai and Adrian's lives intersect first on a professional level and later in deeply personal ways. The connections between people and events unfold slowly, and for me each revelation was very emotional. This is especially true of Elias; when his "sins of omission" are revealed, his real character becomes known, as does a connection that binds him with both Adrian and Kai. The ending was especially wrenching and yet somehow, just right.
This is a superb book; I was transfixed and couldn't put it down. show less
And when he wakes from dreaming of her, is it not the same for him? The hollowness in his chest, the tense yearning, the loneliness he braces against every morning until he can immerse himself in work and show more forget. Not love. Something else, something with a power that endures. Not love, but a memory of love. (p. 185)
Kai is still in love with Nenebah, a woman who left him some time ago. He also misses his best friend Tejani, who left the country to practice medicine in the US. Kai toys with the idea of joining him, and takes steps necessary for immigration, but is clearly ambivalent about leaving other loved ones behind in Sierra Leone.
In Sierra Leone, silence rules the day: the war is simply not discussed; personal stress is suppressed, as if it's all a big secret. Most of Adrian's cases suffer from post-traumatic stress disorder, having witnessed horrific violence during the war that they have been unable to deal with on an emotional and psychological level. And then there is Elias, the patient who on the surface appears the most "normal." Elias checks himself into the hospital, knowing he is near the end of his life. He has a compelling need to unload his personal story on someone, and Adrian begins meeting with him. Elias worked at the university, first as a lecturer and ultimately as dean. While his personal circumstances kept him away from most of the violence, he and other academics were arrested under suspicion of some vaguely described wrongdoing. Elias describes his response to this event, and its impact on important people in his life, in a matter-of-fact way but gradually Adrian realizes there's much more to Elias' story.
Aminatta Forna uses patient stories, gradually revealed through Adrian's therapy, to help the reader imagine the war's events. She also builds a web of people which I found fascinating. Kai and Adrian's lives intersect first on a professional level and later in deeply personal ways. The connections between people and events unfold slowly, and for me each revelation was very emotional. This is especially true of Elias; when his "sins of omission" are revealed, his real character becomes known, as does a connection that binds him with both Adrian and Kai. The ending was especially wrenching and yet somehow, just right.
This is a superb book; I was transfixed and couldn't put it down. show less
This enchanting novel is set in Freetown, the capital of Sierra Leone, at the end of the country's civil war that lasted from 1991-2002. Adrian Lockheart, a British psychologist who has left his family to pursue a more personally fulfilling career, is at the bedside of Elias Cole, a former university professor and dean who is nearing the end of his life. Adrian encourages Elias to share his story with him on weekly therapeutic visits , and Cole tells him about his career, including his friendship with Julius Kamara, another university professor, and his young wife Saffia, who Julius sees for the first time at a faculty gathering just before the successful Apollo 11 moon landing in 1969. He is immediately entranced by her, and spends show more much of his spare time thinking of ways to get closer to her.
The story of Elias and Saffia is interwined with Adrian's experiences in post-war Sierra Leone, along with his friendship with Kai, a talented young surgeon who has used Adrian's living quarters as a place to crash prior to the psychologist's arrival. The men become close friends, although Kai is clearly scarred by his experiences during the recent civil war, which he is unable to share with his friend.
Adrian's primary interest is in diagnosing and treating victims of post-traumatic stress disorder (PTSD), and he cares for several hospitalized patients who appear to suffer from this problem due to the civil war. He attempts to get several of them to talk about their experiences, but few of these poor souls are willing or able to share their stories or accede to his treatment plans. His colleagues and Kai are respectful of his work, but they tell him that his methods have little chance to make any impact on the lives of his patients, due to the country's lack of resources and the different cultural beliefs about mental health.
Elias is the only person who will talk freely about the past with Adrian, and through the life of the dying man and his relationships with Julius and Saffia he learns about the country's postcolonial history, including the devastating civil war that destroyed the fabric of the country and the will of thousands of Sierra Leoneans.
Adrian falls in love with a local woman, whose ties to the other major characters provide a tension to and deeper understanding of their stories. As their relationship deepens, Adrian is forced to decide whether to stay in Sierra Leone, where he is loved and believes he has much to offer, while Kai agonizes over his long held desire to move to the United States where he can practice medicine and exorcise the internal demons that plague his dreams and affect his work.
The Memory of Love is a stunning and deeply moving novel about love in its different forms, and how it can affect and be affected by greed, selfishness, personal ambition and war. The narrative is superb, and I found myself emotionally tied to the lives of the characters as much as any other book I've read in the past decade. show less
The story of Elias and Saffia is interwined with Adrian's experiences in post-war Sierra Leone, along with his friendship with Kai, a talented young surgeon who has used Adrian's living quarters as a place to crash prior to the psychologist's arrival. The men become close friends, although Kai is clearly scarred by his experiences during the recent civil war, which he is unable to share with his friend.
Adrian's primary interest is in diagnosing and treating victims of post-traumatic stress disorder (PTSD), and he cares for several hospitalized patients who appear to suffer from this problem due to the civil war. He attempts to get several of them to talk about their experiences, but few of these poor souls are willing or able to share their stories or accede to his treatment plans. His colleagues and Kai are respectful of his work, but they tell him that his methods have little chance to make any impact on the lives of his patients, due to the country's lack of resources and the different cultural beliefs about mental health.
Elias is the only person who will talk freely about the past with Adrian, and through the life of the dying man and his relationships with Julius and Saffia he learns about the country's postcolonial history, including the devastating civil war that destroyed the fabric of the country and the will of thousands of Sierra Leoneans.
Adrian falls in love with a local woman, whose ties to the other major characters provide a tension to and deeper understanding of their stories. As their relationship deepens, Adrian is forced to decide whether to stay in Sierra Leone, where he is loved and believes he has much to offer, while Kai agonizes over his long held desire to move to the United States where he can practice medicine and exorcise the internal demons that plague his dreams and affect his work.
The Memory of Love is a stunning and deeply moving novel about love in its different forms, and how it can affect and be affected by greed, selfishness, personal ambition and war. The narrative is superb, and I found myself emotionally tied to the lives of the characters as much as any other book I've read in the past decade. show less
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added by annek49
Forna’s characters weave in and out of each other’s lives, often with entirely unforeseeable and shocking consequences. They are so well drawn, and so universally authentic, that each time the narrative view switches from one to the other one almost longs for a convenient twodimensional caricature as light relief from possession. With whom can the reader most easily identify? Adrian, the show more English ingénu? Kai, the heroic surgeon who cannot see the green grass in the other field? Cole, the sell-out? Or Agnes — whose mind has quite rightly opted to walk rather than think about what she must endure?
Forna’s intense research into surgery and psychiatry is as lightly worn as her ability to hide her own craft as a writer...Let us hope that it takes its place where it deserves to be: not at the top of the pile of “African Literature” but outside any category altogether — and at the top of award shortlists show less
Forna’s intense research into surgery and psychiatry is as lightly worn as her ability to hide her own craft as a writer...Let us hope that it takes its place where it deserves to be: not at the top of the pile of “African Literature” but outside any category altogether — and at the top of award shortlists show less
added by vancouverdeb
This is an ambitious project. Forna has written before about the power of storytelling to talk our lives into different shapes. Here she moves deftly between the enchantments of different narratives: the therapeutic, the confessional, the traumatic – flashbacks, nightmares, hauntings, fugue states where stories are lost or distorted beyond recognition and the sweetly joyous themes of new show more love, renewal, springing hope, second chances..... Forna understands that it is only by making patterns out of chaos that humans find the courage to continue living. And in this affecting, passionate and intelligent novel about the redemptive power of love and storytelling, she shows how it is done. show less
added by vancouverdeb
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Past Discussions
April-June Theme Read: War and Regions in Conflict in Reading Globally (February 2024)
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Author Information
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Awards and Honors
Awards
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Common Knowledge
- Canonical title*
- Fantoomliefde
- Original title
- The Memory of Love
- Original publication date
- 2010-04-10 (UK) (UK); 2011-01-04 (US) (US)
- People/Characters
- Adrian Lockheart; Elias Cole; Kai Mansaray; Julius Kamara; Saffia Kamara; Mamakay (show all 7); Agnes
- Important places
- Sierra Leone
- Dedication
- For Simon, with Love
- First words
- On the iron-framed bed a single, scant sheet has moulded itself into the form of the human beneath.
- Quotations
- People think war is the worst this country has ever seen: they have no idea what peace is like. The courage it takes simply to endure.
And when he wakes from dreaming of her, is it not the same for him? The hollowness in his chest, the tense yearning, the loneliness he braces against every morning until he can immerse himself in work and forget. Not love. So... (show all)mething else, something with a power that endures. Not love, but a memory of love.
I think it would be wrong to say I ever followed Saffia. In conversation the names of places she liked to visit or where she did her shopping might arise. Later, I might jot the detail down in my notebook. And if I hap... (show all)pened to find myself there at any of those times, naturally I would look to see if she happened to be there also. Sometimes I might say hello. Other times, I thought it better not to intrude on her thoughts. I might have watched her from a distance. That was all.
Julius believed in himself. He didn’t fear death – for death was too insignificant, too small, it resided below the level of his contempt. He had survived a serious childhood illness that killed many others. He drew po... (show all)wer from the fact of it, as though it proved he was blessed.
The Dean was a small man, dark-skinned, balding and possessed of a quicksilver energy, with tiny hands and feet, and high round buttocks which pitched him forward, so he appeared to approach the world at a trot.
We are like caged pets, we elderly. Like mice or hamsters, constantly reordering our small spaces, taking turns going round and round on the wheel to stop ourselves from going mad. - Last words
- (Click to show. Warning: May contain spoilers.)They do not see, for they cannot, as they cross the peninsula bridge, the letters traced by a boy's forefinger into cement on the far side of the bridge wall half a century ago, beneath the initials of the men who once worked the bridge. J.K.
- Blurbers
- Caputo, Philip; Desai, Kiran; Ali, Monica; Habila, Helon
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