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Charlotte Perkins Gilman (1860–1935)

Author of The Yellow Wallpaper [short story]

142+ Works 14,774 Members 389 Reviews 23 Favorited

About the Author

Charlotte Perkins Gilman was born in 1860 in Hartford, Conn. Her traumatic childhood led to depression and to her eventual suicide. Gilman's father abandoned the family when she was a child and her mother, who was not an affectionate woman, recruited relatives to help raise her children. Among show more these relatives was Harriet Beecher Stowe, the author of Uncle Tom's Cabin. Due to her family situation, Gilman learned independence, but also became alienated from her many female relatives. Gilman married in 1884 and was soon diagnosed with depression. She was prescribed bed rest, which only seemed to aggravate her condition and she eventually divorced her husband, fearing that marriage was partly responsible for her depressed state. After this, Gilman became involved in feminist activities and the writing that made her a major figure in the women's movement. Books such as Women and Economics, written in 1898, are proof of her importance as a feminist. Here she states that only when women learn to be economically independent can true equality be achieved. Her fiction works, particularly The Yellow Wallpaper, are also written with feminist ideals. A frequent lecturer, she also founded the feminist magazine Forerunner in 1909. Gilman, suffering from cancer, chose to end her own life and committed suicide on August 17, 1935. More information about this fascinating figure can be found in her book The Living of Charlotte Perkins Gilman: An Autobiography, published in 1935. (Bowker Author Biography) Charlotte Perkins Gilman was born in 1860 in Hartford, Conn. Her traumatic childhood led to depression and to her eventual suicide. Gilman's father abandoned the family when she was a child and her mother, who was not an affectionate woman, recruited relatives to help raise her children. Among these relatives was Harriet Beecher Stowe, the author of Uncle Tom's Cabin. Due to her family situation, Gilman learned independence, but also became alienated from her many female relatives. Gilman married in 1884 and was soon diagnosed with depression. She was prescribed bed rest, which only seemed to aggravate her condition and she eventually divorced her husband, fearing that marriage was partly responsible for her depressed state. After this, Gilman became involved in feminist activities and the writing that made her a major figure in the women's movement. Books such as Women and Economics, written in 1898, are proof of her importance as a feminist. Here she states that only when women learn to be economically independent can true equality be achieved. Her fiction works, particularly The Yellow Wallpaper, are also written with feminist ideals. A frequent lecturer, she also founded the feminist magazine Forerunner in 1909. Gilman, suffering from cancer, chose to end her own life and committed suicide on August 17, 1935. More information about this fascinating figure can be found in her book The Living of Charlotte Perkins Gilman: An Autobiography, published in 1935. (Bowker Author Biography) show less
Image credit: From Wikipedia

Series

Works by Charlotte Perkins Gilman

The Yellow Wallpaper [short story] (1892) 3,953 copies, 166 reviews
Herland (1915) 2,887 copies, 75 reviews
Herland and Selected Stories (1892) 327 copies, 4 reviews
Women and Economics (1898) 235 copies, 2 reviews
The Charlotte Perkins Gilman Reader (1980) 233 copies, 6 reviews
The Yellow Wallpaper and Selected Writings {Virago Modern Classics} (2009) — Author — 162 copies, 2 reviews
Herland / The Yellow Wallpaper (2005) 136 copies, 3 reviews
Unpunished: A Mystery (1998) 125 copies, 4 reviews
With Her in Ourland (1916) 78 copies, 3 reviews
Moving the Mountain (2009) 61 copies, 2 reviews
What Diantha Did (1912) 51 copies, 2 reviews
The Crux (1911) 51 copies
If I Were a Man {story} (1914) 13 copies, 1 review
Benigna Machiavelli (1993) 12 copies
When I Was a Witch (2017) 7 copies
Concerning Children (2002) 6 copies
Suffrage Songs and Verses (2008) 5 copies
In This Our World (1974) 4 copies
Ghostly Terror! (BBC Audiobooks) (2011) 4 copies, 1 review
Turned 3 copies
Keltainen seinäpaperi (2010) 3 copies
MUJERES Y ECONOMIA (2022) 2 copies
Old Water 2 copies
The Forerunner (2022) 2 copies
Terra d'Elles (2020) 2 copies
Her Beauty 1 copy
[No title] 1 copy
Spoken To 1 copy
My Poor Aunt 1 copy
Dagi Yerinden Oynatmak (2021) 1 copy
The Giant Wisteria 1 copy, 1 review

Associated Works

The Oxford Book of American Short Stories (1992) — Contributor — 837 copies, 3 reviews
The Dark Descent (1987) — Contributor — 800 copies, 14 reviews
Great American Short Stories: From Hawthorne to Hemingway (2004) — Contributor — 675 copies, 2 reviews
The Oxford Book of Gothic Tales (1992) — Contributor — 604 copies, 6 reviews
American Gothic Tales (William Abrahams) (1996) — Contributor — 524 copies, 5 reviews
Great American Short Stories (2002) — Contributor — 522 copies
Great Short Stories by American Women (1996) — Contributor — 457 copies, 5 reviews
Points of View: An Anthology of Short Stories, Revised & Updated Edition (1995) — Contributor — 443 copies, 7 reviews
The Essential Feminist Reader (2007) — Contributor — 375 copies, 3 reviews
The World's Greatest Short Stories (2006) — Contributor — 325 copies, 2 reviews
American Fantastic Tales : Terror and the Uncanny from Poe to the Pulps (2009) — Contributor — 290 copies, 4 reviews
Gothic Short Stories (2002) — Contributor — 284 copies, 2 reviews
Daughters of Decadence: Women Writers of the Fin-de-Siècle (1993) — Contributor — 205 copies, 2 reviews
Classic American Short Stories [Barnes & Noble Leatherbound Classics] (2001) — Contributor — 175 copies, 1 review
100 Eternal Masterpieces of Literature, Volume 1 (2017) — Contributor — 175 copies
Black Water 2: More Tales of the Fantastic (1990) — Contributor — 174 copies, 5 reviews
101 Chilling Tales Great Horror Stories (2016) — Contributor — 171 copies
Evil Roots: Killer Tales of the Botanical Gothic (2019) — Contributor — 162 copies, 2 reviews
The Standard Book of British and American Verse (1932) — Contributor — 129 copies, 1 review
The Utopia Reader (1999) — Contributor — 125 copies, 1 review
The Penguin Book of Women's Humour (1996) — Contributor — 124 copies
The Lifted Veil: Women's 19th Century Stories (2005) — Contributor — 116 copies
In the Shadow of Edgar Allan Poe: Classic Tales of Horror, 1816-1914 (2015) — Contributor — 107 copies, 3 reviews
Haunted House Short Stories [Flame Tree] (2019) — Contributor — 105 copies
65 Great Spine Chillers (1982) — Contributor — 98 copies, 2 reviews
American Fantastic Tales: Boxed Set (2009) — Contributor — 97 copies, 2 reviews
The American Fantasy Tradition (2002) — Contributor — 95 copies, 2 reviews
The Portable Feminist Reader (2025) — Contributor — 94 copies
The Treasury of the Fantastic (2001) — Contributor — 89 copies, 3 reviews
Wolf's Complete Book of Terror (1979) — Contributor — 89 copies, 2 reviews
Close Company: Stories of Mothers and Daughters (1987) — Contributor — 87 copies, 2 reviews
Women's Weird: Strange Stories by Women, 1890-1940 (Handheld Classics) (2019) — Contributor — 87 copies, 2 reviews
Selected Stories from the 19th Century (1998) — Contributor — 85 copies, 1 review
American Christmas Stories (2021) — Contributor — 84 copies
The 13 Best Horror Stories of All Time (2002) — Contributor — 82 copies, 3 reviews
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 73 copies, 1 review
The Medusa in the Shield (1990) — Contributor — 70 copies, 1 review
Dark: Stories of Madness, Murder and the Supernatural (2000) — Contributor — 67 copies, 3 reviews
Lost Worlds Short Stories (Gothic Fantasy) (2017) — Contributor — 66 copies
The Vintage Book of American Women Writers (2011) — Contributor — 66 copies
Great American Short Stories (1977) — Contributor — 65 copies
Horror Stories: Classic Tales from Hoffmann to Hodgson (2014) — Contributor — 59 copies, 1 review
Medusa's Daughters (2020) — Contributor — 56 copies
American Gothic Short Stories (2019) — Contributor — 53 copies
The Experience of the American Woman (1978) — Contributor — 52 copies
The Signet Classic Book of Contemporary American Short Stories (1985) — Contributor — 47 copies, 1 review
An Omnibus of 20th Century Ghost Stories (1989) — Contributor — 46 copies
Haunted Houses: The Greatest Stories (1997) — Author — 46 copies
Best Loved Short Stories of Nineteenth Century America (2003) — Contributor — 42 copies
Haunting Women (1988) — Contributor — 41 copies, 1 review
Eight Strange Tales (1972) — Contributor — 41 copies, 2 reviews
Rediscoveries: American Short Stories by Women, 1832-1916 (1994) — Contributor — 36 copies
More Macabre (1961) — Author — 32 copies
Deadlier: 100 of the Best Crime Stories Written by Women (2017) — Contributor — 31 copies
American Gothic: An Anthology 1787–1916 (1999) — Contributor — 29 copies
21 Essential American Short Stories (2011) — Contributor — 28 copies, 1 review
The Wrong Turning: Encounters with Ghosts (2021) — Contributor — 21 copies
The Other Woman: Stories of Two Women and a Man (1984) — Contributor — 19 copies, 2 reviews
A Quaint and Curious Volume: Tales and Poems of the Gothic (2019) — Contributor — 19 copies, 1 review
The Cold Embrace: Weird Stories by Women (2016) — Contributor — 17 copies, 1 review
Creatures of Another Age: Classic Visions of Prehistoric Monsters (2021) — Contributor — 15 copies, 1 review
Witches' Brew: Horror and Supernatural Stories by Women (1984) — Contributor — 14 copies
The Pocket Book of Ghost Stories (1947) — Contributor — 13 copies, 1 review
The Great Modern American Stories: An Anthology (1920) — Contributor — 10 copies
The Gothic Terror MEGAPACK TM: 17 Classic Tales (2015) — Contributor — 9 copies, 1 review
Great Tales of the Supernatural (1978) — Contributor — 8 copies
American Poems 1776-1922 (2013) — Contributor — 8 copies
Evergreen Stories (1998) — Contributor — 5 copies
Best of Women's Short Stories, Volume I (2008) — Contributor — 4 copies, 1 review
The River Reader: Introduction to Literature (2010) — Contributor — 2 copies
Enjoying Stories (1987) — Contributor — 2 copies
Virginia's Sisters: An anthology of women's writing (2023) — Contributor — 2 copies
The Yellow Wallpaper and Other Stories of Liberation (2021) — Contributor — 2 copies
Women's Short Stories (Vol 2) (2000) — Contributor — 1 copy
Fifty Short Stories [Red Door Consulting] (2013) — Contributor — 1 copy
Short Ghost and Horror Collection 026 — Contributor — 1 copy

Tagged

1001 (56) 1001 books (65) 19th century (212) American (150) American literature (240) classic (207) classics (350) ebook (128) fantasy (88) feminism (709) feminist (145) fiction (1,436) gender (78) gothic (91) horror (195) Kindle (113) literature (190) mental health (61) mental illness (157) novel (127) own (64) read (202) science fiction (212) short stories (606) short story (117) to-read (997) unread (61) utopia (198) women (253) women's studies (110)

Common Knowledge

Canonical name
Gilman, Charlotte Perkins
Legal name
Gilman, Charlotte Anna Perkins
Other names
Stetson, Charlotte Perkins
Birthdate
1860-07-03
Date of death
1935-08-17
Gender
female
Education
Rhode Island School of Design
Occupations
novelist
short story writer
social reformer
magazine editor
public speaker
economist (show all 8)
women's rights activist
suffragist
Organizations
Pacific Coast Women's Press Association
Ebell Society
Awards and honors
National Women's Hall of Fame (1994)
Relationships
Stowe, Harriet Beecher (great-aunt)
Beecher, Catharine (great-aunt)
Hooker, Isabella Beecher (great-aunt)
Stetson, Charles Walter (1st husband)
Gilman, Houghton (2nd husband)
Short biography
Charlotte Perkins Gilman was born in Hartford, Connecticut, to Frederick Beecher Perkins and his wife Mary Fitch Westcott.
Harriet Beecher Stowe, Catharine Beecher, and Isabella Beecher Hooker, three of the most distinguished 19th-century American writers and women's advocates were her great-aunts of whom she was very proud. Charlotte herself became a noted writer, public speaker, economist, and women's rights and suffrage activist. In 1884, at the age of 24, she married Charles Walter Stetson, an aspiring artist, and the following year gave birth to their daughter. Shortly after the birth, Charlotte suffered a serious bout of what today would be diagnosed as post-partum depression. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper," published in 1892. She also wrote a famous treatise, Women and Economics (1898), in which she said women could never be truly independent until they first had economic freedom. This theme was explored through her lectures, her more than 1,000 nonfiction publications, and her fiction. In 1900, Gilman remarried to her first cousin, George Houghton Gilman. Over the next 25 years, Charlotte also ran her own magazine, The Forerunner, in which many of her stories appeared. An advocate of euthanasia, Gilman ended her life at the age of 75 with an overdose of chloroform. Her work fell into obscurity until it was revived by the women’s movement in the 1960s. In 1994, Charlotte Perkins Gilman was inducted into the National Women’s Hall of Fame in Seneca Falls, New York.
Cause of death
suicide
Nationality
USA
Birthplace
Hartford, Connecticut, USA
Places of residence
Providence, Rhode Island, USA
Pasadena, California, USA
New York, New York, USA
Norwich, Connecticut, USA
Place of death
Pasadena, California, USA
Burial location
cremated
Associated Place (for map)
USA

Members

Discussions

Reading Group #10 ('The Yellow Wallpaper') in Gothic Literature (October 2018)

Reviews

412 reviews
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a haunting masterpiece of psychological horror that masquerades as a simple diary of a woman's "rest cure." What begins as a well-meaning but misguided treatment for postpartum depression descends into a chilling portrait of a mind unraveling under enforced idleness and medical gaslighting.

Gilman's prose is deceptively simple, but the mounting dread is palpable as the narrator becomes increasingly obsessed with the hideous yellow show more wallpaper in her prison-like room. Her husband John, a physician who dismisses her concerns with patronizing affection, embodies the medical establishment's dangerous ignorance about women's mental health in the 19th century. The narrator's gradual identification with the woman she sees trapped behind the wallpaper's patterns is both tragic and terrifying.

What struck me most powerfully was the story's opening description of the house as potentially "haunted"—a detail that gains devastating significance by the end. While many readers interpret the conclusion as the narrator's complete mental breakdown, I find myself inclined to agree with those who read the ending more literally and darkly: that the woman kills herself and becomes the ghost haunting that room with the yellow wallpaper. This reading transforms the story from psychological horror into something even more chilling—a tale of a woman so thoroughly erased and dismissed in life that she can only achieve agency and visibility in death, forever trapped in that suffocating room, fulfilling the house's haunted reputation that was mentioned at the very beginning.

This interpretation makes the story's feminist critique even more pointed: the patriarchal medical system doesn't just break the narrator's mind—it quite literally kills her, and even in death, she remains confined to the domestic prison where she was silenced. The circular structure, from "haunted" house to actual haunting, creates a devastating inevitability. A brilliant, unsettling work that remains urgently relevant.
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The Yellow Wallpaper is a brilliant late nineteenth century novella/short story by Charlotte Perkins Gilman. The story is told in the first person by a woman who is apparently suffering from post-partum depression; her husband, a doctor, has rented an estate for the season and prescribed a rest cure for her "nervous illness." He dictates every detail of her existence, from choosing the room where they will sleep to forbidding her to exert herself by writing. She describes the hideous yellow show more wallpaper in the room, developing a fixation with it. She comes to see a woman behind the wallpaper, struggling to escape it.

The story is a perceptive portrayal of the gender roles of the time, the husband's dominance and certainty of his correctness, the wrongness of the treatment, and the narrator's gradual descent into madness. Coming several years earlier than The Awakening, Gilman's story treats similar themes of the limits that societal expectations place on women. The story is formally an easy read but emotionally challenging. 4.5 stars.
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½
any real analysis of this would take longer than the short text itself. there is so much in here and it's all done so well. how she includes so much with so few words is a wonder.

this was written in the 1890s, so clearly women not being believed about their bodies, their selves, their minds, is an ongoing problem that we've been facing for a long, long time. the medical system still doesn't believe (or really even study) women when we say that things aren't right in our bodies. we aren't show more believed and we aren't trusted, and the main character in this short but powerful story faces that as well. at the same time, anyone who tries to live outside the proscribed "norms" will face a pushback that labels them sick or crazy or unwell, as we see so often today, too.

it's really fascinating to see her progression, as more and more of her autonomy is taken from her, into further madness. (or is it madness? it is release from shackles that were binding her?) i guess that's the really exciting question for me - do we see her, at the end, having gone raving mad, being driven that way because her doctor husband and her doctor brother weren't listening to her, weren't getting her what she needed, or do we see her having freed herself from the prison that society has created, and starting anew, having broken out? and, maybe, can it be both?
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½
Hard on the heels of finishing the course on utopias and dystopias, I decided to tackle Herland, a book I'd been intending to read for decades. To my delight it wasn't nearly as earnest and didactic as I would have expected a feminist utopia of the early 20th to be. Rather it was gently humorous and even-handed, suggesting that it is not so much a utopian vision, but a suggestion that in the relations between the sexes we can do a whole lot better without going to extremes.

The story has a show more classic utopian structure of outsiders "discovering" a previously unknown country where everyone lives in peace and prosperity. Three men, who represent specific types, hear about this land of women and resolve to find it. There's the narrator, Van, who is a social scientist, and who approaches women as equals, Southern gentleman, Jeff, who puts women on pedestals, and the "man's man" (read jerk) Terry, whose increasing anger and frustration at not being able to "master" these women leads to an intolerable act of violence.

Gilman's utopian vision is classic also in the sense that the country is far from perfect, and that much of the second half of the book is taken up with the romance between Van, and Ellador, one of the women of Herland, suggests that in the end, utopia is finding someone who completes you, challenges you, supports you, and who is as interested in you and your world as you are in theirs.
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Lists

1910s (1)
1890s (1)
el (1)
Utopia (1)
DELETE (1)

Awards

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Associated Authors

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Sheridan Le Fanu Contributor
Mary Shelley Contributor
E. F. Benson Contributor
Washington Irving Contributor
William Mudford Contributor
Elizabeth Gaskell Contributor
Henry James Contributor
Maggie O'Farrell Introduction
Kate Bolick Introduction
Aric Cushing Introduction
Ann J. Lane Introduction, Editor
Sara Barkat Illustrator
Uta Fleischmann Translator
Sabine Wilhelm Translator
Steve Renwick Cover designer
Michael Kimmel Introduction
Sheryl L. Meyering Introduction
Amy Aronson Introduction
Mary Armfield. Hill Introduction
Jacqueline Cooke Cover designer
Tsai Chia-Hao Cover designer
Tithi Luadthong Cover artist
Jan Francis Narrator
Xe Sands Narrator
Samuel West Narrator

Statistics

Works
142
Also by
103
Members
14,774
Popularity
#1,559
Rating
3.9
Reviews
389
ISBNs
803
Languages
18
Favorited
23

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