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Charlotte Brontë (1816–1855)

Author of Jane Eyre

351+ Works 97,501 Members 1,453 Reviews 603 Favorited
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About the Author

Charlotte Bronte, the third of six children, was born April 21, 1816, to the Reverend Patrick Bronte and Maria Branwell Bronte in Yorkshire, England. Along with her sisters, Emily and Anne, she produced some of the most impressive writings of the 19th century. The Brontes lived in a time when women show more used pseudonyms to conceal their female identity, hence Bronte's pseudonym, Currer Bell. Charlotte Bronte was only five when her mother died of cancer. In 1824, she and three of her sisters attended the Clergy Daughter's School in Cowan Bridge. The inspiration for the Lowood School in the classic Jane Eyre was formed by Bronte's experiences at the Clergy Daughter's School. Her two older sisters died of consumption because of the malnutrition and harsh treatment they suffered at the school. Charlotte and Emily Bronte returned home after the tragedy. The Bronte sisters fueled each other's creativity throughout their lives. As young children, they wrote long stories together about a complex imaginary kingdom they created from a set of wooden soldiers. In 1846, Charlotte Bronte, with her sisters Emily and Anne published a thin volume titled Poems by Currer, Ellis, and Acton Bell. In the same year, Charlotte Bronte attempted to publish her novel, The Professor, but was rejected. One year later, she published Jane Eyre, which was instantly well received. Charlotte Bronte's life was touched by tragedy many times. Despite several proposals of marriage, she did not accept an offer until 1854 when she married the Reverend A. B. Nicholls. One year later, at the age of 39, she died of pneumonia while she was pregnant. Her previously rejected novel, The Professor, was published posthumously in 1857. (Bowker Author Biography) show less

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Disambiguation Notice:

Do not combine Charlotte with either or both of her sisters. Also, do not combine this page with that of "Bronte". Thank you.

Image credit: Portrait by George Richmond

Series

Works by Charlotte Brontë

Jane Eyre (1847) 67,661 copies, 1,015 reviews
Villette (1853) 10,033 copies, 157 reviews
Shirley (1849) 4,668 copies, 69 reviews
The Professor (1857) 3,154 copies, 50 reviews
Jane Eyre [Norton Critical Edition] (1847) 1,868 copies, 16 reviews
Jane Eyre / Wuthering Heights (1943) 802 copies, 6 reviews
Jane Eyre / Wuthering Heights / Agnes Grey (1978) 567 copies, 2 reviews
Jane Eyre (Abridged - Readable Classics) (2009) 400 copies, 15 reviews
Jane Eyre [2011 film] (2011) — Author; Writer — 227 copies, 1 review
Jane Eyre (Illustrated Junior Library) (1983) 202 copies, 1 review
Best Poems of the Brontë Sisters (2015) — Author — 201 copies, 4 reviews
Tales of Angria (1834) 189 copies, 3 reviews
Jane Eyre (A Stepping Stone Book) (1997) 165 copies, 6 reviews
Emma (1980) 148 copies, 3 reviews
Mina Laury (1838) 143 copies, 2 reviews
Best Loved Books for Young Readers 03 (1847) — Author — 138 copies, 1 review
Stancliffe's Hotel (1839) 126 copies, 4 reviews
Jane Eyre (book 1 of 2) (1953) 120 copies, 1 review
The Green Dwarf (1833) 119 copies, 3 reviews
The Brontës: Selected Poems (1985) 117 copies, 2 reviews
Shirley / The Professor (2008) 108 copies, 1 review
The Foundling (2004) 106 copies, 1 review
Poems by Currer, Ellis, and Acton Bell (1846) 99 copies, 2 reviews
The Secret (Hesperus Classics) (2006) 81 copies, 4 reviews
Jane Eyre (Penguin Readers, Level 3) (1995) 79 copies, 7 reviews
The Spell (2005) 77 copies, 1 review
Delphi Complete Works of the Brontës (2011) 75 copies, 1 review
The Professor / Emma: A Fragment (1972) 69 copies, 1 review
Jane Eyre / Shirley / Wuthering Heights (2001) 60 copies, 1 review
Juvenilia: 1829-1835 (Penguin Classics) (1996) 55 copies, 1 review
Jane Eyre (Penguin Readers, Level 5) (2000) 40 copies, 1 review
Jane Eyre (book 2 of 2) (1988) 30 copies
Tales of the Islanders (1829) 28 copies, 2 reviews
Jane Eyre [adapted - Saddleback Illustrated Classics] (1999) — Original Author; Original Author — 22 copies
Shirley, Volume 1 (1849) 21 copies
The Belgian Essays: A Critical Edition (1997) 20 copies, 1 review
Jane Eyre {unidentified movies} 20 copies, 1 review
High Life in Verdopolis (1995) 20 copies
Shirley, Volume 2 (1969) 19 copies
Angria und Gondal. (1987) 16 copies
Über die Liebe. (1988) 16 copies
Jane Eyre [Macmillan Readers] (2008) 16 copies, 6 reviews
Jane Eyre: With Connections (Hrw Library) (1999) 15 copies, 1 review
Villette (annotated) (2019) 13 copies
Emma: a Fragment (1860) 13 copies, 2 reviews
The Poems of Charlotte Brontë (1971) 12 copies, 2 reviews
Something About Arthur (1981) 8 copies
A Book of Ryhmes (2025) 8 copies
Jane Eyre - Level Two (1991) 8 copies
Jane Eyre (BBC Radio Presents) (1995) 7 copies, 1 review
Jane Eyre - Play (2014) 7 copies
Charlotte, Emily e Anne Bronte: lettere (2002) 6 copies, 1 review
Jane Eyre [Abridged] (2003) 5 copies
Henry Hastings (2009) 4 copies
Poemas de Currer Bell (2019) 4 copies
Works of Charlotte Bronte (1900) 4 copies
Villette / Shirley (2022) 4 copies
Albion and Marina (1830) 4 copies, 1 review
Angria and the Angrians (1997) 3 copies
Un pension de domnisoare (1993) 3 copies
Como fósforos de Lucifer (2022) 3 copies
Bronte (2013) 2 copies
Poesie 2 copies
Jane Eyre: Hörspiel (2006) 2 copies
Jane Eyre ("Read Along") (1986) 2 copies
The Letters of Charlotte Bronte (2002) 2 copies, 1 review
Shirley / Agnes Grey (2010) 1 copy
Contes inédits (1979) 1 copy
Sarah Miles (1999) 1 copy
Sekret 1 copy
Jane Eyre / Agnes Grey (1974) 1 copy
Uchitel (2024) 1 copy
Miss Lucy 1 copy
The Brontes 1 copy
Dzheyn Eyr (2019) 1 copy
Town () (2005) 1 copy
Jane Eyrová (2025) 1 copy
Novelas eternas (2022) 1 copy
Gorodok: roman (2009) 1 copy
Wildrell Hall (2020) 1 copy
The Story of Willie Ellin (1853) 1 copy, 1 review
The Brontës' Christmas 1 copy, 1 review
Bell's Poems 1 copy
Jane Eyre. Buch und CD (2005) 1 copy
Jane Eyre. 1 copy
Jane Eyre (amb 3 CDs) (2008) 1 copy

Associated Works

Wuthering Heights (1847) — Preface, some editions — 61,694 copies, 808 reviews
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,011 copies, 7 reviews
The Norton Anthology of Literature by Women: The Tradition in English (1985) — Contributor — 933 copies, 2 reviews
Emma Brown (2003) 595 copies, 16 reviews
Jane Eyre: A BabyLit Counting Primer (2012) — Contributor — 310 copies, 8 reviews
The Portable Victorian Reader (1972) — Contributor — 187 copies
Erotica: Women's Writing from Sappho to Margaret Atwood (1990) — Contributor — 182 copies
100 Eternal Masterpieces of Literature, Volume 1 (2017) — Contributor — 175 copies
Jane (2017) — Author of Source Material — 160 copies, 16 reviews
The Virago Book of Victorian Ghost Stories (1988) — Contributor — 152 copies
The Book of Love (1998) — Contributor — 151 copies
The Virago Book of Ghost Stories (2006) — Contributor — 150 copies, 2 reviews
The Penguin Book of Women's Humour (1996) — Contributor — 124 copies
The Lifted Veil: Women's 19th Century Stories (2005) — Contributor — 116 copies
Tales of Glass Town, Angria, and Gondal : Selected Writings (2010) — Contributor — 101 copies, 3 reviews
Jane Eyre [1943 film] (1943) — Author — 78 copies, 2 reviews
Jane Eyre [1997 TV movie] (1997) — Writer — 75 copies
The Mammoth Book of Fairy Tales (1997) — Contributor — 67 copies
The Portable Romantic Reader (1957) — Contributor — 56 copies
Classic Tales of Supernatural (2000) — Contributor — 56 copies, 1 review
Jane Eyre [1996 film] (1996) — Writer — 54 copies, 2 reviews
The Faber Book of Gardens (2007) — Contributor — 51 copies, 2 reviews
Jane Eyre [1970 TV movie] (1970) — Author — 42 copies, 1 review
Lapham's Quarterly - Lines of Work: Volume IV, Number 2, Spring 2011 (2011) — Contributor — 32 copies, 2 reviews
Nineteenth-Century Women Poets: An Oxford Anthology (1996) — Contributor — 29 copies
Women on Nature (2021) — Contributor — 29 copies
I Walked with a Zombie [1943 film] (1943) — Original novel — 27 copies, 3 reviews
The Book Lovers (1976) — Contributor — 27 copies, 1 review
Masters of British Literature, Volume B (2007) — Contributor — 22 copies
Jane Eyre (Globe Adapted Classic) (1987) — Original Author — 21 copies
The Favourite Wonder Book (1938) — Contributor — 17 copies
Classic Dog Stories [Macmillan Collector's Library] (2020) — Contributor — 15 copies
Jane Eyre [1973 TV mini-series] (2006) — Original book — 13 copies, 3 reviews
Romance Stories (1979) — Contributor — 12 copies
Selected Brontë Poems (1985) — Author — 11 copies
The Brontë Letters (1966) — Author — 10 copies
Jane Eyre - A Libretto (2000) 9 copies
An Adult's Garden of Bloomers (1966) — Contributor — 7 copies
Great Love Scenes from Famous Novels (1943) — Contributor — 6 copies
The Anthology of Love and Romance (1994) — Contributor — 6 copies
Jane Eyre (Oberon Modern Plays) (2015) — Original author — 6 copies
Teen-Age Treasury for Girls (1958) — Contributor — 5 copies, 1 review
Famous Stories of Five Centuries (1934) — Contributor — 4 copies
Ensayistas ingleses — Contributor — 2 copies
The King's Story Book — Contributor — 1 copy

Tagged

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Common Knowledge

Canonical name
Brontë, Charlotte
Legal name
Nichols Brontë, Charlotte
Other names
Bell, Currer (pseudonym)
Nichols Brontë, Charlotte
Birthdate
1816-04-21
Date of death
1855-03-31
Gender
female
Education
Cowan Bridge
Roe Head, Mirfield, Yorkshire, England, UK
Pensionat Heger, Brussels, Belgium
Occupations
writer
novelist
poet
teacher
Relationships
Brontë, Emily (sister)
Brontë, Anne (sister)
Brontë, Patrick (father)
Brontë, Branwell (brother)
Gaskell, Elizabeth (friend)
Thackeray, William Makepeace (friend)
Short biography
Charlotte Brontë was born in Thornton, in the West Riding of Yorkshire, England. Her parents were Maria Bramwell and Patrick Brontë, an Anglican clergyman and poet. In 1820, when she was a small child, the family moved to Haworth on the Yorkshire moors, where the Rev. Brontë had been appointed rector. The following year, Mrs. Brontë died. In 1824, Charlotte and Emily, along with their two elder sisters Maria and Elizabeth, were sent to the Clergy Daughters' School at Cowan Bridge, near Kirkby Lonsdale, Lancashire. The discipline there was harsh, and the girls found the food and other conditions miserable. Charlotte later portrayed the terrible school in her novel Jane Eyre as the Lowood Institution. After Maria and Elizabeth died in 1825, Charlotte and Emily returned home. Their father managed the upbringing of his three remaining daughters — Charlotte, Emily, and Anne — and son Bramwell thanks to the help of their maternal aunt Elizabeth Branwell, who left her native Cornwall to come and live with them. For more than five years, the Brontë children studied and played at home, writing and telling romantic tales for one another, and inventing imaginative games. At age 15, Charlotte enrolled at a new school not far from Haworth, Roe Head School. She spent 18 months there before returning home; in 1835, she went back again for a while as a teacher. To support herself and the family, Charlotte decided to become a governess and went with Emily to a boarding school in Brussels, Belgium, to improve their French and learn German. She later became a pupil-teacher there. Her unrequited love for the school's headmaster would eventually find an outlet in her novels Villette (1853) and The Professor (published posthumously in 1857). Before that, however, the ardent heart and rebellious spirit of her most famous creation, Jane Eyre (1847) brought immediate success and fame to the author under her pen name Currer Bell. Charlotte visited London three times at the invitation of her publisher and moved in literary circles, becoming a friend of Elizabeth Gaskell and William Makepeace Thackeray. Her novel Shirley (1849), written during and after the tragic deaths of her three siblings in a single year, showed Charlotte's engagement with both women's rights and workers' rights movements. In 1854, she married Arthur Nicholls, her father's curate and her long-time suitor. She became ill and died suddenly during pregnancy at age 38 in 1855.
Cause of death
probable hyperemesis gravidarum
Nationality
UK
Birthplace
Thornton, Yorkshire, England, UK
Places of residence
Thornton, Yorkshire, England, UK
Haworth, Yorkshire, England, UK
Lancashire, England, UK
Mirfield, England, UK
Brussels, Belgium
Place of death
Haworth, Yorkshire, England, UK
Burial location
Church of St Michael and All Angels, Haworth, West Yorkshire, England, UK
Map Location
England, UK
Disambiguation notice
Do not combine Charlotte with either or both of her sisters. Also, do not combine this page with that of "Bronte". Thank you.

Members

Discussions

Rare copy of Jane Eyre in Name that Book (October 2025)
A wrong corrected! in Pedants' corner (September 2024)
November 2023: The Brontë Sisters in Monthly Author Reads (December 2023)
Jane Eyre in Franklin Library Collectors (January 2023)
Jane Eyre LEC in George Macy devotees (January 2023)
November Group Read: Shirley by Charlotte Brontë in 2014 Category Challenge (December 2014)
Jane Eyre in Book talk (July 2014)
Best Bronte Quote? in The Brontës (January 2014)
Jane Eyre in The Brontës (January 2014)
Jane Eyre/Wuthering Heights in Books Compared (March 2013)
1001 Group Read, Oct. 12: Villette in 1001 Books to read before you die (November 2012)
Villette Question in The Brontës (May 2012)
*** Group Read: Jane Eyre (Spoiler Thread) in 75 Books Challenge for 2011 (April 2011)
*** Group Read: Jane Eyre (Non-Spoiler Thread) in 75 Books Challenge for 2011 (April 2011)
Jane Eyre Group Read (For the Procrastinators) Week One in 75 Books Challenge for 2010 (December 2010)
Book Discussion: Jane Eyre in 1001 Books to read before you die (February 2008)

Reviews

1,552 reviews
It isn't every book that speaks to both the Wild Romantic and the Stern Puritan in me, and since the day I first read Jane Eyre - up in the woods of Michigan, the summer I was twelve - I have revisited it often, and always with pleasure. It is a book that speaks in many tongues, to many people, and presents many faces to the world, all worth exploring...

Depending on who you speak to, this is the best and truest love story ever written - a narrative of the suffering and endurance of true show more love; a commentary on the social and economic subjugation of women in 19th-century England; or an oblique exploration of race and empire. It is all of these things, of course, but for me, the power of Jane Eyre stems from its keenly observed and acutely realized portrait of the conflict between duty and desire.

From the very first line, when a hidden Jane looks out onto a rain-soaked world, I entered wholly into the psyche of this character. Her desire to love and be loved, so cruelly denied in her childhood, seemed as piercingly real to me as anything I had ever felt in my own life. Lonely Jane, for all the Gothic trappings that surround her, could be the poster child for that "transcendental homelessness" of which Lukács speaks...

So it is, when Jane seems to find a home with Rochester, whose "bad-boy" persona would make any schoolgirl's heart flutter, I could enter with abandon into the almost ecstatic joy of her homecoming, her communion with another soul. Lonely Jane no more...

And when Jane discovers the duplicity of her lover, and the insurmountable ethical obstacles to her happiness, her stern devotion to duty, her almost-desperate recourse to principle, permit her a tremendous (but costly) moral victory. To this day, I cannot read the scenes in which Jane must tear herself away from Rochester, or the following passage, without getting chills:

Still indomitable was the reply--"I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God; sanctioned by man. I will hold to the principles received by me when I was sane, and not mad--as I am now. Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth? They have a worth--so I have always believed; and if I cannot believe it now, it is because I am insane--quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have at this hour to stand by: there I plant my foot."

After many travails, Jane does find her happy ending (thank goodness), and having triumphed over her own heart, she is rewarded with her heart's desire. But that conflict, between the desire to be happy and the need to do right, is what gives Jane Eyre its peculiar power. It is Jane herself who is the masterpiece.
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This was Charlotte Brontë's second novel, written during the terrible period in her life when Branwell, Emily and Anne all died within a few months of each other. It never had quite the popular success of Jane Eyre, and it tends to get tucked away in the category of "industrial novels" together with North and South and Hard Times. But it is one of the handful of books that can claim to have introduced a new given name into the language (where would we be without Ms Bassey, Ms Temple and Ms show more Williams?). And in places it's a fairly hard-hitting feminist text as well.

The story is set in the early 1810s, with the Yorkshire textile industry hard-hit by the export restrictions of the Napoleonic wars. Unemployed textile operatives, with no prospect of work, are getting drawn into rioting and machine-breaking. Vicar's niece Caroline is in love with her cousin Robert, an Anglo-Belgian mill-owner ruined by the war in Antwerp and trying to make a new start in Yorkshire, but of course he can't think of marriage until his business is on a sound footing, which it won't be until the war ends and the operatives stop rioting. And to make a bad situation worse, Caroline's fiery uncle quarrels with Robert over politics and forbids her to see him.

Then, a good third of the way through the novel already, Shirley finally arrives on the scene. She's a young woman of independent ideas who has, very unusually, inherited an estate in her own right, and she's determined to show that she can run it as well as any man. Charlotte Brontë must have heard tales about the famous Anne Lister, of Shibden Hall in Halifax, who was in a similar situation and about the same age as Shirley. (Obviously she didn't know about Lister's secret diaries, full of her love affairs with local young women, which were only deciphered fairly recently.) Caroline and Shirley soon become intimate friends and have long discussions about politics, the church, women's role in society, how damaging it is that middle-class women have so few types of employment open to them, and so on. Shirley scandalises a few curates, there are rumours of an involvement with her tenant Robert, but she still finds just about all the eligible men in Yorkshire chasing her.

Shirley is a wonderful character, Caroline is enjoyable if sometimes just a bit too good to be true, and there are some splendid dialogues and set-pieces, including the Sunday-school picnic and the grand scene when the rioters attack the mill, and there's a host of entertaining minor characters who give Brontë the opportunity for flashes of authentic Yorkshire dialect and some ironic voice-over commentary. I especially enjoyed Robert's very Belgian-bourgeoise sister Hortense, with her stubborn insistence on living according to the standards she's been brought up to, even though the whole of West Yorkshire is laughing at her odd dress and the strange food she prepares.

But it does all seem to ramble a bit, strands of plot seem to fall out of sight to be picked up again apologetically many chapters later, and for all its feminist bravura the plot comes to a very conventional conclusion with a double marriage, at least one half of which makes nonsense of about half the talk that preceded it. The shocking defeat of Napoleon that makes such a happy-end possible may not be altogether a surprise to the reader. Also, Caroline and Robert have both found themselves in life-threatening situations at points in the story where the reader knows there is no way the author would be able to proceed further without them, and Caroline herself is probably the only person who was surprised when her long-lost mother was finally unmasked.

Whilst Brontë is clearly very sympathetic with the plight of the starving workers, she is almost nauseously insistent that all the trouble is the fault of external agitators who are non-conformist preachers and therefore — in her Anglican view of the world — ipso facto alcoholics. And she has no qualms at all about seeing the lot of them transported to Australia. So probably not the place to look for balanced political insight. But well worth all that inconvenience for the time we spend with the title character.

The audiobook read by Anna Bentinck works well: she has a very good feel for the rhythm of Brontë's prose, and she has no trouble at all making French with a Yorkshire accent sound different from French with a Belgian accent, a trick that is required rather more often in this book than in most other Victorian novels.
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I feel like very few "classics" I read actually can captivate me and hold my interest very well (it's not that it doesn't happen, but it doesn't happen as frequently as I might like). But it did with Jane Eyre; I found myself wanting to read the whole book in a single sitting, which I didn't do but certainly could have if I'd had time.

I'd read what I think must have been an abridged version of this, years ago, and remembered much of it extremely poorly (to the point of even having Jane at show more Thornfield during the fire, &c.). So I'm glad I reread it, and am delighted to report that the story came to life much more to be this time. I had forgotten how witty and playful Jane and Rochester are with each other much of the time, but also how the tension between Jane's strong desire for an equal conflicts with her (at times) somewhat submissive personality. And I certainly didn't recall just how very traumatizing Jane's childhood was ... goodness!

The descriptions of the natural world, particularly at Thornfield, are quite good, and the suspenseful, almost gothic, nature of the mysterious occupant of the third floor are quite spookily drawn, in a good way.

Most enjoyable, even if a bit melodramatic at times.
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This was a terrible book. The main character was infuriatingly supercilious and completely convinced of his own superiority. He doesn't even bother to teach well but frequently mentions that he doesn't challenge his students because he doesn't think they'll bother to learn, when it was his job to make them want to learn. I was very disappointed when Frances accepted his proposal since she was the only character that wasn't totally horrible, and she didn't deserve to be dominated by this show more awful man. I was truly surprised when Mr. Crimsworth allowed her to keep working and teaching. It seemed very out of character for him given his habit of demanding everyone do what he want or he would treat them with veiled contempt, and he told Frances repeatedly that he wanted to provide for her and didn't give it up until she insisted she work.

Miss Brontë also expects her reader to understand French. She expected this in Jane Eyre as well, but as only the exchanges with Adele, which never contained anything important, where I really was under the impression I was missing important information in this book.

These things led to me not particularly enjoying the book, but the final nail in the coffin was Mr. Crimsworth's absolute raging anti-Catholicism. It's hard to read the prospective of a prejudiced character at any time, but especially when he or she refuses to learn better or admit his discrimination. I also thought it was horribly hypocritical of Charlotte Brontë to claim that all Catholic girls and women are wicked seducers with no sense of morality considering her own infatuation with a married man who was her teacher. I don't usually listen to classic audiobooks at more than 1.5 as the recordings tend to be less clear and the language sometimes takes time to digest and understand, but I found myself so impatient to be done with this book that I listened to it at twice the speed starting from about half way through, and sometimes even ventured to 2.15 in my eagerness to be done with the torture. I probably should have just DNFed it, but I do hate leaving books incomplete.

I don't know how Charlotte went from writing this monstrosity to writing the wonderful Jane Eyre, but I'm very glad that I read this after Jane Eyre or I probably wouldn't have ventured to read another of Charlotte Brontë's books.
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Awards

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Carole Boyd Narrator
Adriano Goldman Director of Photography
Alison Owen Producer
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Hannah Gordon Narrator
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K. M. Weiland Writer Of Added Commentary.
Arianna Bellucci Illustrator
Barbara Heritage Contributor
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Sarah E Maier Contributor
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George Giusti Cover designer
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Sally Minogue Introduction
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Sam Gilpin Afterword
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Joyce Carol Oates Introduction
Jessica Hische Cover letterer
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Tyyni Tuulio Translator
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David Pearson Cover designer
Edward A. Wilson Illustrator
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Arthur Zeiger Afterword
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Mark Lilly Editor
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Johannes Reiher Übersetzer
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Anna Bentinck Narrator
Howard Phipps Illustrator
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George Pyne Cover artist
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Monro S. Orr Illustrator
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Francis A. Leyland Contributor
T. Wemyss Reid Contributor
Renate Jessel Illustrator
Ria Loohuizen Translator

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