Serge Brussolo
Author of The Deep Sea Diver's Syndrome
About the Author
Series
Works by Serge Brussolo
La Planète des ouragans : Rempart des naufrageurs - La Petite fille et le doberman - Naufrage sur une chaise électrique (2003) 22 copies
Cauchemars parallèles : Vue en coupe d'une ville malade ; Aussi lourd que le vent ; Portrait du diable au chapeau melon (2006) 3 copies
Febra 3 copies
Moartea cu Melon 2 copies
La saga des abîmes 1 copy
Mâncătorii De Ziduri 1 copy
Sigrid e i mondi perduti. 1 copy
Tagged
Common Knowledge
- Canonical name
- Brussolo, Serge
- Legal name
- Brussolo, Serge
- Other names
- Suzuko, Akira
Kitty Doom
D. Morlok
Chillicothe, Zeb - Birthdate
- 1951-05-31
- Gender
- male
- Nationality
- France
- Associated Place (for map)
- France
Members
Reviews
I was lucky enough to receive an advance reader's copy of The Deep Sea Diver's Syndrome. It's Brussolo's first book translated into English, so I'm hopeful that more will follow. Much like how the character David created a tangible world in his dreams, so Brussolo created such a world in this book. A world in which works of art literally come from the minds of dreamers, with rules and hazards all its own. From the very first page, I was drawn into the world of the story by the author's juicy show more language, so full of substance. The words he chose made the world of dreams come to life. There's more to this novel than the dream world, however. The world of reality had its own set of laws, wonderfully laid out throughout the story. It's definitely a sci-fi novel, but it has qualities of crime noir as well. And Brussolo does a fantastic job fusing the two, especially in the scope of David's internal conflicts. I also have to commend the translator, Edward Gauvin, who so skillfully brought this novel (originally published in 1992) to a new audience of readers. show less
Brussolo had never been translated into English before. I was surprised when I found out - long time ago I read his "Le Carnaval de fer" (The Iron Carnival) and fell in love with his imaginary. The Bulgarian publishers never published anything else; the English and American ones apparently never got around to Brussolo. Until now.
"The Deep Sea Diver's Syndrome" has a weird start - in the dream world. Because it is the story of a dreamer, David, in a world where dreamers (for a lack of better show more word) go into their dreams and bring back ectoplasm - which is considered art. All other types of art had been forgotten and this new one has special properties - it calms and it is different for everyone.
And as fascinating as all this sounds, this is not the story here - it is the background. Or so it feels. The real story is the dream world of David - a place where he is a master thief and where art contains living people; a place that is controlled by his mind, a place that everyone claims not to exist but that seems to be more real to him than the real world is. And the imaginary world of every dreamer is different - David's is the depth of the ocean for example.
In a way, it is the story of every artist in the world. In a way it is the story of the relationship between society and artists; in a way it is just another of those weird stories that Brussolo is so good at. And his explanation of what those dreams are is interesting and logical and sad. And satisfying.
I wish it was longer and we had seen more from both worlds - some elements are just sketched and hiding in the shadows. But you cannot get everything. show less
"The Deep Sea Diver's Syndrome" has a weird start - in the dream world. Because it is the story of a dreamer, David, in a world where dreamers (for a lack of better show more word) go into their dreams and bring back ectoplasm - which is considered art. All other types of art had been forgotten and this new one has special properties - it calms and it is different for everyone.
And as fascinating as all this sounds, this is not the story here - it is the background. Or so it feels. The real story is the dream world of David - a place where he is a master thief and where art contains living people; a place that is controlled by his mind, a place that everyone claims not to exist but that seems to be more real to him than the real world is. And the imaginary world of every dreamer is different - David's is the depth of the ocean for example.
In a way, it is the story of every artist in the world. In a way it is the story of the relationship between society and artists; in a way it is just another of those weird stories that Brussolo is so good at. And his explanation of what those dreams are is interesting and logical and sad. And satisfying.
I wish it was longer and we had seen more from both worlds - some elements are just sketched and hiding in the shadows. But you cannot get everything. show less
Un pellegrinaggio che si trasforma in tragedia, una strana detective, gli incubi e i deliri del medioevo, mescolati in una bella trama che perde rapidamente i contorni della fantasia, per diventare una realtà spaventosa e mortale.
J'ai lu ce livre lorsque j'avais 9-10 ans et je me rappelle avoir demandé a ma mère de m'acheter la collection complète peu de temps après . La collection a toujours une place dans ma bibliothèque ; je ne me suis jamais vraiment lassé de me plonger dans le monde fantastique de Piggy Sue . Excellent roman !
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