Emma Tennant (1) (1937–2017)
Author of Pemberley: Or Pride and Prejudice Continued
For other authors named Emma Tennant, see the disambiguation page.
About the Author
Emma Tennant was born in London, England on October 20, 1937. Before becoming an author and editor, she worked as a journalist for Queen magazine and Vogue. Her first novel, The Color of Rain, was written under the pseudonym of Catherine Aydy in 1963. The novels written under her own name included show more The Time of the Crack, The Last of the Country House Murders, Hotel de Dream, The Bad Sister, Alice Fell, Queen of Stones, Two Women of London: The Strange Case of Ms. Jekyll and Mrs. Hyde, Faustine, Pemberley, and An Unequal Marriage. She also wrote several memoirs including Strangers: A Family Romance, Girlitude: A Memoir of the 50s and 60s, Burnt Diaries, and Waiting for Princess Margaret. She founded and edited the literary journal Bananas and was the editor the Viking series Lives of Modern Women. She died from posterior cortical atrophy, a rare form of Alzheimer's disease, on January 21, 2017 at the age of 79. (Bowker Author Biography) show less
Image credit: Guardian
Works by Emma Tennant
Philomela 2 copies
Associated Works
The New Gothic: A Collection of Contemporary Gothic Fiction (1991) — Contributor — 272 copies, 2 reviews
The Pleasure of Reading: 43 Writers on the Discovery of Reading and the Books That Inspired Them (2015) — Contributor — 103 copies, 2 reviews
Tagged
Common Knowledge
- Legal name
- Tennant, Emily Christina (birth)
- Other names
- Aydy, Catherine (pseudonym for "The Colour of Rain")
- Birthdate
- 1937-10-20
- Date of death
- 2017-01-20
- Gender
- female
- Education
- St Paul's Girls' School, London, England, UK
- Occupations
- novelist
editor
journalist
memoirist
travel writer - Organizations
- Bananas (founder)
- Awards and honors
- Royal Society of Literature (Fellow)
- Relationships
- Yorke, Matthew (child)
Tennant, Stephen (uncle)
Glenconner, Pamela (grandmother)
Asquith, Margot (great-aunt)
Booker, Christopher (spouse | divorced)
Yorke, Sebastian (spouse | divorced) (show all 13)
Cockburn, Alexander (spouse | divorced)
Hughes, Ted (lover)
Caudwell, Sarah (sibling-in-law)
Cockburn, Claud (parent-in-law)
Cockburn, Patrick (sibling-in-law)
Cockburn, Andrew (sibling-in-law)
Owens, Tim (spouse) - Short biography
- Emma Tennant was born in London, England, to an aristocratic family of Scottish origins. Her parents were Christopher Grey Tennant, 2nd Baron Glenconner, and Elizabeth, Lady Glenconner. She was a half-sister of Colin Tennant, later 3rd Baron Glenconner, and a niece of socialite Stephen Tennant. She split her childhood between the family's mock-baronial manor house The Glen near Peebles, in the Scottish Borders, and London. She was educated at St. Paul's Girls' School in London and an Oxford finishing school, before coming out as a debutante in 1956. Tennant worked as a travel writer for Queen magazine and an editor for Vogue. She published her debut novel, The Colour of Rain, at age 25 under the pseudonym Catherine Aydy. After Italian novelist Alberto Moravia disparaged the book, she suffered from writer's block for nearly 10 years. Finally in 1973, she published her second novel The Time of the Crack, and a large number of books followed, which included fantasy, science fiction, thrillers, comedies, and children's books. In 1975, she founded Bananas, an irreverent literary magazine, which helped launch the careers of several young novelists, and served as its editor for three years. She also was the editor of the Viking series Lives of Modern Women.
In later years, she began to write about her own life, publishing four volumes of memoirs that included Girlitude and Burnt Diaries (both 1999). She also wrote sequels with a feminist twist to some classic British novels, including The French Dancer's Bastard (2006), which recounted the life of Adèle, the daughter of Mr. Rochester from Jane Eyre; An Unequal Marriage: Or, Pride and Prejudice Twenty Years Later (1994); and Two Women of London: The Strange Case of Ms. Jekyll and Mrs. Hyde (1989). Tennant was married four times and had three children, including her son Matthew Yorke, also a writer. - Cause of death
- posterior cortical atrophy
- Nationality
- UK
- Birthplace
- London, England, UK
- Places of residence
- London, England, UK
- Place of death
- London, England, UK
- Map Location
- England, UK
Members
Reviews
If my disastrous experiences reading Joan Aiken's "sequels" to Jane Austen (Eliza's Daughter and Jane Fairfax) weren't enough to convince me that this type of undertaking is generally ill-advised, then Emma Tennant's atrociously written Pemberley did the trick...
Ostensibly a sequel to Austen's beloved Pride and Prejudice, Tennant's narrative of the beginning of Mr. and Mrs. Darcy's marriage strains my ability to suspend disbelief to the breaking point. How is it possible that Darcy has show more returned to being the cold, distant ass? Wasn't his transformation into a more humane person one of the major themes of the original? And when did Elizabeth Bennett change from a confident young woman, willing to speak her mind to the insufferable Lady Catherine de Bourgh, to the cowed, insecure woman we see here?
If you love Jane Austen, value good writing, or simply don't like to have your time wasted, I would advise you to steer clear of Pemberley. I myself regret that I invested the time in reading it, and wouldn't want my fellow readers to make the same mistake. Jane Austen is dead ladies, and no amount of wishful thinking is going to expand her oeuvre.
Addendum: I am simply aghast to learn that Ms. Tennant, in addition to butchering the wonderful Pride and Prejudice, has also turned her dubious talents to the task of rewriting Jane Eyre. Now that is just wrong! show less
Ostensibly a sequel to Austen's beloved Pride and Prejudice, Tennant's narrative of the beginning of Mr. and Mrs. Darcy's marriage strains my ability to suspend disbelief to the breaking point. How is it possible that Darcy has show more returned to being the cold, distant ass? Wasn't his transformation into a more humane person one of the major themes of the original? And when did Elizabeth Bennett change from a confident young woman, willing to speak her mind to the insufferable Lady Catherine de Bourgh, to the cowed, insecure woman we see here?
If you love Jane Austen, value good writing, or simply don't like to have your time wasted, I would advise you to steer clear of Pemberley. I myself regret that I invested the time in reading it, and wouldn't want my fellow readers to make the same mistake. Jane Austen is dead ladies, and no amount of wishful thinking is going to expand her oeuvre.
Addendum: I am simply aghast to learn that Ms. Tennant, in addition to butchering the wonderful Pride and Prejudice, has also turned her dubious talents to the task of rewriting Jane Eyre. Now that is just wrong! show less
Wow. Trippy. Allow me to summarise the two hours I wasted in reading this book with an equation: Emma Tennant + Jane Austen's Emma x illegal substances = Emma In Love. What was the woman on? Never the most creditable 'continuation' writer, Tennant must have far surpassed her previous efforts by seemingly penning this novella in a chemical-induced haze. Crazy!
Jane Austen's Emma is my favourite of all her novels, yet I was not offended or disturbed by Emma Tennant's treatment. Amused, show more somewhat; bemused, definitely. Nothing makes sense. All the characters are reduced to caricatures, which Austen never created. Emma is childlike, wanting to 'remain a loved daughter all her days rather than a wife', and still best friends with Harriet. Mr Knightley is 'dogmatic, petty' and 'magisterial', not to mention suddenly rather bizarrely 'slightly deficient of stature'. With Isabella conveniently dispatched after her father, John Knightley has 'espoused his work, now his wife is gone', and constantly talks in legal jargon. Miss Bates is apparently suffering from Tourettes. And despite repeatedly referring back to Austen's original text - from the paraphrasing of the opening line ('handsome, married and rich') to Frank's London haircut, gifts of pork and apples to Miss Bates, and Frank Churchill arriving just in time to fix Mrs Bates' glasses - Emma Tennant's Highbury is a parallel universe where Frank jilted Jane Fairfax at the altar, married an heiress from Yorkshire with a cross-dressing brother, and Mr Knightley and Mrs Weston had a love child who grew up to be French lesbian. Absolutely surreal, and all this in less than 250 pages, even with large text and blank pages between the chapters. This isn't really a novel at all, much less 'Jane Austen's Emma continued', as the subtitle claims; it's an exercise in perverse ramblings, full of cribbed material, inconsistencies, and all the subtlety of a romance novel. Emma is so sexually repressed by the thought of consummating her marriage to Mr Knightley - even four years down the road - that she sees her husband as 'no more - and no less - than a father', 'friends; they were brother and sister', and 'reserved - even disgustingly so', and promptly falls in love with the 'two beautiful visitors to Highbury'. Unfortunately for Emma, Frank's beautiful brother-in-law likes to wear floaty white gowns and rouge, but the mysterious French beauty staying with Jane Fairfax at the vicarage also has her 'shining, dark orbs' on Mrs Knightley.
Are the rumours about Highbury true? Will the mistress of Donwell take a lover? Is Mr Knightley up to a threesome on the island? Why is Jane Fairfax wearing a diamond tiara in the garden? Which expletive will Miss Bates say next? Emma Tennant's sequel to Emma is not to be missed! show less
Jane Austen's Emma is my favourite of all her novels, yet I was not offended or disturbed by Emma Tennant's treatment. Amused, show more somewhat; bemused, definitely. Nothing makes sense. All the characters are reduced to caricatures, which Austen never created. Emma is childlike, wanting to 'remain a loved daughter all her days rather than a wife', and still best friends with Harriet. Mr Knightley is 'dogmatic, petty' and 'magisterial', not to mention suddenly rather bizarrely 'slightly deficient of stature'. With Isabella conveniently dispatched after her father, John Knightley has 'espoused his work, now his wife is gone', and constantly talks in legal jargon. Miss Bates is apparently suffering from Tourettes. And despite repeatedly referring back to Austen's original text - from the paraphrasing of the opening line ('handsome, married and rich') to Frank's London haircut, gifts of pork and apples to Miss Bates, and Frank Churchill arriving just in time to fix Mrs Bates' glasses - Emma Tennant's Highbury is a parallel universe where Frank jilted Jane Fairfax at the altar, married an heiress from Yorkshire with a cross-dressing brother, and Mr Knightley and Mrs Weston had a love child who grew up to be French lesbian. Absolutely surreal, and all this in less than 250 pages, even with large text and blank pages between the chapters. This isn't really a novel at all, much less 'Jane Austen's Emma continued', as the subtitle claims; it's an exercise in perverse ramblings, full of cribbed material, inconsistencies, and all the subtlety of a romance novel. Emma is so sexually repressed by the thought of consummating her marriage to Mr Knightley - even four years down the road - that she sees her husband as 'no more - and no less - than a father', 'friends; they were brother and sister', and 'reserved - even disgustingly so', and promptly falls in love with the 'two beautiful visitors to Highbury'. Unfortunately for Emma, Frank's beautiful brother-in-law likes to wear floaty white gowns and rouge, but the mysterious French beauty staying with Jane Fairfax at the vicarage also has her 'shining, dark orbs' on Mrs Knightley.
Are the rumours about Highbury true? Will the mistress of Donwell take a lover? Is Mr Knightley up to a threesome on the island? Why is Jane Fairfax wearing a diamond tiara in the garden? Which expletive will Miss Bates say next? Emma Tennant's sequel to Emma is not to be missed! show less
Um, how about shockingly bad? For a start? Sigh. Three hours of my life I won’t get back; that’s for damn sure.
This horrid sequel to Pride and Prejudice can only claim to be the sequel if Elizabeth Bennet was destined to turn into the ridiculous, fluttering creature that is her mother. I never thought of her as a jump-to- conclusions kind of girl in the real story–over-eager to believe the worst in someone, if it suits her, sure. But insipid, guarded, able to hold her tongue when she show more shouldn’t. No. I kept waiting for her to shout out “My poor nerves!”
The entire story is inconsistent. The plot line moves along in fits and starts, magically advancing many days and significant events in the space of a page, while dawdling horribly several pages to represent the space of a few hours. There are a few additional characters that Ms. Tennant adds here, but that are all abysmal.
Ridiculous. That’s the sum. Don’t read it. Don’t buy it. And don’t borrow it from your library. Resist the temptation, no matter how much of a Pride and Prejudice geek you are. This can only grossly disappoint. The review snippets giving it a rave on Amazon must be for some other book. Oh, and don’t be deceived, Ms. Tennant published this story previously under the name: Pemberley: A sequel to Pride and Prejudice. Eschew them both! show less
This horrid sequel to Pride and Prejudice can only claim to be the sequel if Elizabeth Bennet was destined to turn into the ridiculous, fluttering creature that is her mother. I never thought of her as a jump-to- conclusions kind of girl in the real story–over-eager to believe the worst in someone, if it suits her, sure. But insipid, guarded, able to hold her tongue when she show more shouldn’t. No. I kept waiting for her to shout out “My poor nerves!”
The entire story is inconsistent. The plot line moves along in fits and starts, magically advancing many days and significant events in the space of a page, while dawdling horribly several pages to represent the space of a few hours. There are a few additional characters that Ms. Tennant adds here, but that are all abysmal.
Ridiculous. That’s the sum. Don’t read it. Don’t buy it. And don’t borrow it from your library. Resist the temptation, no matter how much of a Pride and Prejudice geek you are. This can only grossly disappoint. The review snippets giving it a rave on Amazon must be for some other book. Oh, and don’t be deceived, Ms. Tennant published this story previously under the name: Pemberley: A sequel to Pride and Prejudice. Eschew them both! show less
I read this memoir out of interest in a particular sort of experience of Corfu, for my own writerly reasons instead of because I just wanted to enjoy a narrative of memory. For my purpose, the books was sometimes evocative and useful. It's also ... fascinatingly and sometimes frustratingly odd as a memoir and as an extended piece of narrative prose. The sentences are meant to be long and sprawling, sure, but sometimes their grammar suffers from imprecision that cannot be deliberate. Is a show more similar lack of control the reason the main characters beyond the narrator are never developed, or is all that meant to push the house and the landscape into starring roles (the house is, after all, named, unlike the narrator's parents and children)--or to act as some sort of feminist pushback against the expectations readers bring to a woman's story of family life? Gosh, I don't know. Anyway, it's kind of clunky but has pretty flowers and yummy-sounding salads and things. show less
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