Tove Jansson (1914–2001)
Author of The Summer Book
About the Author
Tove Jansson has received the Hans Christian Andersen prize for children's literature. The world of the Moomintroll has become internationally famous thanks to her brilliant sense of humor and fabulous illustrations. The delightful Moomintrolls make it through catastrophe after catastrophe through show more cooperation and plain luck. Although Jansson is best known for her children's books, her adult fiction is equally entertaining. (Bowker Author Biography) show less
Series
Works by Tove Jansson
The Invisible Child And The Fir Tree: Two Moomin Stories for Oxfam (2017) — Author — 114 copies, 2 reviews
Kas notika pēc tam? : grāmata par Bumbulīti, trollīti Muminu un mazo Miju (2008) 14 copies, 3 reviews
Mumintrollen 5 copies
Mumin. [Volume 1] / [traducción del inglés: Elena Martí i Segarra] : la colección completa de cómics (2014) 5 copies
Två berättelser från havet 4 copies
Tove Jansson muistonäyttely ; taiteilijavanhemmat Signe Hammarsten Jansson ja Viktor Jansson (2002) 4 copies
Komm mit ins Mumintal Zwei Bände in einem. Limitierte Jubiläumsausgabe Ill. v. Jansson, Tove Übers. v. Kicherer, Birgitta Deutsch (2015) 4 copies
Os Mumins e a Grande Cheia 3 copies
Der Steinacker 2 copies
Muminek i gwiazdka z nieba 2 copies
英語対訳 ムーミン・コミックス (単行本) 2 copies
ムーミン谷の夏まつり (新装版) (講談社青い鳥文庫) 2 copies
ספורי משפחת החיות המוזרות 2 copies
November New Edition of Moomin Valley (Kodansha statement Tsuyoshi) (2011) ISBN: 4062769395 [Japanese Import] (2011) 2 copies
Karin, min vän 2 copies
Mumintrollet och hemliga tecknen 2 copies
Summer Festival of New Edition Moomin Valley (Kodansha Bunko) (2011) ISBN: 4062769352 [Japanese Import] (2011) 2 copies
Onneliset rakastavaisten oma kirja 2 copies
The Happy Moomins 2 copies
Tove Jansson minnesutställning : konstnärsföräldrarna Signe Hammarsten Jansson och Viktor Jansson (2002) 2 copies
Mumitrolden : de samlede striber 2 copies
Muumilaakson talvi 2 copies
The Moominvalley Baby Book 2 copies
Mumintrollet:2 Familjen Lever Högt 2 copies
Il viaggio pericoloso 1 copy
Mumin se zaljubi 1 copy
La città del sole 1 copy
Die Mumins finden ein Zuhause - Ein Pop-up Buch ab 4 Jahren für kleine und große Mumin-Fans (2025) 1 copy
Os Moomins e o dilúvio 1 copy
Muumit ja taikalamppu 1 copy
Mumitrolden og Lille My 1 copy
Little My: Moomin 1 copy
Зима Муми-тролля (Муми-тролли. Любимые истории Туве Янссон в новом переводе) (Russian Edition) (2018) 1 copy
Tove Jansson Moominland Series (Comet in Moominland, Moominland Midwinter, Finn Family Moomintroll) 3 book set (1961) 1 copy
Муми-Тролли. Комиксы 1 copy
Дочь скульптора : [автобиографическая повесть] ; Великое путешествие : [избранные новеллы] (2005) 1 copy
קיץ מסוכן בעמק המומינים 1 copy
Muumipeikko 1 copy
スナフキン 名言ノート 1 copy
Finn Family of Moomintroll 1 copy
Muminbocs és az üstökös 1 copy
Moominhouse 1 copy
Moominmamma and the Comet: A beautiful tale of adventure celebrating Tove Jansson's iconic characters (2026) 1 copy
Moomin, 8 tap 1 copy
Múmínálfarnir: 3 1 copy
Múmínálfarnir: 2 1 copy
Múmínálfarnir: 1 1 copy
Ósýnilega barnið 1 copy
Mumi-trollet og marsboerne 1 copy
Den ubehagelige blomsten. 1 copy
Moem in het oerwoud 1 copy
Snusmumriken Kommer Hem 1 copy
Mumintrollet Nr 3 1 copy
Mysteriet i Mummidalen 1 copy
Iliustruotasis anglų-lietuvių Mumių žodynėlis: [daugiau nei 1200 žodžių su transkripcijomis] (2013) 1 copy
Histórias do Vale dos Mumins 1 copy
Mumin e a Grande Aventura! 1 copy
Muminpappans bravader 1 copy
Przygody Muminkow. Tomik 1 1 copy
Jansson Tove 1 copy
SUPER Sonderheft Nr 6, MUMIN - Die Abenteuer einer liebenswerten Tierfamilie, Moewig Comic-Album, ERSTAUSGABE 1971 (1971) 1 copy
Näkymätön Ninni 1 copy
Moomin Collection Tove Jansson 6 Books Bundle (Moomin and the New Friend, Moomin and the Winter Snow) (2016) 1 copy
Full frihet 1 copy
Mumintrollet. Nr 8 1 copy
Visor från Mumindalen 1 copy
Jansson, Tove Archive 1 copy
Mumintrollet Nr 5 1 copy
Moem Kiest Zee 1 copy
Moemse Winter 1 copy
Mumintrollen och den magiska hatten (från sagosamlingen "Sagor från Mumindalen") (e-bok + ljud) (2018) 1 copy
Mumintrollet 1 copy
Niebezpieczna podroz 1 copy
La saga dei Moomin 1 copy
Jön az üstökös 1 copy
Clogpots in Space 1 copy
Muminki - Nadchodzi Mała Mi 1 copy
Associated Works
Daemon Voices: On Stories and Storytelling (2017) — Contributor, some editions — 728 copies, 9 reviews
The Dedalus Book of Finnish Fantasy (Dedalus Literary Fantasy Anthologies) (2012) — Contributor — 124 copies, 3 reviews
Cricket Magazine, Vol. 8, No. 4, December 1980 — Contributor — 2 copies
Ein Haus mit vielen Zimmern: Autorinnen erzählen vom Schreiben (edition fünf 27) (German Edition) (2015) — Contributor — 2 copies
Tagged
Common Knowledge
- Canonical name
- Jansson, Tove
- Legal name
- Jansson, Tove Marika
- Other names
- Haij, Vera
- Birthdate
- 1914-08-09
- Date of death
- 2001-06-27
- Gender
- female
- Education
- University College of Arts, Crafts and Design, Stockholm, Sweden (1930–33)
Graphic School of the Finnish Academy of Fine Arts (1933–1937)
L'École d'Adrien Holy, Paris, France
L'École des Beaux-Arts, Paris, France - Occupations
- painter
illustrator
playwright
short story writer
autobiographer
comic strip author (show all 7)
novelist - Awards and honors
- Svenska Dagbladets litteraturpris (1952)
Nils Holgersson-plaketten (1953)
Elsa Beskow-plaketten (1958)
H.C. Andersen-medaljen (1966)
Expressens Heffaklump (1970)
Svenska Akademiens Finlandspris (1972) (show all 18)
Pro Finlandia Medal (1976)
Litteraturfrämjandets stora pris (1977)
Topelius-priset (1978)
Helsingfors-priset (1980)
Finska statens litteraturpris (1963)
Finska statens litteraturpris (1971)
Finska statens litteraturpris (1982)
Stiftelsen Selma Lagerlöfs litteraturpris (1992)
Svenska Akademiens stora pris (1994)
Will Eisner Award Hall of Fame (2016)
Rudolf Koivu -palkinto (1958)
Rudolf Koivu -palkinto (1978) - Relationships
- Pietilä, Tuulikki (partner)
Jansson, Lars (brother)
Jansson, Per Olov (brother)
Jansson, Viktor (father)
Hammarsten-Jansson, Signe (mother)
Jansson, Sophia (niece) - Cause of death
- cancer
- Nationality
- Finland
- Birthplace
- Helsinki, Duchy of Finland, Russian Empire
- Places of residence
- Helsinki, Finland
Stockholm, Sweden
Paris, France - Place of death
- Helsinki, Finland
- Burial location
- Hietaniemi cemetery, Helsinki, Finland
- Associated Place (for map)
- Finland
Members
Discussions
Group Read, August 2014: The Summer Book in 1001 Books to read before you die (September 2014)
Reviews
Tove's short stories are quiet and incisive - I've seen them described as boring, which is, of course, a matter of personal taste, but also wrong! - even when she writes about obsession and murder. Mostly, though, these stories are about the small happenings in ordinary lives which give clues to the deep emotions underlying the actions of her characters, and that, for me, is where the interest and value of Tove's stories lie.
The thing about travelling, of course, is that no matter how far you go you bring yourself along whether you want to or not. That sounds trite, I know. After reading these 12 short stories I'm not sure it's entirely true, though. Most of the stories here are based around travelling - whether it's people abandoning their lives, looking to leave everything behind as in the title story, people returning home after a long absence as in the darkly funny "The Woman Who Borrowed Memories", or just show more going for a walk with your son behind your house as in the heartrending "The Woods". She even takes a successful stab at post-apocalyptic science fiction in "Shopping".
There's a great passage in Steve Earle's I'll Never Get Out Of This World Alive on the subject of being alone as opposed to being lonesome. Lonesome's a whole other thing. Incurable. Terminal. A hole in your heart you could drive a semi truck through. I think Jansson would have understood it, but not necessarily agreed; hell, Jansson was in a relationship with the woman who inspired Too-Ticky (and to whom the book is dedicated) for almost 50 years, she doesn't have a problem with self-sufficience.
So while her characters tend to fall more on the "lonesome" end of the scale - whether they're life-long loners, or in tight-knit groups or committed relationships where they suddenly see the limits of what you can share with someone ("The Gulls", dear god, "The Gulls") - and many of them are clearly hurting from it, there's also a sense of strength, of unexpected companionship, of of understated realisation. Travelling makes them see who they are more clearly, be more aware of what they've got in their knapsack. Wenn jemand eine Reise tut, da kann er was erzählen, even if you only tell yourself (or lie to yourself). Some of them, most likely, won't survive this realisation unharmed. Others will be stronger for it. Others will find a brand new set of self-delusions to lean on. Like all of Jansson's best works, the best stories here don't have a simple lesson or twist at the end; they just are, with a warmth and subtle humour that still knows when to be cruel. show less
There's a great passage in Steve Earle's I'll Never Get Out Of This World Alive on the subject of being alone as opposed to being lonesome. Lonesome's a whole other thing. Incurable. Terminal. A hole in your heart you could drive a semi truck through. I think Jansson would have understood it, but not necessarily agreed; hell, Jansson was in a relationship with the woman who inspired Too-Ticky (and to whom the book is dedicated) for almost 50 years, she doesn't have a problem with self-sufficience.
So while her characters tend to fall more on the "lonesome" end of the scale - whether they're life-long loners, or in tight-knit groups or committed relationships where they suddenly see the limits of what you can share with someone ("The Gulls", dear god, "The Gulls") - and many of them are clearly hurting from it, there's also a sense of strength, of unexpected companionship, of of understated realisation. Travelling makes them see who they are more clearly, be more aware of what they've got in their knapsack. Wenn jemand eine Reise tut, da kann er was erzählen, even if you only tell yourself (or lie to yourself). Some of them, most likely, won't survive this realisation unharmed. Others will be stronger for it. Others will find a brand new set of self-delusions to lean on. Like all of Jansson's best works, the best stories here don't have a simple lesson or twist at the end; they just are, with a warmth and subtle humour that still knows when to be cruel. show less
The first chapter reminds one that:
This is a quirky little book and I enjoyed reading it, but I can imagine how show more strongly it might have appealed to my younger self. The only one I had growing up was Finn Family Moomintroll (and even now, the only other one I’ve read is Comet in Moominland). Jansson’s illustrations are whimsical and full of personality. The descriptions of winter are evocative and so is Moomintroll’s experience of learning to live in a world that’s cold and lonely, of finding company and comfort, of building independence and resilience.
They always slept from November to April because such was the custom of their forefathers and Moomins stick to tradition.But this winter, just after New Year, Moomintroll wakes up. The valley has transformed into an unfamiliar world and Moomintroll is, if not alone, then certainly without his family, who remain asleep, and of his friend Snufkin, who won’t return until spring.
This is a quirky little book and I enjoyed reading it, but I can imagine how show more strongly it might have appealed to my younger self. The only one I had growing up was Finn Family Moomintroll (and even now, the only other one I’ve read is Comet in Moominland). Jansson’s illustrations are whimsical and full of personality. The descriptions of winter are evocative and so is Moomintroll’s experience of learning to live in a world that’s cold and lonely, of finding company and comfort, of building independence and resilience.
The sky was almost black, but the snow shone a bright blue in the moonlight.
The sea lay asleep under the ice, and deep down among the roots of the earth all small beasts were sleeping and dreaming of spring.
And so Moomintroll was helplessly thrown out into a strange and dangerous world and dropped up to his ears in the first snowdrift of his experience. It felt unpleasantly prickly to his velvet skin, but at the same time his nose caught a new smell. It was a more serious smell than any he had met before, and slightly frightening. But it made him wide awake and greatly interested.show less
The valley was enveloped in a kind of grey twilight. It also wasn’t green any longer, it was white. Everything that had once moved had become immobile. There were no living sounds. Everything angular was now rounded.
“This is snow,” Moomintroll whispered to himself. “I’ve heard about it from Mother, and it’s called snow.”
Without Moomintroll knowing a thing about it, at that moment his velvet skin decided to start growing woollier. It decided to become, by and by, a coat of fur for winter use. That would take some time, but at least the decision was made. And that’s always a good thing.
In the small northern village of Västerby (the original town with this name is in Sweden; where Jansson's village is is anyone's guess), the winter is keeping everyone inside. Except for Katri Kling and her dog.
This is how Jansson starts her novel. Without any references of time - if anything the novel makes sure not to mention any recent event - making the story timeless. We get the how and the where but the when never gets revealed. And it is not needed - because the story is as old as show more the world - the story of the battle between truth and lie; between reality and dreams.
Katri Kling had been living for years with her younger brother (now a teenager and "a bit slow") at the fringe of society in Västerby. She is different - her eye color does not match what everyone expects, her hair is the wrong color. In a small place like Västerby not being local is almost a crime. To add to that, she believes that any truth should be spelled out, that the little lies and niceties that the polite society demands are nonsense. But when some of her decisions and advices are revealed, Katri emerges as a calculating and scheming person - the truth can be bended and she is pretty good at it.
And as chance will have it, the village has one more loner - Anna Aemelin - an wealthy artist that lives alone and creates beautiful watercolors of the ground in the forest... with rabbits with flowery fur thrown everywhere. When the novel opens, Katri had decided that she wants to use Anna and is planning her way into the older woman home and heart.
When Anna's and Katri's worlds finally collide, it is obvious that nothing will be the same ever again. Katri's cunning and calculating ways have nothing to do with the artistic and dreamlike world Anna had been living in - and Katri will not allow her to keep living in it. And while the two worlds clash, the life in the village continues the same way it had always been going - and we are treated to glimpses and views from it, intermingled with the drama that happens in the lives of the protagonists.
It is a novel of change; a novel of growing up (mentally if not physically) - Anna looses all treats that make her who she is... and need to rediscover herself - except that the new Anna is not the innocent person she was before Katri injected herself in her life. Using the truth, Katri manages to deceive Anna in more than one ways, to use her naivete to gain what she needs. And in a way it is a novel of everything ugly that hides in people's hearts.
But it is also a novel of hope - because at the end, even if all old is ruined, the new is not necessarily bad. Maybe Anna will never be the same, maybe she will never have all that she had been used to. But Katri had changed as well - without realizing and without expecting it.
The last sentence of the novel is the ultimate summary of the whole novel - and it works much better than any epilogue could have worked. It is final and unyielding.
A highly recommended read - although it is not a cheerful and easy read.
PS: Do not read the introduction before you read the novel. I enjoyed it a lot but I am happy I read the novel first. show less
This is how Jansson starts her novel. Without any references of time - if anything the novel makes sure not to mention any recent event - making the story timeless. We get the how and the where but the when never gets revealed. And it is not needed - because the story is as old as show more the world - the story of the battle between truth and lie; between reality and dreams.
Katri Kling had been living for years with her younger brother (now a teenager and "a bit slow") at the fringe of society in Västerby. She is different - her eye color does not match what everyone expects, her hair is the wrong color. In a small place like Västerby not being local is almost a crime. To add to that, she believes that any truth should be spelled out, that the little lies and niceties that the polite society demands are nonsense. But when some of her decisions and advices are revealed, Katri emerges as a calculating and scheming person - the truth can be bended and she is pretty good at it.
And as chance will have it, the village has one more loner - Anna Aemelin - an wealthy artist that lives alone and creates beautiful watercolors of the ground in the forest... with rabbits with flowery fur thrown everywhere. When the novel opens, Katri had decided that she wants to use Anna and is planning her way into the older woman home and heart.
When Anna's and Katri's worlds finally collide, it is obvious that nothing will be the same ever again. Katri's cunning and calculating ways have nothing to do with the artistic and dreamlike world Anna had been living in - and Katri will not allow her to keep living in it. And while the two worlds clash, the life in the village continues the same way it had always been going - and we are treated to glimpses and views from it, intermingled with the drama that happens in the lives of the protagonists.
It is a novel of change; a novel of growing up (mentally if not physically) - Anna looses all treats that make her who she is... and need to rediscover herself - except that the new Anna is not the innocent person she was before Katri injected herself in her life. Using the truth, Katri manages to deceive Anna in more than one ways, to use her naivete to gain what she needs. And in a way it is a novel of everything ugly that hides in people's hearts.
But it is also a novel of hope - because at the end, even if all old is ruined, the new is not necessarily bad. Maybe Anna will never be the same, maybe she will never have all that she had been used to. But Katri had changed as well - without realizing and without expecting it.
The last sentence of the novel is the ultimate summary of the whole novel - and it works much better than any epilogue could have worked. It is final and unyielding.
A highly recommended read - although it is not a cheerful and easy read.
PS: Do not read the introduction before you read the novel. I enjoyed it a lot but I am happy I read the novel first. show less
Lists
Deathreads (1)
4th Grade Books (1)
Favourite Books (1)
Short and Sweet (1)
Schwob Nederland (1)
Backlisted (1)
1970 Club (1)
Guilty Pleasures (1)
Folio Society (1)
1940s (1)
Winter Books (2)
A Novel Cure (3)
Summer Books (1)
Female Author (1)
Same Title (1)
1970s (1)
Best Beach Reads (1)
Five star books (1)
Spring Reading (2)
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 644
- Also by
- 24
- Members
- 31,148
- Popularity
- #635
- Rating
- 4.2
- Reviews
- 728
- ISBNs
- 2,082
- Languages
- 40
- Favorited
- 205
































































