Jonathan Escoffery

The Publisher Says: A major debut, blazing with style and heart, that follows a Jamaican family striving for more in Miami, and introduces a generational storyteller.

In the 1970s, Topper and Sanya flee to Miami as political violence consumes their native Kingston. But America, as the couple and their two children learn, is far from the promised land. Excluded from society as Black immigrants, the family pushes on through Hurricane Andrew and later the 2008 recession, living in a house so show more cursed that the pet fish launches itself out of its own tank rather than stay. But even as things fall apart, the family remains motivated, often to its own detriment, by what their younger son, Trelawny, calls “the exquisite, racking compulsion to survive.”

Masterfully constructed with heart and humor, the linked stories in Jonathan Escoffery’s If I Survive You center on Trelawny as he struggles to carve out a place for himself amid financial disaster, racism, and flat-out bad luck. After a fight with Topper—himself reckoning with his failures as a parent and his longing for Jamaica—Trelawny claws his way out of homelessness through a series of odd, often hilarious jobs. Meanwhile, his brother, Delano, attempts a disastrous cash grab to get his kids back, and his cousin, Cukie, looks for a father who doesn’t want to be found. As each character searches for a foothold, they never forget the profound danger of climbing without a safety net.

Pulsing with vibrant lyricism and inimitable style, sly commentary and contagious laughter, Escoffery’s debut unravels what it means to be in between homes and cultures in a world at the mercy of capitalism and whiteness. With If I Survive You, Escoffery announces himself as a prodigious storyteller in a class of his own, a chronicler of American life at its most gruesome and hopeful.

I RECEIVED A DRC FROM THE PUBLISHER VIA NETGALLEY. THANK YOU.

My Review: When I think about braided-stories novels, there's always a little frisson of fear in my response. I don't always think it's the best idea to try to make a novel out of things that don't fit together naturally. If there's an organic flow among stories, what stops the author from making it into a regular novel-style novel? Why this technique, not another that doesn't make The Market shudder deep in its bones? All we ever hear is that stories are hard to sell, collections are death in the stores, writing stories is just as hard as writing novels but even less remunerative. I'm inured to this cant of can't by now. It's done its damage. I look askance at connected collections.

What, then, is the reason I decided to read this iteration of the story-novel? There's no one thing, there's a constellation of tweaks and trips. I find the idea of books others can't "understand" tempting. I am all for creative uses of the many kinds of English out there waiting to make my acquaintance. I'll walk a mile for a good story about people who just...can't...because they're my people. Because whatever else divides us, we have one thing in common: We don't Belong, and others do. That's worth a lot of effort...which, for the record, I did not think was needed in reading this book. The second story is in patwa but the rest? Not a bit of it.

It pleases me to use my time-honored technique called the Bryce Method to explicate the wonders herein to feast upon at Expendable Mudge Muses Aloud. show less

A series of linked stories painfully recalling estrangement, lack of identity, and parental mistakes, this novel required two readings from me (worth it!) to figure out who was wronging whom the worst - the two brothers, Delano and Trelawny, making poor decisions; their father, breaking up the family in Delano's favor; and all those people encountered whose evaluation of Trelawny's race and origins put him into permanent limbo. He is Jamaican but not a rasta; looks Black but very show more light-skinned, looks Hispanic but can't speak the language, looks mixed race but isn't. The most memorable chapter features their younger cousin Cukie, whose encounters with his absent father in the Florida Keys is heart-wrenching. The eight stories are very affecting and should provide readers with a view of racism that would probably be new to them. show less

Born in America, Trelawny is the son of Jamaican immigrant parents. His older brother, Delano, is his father’s favorite. Trelawny starts out at age nine, in 1992, in South Miami. His family’s home is destroyed in Hurricane Andrew. When his parent divorce, Trelawny lives with his mother and Delano stays with his father. Trelawny is a bookish kid. He gets a scholarship to a northern midwestern college, but he graduates at the apex of the recession of 2008 and there are no jobs to be found. show more The narrative follows his life over the course of two decades.

This book packs an emotional punch. It focuses on the Jamaican American experience, and the depiction of race in America is spot on. The American tendency to “define” someone by a single term is parodied to humorous (but sad) effect. Trelawny’s mixed ethnicities lead him to be variously labeled as Puerto Rican, Dominican, Cuban, and black. He tries to fit in but still feels like an outsider.

It is told in a series of short stories, which easily flow together to form a novel. The first story in the book is one of the best I have read. Another set of striking stories is that of Trelawny’s cousin, Cukie, meeting his father for the first time and finding out exactly what kind of man abandons his child. This book covers a lot of ground – dysfunctional families, father-son dynamics, abandonment, race, class, financial struggles, underemployment, and identity. I am impressed by this author, especially considering this book is his debut.

I listened to the audio book, which is brilliantly narrated by Torian Brackett. I feel like audio is the way to go. It definitely helped with the single chapter told in Jamaican patois by Trelawny’s father. I will keep an eye out for future works by Jonathan Escoffery.

4.5 show less

Literary fiction I appreciated, but didn't quite enjoy. So hard to embrace any of the characters in the featured family, they are all so flawed and horrible to each other. But the writing is top-notch. The basic premise of these linked stories is this: "It occurs to you that people like you -- people who burn themselves up in pursuit of survival -- rarely survive anyone or anything." (230) It is a series of linked stories about a family living in Miami starting in the 80s to present day. show more Topper and Sanya moved from Jamaica with infant Delano to escape social and political violence there. But Miami has its own set of problems, and so does the family. Another son, Trelawney, is born in America and his experience becomes quite different from the rest of his family - he often gets the 'what are you?' question and struggles to answer. "The askers are expectant. They demand immediate gratification. Their question lifts you slightly off your adolescent toes, tilting you, not just because you don't understand it, but because even if you did understand this question, you wouldn't have an answer." (3) While his family might proudly say 'Jamaican' that doesn't mean much to him. Then there is his light skin tone. He isn't accepted by white people, or 'brown' people, who are Puerto Rican or Cuban at his school. There seems to be no category for him which doesn't help the 'what are you?' existential crisis he faces. "Now that you've been booted from the brown enclave, your vulnerability becomes your fragile, frantic solitary friend." Also, his family is rocky: his parents have been fighting because his father is too fond of rum and Delano who is four years older sides with the father - they are alike in temperament and skill. Trelawney is bookish and slight and has excised any hint of accent in his own speech, though his parents retain theirs. This troubled father-son dynamic repeats throughout the stories, including with their cousin Cukie and his deserter father Ox. Though both pairs bond through physical work, that is tested when payment and reward doesn't match. Trelawney who gets a college education isn't part of this, but he doesn't fare much better due to timing and circumstances. A couple hurricanes (Andrew, Irene) have an impact as well as the 2008 economic downturn, and on the personal level, pride and jealousy intervene. The bottom line is no one can catch a break to get to extended stability. Excellent, multi-faceted look at immigration, race, and family with a unique approach of what could almost be stand-alone stories (first and last told in 2nd person, which has an impact, one in Jamaican patois, and all in different view points with individual insight). Last great example of power-house writing: after a marriage split and horrible business fail, "Delano sees tomorrow and the next day and the next with startling clarity......court appearances, his father's attempt to collect...and worst of all the deficiency, the love he can't project across three thousand miles to his children, the love that can't serve as a beacon to call his family back to him. You can't project love while burying yourself. You can't emit love while flickering out, evaporating into the ether." (201) show less