Sean O'Brien (1) (1952–)
Author of The Drowned Book
For other authors named Sean O'Brien, see the disambiguation page.
About the Author
Sean O'Brien's stories are all lit with the unmistakable hue of the Victorian gothic: from the rantings of a deranged psychiatric patient, to the apparition of demons swarming into a remote, rural railway station; solemn oaths are broken and need atoning for; minor transgressions are met with show more outlandish curses. Often we join O'Brien's protagonists attempting to take time out from their troubles, but removing themselves from their normal lives only lets the supernatural in, and before they know it personal demons find very literal ones to conspire with. show less
Image credit: Gerry Wardle
Works by Sean O'Brien
On the Toon 2 copies
Swan, 1914 (Short story) 1 copy
It says right here 1 copy
Boundary Beach 1 copy
Barque Bernaque 1 copy
Associated Works
Answering Back: Living Poets Reply to the Poetry of the Past (2007) — Contributor — 118 copies, 1 review
Tagged
Common Knowledge
- Birthdate
- 1952-12-19
- Gender
- male
- Education
- University of Cambridge (Selwyn College)
- Occupations
- poet
Weidenfeld Visiting Professor (St. Anne's College, Oxford) - Awards and honors
- E. M. Forster Award (1993)
Eric Gregory Award (1979)
Cholmondeley Award (1988)
Forward Poetry Prize (2001)
Forward Poetry Prize (2007)
T. S. Eliot Prize (2007) - Nationality
- England
UK - Birthplace
- London, England, UK
- Associated Place (for map)
- England, UK
Members
Reviews
O'Brien's poetry has the contours of a rusty iron hull. Tough and solid, pocketed with moments of deep existential yearning and coupled with a prophetic voice that calls into account divisive and unjust social stratification. Rare is there such a marriage of acute intellectual self awareness and social consciousness.
I'm new to O'Brien's poetry. I'm also fairly new to poetry written after, say, 1960. As a result, O'Brien's book came as a bit of a shock: I could barely make sense of a lot of it. As a result, I put quite a lot of work into it, with quite surprising results. Some of the poems, but not many, are still without much meaning for me. Others I like very, very much, while at the same time I am incredibly frustrated by them. As soon as I think I have a grasp of what a poem is about, it takes a show more strange turn, making me wonder if I have understood it at all. I remain annoyed by a considerable number of references in the poems to things which have no meaning for me. No problem, I will research these references and get an enhanced appreciation of the poems. But, no: diligent searching of the internet rarely throws any light on them. I conclude, therefore, that i am not the only person in the dark where these are concerned, and not the only person failing to grasp the sense of the poems. So why is it that I love the poems so much? I think this is partly due to the fact that I can never quite plumb the depths of them, and this keeps me coming back for more. There is also a a beauty in O'Brien's writing which I cannot pin down enough to describe: I see the beauty, and this leads me to want comprehension. I have read several reviews of this book. Apart from one which was brutally critical, none of them make any reference to the difficulties I have highlighted. Are these reviews less than honest? Or am I alone in the world: a literary simpleton who cannot understand simple English? show less
Heard this recommended as stories inspired by the M.R. James tradition, and so they are, to a degree. There are some dark, creepy libraries, mysterious academics, unclear dreary fates ... well worth a read.
A man of literature finds himself adrift in a sea of books, but is rescued by Dr Johnson and Boswell...A very literate nightmare ensues.
Awards
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Associated Authors
Statistics
- Works
- 30
- Also by
- 9
- Members
- 393
- Popularity
- #61,673
- Rating
- 3.5
- Reviews
- 9
- ISBNs
- 72




















