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Friedrich Nietzsche (1844–1900)

Author of Thus Spoke Zarathustra

1,377+ Works 78,146 Members 566 Reviews 303 Favorited

About the Author

The son of a Lutheran pastor, Friedrich Wilhelm Nietzsche was born in 1844 in Roecken, Prussia, and studied classical philology at the Universities of Bonn and Leipzig. While at Leipzig he read the works of Schopenhauer, which greatly impressed him. He also became a disciple of the composer Richard show more Wagner. At the very early age of 25, Nietzsche was appointed professor at the University of Basel in Switzerland. In 1870, during the Franco-Prussian War, Nietzsche served in the medical corps of the Prussian army. While treating soldiers he contracted diphtheria and dysentery; he was never physically healthy afterward. Nietzsche's first book, The Birth of Tragedy Out of the Spirit of Music (1872), was a radical reinterpretation of Greek art and culture from a Schopenhaurian and Wagnerian standpoint. By 1874 Nietzsche had to retire from his university post for reasons of health. He was diagnosed at this time with a serious nervous disorder. He lived the next 15 years on his small university pension, dividing his time between Italy and Switzerland and writing constantly. He is best known for the works he produced after 1880, especially The Gay Science (1882), Thus Spake Zarathustra (1883-85), Beyond Good and Evil (1886), On the Genealogy of Morals (1887), The Antichrist (1888), and Twilight of the Idols (1888). In January 1889, Nietzsche suffered a sudden mental collapse; he lived the last 10 years of his life in a condition of insanity. After his death, his sister published many of his papers under the title The Will to Power. Nietzsche was a radical questioner who often wrote polemically with deliberate obscurity, intending to perplex, shock, and offend his readers. He attacked the entire metaphysical tradition in Western philosophy, especially Christianity and Christian morality, which he thought had reached its final and most decadent form in modern scientific humanism, with its ideals of liberalism and democracy. It has become increasingly clear that his writings are among the deepest and most prescient sources we have for acquiring a philosophical understanding of the roots of 20th-century culture. (Bowker Author Biography) show less
Image credit: Wikimedia Commons. Author's portrait from Nietzsche's Werke, Naumann, 1905.

Series

Works by Friedrich Nietzsche

Thus Spoke Zarathustra (1883) 15,557 copies, 121 reviews
Beyond Good and Evil (1886) 11,706 copies, 84 reviews
On the Genealogy of Morality (1887) 3,774 copies, 31 reviews
The Portable Nietzsche (1954) 3,710 copies, 10 reviews
The Gay Science (1882) 3,596 copies, 27 reviews
The Birth of Tragedy (1872) 2,892 copies, 29 reviews
The Antichrist (1888) 2,767 copies, 35 reviews
Basic Writings of Nietzsche (1872) 2,650 copies, 9 reviews
On the Genealogy of Morals / Ecce Homo (1887) 2,636 copies, 8 reviews
Ecce Homo: How One Becomes What One Is (1888) 2,479 copies, 23 reviews
Twilight of the Idols / The Anti-Christ (1888) 2,350 copies, 12 reviews
Human, All Too Human: A Book for Free Spirits (1878) 2,273 copies, 15 reviews
The Will to Power (1901) 2,230 copies, 12 reviews
The Birth of Tragedy / The Genealogy of Morals (1872) 1,263 copies, 8 reviews
The Birth of Tragedy and The Case of Wagner (1888) 1,123 copies, 1 review
Daybreak: Thoughts on the Prejudices of Morality (1881) 1,067 copies, 10 reviews
Untimely Meditations (1981) 932 copies, 2 reviews
Why I Am So Wise (2004) 903 copies, 3 reviews
A Nietzsche Reader (1977) 842 copies, 2 reviews
The Birth of Tragedy and Other Writings (1999) 422 copies, 1 review
Aphorisms On Love and Hate (2015) 394 copies, 8 reviews
Philosophy in the Tragic Age of the Greeks (1873) 376 copies, 2 reviews
On the Future of Our Educational Institutions (1975) 234 copies, 3 reviews
On Truth and Lies in a Nonmoral Sense (1997) 175 copies, 5 reviews
Man Alone with Himself (2008) 146 copies, 2 reviews
The Wanderer and His Shadow (1985) 142 copies, 1 review
Twilight of the Idols / The Antichrist / Ecce Homo (2007) — Author — 127 copies, 1 review
Humain, trop humain, tome 1 (1878) 122 copies
Zarathustra's Discourses (1996) 116 copies
Schopenhauer As Educator (1874) 116 copies, 2 reviews
The Pre-Platonic Philosophers (1872) 113 copies, 2 reviews
My Sister and I (1951) 107 copies, 5 reviews
Dionysos-Dithyramben (1888) 105 copies, 3 reviews
Gedichte (1964) 94 copies
The Case of Wagner (1973) 84 copies, 1 review
Aforismos (1985) 72 copies, 1 review
Oeuvres (1993) 65 copies, 1 review
Ecce Homo / Antichrist (1990) — Author — 64 copies
Friedrich Nietzsche (2003) 63 copies, 1 review
Nietzsche contra Wagner (1994) 62 copies
Hammer of the Gods (1996) 61 copies
The Case of Wagner / Nietzsche Contra Wagner (1888) — Author — 61 copies, 1 review
The Nietzsche-Wagner Correspondence (1970) 52 copies, 1 review
Umano, troppo umano vol. 1 (1979) 38 copies
Le livre du philosophe (1993) — Author — 36 copies, 1 review
Thus Spoke Zarathustra / Beyond Good and Evil (2013) — Author — 33 copies
Umano, troppo umano: 2 (1981) 29 copies
Nietzsche Unpublished Letters (1959) — Author — 29 copies
Obras inmortales (1985) 28 copies, 4 reviews
Scritti su Wagner (1979) 28 copies, 1 review
Waarheid en cultuur (1983) 27 copies
El anticristo--Cómo se filosofa a martillazos (1983) — Author — 26 copies
Obras completas de Federico Nietzche (2011) 25 copies, 1 review
Obras incompletas (1996) 23 copies, 1 review
The Living Thoughts of Nietzsche (1981) — Author — 23 copies
Gesammelte Werke (1994) 23 copies
We Philologists (2006) 22 copies
The Essential Nietzsche (2006) 19 copies
Werke, 3 Bde. (1967) 18 copies
Oeuvres de Friedrich Nietzsche, tome 2 (1993) 17 copies, 1 review
Nietzsche-Brevier (1987) 17 copies, 1 review
Insanca, Pek Insanca - 1 (2012) 17 copies
Lettere da Torino (2008) 16 copies
Prefaces To Unwritten Works (2005) 16 copies
Uit mijn leven (1982) 16 copies
Opiniones y sentencias diversas (2012) 15 copies, 1 review
Nietzsche's Werke (2022) 15 copies
Ecce Homo / The Birth of Tragedy (1927) — Author — 15 copies
Das Hauptwerk: 4 Bände (1999) 15 copies
Le Gai Savoir (2020) 13 copies
Nietzsche (1967) 13 copies
El libro del filósofo (2013) 13 copies, 1 review
Opere 1870-1881 (1996) 12 copies
Werke, Vol. 3 (1972) 12 copies
Escritos Sobre História (1900) 11 copies
Nagelaten fragmenten (2001) 11 copies
Lettres choisies (2008) 11 copies
De mi vida (1997) 11 copies, 1 review
Nagelaten fragmenten (2007) 10 copies
Greek Music Drama (2013) 10 copies
Werke II (1976) 10 copies
Opere 1882/1895 (1996) 10 copies
Nagelaten fragmenten (2003) 10 copies
Uber Die Frauen (1992) 10 copies
La lucha de Homero (2004) 9 copies
AURORA - EL ANTICRISTO (2000) 9 copies
Fragments et aphorismes (2003) 9 copies, 1 review
The Gist of Nietzche. (1910) 8 copies
Gedichte (2010) 8 copies
Ideas fuertes (1999) 8 copies
Il libro del filosofo (2007) 8 copies
Nietzsche für Boshafte (2007) 8 copies
Premiers écrits (1994) 7 copies
Werke IV (1991) 7 copies
Werke (2015) 7 copies
Duševní aristokratismus (1993) 7 copies
Werke: 6 Bde. (1983) 7 copies
Selected Writings (2005) 7 copies
Intorno a Leopardi (1999) 6 copies
La muerte de Dios (2004) 6 copies
Fragmentos póstumos : una selección (2004) 6 copies, 1 review
Escritos sobre Wagner (2003) 6 copies
Werke in zwei Bänden (1967) 6 copies
Nietzsche (1987) 5 copies
Fragmentos Finais (2007) 5 copies
Dernières lettres (1992) 5 copies
Guc Istenci (2010) 5 copies
Correspondencia (1989) 5 copies, 1 review
Ensayos sobre los griegos (2013) 5 copies, 1 review
Formel meines Glücks (2001) 5 copies
Insanca Pek Insanca (2015) 4 copies
Cosi parlò Zarathustra I 4 copies, 1 review
Escritos Sobre Psicologia (2010) 4 copies
Escritos sobre direito (2014) 4 copies
Studienausgabe. Bd. 4 (1956) 4 copies
Nietzsche für Freunde (2000) 4 copies
oeuvres (2020) 4 copies
Poemas De Nietzsche (2022) 3 copies
Antología (1981) 3 copies
Notatki z lat 1882-1884 (2019) 3 copies
Briefe (German Edition) (1976) 3 copies
Niewczesne rozważania (1996) 3 copies
Hybride Kulturen. (2006) 3 copies
Listy (2008) 3 copies
Thoughts out of season (2015) 3 copies
Heiterkeit, güldene. (2003) 3 copies
Genalogia da moral, A (2014) 3 copies
Poesie (Italian Edition) (2019) 3 copies
Maximes et Pensées (1998) 3 copies
Alemania (1984) — Contributor — 3 copies
Insanca,Pek Insanca 2 (2014) 3 copies
5: 1885-1889 (2011) 3 copies
CREPÚSCULO DOS ÍDOLOS (2021) 3 copies
Carteggio (2003) 3 copies, 1 review
Ecrits posthumes (1975) 3 copies
Nietzsche's Werke Band X (1906) 2 copies
Boyle Dedi Zerdust (2012) 2 copies
The Nietzsche Collection (2018) 2 copies
Aforismos y otros escritos filosóficos (1878) 2 copies, 1 review
La mujer griega (2004) 2 copies
Rhétorique et langage (2008) 2 copies
Poèmes complets (2019) 2 copies
Œuvres complètes (2024) 2 copies
Das Hauptwerk I 2 copies
Dionyssos dithyramboslar (2010) 2 copies
O Anticristo | Ecce Homo (2020) 2 copies
Deccal - Butun Yapitlari (2008) 2 copies
Andkristur 2 copies
Nietzsche Obras Eternas (2022) 2 copies
Tarih Üzerine 2 copies
Nietzsche - a nőkről (2006) 2 copies
Breviár (1995) 2 copies
Antychryst w.2020 (2020) 2 copies
Arbeitsheft W I 8 (2012) 2 copies
Hundert Gedichte (2006) 2 copies
L'amore egoista (2010) 2 copies
Gedichte und Sprüche. (1921) 2 copies
Werke. Bd. 1 2 copies
Freundesbriefe 2 copies
Langsame Curen (2002) 2 copies
Teognide di Megara (1985) 2 copies
Studienausgabe. Bd. 3 (1956) 2 copies
Pisma pozostale (2009) 2 copies
Notatki z lat 1885-1887 (2012) 2 copies
Notatki z lat 1887-1889 (2012) 2 copies
Noi, filologii 2 copies
El estado griego (2004) 2 copies
Werke in vier Bänden (1985) 2 copies
Epistolario 1875-1879 (1995) 2 copies
Nietzsche für Gestreßte (1997) 2 copies
Da Retórica 2 copies
Opere complete (1964) 2 copies
Vie et verite (1992) 2 copies
Opere: 1870-1895 (1993) 2 copies
Intempestive 2 copies
Die Unschuld Des Werdens — Author — 1 copy
poesias 1871-1888 — Author — 1 copy
Heraklit 1 copy
Correspondencia (2005) 1 copy
Mort parce que bête (2000) 1 copy
Tragedya'nin Dogusu (2012) 1 copy
رسائل نيتشه (2020) 1 copy
Aforyzmy 1 copy
Aforisme 1 copy, 1 review
MIA VITA 1 copy
La mia vita 1 copy, 1 review
Nietzsche - Lesebuch. (1994) 1 copy
GEDICHTE 1 copy
הרצון לעצמה (1986) 1 copy
Estudios sobre Grecia (1968) 1 copy
Werke. Bd. 2 1 copy
Werke Band 1 1 copy
Songs (CD) 1 copy
of morals 1 copy
Opere 1 copy, 1 review
El Anticristo (2012) 1 copy
Secilmis Mektuplar (2012) 1 copy
尼采生存哲学 (2012) 1 copy
Antologia (1996) 1 copy
26 Gedichte 1 copy
Inventario 1 copy
Rinktiniai raštai (1991) 1 copy
Nietzsche: Thus Spoke Zarathustra — Author — 1 copy
Werke Band 3 1 copy
Penseur intempestif (2008) 1 copy
Werke Band 2 1 copy
Padenie kumirov (2023) 1 copy
Lettres (1995) 1 copy
Visdom 1 copy
Menselijk,al te menselijk 1 copy, 1 review
Dizionario delle idee (1999) 1 copy
Epigrammes 1 copy
Domande radicali (1995) 1 copy
Máximas (1996) 1 copy
Nietzschiana 1 copy
Obras completas, tomo III 1 copy, 1 review
Obras completas, tomo II 1 copy, 1 review
니체의 말 (2010) 1 copy
Hymne à l'amitié (2019) 1 copy
L'Anticristo 1 copy
Cartas: relatos reales (2023) 1 copy
Filozofun Kitabi (2016) 1 copy
Αγών Ομήρου (2015) 1 copy
Ποιήματα (2007) 1 copy
Contra la educación (2023) 1 copy
Nietzsche (1954) 1 copy
Poemas 1 copy
Sammelsurium 1 copy
La stella danzante 1 copy, 1 review
Poesie (2005) 1 copy
Le grandi opere (2011) 1 copy
Nesmrtelné myšlenky (1999) 1 copy
O životě a umění (1995) 1 copy
HLo Istato dei greci (2006) 1 copy
Poesie e lettere (2014) 1 copy
Poésies (1984) 1 copy
Pisma Salome 1 copy
[No title] (1993) 1 copy
De kaken van mijn tijd (1997) 1 copy

Associated Works

When Nietzsche Wept (1992) — Contributor — 2,667 copies, 60 reviews
Existentialism from Dostoevsky to Sartre (1956) — Contributor — 2,319 copies, 21 reviews
Literary Theory: An Anthology (1998) — Contributor, some editions — 744 copies, 1 review
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 499 copies, 2 reviews
The European Philosophers from Descartes to Nietzsche (1960) — Contributor — 494 copies, 3 reviews
Critical Theory Since Plato (1971) — Contributor, some editions — 435 copies, 1 review
Dracula (Case Studies in Contemporary Criticism) (2002) — Contributor — 251 copies, 1 review
The Philosopher's Handbook: Essential Readings from Plato to Kant (2000) — Contributor — 235 copies, 1 review
Criticism: Major Statements (1964) — Contributor — 234 copies
Western Philosophy: An Anthology (1996) — Author, some editions — 220 copies, 1 review
The Moral Life: An Introductory Reader in Ethics and Literature (1999) — Contributor — 205 copies, 2 reviews
Atheism: A Reader (2000) — Contributor — 195 copies, 3 reviews
Man and Spirit: The Speculative Philosophers (1954) — Contributor — 194 copies, 1 review
The Mark Twain Anthology: Great Writers on His Life and Work (2010) — Contributor — 160 copies, 1 review
Deutsche Gedichte (1966) — Contributor, some editions — 137 copies
God (Hackett Readings in Philosophy) (1996) — Contributor, some editions — 69 copies
Sophocles: A Collection of Critical Essays (1966) — Contributor — 45 copies
Vice: An Anthology (1993) — Contributor — 40 copies
Philosophy Now: An Introductory Reader (1972) — Contributor — 26 copies
German Essays on Music (1994) — Contributor — 20 copies, 1 review
Son of Man: Great Writing About Jesus Christ (2002) — Contributor — 19 copies
Von Raben und Krähen (2021) — Contributor — 9 copies, 1 review
Makers of the twentieth century: Marx, Nietzsche, Freud (1968) — some editions — 4 copies
Natale raccontato da ... — Contributor — 1 copy
Am Borne deutscher Dichtung (1927) — Contributor — 1 copy
Carmen (Opera di Roma 25-VI-2014) — Contributor — 1 copy

Tagged

19th century (969) aesthetics (164) classic (212) classics (390) ebook (212) ethics (692) existentialism (979) fiction (224) Friedrich Nietzsche (286) German (1,048) German literature (518) German philosophy (479) Germany (424) history (183) Kindle (209) literature (300) Modern Philosophy (194) morality (141) Nietzsche (2,223) nihilism (267) non-fiction (2,126) own (153) owned (140) philosophy (14,715) psychology (142) read (277) religion (352) to-read (2,928) translation (240) unread (244)

Common Knowledge

Legal name
Nietzsche, Friedrich Wilhelm
Birthdate
1844-10-15
Date of death
1900-08-25
Gender
male
Education
Rheinische Friedrich-Wilhelms-Universität, Bonn, Germany (Theology)
University of Leipzig (Philology)
Occupations
philosopher
teacher
writer
classical scholar
critic
philologist (show all 7)
poet
Organizations
University of Basel
Relationships
Forster, Elizabeth (sister)
Wagner, Richard (friend)
Andreas-Salomé, Lou (friend)
Deussen, Paul (friend)
Zimmern, Helen (friend)
Overbeck, Franz (friend) (show all 8)
Köselitz, Heinrich ("Gast, Peter", "Gasti, Pietro") (friend)
Rée, Paul (friend)
Short biography
Friedrich Nietzsche (1844–1900) was a German philosopher, philologist and cultural critic who published intensively in the 1870s and 1880s. He is famous for uncompromising criticisms of traditional European morality and religion, as well as of conventional philosophical ideas and social and political pieties associated with modernity. Many of these criticisms rely on psychological diagnoses that expose false consciousness infecting people's received ideas; for that reason, he is often associated with a group of late modern thinkers (including Marx and Freud) who advanced a “hermeneutics of suspicion” against traditional values (see Foucault [1964] 1990, Ricoeur [1965] 1970, Leiter 2004). Nietzsche also used his psychological analyses to support original theories about the nature of the self and provocative proposals suggesting new values that he thought would promote cultural renewal and improve social and psychological life by comparison to life under the traditional values he criticized.
Nationality
Prussia (birth)
Germany
Birthplace
Röcken, Saxony, Prussia
Places of residence
Basel, Switzerland
Weimar, Germany
Röcken, Saxony, Prussia
Turin, Italy
Sils-Maria, Switzerland
Place of death
Weimar, Germany
Burial location
Röcken Churchyard, Röcken, Saxony-Anhalt, Germany
Map Location
Germany

Members

Discussions

Nietzsche in Non-Fiction Readers (April 2021)
Friedrich Nietzsche in Legacy Libraries (April 2019)

Reviews

644 reviews
Reading Nietzsche is an acquired taste at the best of times; his frantic mix of poetry and prose and philosophy on far-sighted and hard-to-grasp concepts a fraught but rewarding experience. In a lesser book such as Ecce Homo, the taste often doesn't seem worth acquiring. Ecce Homo is as potent and frantic as Nietzsche's philosophy always is, but the brew is more caustic, the drink harder to swallow. It is disorderly, but not in the exhilarating, brawling, chaos-revelling manner of previous show more books, instead seeming unfocused, rambling and occasionally incoherent. It is bold, but in the manner of being self-regarding and arrogant, rather than the vivid power emitted by earlier works.

While Ecce Homo is often labelled Nietzsche's autobiography, it is too slight and unfocused to be sufficient for that. Instead, the book, written in the weeks before his final mental breakdown, which would effectively end his career even if he would live another ten years, seems like the final will and testament of a singular writer as he looks back on what he has written and achieved. From this perspective, the book's self-assessed summary of Nietzsche's life and works is valuable, but it remains the case that the experience of reading it is a frustrating one, in which its energy escapes into the world rather than is released directly into the reader. There's nothing in here that feels as earth-shaking as a single page of Thus Spoke Zarathustra.
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"He who has really gazed… down into the most world-denying of all possible modes of thought – beyond good and evil… may have had his eyes opened to the opposite ideal: to the ideal of the most exuberant, most living and most world-affirming man…" (pg. 82)

Philosophy is a discipline that tends to deliver thoughts on the most profound and remarkable questions of human existence with no more energy, flair or brevity than you would find in the U.S. Tax Code. The exception to this show more unfortunate rule is Friedrich Nietzsche. A genius thinker, a tortured soul, a passionate artist and – perhaps speaking uncharitably – an unhinged ranter, his books are that rarest of all things: a philosophical discussion that does not bore or weary the reader, but instead electrifies him.

This is not to say that Beyond Good and Evil is easy to read, only that it rewards those who accept the challenge. I much preferred Thus Spoke Zarathustra, Nietzsche's artistic masterpiece which delivers his concepts with the lyricism and epic creativity of a Milton or Dante, but Beyond Good and Evil is a good companion piece, discussing his ideas in a more straightforward way – or at least as straight as Nietzsche's crooked wand will allow.

I won't discuss Nietzsche's specific ideas here; the only true way to imbibe them is through Nietzsche's own chaotic brew, and the abstractions and analyses of his commentators too often deny them their stimulating flavour. Nor, with respect to the author, do the specific ideas matter too much: what is compelling about them and about Nietzsche is the sense of depth and abyss, of epic power, of true art and galvanised chaos which reading them conveys. Nietzsche is a bracing air in a discipline plagued by stuffiness, and while his 'overman' concept seems almost quixotic more than a century later, in our world of influencers and company men, he deserves to be read by the regular, aspiring men of tomorrow and the overmorrow.
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Dionysos-Dithyramben is a set of nine poems revised, written, and collected by Nietzsche during and after the composition of Thus Spake Zarathustra, and they are thus one of the "Werke des Zusammenbruchs" from the close of his writing career. They were dismissed by Aaron Ridley from his edition of all the other "Werke des Zusammenbruchs" (i.e. The Anti-Christ, Ecce Homo, Twilight of the Idols, The Case of Wagner, and Nietzsche contra Wagner) as "a collection of poems whose absence is not to show more be regretted." It's just as well that snotty editor forced me to acquire the Dithyrambs in a separate volume, since the bilingual presentation here -- while at odds with the larger project of the Cambridge University Press series of Nietzsche's works in English translation, in which Ridley's edition stands -- is essential for full appreciation of the poetry.

In the role of translator, R.J. Hollingdale is impressively accurate, but he is more intent on the semantic content of the verse than its poetic form. For example, he sacrifices meter, line emphasis, and some end-rhyme in this penultimate stanza of "Die Wüste wächst: weh dem, der Wüsten birgt . . .":

Die Wüste wächst: weh dem, der Wüsten birgt!
Stein knirscht an Stein, die Wüste schlingt und würgt.
Der ungeheure Tod blickt glühend braun
und
kaut --, sein Leben ist sein Kaun . . . (38)

It is rendered thus by Hollingdale:

"The desert grows: woe to him who harbours deserts!
Stone grates on stone, the desert swallows down.
And death that chews, whose life is chewing,
gazes upon it, monstrous, glowing brown . . ." (39)

Hollingdale was one of the great 20th-century anglophone champions of Nietzsche, and I take his notes to reflect a conservative, establishment strain in Nietzsche scholarship. The introduction is a helpful, if brief, overview of Nietzsche's work as a poet and its relationship to his philosophical output.

Hollingdale's remarks on the individual poems emphasize the autobiographical dimensions of the poems, somewhat to the exclusion (I thought) of their literary value to readers. On the biographical front, he insists (in 1984) that the syphilitic genesis of Nietzsche's madness is a fully established fact (87-8), although I have read persuasive arguments by Siegfried Mandel (1988) and Geoff Waite (1996) questioning that allegation, and in the case of the latter challenging its supporting narrative assumption of Nietzsche's heterosexuality.

The nine poems are really gorgeous. Although three of them, with slight alterations, also appear in Thus Spake Zarathustra, I found them more powerful here, and thus I was inclined to agree with Hollingdale that "they were inserted [in Thus Spake Zarathustra] capriciously and by force" (85). The significance of "Klage der Ariadne," for example is almost inverted in the context of the Dithyrambs, and it was so affecting for me, that it may serve as the touchstone of a new ceremony in my private canon of ritual. This slender volume is a treasure.
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The first interesting thing I discovered about Nietzsche is something I suspected when I read Beyond Good and Evil: Nietzsche "learnt much from La Rochefoucauld" (p. viii). And to start off with first principles, Nietzsche makes an interesting observation: morality is "a misrepresentation of certain phenomena, for there are no moral facts whatever (p. xi). I have now come to terms with the idea of Dionysian "chaos" versus the Apollonian "order". Interestingly, this struck me last night at show more the Canberra Symphony Orchestra's performances of Prokofiev's Piano Concerto No. 2 in G minor, op. 16 (with acclaimed Australian pianist Tamara-Anna Cislowska as the soloist), and Shostakovich's Symphony No. 9 in E flat major, op. 70. My friend and colleague, a sociologist, who invited us to the concert, has often spoken of these two opposing approaches. But until now, I have been ignorant to the depth of meaning that is so readily missed when one's antennae are not properly directed. And so, Nietzsche sees art as "Dionysian. It is amoral". "Christian art" is an oxymoron, yet Islam is "a virile religion, a religion for men". Nietzsche sees Christianity and alcohol as "the two great means of corruption" (p. 160). A central message (one of too many!) is that, "where the will to power is lacking, degeneration sets in" (p. 97). Nietzsche blames Saint Paul for destroying Rome, and Luther for destroying the Renaissance. Well I never! Kant perpetuated some of the decay, but Goethe, the antipodes of Kant, "disciplined himself into a harmonious whole, he created himself" (p. 81). Further, and while Nietzsche may well have predicted the World Wars, he may also have predicted the decay of our current institutions. Nietzsche argued that we have forgotten the purpose of our institutions (something that would seem apparent in my understanding of theories of institutional change), in effect, institutions require:
...a sort of will, instinct, imperative, which cannot be otherwise than antiliberal to the point of wickedness: the will to tradition, to authority, to responsibility for centuries to come, to solidarity in long family lines forwards and backwards in infinitum. If this will is present, something is founded which resembles the imperium Romanum: or Russia, the only great nation today that has some lasting grit in her.
In speaking of first principles, Nietzsche appears as a Neo-Con Flâneur (p. 72); yet he does not mince words:
First principle: a man must need to be strong, otherwise he will never attain it. - those great forcing-houses of the strong, of the strongest kind of men that have ever existed on earth, the aristocratic communities like those of Rome and Venice, understood freedom precisely as I understand the word: as something that one has and one has not, as something that one will have and that one seizes by force.
I can't pretend to know everything about Nietzsche, and I doubt I can commit to further study beyond a once-reading of the majority of his work. But something has changed in me as a result. I will blog about Ecce Homo in a subsequent post, as I am reading it in a separate book with an easier-to-read type-font, but from Nietzsche's autobiography, he arose from illness (and, paradoxically, to return to it soon after) to suffer no longer from "'ill-luck' nor 'guilt'". He "is strong enough to make everything turn to his own advantage" (p. 176). In this way, Nietzsche is much like Marcus Aurelius: Amor Fati. And no longer can my response be "merely" academic: I feel a weight of centuries lifting, I see why our institutions are crumbling, I fear the solution will not be forthcoming until the next major crisis disrupts human society yet again; I know that this will all be forgotten by future generations. And so time will march on. But Nietzsche does not leave me pessimistic, nor does he leave me disturbed as Viktor Frankl does. He leaves me free. Is this too dramatic? Read what I have read and tell me. I am all ears.
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Associated Authors

Stephen Metcalf Editor and Translator
Heinrich Böll Contributor
Franz Kafka Contributor
Friedrich Schiller Contributor
Max Oehler Afterword
Walter Arnold Kaufmann Translator, Preface, Editor
R. Kevin Hill Translator
Carol Diethe Translator
Tom Griffith Introduction
Ivo Frenzel Composer
B. H. C. K. van der Wijck Introduction, Translator
Andrés Sánchez Pascual Translator, Introduction
R. J. Hollingdale Editor, Translator
Walter Kaufmann Editor, Translator
Walter Kaufmann Editor, Translator
Hendrik Marsman Translator, Editor, Introduction
Marianne Cowan Translator
Michael Tanner Introduction, Editor
Luis A. Acosta Gómez Editor, Translator
Graham Parkes Editor, Translator
Igors Šuvajevs Translator
Manuel Carbonell Translator
Helen Zimmern Translator
Wenzel Hablik Cover artist
Kathleen M. Higgins Introduction
Peter Stuart Illustrator
Aarni Kouta Translator
P. Endt Translator
J. A. Hollo Translator
Vilis Plūdons Translator
John Lee Narrator
Clancy Martin Translator
Robert C. Solomon Introduction
Ger Groot Translator, Foreword
Charo Greco Translator, Foreword
Arnis Kluinis Foreword
Pé Hawinkels Translator
Roy McMillan Narrator
Walter Gebhard Afterword, Chronology, Bibliography
Ronald Clyne Cover designer
Ian Crowe Illustrator
Thomas Graftdijk Translator
R.J. Holingdale Translator
Alex Jennings Narrator
Oscar Levy Editor, Translator
Leo Winter Introduction
Pé Hawinkels Translator
Peter Pütz Afterword, Editor
Thomas Graftdijk Translator
Sergio Ramírez Cover designer
Edvard Munch Cover artist
Günter Figal Afterword
Mazzino Montinari Translator, Editor
Ivars Ījabs Translator
Ilmārs Blumbergs Illustrator
Shaun Whiteside Translator
Clifton Fadiman Translator
Pēteris Brants Translator
Arnold Böcklin Cover artist
Stephen Lehmann Translator
Marion Faber Translator
Richard Schacht Introduction
Peter Gast Editor
Klāra Muela Translator
Fritz Heyder Verlag Cover artist
David Taffel Introduction
David Pearson Cover designer
Jost Hermand Editor, Afterword
Francis Golffing Translator
Chi-Kwan Chê̕n Cover artist
Julius Kraft Introduction
Adrian Collins Translator
Herbert Lorenz Cover designer
Sossio Giametta Translator
Giuliano Baioni Introduction
Richard T. Gray Translator
Phil Baines Cover artist
S. S. Van Dine Introduction
Thomas Common Translator
Clifton Fadiman Translator
Anne Sauka Translator
J M Kennedy Translator
Germán Cano Introduction
Carline V. Kerr Translator
H. L. Mencken Introduction
Peter Pütz Afterword
Lucas Casas Translator
Gerhard Ulrich Cover designer
Claus J. Seitz Cover designer
Julio Izquierdo Translator

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