Leigh Hunt (1784–1859)
Author of The autobiography of Leigh Hunt
About the Author
Leigh Hunt was so prolific that, if his writing were ever collected, it would exceed 100 volumes of mostly unmemorable prose. He was so eccentric and socially visible that even Dickens's caricature of Hunt as the perennially cheerful Harold Skimpole in Bleak House is immediately recognizable. But show more his philosophy of cheer, however eccentric among such doleful writers of his generation as Coleridge and Byron, appealed to middle-class public taste, which accounts for his immense following. Educated, like Coleridge and Lamb, at Christ's Hospital, Hunt became a journalist, helping his brother John edit the weekly Examiner. As a result of the paper's liberal policy, they were both fined and imprisoned for two years for writing a libelous description of the Prince Regent on his birthday. Hunt turned his prison cell into a salon and enjoyed visits from Jeremy Bentham, Byron, Keats, Lamb, and Hazlitt. After his release, Hunt settled in Hampstead, London, a political martyr and a model of domesticity. His writing includes The Feast of the Poets (1814), a satire of contemporary writers; The Story of Rimini (1816), a saccharine Italianate romance; and Hero and Leander (1819). Young poets such as Keats found the sensual surfaces easy to imitate. But mostly Hunt wrote essays and edited dozens of short-lived magazines and journals, providing an insight into the literary life of London during this period. (Bowker Author Biography) show less
Image credit: Leigh Hunt at an early age. Frontispiece of the book, Men, women and Books, by Leigh Hunt, published in 1847.
Works by Leigh Hunt
Selected Essays 7 copies
Beaumont & Fletcher 4 copies
Wit and Humour, Selected from the English poets; with an illustrative Essay, and Critical Comments (1882) 4 copies
The Companion 3 copies
Abou Ben Adhem 2 copies
Essays, edited by A. Symons 2 copies
The World of Books and Other Essays 2 copies
Leigh Hunt's London Journal 1 copy
Lord Byron And Some Of His Contemporaries V1: With Recollections Of The Author's Life And Of His Visit To Italy (1828) (2007) 1 copy
Poems Of The East 1 copy
Ultra-Crepidarius 1 copy
My Books 1 copy
Stories in verse 1 copy
The Reflector 1 copy
Wishing Cap Papers 1 copy
Rimini : and other poems 1 copy
A Tale For A Chimney Corner 1 copy
Leigh Hunt's Poems 1 copy
No title 1 copy
Pinhey's Point property 1 copy
Benjamin Gregory 1 copy
Associated Works
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributor, some editions — 1,012 copies, 7 reviews
The Norton Anthology of English Literature, 4th Edition, Volume 2 (1979) — Contributor — 270 copies, 1 review
The Graphic Canon, Vol. 2: From "Kubla Khan" to the Brontë Sisters to The Picture of Dorian Gray (2012) — Contributor — 213 copies, 2 reviews
Great British Tales of Terror: Gothic Stories of Horror and Romance 1765-1840 (1972) — Contributor — 86 copies
Buzz Words: Poems About Insects (Everyman's Library Pocket Poets Series) (2021) — Contributor — 56 copies
Benjamin Franklin's Autobiography [Norton Critical Edition, 2nd ed.] (2012) — Contributor — 47 copies
Out of the Best Books: An Anthology of Literature, Vol. 1: The Individual and Human Values (1964) — Contributor — 40 copies
Out of the Best Books: An Anthology of Literature, Vol. 3: Intelligent Family Living (1967) — Contributor — 34 copies
Out of the Best Books: An Anthology of Literature, Vol. 5: Community Responsibility (1969) — Contributor — 30 copies
The dramatic works of Wycherley, Congreve, Vanbrugh, and Farquhar — Editor, some editions — 8 copies
The King's Story Book — Contributor — 1 copy
English short stories of the nineteenth century — Contributor — 1 copy
Tagged
Common Knowledge
- Canonical name
- Hunt, Leigh
- Legal name
- Hunt, James Henry Leigh
- Birthdate
- 1784-10-19
- Date of death
- 1859-08-28
- Gender
- male
- Education
- Christ's Hospital
- Occupations
- essayist
critic
journalist
poet
editor - Relationships
- Shelley, Percy Bysshe (friend)
Keats, John (friend)
Reynolds, John Hamilton (friend) - Nationality
- UK
- Birthplace
- Southgate, Middlesex, England, UK
- Places of residence
- Hampstead, London, England, UK
- Place of death
- Putney, London, England, UK
- Burial location
- Kensal Green Cemetery, London, England, UK
- Map Location
- England, UK
Members
Reviews
DNF. This was recorded in the early days of Librivox and you can tell that a number of the narrators were yet to upgrade their equipment.
I find it difficult to listen to poetry rather than read it, and I need a great a narrator in order to do so. This volume didn't meet that expectation.
I find it difficult to listen to poetry rather than read it, and I need a great a narrator in order to do so. This volume didn't meet that expectation.
"Coaches and Coaching"ACCORDING to the opinion commonly entertained respecting an author's want of riches, it may be allowed us to say that we retain from childhood a considerable notion of "a ride in a coach." Nor do we hesitate to confess, that by coach we especially mean a hired one; from the equivocal dignity of the post-chaise, down to that despised old castaway, the hackney.
It is true that the carriage, as it is indifferently called (as if nothing less genteel could carry any one), is show more a more decided thing than the chaise; it may be swifter even than the mail, leaves the stage at a still greater distance in every respect, and (forgetting what it may come to itself) darts by the poor old lumbering hackney with immeasureable contempt.
It rolls with a prouder ease than any other vehicle. It is full of cushions and comfort; elegantly coloured inside and out; rich, yet neat; light and rapid, yet substantial. The horses seem proud to draw it. The fat and fair-wigged coachman "lends his sounding lash," his arm only in action and that but little, his body well set with its own weight.
The footman, in the pride of his nonchalance, holding by the straps behind, and glancing down sideways betwixt his cocked-hat and neckcloth, stands swinging from east to west upon his springy toes.
The horses rush along amidst their glancing harness. Spotted dogs leap about them, barking with a princely superfluity of noise. The hammer-cloth trembles through all its fringe. The paint flashes in the sun.
We, contemptuous of everything less convenient, bow backwards and forwards with a certain indifferent air of gentility, infinitely predominant. show less
It is true that the carriage, as it is indifferently called (as if nothing less genteel could carry any one), is show more a more decided thing than the chaise; it may be swifter even than the mail, leaves the stage at a still greater distance in every respect, and (forgetting what it may come to itself) darts by the poor old lumbering hackney with immeasureable contempt.
It rolls with a prouder ease than any other vehicle. It is full of cushions and comfort; elegantly coloured inside and out; rich, yet neat; light and rapid, yet substantial. The horses seem proud to draw it. The fat and fair-wigged coachman "lends his sounding lash," his arm only in action and that but little, his body well set with its own weight.
The footman, in the pride of his nonchalance, holding by the straps behind, and glancing down sideways betwixt his cocked-hat and neckcloth, stands swinging from east to west upon his springy toes.
The horses rush along amidst their glancing harness. Spotted dogs leap about them, barking with a princely superfluity of noise. The hammer-cloth trembles through all its fringe. The paint flashes in the sun.
We, contemptuous of everything less convenient, bow backwards and forwards with a certain indifferent air of gentility, infinitely predominant. show less
First edition, good condition.
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