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Robert J. Sawyer

Author of Flashforward

107+ Works 20,037 Members 760 Reviews 74 Favorited

About the Author

Robert J. Sawyer was born in Ottawa on April 29, 1960, but raised in Toronto. In 1980, while still in high school, Sawyer submitted a short story to the the Rochester Museum and Science Center, which was running a contest for light show ideas. Sawyer didn't win, but the Museum purchased his story show more Motive anyway and it ran for 192 performances. Sawyer went on to attend Toronto's Ryerson Polytechnical Institute, majoring in Radio and Television Arts. In September 1979, he had his first piece of fiction published at the end of his first year, in Ryerson's literary annual, White Wall Review. Sawyer graduated from Ryerson in 1982. Sawyer was hired back the following semester to teach television studio production techniques to second- and third-year students. In the four months interim, he worked for minimum wage at the local SF bookstore, spending all his earnings on books. From 1984 to 1992, while teaching, Sawyer also coordinated a social group of Toronto-area science-fiction writers founded by SF editor Judith Merril. He established a Canadian region of the Science Fiction and Fantasy Writers of America; and in 1998, served as that organization's president. Sawyer also retained freelance nonfiction writing contracts, writing articles for newspapers and magazines, press releases and brochures for corporations, newsletters for government departments. He churned out vast amounts of promotional materials and over 200 articles for computing and personal-finance magazines in a span of five years. But in that time, his only really significant publication was the novelette Golden Fleece, which appeared as the cover story in the September 1988 edition of Amazing Stories. The novel-length Golden Fleece was sold to Warner Books a year later in 1989. The sales of his first five books were uninspiring and Sawyer faced being dropped by his publisher. Sawyer decided to take the time to write a book, without a contract, take as long as necessary, and produce a blockbuster. He also wanted to tackle a controversial issue and deal with it head on. With that in mind, Sawyer wrote The Terminal Experiment, about abortion and the soul. His publisher rejected it on grounds of controversy. HarperPrism then bought the book and serialization rights were sold to Analog, the number-one best-selling English-language SF magazine. The Terminal Experiment went on to win the Science Fiction and Fantasy Writers of America's Nebula Award for Best Novel of 1995. His novel Frameshift was his first book published in hardcover, and was nominated for the Hugo Award, and won Japan's Seiun Award for best foreign novel of the year. (Bowker Author Biography) show less

Series

Works by Robert J. Sawyer

Flashforward (1999) 2,288 copies, 118 reviews
Hominids (2002) 2,052 copies, 67 reviews
Calculating God (2000) 1,871 copies, 64 reviews
Humans (2003) 1,247 copies, 31 reviews
WWW: Wake (2009) 1,233 copies, 80 reviews
Hybrids (2003) 1,054 copies, 30 reviews
Factoring Humanity (1998) 948 copies, 21 reviews
The Terminal Experiment (1995) 918 copies, 24 reviews
Rollback (2007) 913 copies, 38 reviews
Mindscan (2005) 743 copies, 21 reviews
WWW: Watch (WWW Trilogy) (2010) 686 copies, 44 reviews
Frameshift (1997) 621 copies, 16 reviews
Starplex (1996) 606 copies, 11 reviews
WWW: Wonder (2011) 572 copies, 40 reviews
Illegal Alien (1997) — Author — 560 copies, 8 reviews
Far-Seer (1992) 530 copies, 14 reviews
End of an Era (1994) 359 copies, 3 reviews
Fossil Hunter (1993) 348 copies, 6 reviews
Red Planet Blues (2013) 339 copies, 20 reviews
Foreigner (1994) 318 copies, 4 reviews
Quantum Night (2016) 283 copies, 23 reviews
Triggers (2012) 275 copies, 19 reviews
Golden Fleece (1990) 257 copies, 6 reviews
Iterations (2002) 173 copies, 5 reviews
Identity Theft: And Other Stories (2008) 168 copies, 6 reviews
The Oppenheimer Alternative (2020) 137 copies, 12 reviews
The Downloaded (2024) 122 copies, 15 reviews
Relativity (2004) 51 copies, 1 review
Distant Early Warnings (2009) — Editor — 29 copies
Tesseracts 6 (1997) — Editor; Introduction — 15 copies
Time (Complete Short Fiction Book 3) (2019) 13 copies, 2 reviews
Space (Complete Short Fiction Book 2) (2019) 12 copies, 1 review
Earth (Complete Short Fiction Book 1) (2019) 9 copies, 1 review
Peking Man (1996) 7 copies
The Shoulders of Giants (2000) 7 copies, 1 review
Just Like Old Times (1993) 7 copies
Above It All (1996) 6 copies
Wiping Out (2000) 4 copies
Star Light Star Bright (2000) 4 copies
Stream of Consciousness (1999) 4 copies
Forever (1997) 3 copies
Come All Ye Faithful (2003) 3 copies, 1 review
The Contest [short story] (1980) 2 copies
Gator (1997) 2 copies
Childhood's End 2 copies, 1 review
Fallen Angel (2000) 2 copies
The Good Doctor 2 copies
WWW Wake — Author — 1 copy
Wake 2 1 copy
Wake 1 1 copy
Carnifex Rex 1 copy
Wake 3 1 copy
ROLLBACK 1 1 copy
Flashes 1 copy
ROLLBACK 4 1 copy
Hominids 3 1 copy
Hominids 4 1 copy
Ineluctable 1 copy
ROLLBACK 2 1 copy
ROLLBACK 3 1 copy
Biding Time 1 copy
Mikeys 1 copy
Wake 4 1 copy
Triggers 2 1 copy
Triggers 3 1 copy

Associated Works

Rendezvous with Rama (1973) — Introduction, some editions — 11,414 copies, 209 reviews
Man Plus (1976) — Introduction, some editions — 1,648 copies, 28 reviews
The Man Who Folded Himself (1973) — Introduction, some editions — 1,167 copies, 47 reviews
The Improbable Adventures of Sherlock Holmes (2009) — Contributor — 854 copies, 17 reviews
The Hard SF Renaissance (2003) — Contributor — 388 copies, 4 reviews
By Blood We Live (2009) — Contributor — 326 copies, 7 reviews
Taking the Red Pill: Science, Philosophy and Religion in The Matrix (2003) — Contributor — 313 copies, 4 reviews
Year's Best SF 5 (2000) — Contributor — 287 copies, 2 reviews
100 Great Fantasy Short, Short Stories (1984) — Contributor — 270 copies, 5 reviews
Sherlock Holmes in Orbit (1995) — Contributor — 267 copies, 4 reviews
Future Visions: Original Science Fiction Inspired by Microsoft (2015) — Contributor — 261 copies, 5 reviews
Federations (2009) — Contributor — 221 copies, 5 reviews
Down these Dark Spaceways (2005) — Contributor — 145 copies, 3 reviews
Dinosaur Fantastic (1993) — Contributor — 134 copies, 3 reviews
Stars: Original Stories Based on the Songs of Janis Ian (2003) — Contributor — 133 copies, 1 review
Space, Inc. (2003) — Contributor — 126 copies, 1 review
Futures from Nature (2007) — Contributor — 121 copies, 6 reviews
Nebula Awards Showcase 2007 (2007) — Contributor — 118 copies, 4 reviews
L. Ron Hubbard Presents Writers of the Future, Volume 33 (2017) — Contributor — 108 copies, 44 reviews
Northern Stars: The Anthology of Canadian Science Fiction (1994) — Contributor — 96 copies
L. Ron Hubbard Presents Writers of the Future, Volume 22 (2006) — Contributor — 85 copies, 1 review
Futureshocks (2006) — Contributor — 84 copies, 2 reviews
Time Machines: The Greatest Time Travel Stories Ever Written (1998) — Contributor — 82 copies, 5 reviews
Dante's Disciples (1996) — Contributor — 78 copies, 1 review
Tesseracts Eighteen: Wrestling With Gods (2015) — Contributor — 59 copies, 29 reviews
Guardsmen of Tomorrow (2000) — Contributor — 58 copies
Free Space (1997) — Contributor — 58 copies, 1 review
Star Colonies (2000) — Contributor — 57 copies, 1 review
Visions of Liberty (2004) — Contributor — 56 copies, 2 reviews
Space Stations (2004) — Contributor — 56 copies, 2 reviews
Far Frontiers (2000) — Contributor — 53 copies, 2 reviews
Men Writing Science Fiction As Women (2003) — Contributor — 47 copies
Julian: A Christmas Story [novella] (2006) — Introduction, some editions — 46 copies, 1 review
Return of the Dinosaurs (1997) — Contributor — 46 copies, 1 review
Chasing Shadows: Visions of Our Coming Transparent World (2017) — Contributor — 46 copies
I, Alien (2005) — Contributor — 45 copies
Compostela: Tesseracts Twenty (2017) — Contributor — 45 copies, 18 reviews
Dinosaurs II! (1995) — Contributor — 40 copies
Slipstreams (2006) — Contributor — 39 copies
Urban Nightmares (1997) — Contributor — 35 copies
L. Ron Hubbard Presents Writers of the Future, Volume 41 (2025) — Contributor — 34 copies, 11 reviews
The Time Travel Chronicles (2015) — Contributor — 28 copies, 2 reviews
The Bakka anthology (2002) — Contributor — 24 copies
The Savage Humanists (2008) — Contributor — 23 copies, 2 reviews
Consider Her Ways (1947) — Foreword, some editions — 22 copies
Tesseracts 14: Strange Canadian Stories (2010) — Contributor — 22 copies, 1 review
Campus Chills (2010) — Introduction — 22 copies
On Spec: The First Five Years (2002) — Contributor — 21 copies
Future Wars (2003) — Contributor — 21 copies, 3 reviews
The Penguin Book of Crime Stories (2007) — Contributor — 20 copies, 1 review
Humanity 2.0 (2016) — Contributor — 19 copies, 2 reviews
Galaxy's Edge Magazine Issue 1, March 2013 (2013) — Contributor — 17 copies, 2 reviews
Letters from the Flesh (2004) — Introduction — 16 copies
Ark of Ice (1992) — Contributor — 15 copies, 1 review
Decision Points (2016) — Contributor — 14 copies, 1 review
Selections from The Improbable Adventures of Sherlock Holmes (2009) — Contributor — 12 copies, 1 review
Like Water for Quarks (2011) — Contributor — 8 copies
Tesseracts Sixteen: Parnassus Unbound (2012) — Contributor — 7 copies, 1 review

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Robert J Sawyer Artist in Science Fiction Fans (April 2013)

Reviews

829 reviews
This was wretched. I read it because it's about mind-uploading, and I am co-teaching a class on that... but I will not be teaching this book. Let me take the time to explain.

The book has two concurrent ideas in play. One is that the main character, a designer of medical devices, is preoccupied with the idea that there's no definitive way of knowing when someone transitions between being alive and being dead. He invents an extremely discriminating device to map the brain, and using it on show more someone at the moment they die, detects what he dubs "the soulwave" leaving their body. This rocks the world: suddenly we know when people are alive and dead, we know what kind of life counts as alive and dead, and so on.  But once the device is invented and made public, this idea basically vanishes from the plot of the novel, and just becomes a background element; between chapters, we read news updates of how this is affecting society. But it never affects the story, it never even really affects our main character, who could have just easily been an inventor of a new type of soda pop, and the plot would have proceeded in exactly the same way. This seems to me to be one of the worst sorts of science fiction; it's a complete lack of imagination. Isaac Asimov says in Asimov on Science Fiction that in sociology-dominant sf, the author should come up with a society affected by a "what if—" and then "[t]he actual plot of the story, the suspense, the conflict, ought to arise—if this were a first-class story—out of the particular needs and frustrations of people in such a society" (p. 172). None of that is true here; Sawyer squanders his central idea. Interesting extrapolation in the background, but none in the foreground.

The other idea is that the main character sells his mind-scanning technology to an AI research firm. He asks if they can upload his consciousness into a computer... and they just do! Apparently all you have to do is scan the brain in order to have a working simulation of the brain. This seems like a huge leap to me. Like, being able to map where neurons are does not equate to being able to simulate how someone thinks! On top of this, the book acts like this is no big deal, and that no one will be interested in it! Even though the soulwave thing doesn't affect the plot at all, it does change the world. But the characters totally brush off the idea that anyone would even want to upload a brain. This surely has theological and philosophical repercussions even bigger than those of the soulwave. Where there was once one person, there are now four (they make three copies of the main character's brain). They call a press conference to announce the soulwave... but treat this advancement as if its old news. Again, it's a complete failure of imagination when it comes to worldbuilding. At one point they even go, "Oh, who would be interested in such technology anyway?" Like, everyone would!

The brain uploading stuff also reads as hugely improbable. Even though the technology was just invented, the AI researcher can just hit a couple buttons to rewrite the main character's personality. Of the three uploaded scans, one is edited to simulate how he would be if he was immortal, the other is edited to simulate how he would be without a physical self. And then all three selves can move themselves around because the original knows how directories work... I don't think that follows. Also, why don't they copy themselves if they are files? Somehow there's only one copy of each of the three versions. That a brain uploaded to a computer instantly becomes a super-hacker seems like something from a cheesy 1970s sci-fi film, not a supposedly serious 1990s near-future sf novel, but it's how the entire plot resolves; they stop the copy that goes evil by uploading the copy of a police officer's brain into the Internet to get him!

On top of all this, the prose reads like it was written by a tedious pedant. Utterly lifeless. This won the Nebula!?

(Not Sawyer's fault, but the way the book is dated by being written in the 1990s but set in 2011 is often hilarious. There's a bit that essentially goes, "He's taken over the entire Internet... AOL and CompuServe!" Well... maybe it is Sawyer's fault; his version of the future seems exactly like his present except that they have e-readers.)
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I think this author is always at his most clever when he takes on American politics. The story begins with an assassination attempt on U.S. President Seth Jerrison. Ironically, the President was speaking about the need to combat increasing violence, which lately had included a series of bombs emitting widely-damaging electromagnetic pulses. The Liberty Bell in Philadelphia had been destroyed, as had the Golden Gate Bridge in San Francisco, and the Willis Tower in Chicago.

After being shot, show more the president was rushed to surgery, but during the procedure, yet another bomb went off, this one destroying the White House. The electromagnetic pulse that followed the bomb interacted with some experimental hospital equipment in use. Most of the people in the hospital, including the President, were affected by the resulting “quantum entanglement,” which changed them in radical ways no one could have predicted.

Discussion: How can you not love Robert J. Sawyer? He has won fifty national and international awards for his fiction, and is one of only eight writers ever to win all three of the world’s top awards for best science fiction novel of the year. Additionally, he received an honorary doctorate (Doctor of Letters, honoris causa) from Laurentian University in Sudbury, Ontario. His books are witty, stimulating, and overwhelmingly convey a rosy view of life no matter how dire the circumstances.

The increase in terrorism is certainly dire, and is a development that has informed other works by Sawyer as well as this one. What is the right way to handle terrorism? Do you take an eye for an eye? Do you trust in the strategy of mutually assured destruction? Or is it possible that people can actually become committed – somehow - to mutually assured survival?

Sawyer maintains that science fiction is “ a literature of ideas,” embracing “science, philosophy, history, and ethics.” Certainly, his science fiction is! And although he is very into complicated ideas from the fields of neurobiology and physics, not to mention ethics and political theory, he writes in a way that is neither abstruse nor didactic. His approach is more like Goldilocks found the third bear to be: just right!

Evaluation: I so enjoy the imaginative flights Sawyer takes us on when he contemplates different realities. The plot in this book seems - to me - a bit more improbable than in some of his other books, but I might feel that way just because the author has such an optimistic, upbeat vision of the future! (I, as you may know, am more of a glass three-fourths empty type. Okay, seven-eighths.) Nevertheless, just because Sawyer is positive and a happy-seeming person doesn’t mean his conjectures are outlandish. He is an incredibly thought-provoking, entertaining writer who rarely disappoints!
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½
Ah, the last book in this trilogy had a lot to live up to and it succeeded for the most part.

What can (or should) you do for an intelligent entity living in the World Wide Web who has been outed across the world? Take over? Declare peace? Be hunted, or be the hunter?

It is the Prisoner's Dilemma writ large with many iterations. And does Sawyer pull it off? A worldwide revolution?

Yes. But again, for the most part.

What's my complaint?

Yeah, well, that's my problem. Sawyer's political leanings show more and outlook is too close to my own to judge this as anything other than a "oh, wow, I really appreciate this" setup.

Do I believe in win/win scenarios and deep optimism? Yes. Do I believe in rational behavior, strong methods to bring about the best good for the most people? Yes. So I believe in mercy and understanding? Yes.

And that's kinda the thing. This novel is SO DAMN OPTIMISTIC and joyful to read, with all the conflicts arriving from the outside rather than from within, that I felt like I was reading a wish-fulfillment fantasy.

Come on. Who here hasn't wished for some near-omnipotent being to come down to earth, kick the evildoers in their seat, and give the rest of us a means to take the power into our own hands?

Yeah, that's what I thought. :)

But then, look here at the title of this book. If that doesn't give it all away, I don't know what will.

And I REALLY DID ENJOY it. A lot. :)
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Early in the Second World War Robert Oppenheimer is appointed to the role of director for the Manhattan Project, the push to build the atom bomb. Surrounded by the world's best physicists, many of who are European Jews, Oppenheimer is driven to build the bomb to defeat Hitler. When victory in Europe is achieved and Japan becomes the target he loses his enthusiasm for the project. Among the Manhattan Project team is Edward Teller who wants to go further and build a super bomb. Riven by show more tensions about the morality of nuclear weaponry, the team are stunned by the attacks on Hiroshima and Nagasaki. Then Teller's research leads them to a further horrific discovery- within 90 years the sun will throw off a layer of atmosphere and obliterate the Earth. The physicists begin a new project, using the power of the atom bomb to save humanity.
This book just scraped a third star by virtue of what happened in the last few pages, which transformed it from a very turgid fictional account of the interactions between a host of Nobel physics laureates into a proper science fiction novel. Clearly it was well-researched and Sawyer had a strong understanding of the events around the Manhattan project and the characters of key players like Oppenheimer, Teller and Einstein, but it was so dull. I could have got the same story by reading Wikipedia. The twist at the end was good though and this could have been a much better novel if about half of the first three quarters (I make that 3/8) was removed and the ending extended.
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Associated Authors

Robert Charles Wilson Contributor, Introduction
James Alan Gardner Contributor, Introduction
Julie E. Czerneda Contributor
Spider Robinson Contributor
Carolyn Clink Afterword, Contributor
Melissa Dickinson Contributor
D. C. Fontana Contributor
Lyle Zynda Contributor
Robert A. Metzger Contributor
Adam Roberts Contributor
David DeGraff Contributor
Allen Steele Contributor
Eric Greene Contributor
Howard Weinstein Contributor
Paul Levinson Contributor
Don DeBrandt Contributor
Norman Spinrad Contributor
Nalo Hopkinson Contributor
Mike Resnick Introduction
Valerie Broege Contributor
Karl Schroeder Contributor
David Clink Contributor
Peter Watts Contributor
Paddy Forde Contributor
Robyn Herrington Contributor
Eric Choi Contributor
Andrew Weiner Contributor
Laura Houghton Contributor
Rhea Rose Contributor
Sylvie Bérard Contributor
Peter Bloch-Hansen Contributor
Jena Snyder Contributor
Clélie Rich Contributor
Edward Baranosky Contributor
Douglas Smith Contributor
Katie Harse Contributor
Nancy Bennett Contributor
Yves Meynard Contributor
Jan Lars Jensen Contributor
Catherine MacLeod Contributor
Hayden Trenholm Contributor
Dora Knez Contributor
Jacqueline Pearce Contributor
Scott Mackay Cover artist
Sandra Kasturi Contributor
Jean-Louis Trudel Contributor
Derryl Murphy Contributor
Michael Vance Contributor
Candas Jane Dorsey Contributor
Lia Pas Contributor
Donato Giancola Cover artist
Bob Eggleton Cover artist
Rita Frangie Cover designer
Donato Cover artist
Shelley Eshkar Cover artist
Marc Vietor Narrator
Oliver Wyman Narrator
Bruce Jensen Cover artist
Ron Walotsky Cover artist
Doug Struthers Cover artist
gattagiorgia Translator
Paul Cooklin Cover artist
James Gunn Introduction
Danilo Ducak Cover artist
Tom Kidd Cover artist
Jael Cover artist
Nigel Sharp Cover artist
Joyce Kline Cover artist

Statistics

Works
107
Also by
65
Members
20,037
Popularity
#1,081
Rating
½ 3.7
Reviews
760
ISBNs
379
Languages
13
Favorited
74

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