William Saroyan (1908–1981)
Author of The Human Comedy
About the Author
An Armenian American with little formal education, Saroyan was a dramatist who disparaged the usual conventions of the form: "Plot, atmosphere, style, and all the rest of it," he wrote, "may be regarded as so much nonsense" (Three Times Three). His plays have been criticized as formless and his show more writing as undisciplined; yet his work is imbued with fondness for the human race and contains an infectious enthusiasm for society's misfits and innocents. Saroyan's dramatic career was launched with My Heart's in the Highlands (1939), a fantasy. The following year, The Time of Your Life (1939) was awarded the Pulitzer Prize---which Saroyan publicly refused on the grounds that commerce had no right to patronize art. This play, undoubtedly Saroyan's one enduring piece, takes place in a waterfront saloon where vivid characters wander in and out to come into contact with the philosophical Joe, a man of unending generosity. (Bowker Author Biography) show less
Image credit: World Telegram & Sun photo by Al Aumuller, 1940 (Library of Congress Prints and Photographs Division, LC-USZ62-117536)
Works by William Saroyan
The New Saroyan Reader: A Connoisseur's Anthology of the Writings of William Saroyan (1984) 19 copies
Letters from 74 rue Taitbout; or, Don't go, but if you must, say hello to everybody (1970) 14 copies
Three plays by William Saroyan: The beautiful people, Sweeney in the trees and Across the board on To-morrow Morning (1941) 11 copies
Selected Short Stories 6 copies
Three Plays 5 copies
Settled Out of Court 4 copies
The Daring Young Man on the Flying Trapeze (Faber Editions): Introduced by Stephen Fry (2024) 4 copies
Sterren en strepen 3 copies
The dogs, or The Paris comedy, and two other plays: Chris sick, or Happy New Year anyway, Making money, and nineteen other very short plays (1969) 3 copies
Don't go away mad, and two other plays: Sam Ego's house [and] A decent birth, a happy funeral 3 copies
Sono il tuo mondo? Racconti 2 copies
Respirando en el mundo 1963 2 copies
Es cosa de reirse — Author — 2 copies
Obras de William Saroyan (I) 2 copies
Four great short stories 2 copies
Best Stories of William Saroyan 2 copies
Three Plays : My Hearts in the Highlands, the Time of Your Life, Loves Old Sweet Song (1940) 2 copies
Three Times Three 2 copies
Srdce na Vysočine 2 copies
The Ping-Pong Players 1 copy
Il tempo della vostra vita 1 copy
A comédio humana 1 copy
O assírio 1 copy
Oyster and the Pearl 1 copy
The Laughing Matter 1 copy
El tigre de Tracy y otros 1 copy
Cartas desde Rue Taitbout 1 copy
Malenka Manon [short story] 1 copy
Fletcher Martin 1 copy
Um dia na tarde do mundo 1 copy
The Face of Innocence 1 copy
The Human Comedy VHS 1 copy
The Fiscal Hoboes 1 copy
William Saroyan: Warsaw Visitor and Tales from the Vienna Streets (Two Unpublished Plays) (1990) 1 copy
Che ve ne pare dell'America 1 copy
Teatro 1 copy
Geðbilun í ættinni 1 copy
Obras 1 copy
I cavernicoli 1 copy
Eight Plays 1 copy
The Cat [short story] 1 copy
Laughing Sam [short story] 1 copy
The Great American Goof 1 copy
TWO SHORT PLAYS 1 copy
All titles 1 copy
Elmer and Lily 1 copy
Opera, Opera 1 copy
Sweeney In The Trees 1 copy
Bad Men In The West 1 copy
The Agony Of Little Nations 1 copy
The Human Comedy [abridged] 1 copy
Puntate su domattina 1 copy
Resurrection of a Life 1 copy
A Special Announcement 1 copy
Radio Play 1 copy
Saroyan William 1 copy
Talking To You 1 copy
The Messenger [short story] 1 copy
Going Home [short story] 1 copy
At Sundown [short story] 1 copy
The Drinkers [short story] 1 copy
Rapazes e raparigas 1 copy
Daily News [short story] 1 copy
Morning [short story] 1 copy
The gay and melancholy flux 1 copy
Ученик брадобрея: рассказы 1 copy
Associated Works
Writers on Writing: Collected Essays from the New York Times (2001) — Contributor — 479 copies, 5 reviews
The American Short Story: A Collection of the Best Known and Most Memorable Stories by the Great American Authors (1994) — Contributor — 370 copies
75 Short Masterpieces: Stories from the World's Literature (1961) — Contributor — 317 copies, 2 reviews
This is My Best: American Greatest Living Authors Present and Give Their Reasons Why (1942) — Contributor — 215 copies
First Fiction: An Anthology of the First Published Stories by Famous Writers (1994) — Contributor — 196 copies, 1 review
The Big Book of Favorite Horse Stories: Twenty-Five Outstanding Stories by Distinguished Authors (1965) — Contributor — 167 copies, 1 review
The Glorious American Essay: One Hundred Essays from Colonial Times to the Present (2020) — Contributor — 116 copies
The Signet Classic Book of Contemporary American Short Stories (1985) — Contributor — 47 copies, 1 review
Years of Protest: A Collection of American Writings of the 1930's (1967) — Contributor — 44 copies, 1 review
Published and Perished: Memoria, Eulogies, and Remembrances of American Writers (2002) — Contributor — 41 copies, 1 review
Twenty One-Act Plays: An Anthology for Amateur Performing Groups (1978) — Contributor — 41 copies, 1 review
Critics' Choice: New York Drama Critics' Circle Prize Plays, 1935-1955 (1980) — Contributor — 26 copies
The Best of Both Worlds: An Anthology of Stories for All Ages (1968) — Contributor — 25 copies, 1 review
Fifty Years of the American Short Story from the O. Henry Awards 1919-1970 (1970) — Contributor — 17 copies, 1 review
My Most Inspiring Moment: Encounters with Destiny Relived by Thirty-Eight Best-Selling Authors (1965) 12 copies
Great American Short Stories: O. Henry Memorial Prize Winning Stories, 1919-1934 (1935) — Contributor — 11 copies, 1 review
The Best Short Stories of 1941 and the Yearbook of the American Short Story (1941) — Contributor — 11 copies
Amerikanische Kurzgeschichten (American Short Stories) (English and German Edition) (1956) — Contributor — 10 copies
Many-Colored Fleece: An Anthology of Twentieth-Century Catholic Fiction (2022) — Contributor — 9 copies
The Best Short Stories of 1939 and the Yearbook of the American Short Story (1939) — Contributor — 8 copies
The Best Short Stories of 1940 and the Yearbook of the American Short Story (1940) — Contributor — 8 copies
The Best Short Stories of 1937 and the Yearbook of the American Short Story (1937) — Contributor — 8 copies
West Coast Fiction: Modern Writing from California, Oregon, and Washington (1979) — Contributor — 8 copies, 1 review
Fletcher Martin — Foreword — 7 copies
Fifty Years of the American Short Story from the O. Henry Awards 1919-1970, Volume 2 (1970) — Contributor — 5 copies
1935 Essay Annual — Contributor — 4 copies
GROSSES KURZGESCHICHTEN-BUCH -THE BIG BOOK OF MODER/: Großes Kurzgeschichten-Buch (1) (1980) — Contributor — 4 copies
The Saturday Evening Post Stories 1962 — Contributor — 3 copies
Story in America, 1933-1934: Thirty-Four Selections from the American Issues of "Story," the Magazine Devoted Solely to the Short Story (1934) — Contributor — 3 copies
Modern Short Stories — Contributor — 3 copies
First Love: Stories by Sixteen of Today's Great Authors of Romantic Fiction (1948) — Contributor — 3 copies
The Defense of Van, Part I — Foreword — 2 copies
Furrow's End: An Anthology of Great Farm Stories — Contributor — 2 copies
Reading and collecting; a monthly review of rare and recent books: Volume 1, Number 11 (October 1937) — Contributor — 2 copies
Friends to Man: The Wonderful World of Animals — Contributor — 2 copies
The Best Short Stories of 1935 and the Yearbook of the American Short Story (1935) — Contributor — 2 copies
The Saturday Evening Post Stories of 1949 — Contributor — 2 copies
A reader for writers — Contributor — 2 copies
Rex Lardner Selects the Best of Sports Fiction — Contributor — 2 copies
Modern Short Stories — Contributor — 2 copies
Great Railroad Stories of the World — Contributor — 2 copies
The Armenian Review - [William] Saroyan Memorial Issue - Unpublished Letters of William Saroyan - Ethnic Motivations of an American Writer. Volume xxxiv, No. 3-135 September, 1981 (1981) — Contributor — 2 copies
An Account of the Glorious Struggle of Van-Vasbouragan | The Epic Story of the Self Defense of Armenians — Foreword, some editions — 2 copies
Teatro Norteamericano contemporaneo — Contributor — 2 copies
O. Henry Memorial Award Prize Stories of 1935 — Contributor — 2 copies
50 seltsame Geschichten — Contributor — 1 copy
50 Best Plays of the American Theatre, Volume 3 — Contributor — 1 copy
Direction Vol.1 No.3 (April-June 1935) — Contributor — 1 copy
The Human Commitment - An Anthology of Contemporary Short Fiction — Contributor — 1 copy
Con los tiernos infantes terribles — Contributor — 1 copy
Tracy's Tiger — Original Author — 1 copy
A Caravan of Music Stories by the World's Great Authors — Contributor — 1 copy
Al pie del acantilado — Contributor — 1 copy
The Saturday Evening Post Stories 1957 — Contributor — 1 copy
The Teaching Experience: An Introduction to Education Through Literature (1976) — Contributor — 1 copy
Configurations: American Short Stories for the EFL Classroom, Advanced Level (1984) — Contributor — 1 copy
Saturday Evening POST, Sept. 23, 1961, COVER: A Crime Commissioner Says - The Crooks Get All The Breaks; How to Teach Three-Year-Olds to Read; Singer Connie and A New Story by… (1961) — Contributor — 1 copy
The Ethnic Image in Modern American Literature, 1900-1950, Volumes 1-2 (1984) — Contributor — 1 copy
Harlem as Seen by Hirschfeld — Author — 1 copy
Mestres do moderno conto americano — Contributor — 1 copy
THE GHOST OF SHAH-MOURADIAN ; An Evening with Saroyan - A Review of Short Drive, Sweet Chariot. Monday, May 9, 1966. Unpaged folio. Frontispiece self-portrait drawing by William… — Illustrator — 1 copy
Behind the Wheel: Stories of Cars on Road and Track — Contributor — 1 copy
Selected Poems — Introduction — 1 copy
Tagged
Common Knowledge
- Legal name
- Saroyan, William Stonehill
- Other names
- Garoyan, Sirak
- Birthdate
- 1908-08-31
- Date of death
- 1981-05-18
- Gender
- male
- Education
- self-educated
- Occupations
- short story writer
novelist
playwright - Organizations
- United States Army (WWII)
- Awards and honors
- Academy Award (Best Story, 1943)
Pulitzer Prize for Drama (1940)
American Academy of Arts and Letters (Literature, 1943)
American Theater Hall of Fame (1979)
Parajanov-Vartanov Institute Award (2013)
California Literature Gold Medal (1952) (show all 7)
Drama Critics Circle Award (1940) - Agent
- Paul Gitlin
- Relationships
- Minasian, Archie (cousin)
Matthau, Carol (wife|divorced)
Saroyan, Aram (son)
Saroyan, Hank (nibling)
Saroyan, Strawberry (granddaughter)
Bagdasarian, Ross (cousin) - Cause of death
- prostate cancer
- Nationality
- USA
- Birthplace
- Fresno, California, USA
- Places of residence
- Fresno, California, USA
Oakland, California, USA - Place of death
- Fresno, California, USA
- Burial location
- Ararat Cemetery, Fresno, California, USA (half of ashes)
Komitas Pantheon, Yerevan, Armenia (half of ashes) - Associated Place (for map)
- California, USA
Members
Discussions
Book set in America about a young boy in Name that Book (May 2016)
Reviews
It took me a few chapters to appreciate this series of boyhood vignettes. The tone is rosy almost poetic-like and seems to cast a romantic veil on what must have been a harsh upbringing. Inspired by his own youth, Saroyan shows us the carefree, joyous stories of a boy growing up in a poor Armenian family as a first generation American. Ultimately they are tales of generosity, discovery of the world, through both the Armenian and American lenses, and mischievousness.
If one is willing to show more overlook the beatings, dire poverty, and precarious living conditions, then this book is full of charm and rambunctious adventures. show less
If one is willing to show more overlook the beatings, dire poverty, and precarious living conditions, then this book is full of charm and rambunctious adventures. show less
“If I have any desire at all, it is to show the brotherhood of man.”
I had heard of Saroyan, but in a vague way. So I was very pleased to see a new edition of his short stories on NetGalley.
The setting is the Great Depression. Saroyan is very male-centric in his stories – considering my “usual” reads, I thought it was almost refreshing. A change in perspective is one of the many reasons to love reading, I suppose. I did make sure to go through only a few stories a day, so that I show more wouldn’t overdose on young men.
Saroyan handles words with such dexterity! Everything is so simple, yet poetic. The writing is quietly explosive, warm, humane, whimsical, incredibly sad. The stories are all very short, they are fragments, vignettes. They are virtually plotless. Some of them are mesmerizing streams of consciousness. There are snapshots of tramps, beggars, prostitutes, flower peddlers, gamblers, struggling young writers. But ultimately, all the stories are about the miracle of being alive.
I don’t think it’s a good idea to review 26 stories, so let me just mention a few.
“The Daring Young Men on the Flying Trapeze” - a young man is starving to death. He is looking for work, but there is no work. “If the truth were known, he was half starved and yet still there was no end of books he ought to read before he died.”
“Seventy Thousand Assyrians” - an aspiring writer goes to get a haircut, watches people and thinks about many things. “I hadn’t had a haircut in forty days and forty nights, and I was beginning to look like several violinists out of work.”
“Love, Death, Sacrifice and so forth” – this one tells the plot of a Hollywood movie (probably a well-known one, unseen by me). It is satirical, funny and sad all at once. “All I know is this: that suicide is not an orderly occurrence with symphonic music.”
“A Curved Line” - a guy goes to an evening art class. Another mixture of whimsical and sad things. (The story is also rather “male-gazey”. Oh well). “The thing that worries me is that my great-grand-children are going to have to listen to “The Blue Danube Waltz” too.”
“A Cold Day” - a young author is freezing by his typewriter. “The man you write of need not perform some heroic or monstrous deed in order to make your prose great.”
Reading these gave me a feeling akin to happiness, despite so much heartbreak. As I looked up from the book after each story, everything and everyone grew sharper, more colourful, more here.
Thanks a lot to NetGalley and the publisher for the free e-book! show less
I had heard of Saroyan, but in a vague way. So I was very pleased to see a new edition of his short stories on NetGalley.
The setting is the Great Depression. Saroyan is very male-centric in his stories – considering my “usual” reads, I thought it was almost refreshing. A change in perspective is one of the many reasons to love reading, I suppose. I did make sure to go through only a few stories a day, so that I show more wouldn’t overdose on young men.
Saroyan handles words with such dexterity! Everything is so simple, yet poetic. The writing is quietly explosive, warm, humane, whimsical, incredibly sad. The stories are all very short, they are fragments, vignettes. They are virtually plotless. Some of them are mesmerizing streams of consciousness. There are snapshots of tramps, beggars, prostitutes, flower peddlers, gamblers, struggling young writers. But ultimately, all the stories are about the miracle of being alive.
I don’t think it’s a good idea to review 26 stories, so let me just mention a few.
“The Daring Young Men on the Flying Trapeze” - a young man is starving to death. He is looking for work, but there is no work. “If the truth were known, he was half starved and yet still there was no end of books he ought to read before he died.”
“Seventy Thousand Assyrians” - an aspiring writer goes to get a haircut, watches people and thinks about many things. “I hadn’t had a haircut in forty days and forty nights, and I was beginning to look like several violinists out of work.”
“Love, Death, Sacrifice and so forth” – this one tells the plot of a Hollywood movie (probably a well-known one, unseen by me). It is satirical, funny and sad all at once. “All I know is this: that suicide is not an orderly occurrence with symphonic music.”
“A Curved Line” - a guy goes to an evening art class. Another mixture of whimsical and sad things. (The story is also rather “male-gazey”. Oh well). “The thing that worries me is that my great-grand-children are going to have to listen to “The Blue Danube Waltz” too.”
“A Cold Day” - a young author is freezing by his typewriter. “The man you write of need not perform some heroic or monstrous deed in order to make your prose great.”
Reading these gave me a feeling akin to happiness, despite so much heartbreak. As I looked up from the book after each story, everything and everyone grew sharper, more colourful, more here.
Thanks a lot to NetGalley and the publisher for the free e-book! show less
This was Saroyan's own novelisation of a screenplay he'd written for MGM, which perhaps accounts for its almost unbearably decent, optimistic, American-Dream-celebrating tone.
It's 1943, and the small town of Ithaca in California's San Joaquin Valley is a place where the locals are happy to lecture you on profound truths of human nature at a moment's notice at any time of day or night, whilst ev'ry prospect pleases and only sports teachers are vile. The young men are away fighting a distant show more and seemingly endless war (it's not called Ithaca by accident, evidently), and child-labour is a lesser evil than the unspeakable thought that women and girls might be forced to go out to work, so fourteen-year-old Homer (!) is working nights delivering telegrams whilst his even younger friend August sells newspapers on street corners. Long live the free market!
There are a lot of lovely little scenes in this book — the raid on the unripe apricot tree, the scene where Homer's little brother Ulysses (!!) gets caught in a patent trap and no-one knows how to release him, and best of all Homer's impromptu lecture on noses in Ancient History. But it's not really enough to defeat the unrelenting niceness and the dead hand of narrative inevitability: we know from the start that there's only one way a story about a telegram boy whose brother is away in the war can end. show less
It's 1943, and the small town of Ithaca in California's San Joaquin Valley is a place where the locals are happy to lecture you on profound truths of human nature at a moment's notice at any time of day or night, whilst ev'ry prospect pleases and only sports teachers are vile. The young men are away fighting a distant show more and seemingly endless war (it's not called Ithaca by accident, evidently), and child-labour is a lesser evil than the unspeakable thought that women and girls might be forced to go out to work, so fourteen-year-old Homer (!) is working nights delivering telegrams whilst his even younger friend August sells newspapers on street corners. Long live the free market!
There are a lot of lovely little scenes in this book — the raid on the unripe apricot tree, the scene where Homer's little brother Ulysses (!!) gets caught in a patent trap and no-one knows how to release him, and best of all Homer's impromptu lecture on noses in Ancient History. But it's not really enough to defeat the unrelenting niceness and the dead hand of narrative inevitability: we know from the start that there's only one way a story about a telegram boy whose brother is away in the war can end. show less
Leyendo este libro he sentido simple y pura felicidad. Hacía mucho tiempo que no tenía este sentimiento leyendo un libro. Mientras lo leía me parecía estar dentro de una de esas viejas películas de Frank Capra. Hay que tener en cuenta que 'La comedia humana' es una novela escrita a principios de los 40, en plena Guerra Mundial, y eso se nota. Lo que me ha recordado a Capra han sido los personajes, su manera de pensar y de sentir, su bondad. Y es que esta novela me ha hecho reconciliarme show more con el género humano, en que podemos ser mejores de lo que somos. Se trata de un libro vivo, triste, feliz y maravilloso.
La historia transcurre en Ithaca, un pequeño pueblo californiano, y dos de los protagonistas se llaman Homer y Ulysses, como no podía ser menos. Se puede decir que hay un protagonista principal, Homer, aunque la novela es más bien coral, en donde vamos conociendo a algunos de los habitantes de este pueblo. Homer es un joven de 14 años que estudia de día y por la tarde trabaja como mensajero en la compañía de telégrafos. A veces ha de entregar telegramas en los que se comunica la muerte de algún soldado, y ésto lo deja cada vez más triste. Pero no puede dejar este trabajo porque necesita el dinero para su familia, ya que su hermano Marcus está en el frente y su padre falleció. También le gusta el trabajo, así como su jefe, el señor Spangler, y el telegrafista, el viejo señor Groggan. Estos dos personajes son maravillosos. Otro personaje entrañable es Ulysses, su hermano pequeño, un niño que siente curiosidad por todo y que nos ofrece algunos momentos memorables. Toda la novela está plagada de grandes personajes. Otra cosa a reseñar es que Saroyan no permanece ajeno al absurdo de las guerras y lo deja bien claro con su historia.
Al igual que ya no se ruedan películas como las de antes, tampoco se escriben libros con los de antes, como éste. show less
La historia transcurre en Ithaca, un pequeño pueblo californiano, y dos de los protagonistas se llaman Homer y Ulysses, como no podía ser menos. Se puede decir que hay un protagonista principal, Homer, aunque la novela es más bien coral, en donde vamos conociendo a algunos de los habitantes de este pueblo. Homer es un joven de 14 años que estudia de día y por la tarde trabaja como mensajero en la compañía de telégrafos. A veces ha de entregar telegramas en los que se comunica la muerte de algún soldado, y ésto lo deja cada vez más triste. Pero no puede dejar este trabajo porque necesita el dinero para su familia, ya que su hermano Marcus está en el frente y su padre falleció. También le gusta el trabajo, así como su jefe, el señor Spangler, y el telegrafista, el viejo señor Groggan. Estos dos personajes son maravillosos. Otro personaje entrañable es Ulysses, su hermano pequeño, un niño que siente curiosidad por todo y que nos ofrece algunos momentos memorables. Toda la novela está plagada de grandes personajes. Otra cosa a reseñar es que Saroyan no permanece ajeno al absurdo de las guerras y lo deja bien claro con su historia.
Al igual que ya no se ruedan películas como las de antes, tampoco se escriben libros con los de antes, como éste. show less
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