Jacqueline Rayner
Author of The Stone Rose
About the Author
Image credit: Jacqueline Rayner
Series
Works by Jacqueline Rayner
Doctor Who : The death players 11 copies
Can I tell you about ME/chronic fatigue syndrome? : a guide for friends, family and professionals (2014) 6 copies
Buried Treasures — Author — 2 copies
Suspicious Minds 1 copy
I, Rorius 1 copy
Mission to Destiny | Duel 1 copy
He Loves Me Not 1 copy
The stone Rose: part one 1 copy
The stone Rose: part two 1 copy
Screameager 1 copy
Associated Works
Doctor Who: The Collection [2009] 3 copies
Tagged
Common Knowledge
- Birthdate
- unknown
- Gender
- female
- Occupations
- script editor
producer - Nationality
- UK
- Associated Place (for map)
- UK
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Reviews
A collection of short Doctor Who stories focusing on Missy, aka the latest incarnation of the Master, the Doctor's old friend and long-term nemesis. Personally I adore Missy; I think she's enormous fun, and the best version of the Master since the original. So how could I resist?
To address each of the six stories included here individually:
"Dismemberment" by James Goss: Shortly after regenerating, Missy visits her favorite evil gentlemen's club, discovers she is no longer welcome as a show more member, and wreaks horrible vengeance on the people who kicked her out. There's some genuinely funny moments, and some darkly satiric sensibilities. And Missy gets some great lines. But the sheer levels of horror and gruesomeness to some of her actions actually made me feel a little uncomfortable by the end. I think this particular kind of villainous depravity might almost be a little over the top, even for Missy.
"Lords and Masters" by Cavan Scott: The Time Lords send Missy off on an assignment for them. They really ought to know better. I liked the concept of this one, and the way it offers up some rather dark little details about how things have been going on Gallifrey. I do wish the "companion" she was given for the job felt less two-dimensional, though. And it's genuinely a little unsettling to get a Doctor Who story like this where the Doctor doesn't get to show up to make things right in the end.
"Teddy Sparkles Must Die!" by Paul Magrs: A weird, weird little send-up of kids' adventure stories, featuring evil governess Missy and a magical talking teddy bear. I honestly can't quite decide whether this one is pleasantly ridiculous or just plain ridiculous.
"The Liar, the Glitch and the War Zone" by Peter Anghelides: An adventure in Venice featuring a damaged TARDIS, a temporal rift, and an army of angry space gryphons. But despite the fact that there's a lot going on here, I found it a bit dull. There's less good Missy dialog here than in the other stories, too. I did like her villainous plan to flood Venice, though.
"Girl Power!" by Jacqueline Rayner: An epistolary story, also featuring the Twelfth Doctor and Nardole, in which Missy hatches a plan that gives new meaning to the phrase "smash the patriarchy.". Now, this one was pleasantly ridiculous. Delightfully ridiculous, even. I was laughing out loud through pretty much the whole thing.
"Alit in Underland" by Richard Dinnick: This one is told from the POV of Alit, the little girl from the episodes "World Enough and Time"/The Doctor Falls," and is set during the period between those episodes when the Doctor is unconscious. I don't know that it's a bit from that story that really needed filling in, but it does give us the opportunity for a little more interaction between Missy and her previous incarnation, and I will never say no to that.
Rating: It's enough of a mixed bag that I'm going to call it 3.5/5, but the best stories are fun enough that I'd say it's worth checking out if you're a fan of the character. show less
To address each of the six stories included here individually:
"Dismemberment" by James Goss: Shortly after regenerating, Missy visits her favorite evil gentlemen's club, discovers she is no longer welcome as a show more member, and wreaks horrible vengeance on the people who kicked her out. There's some genuinely funny moments, and some darkly satiric sensibilities. And Missy gets some great lines. But the sheer levels of horror and gruesomeness to some of her actions actually made me feel a little uncomfortable by the end. I think this particular kind of villainous depravity might almost be a little over the top, even for Missy.
"Lords and Masters" by Cavan Scott: The Time Lords send Missy off on an assignment for them. They really ought to know better. I liked the concept of this one, and the way it offers up some rather dark little details about how things have been going on Gallifrey. I do wish the "companion" she was given for the job felt less two-dimensional, though. And it's genuinely a little unsettling to get a Doctor Who story like this where the Doctor doesn't get to show up to make things right in the end.
"Teddy Sparkles Must Die!" by Paul Magrs: A weird, weird little send-up of kids' adventure stories, featuring evil governess Missy and a magical talking teddy bear. I honestly can't quite decide whether this one is pleasantly ridiculous or just plain ridiculous.
"The Liar, the Glitch and the War Zone" by Peter Anghelides: An adventure in Venice featuring a damaged TARDIS, a temporal rift, and an army of angry space gryphons. But despite the fact that there's a lot going on here, I found it a bit dull. There's less good Missy dialog here than in the other stories, too. I did like her villainous plan to flood Venice, though.
"Girl Power!" by Jacqueline Rayner: An epistolary story, also featuring the Twelfth Doctor and Nardole, in which Missy hatches a plan that gives new meaning to the phrase "smash the patriarchy.". Now, this one was pleasantly ridiculous. Delightfully ridiculous, even. I was laughing out loud through pretty much the whole thing.
"Alit in Underland" by Richard Dinnick: This one is told from the POV of Alit, the little girl from the episodes "World Enough and Time"/The Doctor Falls," and is set during the period between those episodes when the Doctor is unconscious. I don't know that it's a bit from that story that really needed filling in, but it does give us the opportunity for a little more interaction between Missy and her previous incarnation, and I will never say no to that.
Rating: It's enough of a mixed bag that I'm going to call it 3.5/5, but the best stories are fun enough that I'd say it's worth checking out if you're a fan of the character. show less
https://fromtheheartofeurope.eu/imaginary-friends-a-1960s-stpry-by-jacqueline-ra...
This is the first in a series of six YA Doctor Who novellas published to commemorate the recent anniversary. It’s a very good start. Young Gerry has dreams of the Doctor, his companions and their adventures together, in a world that is just the same as ours, except that there is no TV show called Doctor Who and strange things happen like the unsolved murder of a pesticide researcher, or the odd goings-on at show more the Post Office Tower…
Really this is lovely. Jacqueline Rayner on form is one of the best current Doctor Who prose writers, and she’s on form here. She brilliantly evokes the decaying industrial atmosphere of the mid 1960s and the need for escapism, and the changing dynamics of family relationships over the last sixty years, and the universal difficulty of growing up. I loved it. show less
This is the first in a series of six YA Doctor Who novellas published to commemorate the recent anniversary. It’s a very good start. Young Gerry has dreams of the Doctor, his companions and their adventures together, in a world that is just the same as ours, except that there is no TV show called Doctor Who and strange things happen like the unsolved murder of a pesticide researcher, or the odd goings-on at show more the Post Office Tower…
Really this is lovely. Jacqueline Rayner on form is one of the best current Doctor Who prose writers, and she’s on form here. She brilliantly evokes the decaying industrial atmosphere of the mid 1960s and the need for escapism, and the changing dynamics of family relationships over the last sixty years, and the universal difficulty of growing up. I loved it. show less
This was a delight. EarthWorld is the first proper adventure for the new TARDIS team of the (amnesiac) Doctor, Fitz, and Anji following the trapped-on-Earth arc; Anji was introduced in the previous book, Escape Velocity (which I read back around the time it came out, in 2001), but this was her first trip in the TARDIS. I don't have much memory of Anji despite reading five novels featuring her back in the day, but she is great here. Rayner has an exceptional handle on her, much the same way show more she does Bernice Summerfield. She is real, funny, and inventive, and her internal monologue utterly convinces; much of the novel is told from her perspective, and the book works all the better for it. I liked the e-mails she writes her (dead) boyfriend sprinkled throughout the text; I liked her interactions with the three would-be rebels; I liked her solutions to the situations she ends up in. I have three more Eighth Doctor Adventures featuring Anji that I am slated to read in the coming year; I can only hope those writers measure up to Rayner.
At one point, I started to wonder if Fitz was a bit flanderized-- he seemed pretty pathetic. But I think Fitz actually kind of is pathetic, it's just that he's normally written by male authors who sympathize with his patheticness. And if he feels flanderized, well, that's because (as the novel delves into a bit) he was literally flanderized in the novel Interference. His existential crisis was well handled, and I liked his resolution at the novel's end.
The one weak point of characterization is the Doctor himself. I liked the slightly off-kilter Doctor we got in the Earth arc novels The Turing Test and Father Time, and here it seems that he knows a little too much about how he is "supposed" to act on an adventure considered it's his first one. But there is a neat moment at the end, where he does some stuff no other Doctor would do, and Rayner captures Paul McGann's performance as well.
All this, plus it's that rarest of things: a media tie-in with thematic depth! This is a story about memory, and the gap between what we remember and what actually was. The Doctor has lost him memories, Fitz is made up of memories, Anji struggles over her memories of Dave, the planet New Jupiter is in a war over to what extent their cultural memory of Earth should dominate them, the EarthWorld theme park is entirely made up of misremembered Earth history, the president of New Jupiter struggles with false memories he's invented. It all comes together quite nicely, without being ham-handed. Definitely one of the best EDAs, and a worthy choice for BBC Books's fiftieth anniversary reprint line. show less
At one point, I started to wonder if Fitz was a bit flanderized-- he seemed pretty pathetic. But I think Fitz actually kind of is pathetic, it's just that he's normally written by male authors who sympathize with his patheticness. And if he feels flanderized, well, that's because (as the novel delves into a bit) he was literally flanderized in the novel Interference. His existential crisis was well handled, and I liked his resolution at the novel's end.
The one weak point of characterization is the Doctor himself. I liked the slightly off-kilter Doctor we got in the Earth arc novels The Turing Test and Father Time, and here it seems that he knows a little too much about how he is "supposed" to act on an adventure considered it's his first one. But there is a neat moment at the end, where he does some stuff no other Doctor would do, and Rayner captures Paul McGann's performance as well.
All this, plus it's that rarest of things: a media tie-in with thematic depth! This is a story about memory, and the gap between what we remember and what actually was. The Doctor has lost him memories, Fitz is made up of memories, Anji struggles over her memories of Dave, the planet New Jupiter is in a war over to what extent their cultural memory of Earth should dominate them, the EarthWorld theme park is entirely made up of misremembered Earth history, the president of New Jupiter struggles with false memories he's invented. It all comes together quite nicely, without being ham-handed. Definitely one of the best EDAs, and a worthy choice for BBC Books's fiftieth anniversary reprint line. show less
Overall this is a pretty good collection. I think the first story captured River's voice the best; the last couple of stories over-egged it on the parenthetical asides and River's self-assessed greatness.
Minor spoiler for the story "Death in New Venice":
In this story, a ghost stabs someone with what is described as a "crochet needle". Crocheters use *hooks*, not needles, and it would take quite a bit of effort to stab someone with a crochet hook, especially in order to draw blood. The end of show more the hook would be blunt and it would make a messy proposition. I suspect the author meant a knitting needle instead. I love that in a sci-fi story, THIS is the one thing I can't suspend disbelief over. show less
Minor spoiler for the story "Death in New Venice":
In this story, a ghost stabs someone with what is described as a "crochet needle". Crocheters use *hooks*, not needles, and it would take quite a bit of effort to stab someone with a crochet hook, especially in order to draw blood. The end of show more the hook would be blunt and it would make a messy proposition. I suspect the author meant a knitting needle instead. I love that in a sci-fi story, THIS is the one thing I can't suspend disbelief over. show less
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