Charlotte Brontë (1816–1855)
Author of Jane Eyre
About the Author
Charlotte Bronte, the third of six children, was born April 21, 1816, to the Reverend Patrick Bronte and Maria Branwell Bronte in Yorkshire, England. Along with her sisters, Emily and Anne, she produced some of the most impressive writings of the 19th century. The Brontes lived in a time when women show more used pseudonyms to conceal their female identity, hence Bronte's pseudonym, Currer Bell. Charlotte Bronte was only five when her mother died of cancer. In 1824, she and three of her sisters attended the Clergy Daughter's School in Cowan Bridge. The inspiration for the Lowood School in the classic Jane Eyre was formed by Bronte's experiences at the Clergy Daughter's School. Her two older sisters died of consumption because of the malnutrition and harsh treatment they suffered at the school. Charlotte and Emily Bronte returned home after the tragedy. The Bronte sisters fueled each other's creativity throughout their lives. As young children, they wrote long stories together about a complex imaginary kingdom they created from a set of wooden soldiers. In 1846, Charlotte Bronte, with her sisters Emily and Anne published a thin volume titled Poems by Currer, Ellis, and Acton Bell. In the same year, Charlotte Bronte attempted to publish her novel, The Professor, but was rejected. One year later, she published Jane Eyre, which was instantly well received. Charlotte Bronte's life was touched by tragedy many times. Despite several proposals of marriage, she did not accept an offer until 1854 when she married the Reverend A. B. Nicholls. One year later, at the age of 39, she died of pneumonia while she was pregnant. Her previously rejected novel, The Professor, was published posthumously in 1857. (Bowker Author Biography) show less
Disambiguation Notice:
Do not combine Charlotte with either or both of her sisters. Also, do not combine this page with that of "Bronte". Thank you.
Image credit: Portrait by George Richmond
Series
Works by Charlotte Brontë
The Complete Novels: Agnes Grey / Jane Eyre / The Professor / Shirley / The Tenant of Wildfell Hall / Villette / Wuthering Heights (2012) 365 copies, 1 review
Jane Eyre: Authoritative Text, Backgrounds, Criticism (Norton Critical Editions) (2009) 41 copies, 1 review
Agnes Grey / Jane Eyre / The Professor / The Tenant of Wildfell Hall / Villette / Wuthering Heights (2018) 37 copies
The Illustrated Letters of the Brontës: The Letters, Diaries and Writings of Charlotte, Emily and Anne Brontë (2021) 25 copies, 1 review
Five Novelettes: Passing Events, Julia, Mina Laury, Captain Henry Hastings, Caroline Vernon (1971) 22 copies
Jane Eyre [adapted - Saddleback Illustrated Classics] (1999) — Original Author; Original Author — 22 copies
The Professor to Which is Added the Poems of Currer, Ellis, and Acton Bell (2009) 20 copies, 1 review
Wuthering Heights / Agnes Grey / The Tenant of Wildfell Hall / The Professor (1980) — Author — 14 copies
The Unfinished Novels: Ashworth / The Moores / The Story of Willie Ellin / Emma (fragment) (1993) 14 copies, 1 review
The Letters of Charlotte Brontë: With a Selection of Letters by Family and Friends, Volume II: 1848-1851 (2000) 13 copies
The letters of Charlotte Brontë : with a selection of letters by family and friends (1995) 13 copies
The Heroines Collection (Jane Eyre, Little Women, Anne of Green Gables, The Secret Garden) (2024) 7 copies
Jane Eyre by Charlotte Brontë Cranford Collection Decorative Classic Literature Novel (2022) 7 copies
Jane Eyre. Cranford edition 6 copies
The Brontë Sisters: The Complete Novels A Biography of the Author (The Greatest Writers of All Time) (2017) 6 copies
An Edition of the Early Writings of Charlotte Brontë, Vol. 2: The Rise of Angria, 1833-1835 (1991) 5 copies
A Leaf from an Unopened Volume; or, The Manuscript of an Unfortunate Author -- An Angrian Story (1986) 5 copies
Romance Classics: Jane Eyre / Mansfield Park / Lorna Doone / Far from the Madding Crowd / Middlemarch / Agnes Grey (2001) — Author — 5 copies
Vilette / Jane Eyre / Shirley / The Tenant of Wildfell Hall / Agnes Grey / Wuthering Heights 4 copies
Reading & Training : Charlotte Brontë : Jane Eyre {step 5} [book + sound recording] (2009) — Writer — 4 copies
Agnes Grey / The Professor / Poems 4 copies
The Great writers : their lives, works and inspiration. Vol.1. Part 3, Charlotte Brontë : Jane Eyre (1999) 4 copies
Wuthering Heights, Agnes Grey, Poems 3 copies
Jane Eyre (adapated, Collins ELT Simplified Readers: Level 4: Intermediate: 1500 Headwords) (1978) 3 copies
The Complete Novels of Charlotte Brontë – All 5 Books in One Edition: Jane Eyre, Shirley, Villette, The Professor & Emma (unfinished) (2017) 2 copies
Novels of the Sisters Bronte. Thornton Edition. In Twelve Volumes (Complete). Includes The Life of Charlotte Bronte (1905) — Author — 2 copies
The Brontë Family Collection: Complete Works of Brontë Family (Annotated and Illustrated) (Annotated Classics) (2013) 2 copies
Wuthering Heights 2 copies
The Works of the Brontë Family 2 copies
Poesie 2 copies
Novels by the Bronte sisters 1 copy
Bronte Sisters Archive 1 copy
Sekret 1 copy
The Ultimate Brontë Collection The Complete Works by Charlotte, Anne and Emily Brontë Illustrated (2013) 1 copy
Legends of Angria 1 copy
Jane Eyre. Ediz. integrale 1 copy
Miss Lucy 1 copy
The Brontes 1 copy
Jane Eyre Vol. III 1 copy
Джейн Эйр : [Роман] 1 copy
Charlotte Brontë's Juvenilia: Tales of Angria (Mina Laury, Stancliffe's Hotel), The Story of Willie Ellin, Albion and Marina, Angria and the Angrians, Tales of the Islanders, The… (2013) 1 copy, 1 review
Die Jane Austen & Geschwister Brontë Collection (Stolz und Vorurteil, Jane Eyre, Emma, Sturmhöhe) (German Edition) (2014) 1 copy
Jane Eyre by Charlotte Bronte: The Original Classic - A Victorian Tale of Love, Independence, and Redemption (2024) 1 copy
Te-am dorit intr-o seara 1 copy
SST 58 - Shirley I 1 copy
SST 75 - Villette 1 copy
SST 14 - Il professore 1 copy
SST 59 - Shriley II 1 copy
Jane Eyre - Foxton Readers Level 4 - 1300 Headwords (B1/B2) Graded ELT / ESL / EAL Readers (2018) 1 copy
The Bronte Sisters Collection: Wuthering Heights / Jane Eyre / The Tenant of Wildfell Hall (Talking Classics) (2019) 1 copy
The Professor (Easy Classics) (The Complete Brontë Sisters Collection (Easy Classics)) (2022) 1 copy
Works of The Bronte Sisters 1 copy
The Professor / Tales from Angria / Emma: A Fragment / Selected Poems by Charlotte, Emily, and Anne Brontë (1954) 1 copy
Como fósforos de Lucifer 1 copy
Bell's Poems 1 copy
Reading & Training - Life Skills : Charlotte Brontë : Jane Eyre [book + sound recording] (2018) — Writer — 1 copy
O segredo; e Lily Hart 1 copy
JANE EYRE (With Cd) Level 2 1 copy
Shirley (Easy Classics) 1 copy
The Brontë Novels 1 copy
Shirley Level 2 1 copy
Jane Eyre (Standard Ebooks) 1 copy
Jane Eyre. 1 copy
Jane Eyre [Abridged] 1 copy
Jane Eyre, Part 3 of 3 1 copy
Jane Eyre, Part 2 of 3 1 copy
Jane Eyre, Part 1 of 3 1 copy
Shirley a tale Vol 2 1 copy
Shirley a tale Vol 1 1 copy
Jane Eyre (Oxford Bookworms) 1 copy
Orkanski visor 1 copy
Associated Works
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,011 copies, 7 reviews
The Norton Anthology of Literature by Women: The Tradition in English (1985) — Contributor — 933 copies, 2 reviews
The Graphic Canon, Vol. 2: From "Kubla Khan" to the Brontë Sisters to The Picture of Dorian Gray (2012) — Contributor — 212 copies, 2 reviews
Tales of Glass Town, Angria, and Gondal : Selected Writings (2010) — Contributor — 101 copies, 3 reviews
British Women Writers: An Anthology from the Fourteenth Century to the Present (1989) — Contributor — 61 copies, 1 review
The Lifted Veil: The Book of Fantastic Literature by Women 1800-World War II (1806) — Contributor — 45 copies
The Romance Collection: Pride and Prejudice / Emma / Jane Eyre / Ivanhoe / Tom Jones / The Scarlet Pimpernel / Lorna Doone / Victoria and Albert (2002) — Writer — 33 copies, 1 review
Lapham's Quarterly - Lines of Work: Volume IV, Number 2, Spring 2011 (2011) — Contributor — 32 copies, 2 reviews
Grolier Classics: Jane Eyre, Maxims and Reflections, Essays of Elia, Rubaiyat (1956) — Contributor — 21 copies
Jane Eyre/ Wuthering Heights/ Little Women/ Adam Bede/ Emma/ Pride and Prejudice (1990) — Contributor — 18 copies
A Serious Occupation: Literary Criticism by Victorian Women Writers (2003) — Contributor — 15 copies
Romance Double Feature: Jane Austen's Emma & Charlotte Bronte's Jane Eyre (2009) — Author — 15 copies
I Walked with a Zombie / The Seventh Victim: Produced by Val Lewton (1943) — Original novel — 14 copies
10 Penguin Classics on 45 CDs (The Mayor of Casterbridge, Pride & Prejudice, Great Expectations, Frankenstein, Jane Eyre, Crime & Punishment, Wuthering Heights, Northanger Abbey,… (2007) — Contributor — 9 copies, 1 review
Die englische Literatur 08 in Text und Darstellung. 19. Jahrhundert 2 (1982) — Contributor — 5 copies
Reading & Training : Charlotte Brontë : Jane Eyre {Step 3} [2008] [book + sound recording] (2003) — Writer — 5 copies
Ensayistas ingleses — Contributor — 2 copies
The King's Story Book — Contributor — 1 copy
Tagged
Common Knowledge
- Canonical name
- Brontë, Charlotte
- Legal name
- Nichols Brontë, Charlotte
- Other names
- Bell, Currer (pseudonym)
Nichols Brontë, Charlotte - Birthdate
- 1816-04-21
- Date of death
- 1855-03-31
- Gender
- female
- Education
- Cowan Bridge
Roe Head, Mirfield, Yorkshire, England, UK
Pensionat Heger, Brussels, Belgium - Occupations
- writer
novelist
poet
teacher - Relationships
- Brontë, Emily (sister)
Brontë, Anne (sister)
Brontë, Patrick (father)
Brontë, Branwell (brother)
Gaskell, Elizabeth (friend)
Thackeray, William Makepeace (friend) - Short biography
- Charlotte Brontë was born in Thornton, in the West Riding of Yorkshire, England. Her parents were Maria Bramwell and Patrick Brontë, an Anglican clergyman and poet. In 1820, when she was a small child, the family moved to Haworth on the Yorkshire moors, where the Rev. Brontë had been appointed rector. The following year, Mrs. Brontë died. In 1824, Charlotte and Emily, along with their two elder sisters Maria and Elizabeth, were sent to the Clergy Daughters' School at Cowan Bridge, near Kirkby Lonsdale, Lancashire. The discipline there was harsh, and the girls found the food and other conditions miserable. Charlotte later portrayed the terrible school in her novel Jane Eyre as the Lowood Institution. After Maria and Elizabeth died in 1825, Charlotte and Emily returned home. Their father managed the upbringing of his three remaining daughters — Charlotte, Emily, and Anne — and son Bramwell thanks to the help of their maternal aunt Elizabeth Branwell, who left her native Cornwall to come and live with them. For more than five years, the Brontë children studied and played at home, writing and telling romantic tales for one another, and inventing imaginative games. At age 15, Charlotte enrolled at a new school not far from Haworth, Roe Head School. She spent 18 months there before returning home; in 1835, she went back again for a while as a teacher. To support herself and the family, Charlotte decided to become a governess and went with Emily to a boarding school in Brussels, Belgium, to improve their French and learn German. She later became a pupil-teacher there. Her unrequited love for the school's headmaster would eventually find an outlet in her novels Villette (1853) and The Professor (published posthumously in 1857). Before that, however, the ardent heart and rebellious spirit of her most famous creation, Jane Eyre (1847) brought immediate success and fame to the author under her pen name Currer Bell. Charlotte visited London three times at the invitation of her publisher and moved in literary circles, becoming a friend of Elizabeth Gaskell and William Makepeace Thackeray. Her novel Shirley (1849), written during and after the tragic deaths of her three siblings in a single year, showed Charlotte's engagement with both women's rights and workers' rights movements. In 1854, she married Arthur Nicholls, her father's curate and her long-time suitor. She became ill and died suddenly during pregnancy at age 38 in 1855.
- Cause of death
- probable hyperemesis gravidarum
- Nationality
- UK
- Birthplace
- Thornton, Yorkshire, England, UK
- Places of residence
- Thornton, Yorkshire, England, UK
Haworth, Yorkshire, England, UK
Lancashire, England, UK
Mirfield, England, UK
Brussels, Belgium - Place of death
- Haworth, Yorkshire, England, UK
- Burial location
- Church of St Michael and All Angels, Haworth, West Yorkshire, England, UK
- Map Location
- England, UK
- Disambiguation notice
- Do not combine Charlotte with either or both of her sisters. Also, do not combine this page with that of "Bronte". Thank you.
Members
Discussions
Rare copy of Jane Eyre in Name that Book (October 2025)
A wrong corrected! in Pedants' corner (September 2024)
November 2023: The Brontë Sisters in Monthly Author Reads (December 2023)
Jane Eyre in Franklin Library Collectors (January 2023)
Jane Eyre LEC in George Macy devotees (January 2023)
November Group Read: Shirley by Charlotte Brontë in 2014 Category Challenge (December 2014)
Jane Eyre in Book talk (July 2014)
Best Bronte Quote? in The Brontës (January 2014)
Jane Eyre in The Brontës (January 2014)
Jane Eyre/Wuthering Heights in Books Compared (March 2013)
1001 Group Read, Oct. 12: Villette in 1001 Books to read before you die (November 2012)
Villette Question in The Brontës (May 2012)
*** Group Read: Jane Eyre (Spoiler Thread) in 75 Books Challenge for 2011 (April 2011)
*** Group Read: Jane Eyre (Non-Spoiler Thread) in 75 Books Challenge for 2011 (April 2011)
Jane Eyre Group Read (For the Procrastinators) Week One in 75 Books Challenge for 2010 (December 2010)
Book Discussion: Jane Eyre in 1001 Books to read before you die (February 2008)
Reviews
It isn't every book that speaks to both the Wild Romantic and the Stern Puritan in me, and since the day I first read Jane Eyre - up in the woods of Michigan, the summer I was twelve - I have revisited it often, and always with pleasure. It is a book that speaks in many tongues, to many people, and presents many faces to the world, all worth exploring...
Depending on who you speak to, this is the best and truest love story ever written - a narrative of the suffering and endurance of true show more love; a commentary on the social and economic subjugation of women in 19th-century England; or an oblique exploration of race and empire. It is all of these things, of course, but for me, the power of Jane Eyre stems from its keenly observed and acutely realized portrait of the conflict between duty and desire.
From the very first line, when a hidden Jane looks out onto a rain-soaked world, I entered wholly into the psyche of this character. Her desire to love and be loved, so cruelly denied in her childhood, seemed as piercingly real to me as anything I had ever felt in my own life. Lonely Jane, for all the Gothic trappings that surround her, could be the poster child for that "transcendental homelessness" of which Lukács speaks...
So it is, when Jane seems to find a home with Rochester, whose "bad-boy" persona would make any schoolgirl's heart flutter, I could enter with abandon into the almost ecstatic joy of her homecoming, her communion with another soul. Lonely Jane no more...
And when Jane discovers the duplicity of her lover, and the insurmountable ethical obstacles to her happiness, her stern devotion to duty, her almost-desperate recourse to principle, permit her a tremendous (but costly) moral victory. To this day, I cannot read the scenes in which Jane must tear herself away from Rochester, or the following passage, without getting chills:
Still indomitable was the reply--"I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God; sanctioned by man. I will hold to the principles received by me when I was sane, and not mad--as I am now. Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth? They have a worth--so I have always believed; and if I cannot believe it now, it is because I am insane--quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have at this hour to stand by: there I plant my foot."
After many travails, Jane does find her happy ending (thank goodness), and having triumphed over her own heart, she is rewarded with her heart's desire. But that conflict, between the desire to be happy and the need to do right, is what gives Jane Eyre its peculiar power. It is Jane herself who is the masterpiece. show less
Depending on who you speak to, this is the best and truest love story ever written - a narrative of the suffering and endurance of true show more love; a commentary on the social and economic subjugation of women in 19th-century England; or an oblique exploration of race and empire. It is all of these things, of course, but for me, the power of Jane Eyre stems from its keenly observed and acutely realized portrait of the conflict between duty and desire.
From the very first line, when a hidden Jane looks out onto a rain-soaked world, I entered wholly into the psyche of this character. Her desire to love and be loved, so cruelly denied in her childhood, seemed as piercingly real to me as anything I had ever felt in my own life. Lonely Jane, for all the Gothic trappings that surround her, could be the poster child for that "transcendental homelessness" of which Lukács speaks...
So it is, when Jane seems to find a home with Rochester, whose "bad-boy" persona would make any schoolgirl's heart flutter, I could enter with abandon into the almost ecstatic joy of her homecoming, her communion with another soul. Lonely Jane no more...
And when Jane discovers the duplicity of her lover, and the insurmountable ethical obstacles to her happiness, her stern devotion to duty, her almost-desperate recourse to principle, permit her a tremendous (but costly) moral victory. To this day, I cannot read the scenes in which Jane must tear herself away from Rochester, or the following passage, without getting chills:
Still indomitable was the reply--"I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God; sanctioned by man. I will hold to the principles received by me when I was sane, and not mad--as I am now. Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth? They have a worth--so I have always believed; and if I cannot believe it now, it is because I am insane--quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have at this hour to stand by: there I plant my foot."
After many travails, Jane does find her happy ending (thank goodness), and having triumphed over her own heart, she is rewarded with her heart's desire. But that conflict, between the desire to be happy and the need to do right, is what gives Jane Eyre its peculiar power. It is Jane herself who is the masterpiece. show less
This was Charlotte Brontë's second novel, written during the terrible period in her life when Branwell, Emily and Anne all died within a few months of each other. It never had quite the popular success of Jane Eyre, and it tends to get tucked away in the category of "industrial novels" together with North and South and Hard Times. But it is one of the handful of books that can claim to have introduced a new given name into the language (where would we be without Ms Bassey, Ms Temple and Ms show more Williams?). And in places it's a fairly hard-hitting feminist text as well.
The story is set in the early 1810s, with the Yorkshire textile industry hard-hit by the export restrictions of the Napoleonic wars. Unemployed textile operatives, with no prospect of work, are getting drawn into rioting and machine-breaking. Vicar's niece Caroline is in love with her cousin Robert, an Anglo-Belgian mill-owner ruined by the war in Antwerp and trying to make a new start in Yorkshire, but of course he can't think of marriage until his business is on a sound footing, which it won't be until the war ends and the operatives stop rioting. And to make a bad situation worse, Caroline's fiery uncle quarrels with Robert over politics and forbids her to see him.
Then, a good third of the way through the novel already, Shirley finally arrives on the scene. She's a young woman of independent ideas who has, very unusually, inherited an estate in her own right, and she's determined to show that she can run it as well as any man. Charlotte Brontë must have heard tales about the famous Anne Lister, of Shibden Hall in Halifax, who was in a similar situation and about the same age as Shirley. (Obviously she didn't know about Lister's secret diaries, full of her love affairs with local young women, which were only deciphered fairly recently.) Caroline and Shirley soon become intimate friends and have long discussions about politics, the church, women's role in society, how damaging it is that middle-class women have so few types of employment open to them, and so on. Shirley scandalises a few curates, there are rumours of an involvement with her tenant Robert, but she still finds just about all the eligible men in Yorkshire chasing her.
Shirley is a wonderful character, Caroline is enjoyable if sometimes just a bit too good to be true, and there are some splendid dialogues and set-pieces, including the Sunday-school picnic and the grand scene when the rioters attack the mill, and there's a host of entertaining minor characters who give Brontë the opportunity for flashes of authentic Yorkshire dialect and some ironic voice-over commentary. I especially enjoyed Robert's very Belgian-bourgeoise sister Hortense, with her stubborn insistence on living according to the standards she's been brought up to, even though the whole of West Yorkshire is laughing at her odd dress and the strange food she prepares.
But it does all seem to ramble a bit, strands of plot seem to fall out of sight to be picked up again apologetically many chapters later, and for all its feminist bravura the plot comes to a very conventional conclusion with a double marriage, at least one half of which makes nonsense of about half the talk that preceded it. The shocking defeat of Napoleon that makes such a happy-end possible may not be altogether a surprise to the reader. Also, Caroline and Robert have both found themselves in life-threatening situations at points in the story where the reader knows there is no way the author would be able to proceed further without them, and Caroline herself is probably the only person who was surprised when herlong-lost mother was finally unmasked.
Whilst Brontë is clearly very sympathetic with the plight of the starving workers, she is almost nauseously insistent that all the trouble is the fault of external agitators who are non-conformist preachers and therefore — in her Anglican view of the world — ipso facto alcoholics. And she has no qualms at all about seeing the lot of them transported to Australia. So probably not the place to look for balanced political insight. But well worth all that inconvenience for the time we spend with the title character.
The audiobook read by Anna Bentinck works well: she has a very good feel for the rhythm of Brontë's prose, and she has no trouble at all making French with a Yorkshire accent sound different from French with a Belgian accent, a trick that is required rather more often in this book than in most other Victorian novels. show less
The story is set in the early 1810s, with the Yorkshire textile industry hard-hit by the export restrictions of the Napoleonic wars. Unemployed textile operatives, with no prospect of work, are getting drawn into rioting and machine-breaking. Vicar's niece Caroline is in love with her cousin Robert, an Anglo-Belgian mill-owner ruined by the war in Antwerp and trying to make a new start in Yorkshire, but of course he can't think of marriage until his business is on a sound footing, which it won't be until the war ends and the operatives stop rioting. And to make a bad situation worse, Caroline's fiery uncle quarrels with Robert over politics and forbids her to see him.
Then, a good third of the way through the novel already, Shirley finally arrives on the scene. She's a young woman of independent ideas who has, very unusually, inherited an estate in her own right, and she's determined to show that she can run it as well as any man. Charlotte Brontë must have heard tales about the famous Anne Lister, of Shibden Hall in Halifax, who was in a similar situation and about the same age as Shirley. (Obviously she didn't know about Lister's secret diaries, full of her love affairs with local young women, which were only deciphered fairly recently.) Caroline and Shirley soon become intimate friends and have long discussions about politics, the church, women's role in society, how damaging it is that middle-class women have so few types of employment open to them, and so on. Shirley scandalises a few curates, there are rumours of an involvement with her tenant Robert, but she still finds just about all the eligible men in Yorkshire chasing her.
Shirley is a wonderful character, Caroline is enjoyable if sometimes just a bit too good to be true, and there are some splendid dialogues and set-pieces, including the Sunday-school picnic and the grand scene when the rioters attack the mill, and there's a host of entertaining minor characters who give Brontë the opportunity for flashes of authentic Yorkshire dialect and some ironic voice-over commentary. I especially enjoyed Robert's very Belgian-bourgeoise sister Hortense, with her stubborn insistence on living according to the standards she's been brought up to, even though the whole of West Yorkshire is laughing at her odd dress and the strange food she prepares.
But it does all seem to ramble a bit, strands of plot seem to fall out of sight to be picked up again apologetically many chapters later, and for all its feminist bravura the plot comes to a very conventional conclusion with a double marriage, at least one half of which makes nonsense of about half the talk that preceded it. The shocking defeat of Napoleon that makes such a happy-end possible may not be altogether a surprise to the reader. Also, Caroline and Robert have both found themselves in life-threatening situations at points in the story where the reader knows there is no way the author would be able to proceed further without them, and Caroline herself is probably the only person who was surprised when her
Whilst Brontë is clearly very sympathetic with the plight of the starving workers, she is almost nauseously insistent that all the trouble is the fault of external agitators who are non-conformist preachers and therefore — in her Anglican view of the world — ipso facto alcoholics. And she has no qualms at all about seeing the lot of them transported to Australia. So probably not the place to look for balanced political insight. But well worth all that inconvenience for the time we spend with the title character.
The audiobook read by Anna Bentinck works well: she has a very good feel for the rhythm of Brontë's prose, and she has no trouble at all making French with a Yorkshire accent sound different from French with a Belgian accent, a trick that is required rather more often in this book than in most other Victorian novels. show less
I feel like very few "classics" I read actually can captivate me and hold my interest very well (it's not that it doesn't happen, but it doesn't happen as frequently as I might like). But it did with Jane Eyre; I found myself wanting to read the whole book in a single sitting, which I didn't do but certainly could have if I'd had time.
I'd read what I think must have been an abridged version of this, years ago, and remembered much of it extremely poorly (to the point of even having Jane at show more Thornfield during the fire, &c.). So I'm glad I reread it, and am delighted to report that the story came to life much more to be this time. I had forgotten how witty and playful Jane and Rochester are with each other much of the time, but also how the tension between Jane's strong desire for an equal conflicts with her (at times) somewhat submissive personality. And I certainly didn't recall just how very traumatizing Jane's childhood was ... goodness!
The descriptions of the natural world, particularly at Thornfield, are quite good, and the suspenseful, almost gothic, nature of the mysterious occupant of the third floor are quite spookily drawn, in a good way.
Most enjoyable, even if a bit melodramatic at times. show less
I'd read what I think must have been an abridged version of this, years ago, and remembered much of it extremely poorly (to the point of even having Jane at show more Thornfield during the fire, &c.). So I'm glad I reread it, and am delighted to report that the story came to life much more to be this time. I had forgotten how witty and playful Jane and Rochester are with each other much of the time, but also how the tension between Jane's strong desire for an equal conflicts with her (at times) somewhat submissive personality. And I certainly didn't recall just how very traumatizing Jane's childhood was ... goodness!
The descriptions of the natural world, particularly at Thornfield, are quite good, and the suspenseful, almost gothic, nature of the mysterious occupant of the third floor are quite spookily drawn, in a good way.
Most enjoyable, even if a bit melodramatic at times. show less
This was a terrible book. The main character was infuriatingly supercilious and completely convinced of his own superiority. He doesn't even bother to teach well but frequently mentions that he doesn't challenge his students because he doesn't think they'll bother to learn, when it was his job to make them want to learn. I was very disappointed when Frances accepted his proposal since she was the only character that wasn't totally horrible, and she didn't deserve to be dominated by this show more awful man. I was truly surprised when Mr. Crimsworth allowed her to keep working and teaching. It seemed very out of character for him given his habit of demanding everyone do what he want or he would treat them with veiled contempt, and he told Frances repeatedly that he wanted to provide for her and didn't give it up until she insisted she work.
Miss Brontë also expects her reader to understand French. She expected this in Jane Eyre as well, but as only the exchanges with Adele, which never contained anything important, where I really was under the impression I was missing important information in this book.
These things led to me not particularly enjoying the book, but the final nail in the coffin was Mr. Crimsworth's absolute raging anti-Catholicism. It's hard to read the prospective of a prejudiced character at any time, but especially when he or she refuses to learn better or admit his discrimination. I also thought it was horribly hypocritical of Charlotte Brontë to claim that all Catholic girls and women are wicked seducers with no sense of morality considering her own infatuation with a married man who was her teacher. I don't usually listen to classic audiobooks at more than 1.5 as the recordings tend to be less clear and the language sometimes takes time to digest and understand, but I found myself so impatient to be done with this book that I listened to it at twice the speed starting from about half way through, and sometimes even ventured to 2.15 in my eagerness to be done with the torture. I probably should have just DNFed it, but I do hate leaving books incomplete.
I don't know how Charlotte went from writing this monstrosity to writing the wonderful Jane Eyre, but I'm very glad that I read this after Jane Eyre or I probably wouldn't have ventured to read another of Charlotte Brontë's books. show less
Miss Brontë also expects her reader to understand French. She expected this in Jane Eyre as well, but as only the exchanges with Adele, which never contained anything important, where I really was under the impression I was missing important information in this book.
These things led to me not particularly enjoying the book, but the final nail in the coffin was Mr. Crimsworth's absolute raging anti-Catholicism. It's hard to read the prospective of a prejudiced character at any time, but especially when he or she refuses to learn better or admit his discrimination. I also thought it was horribly hypocritical of Charlotte Brontë to claim that all Catholic girls and women are wicked seducers with no sense of morality considering her own infatuation with a married man who was her teacher. I don't usually listen to classic audiobooks at more than 1.5 as the recordings tend to be less clear and the language sometimes takes time to digest and understand, but I found myself so impatient to be done with this book that I listened to it at twice the speed starting from about half way through, and sometimes even ventured to 2.15 in my eagerness to be done with the torture. I probably should have just DNFed it, but I do hate leaving books incomplete.
I don't know how Charlotte went from writing this monstrosity to writing the wonderful Jane Eyre, but I'm very glad that I read this after Jane Eyre or I probably wouldn't have ventured to read another of Charlotte Brontë's books. show less
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