George R. R. Martin
Author of A Game of Thrones
About the Author
George R. R. Martin was born on September 20, 1948 in Bayonne, New Jersey. He began writing at an early age, selling monster stories for pennies to neighborhood children. He received B.S. and M.S. degrees in Journalism from Northwestern University. In 1986, he worked as a story editor for the CBS show more series The Twilight Zone. He was also an executive story consultant, producer and co-supervising producer for CBS's Beauty and the Beast. In 1970, he sold the story The Hero to Galaxy magazine. Since becoming a full-time writer in 1979, he has written many novels, stories, and series including A Song for Lya, Portraits of His Children, The Pear-Shaped Man, and the Song of Ice and Fire series. He has won numerous awards including five Locus Awards, three Hugo Awards and two Nebula awards. In 2013 he made The New York Times Best Seller List with his titles A Dance with Dragons and A Game of Thrones: a Clash of Kings, a Storm of Swords, a Feast for Crows. His title's Rogues and The Ice Dragon made the New York Times List in 2014. Martin's title, A Knight of Seven Kingdoms, A Song of Fire and Ice novel, made the New York Times bestseller list in 2015. He is number 4 on the Hollywood Reporter's '25 Most Powerful Authors' 2016 list. (Bowker Author Biography) show less
Series
Works by George R. R. Martin
Fire and Blood: A History of the Targaryen Kings from Aegon the Conqueror to Aegon III (2018) 5,378 copies, 75 reviews
A Game of Thrones / A Clash of Kings / A Storm of Swords / A Feast of Crows / A Dance with Dragons (1996) 3,644 copies, 38 reviews
The World of Ice & Fire: The Untold History of Westeros and the Game of Thrones (2014) 2,510 copies, 39 reviews
A Song of Ice and Fire 1-4: A Game of Thrones / Clash of Kings / A Storm of Swords / A Feast for Crows (2011) 1,861 copies, 25 reviews
Songs of Love and Death: All Original Tales of Star Crossed Love (2010) — Editor — 805 copies, 36 reviews
The Rise of the Dragon: An Illustrated History of the Targaryen Dynasty, Volume One (The Targaryen Dynasty: The House of the Dragon) (2022) 424 copies, 5 reviews
A Dream of Spring 413 copies
The Official A Game of Thrones Coloring Book: An Adult Coloring Book (A Song of Ice and Fire) (2015) 167 copies, 1 review
Untitled (A Song of Ice and Fire, #8) 81 copies
A Clash of Kings: The Graphic Novel: Volume One (A Game of Thrones: The Graphic Novel) (2018) 69 copies
A Clash of Kings: The Graphic Novel: Volume Two (A Game of Thrones: The Graphic Novel) (2019) 46 copies
Selections from Dreamsongs 3: Stories from Wild Cards and More Stories from Martin's Later Years (2007) — Narrator, some editions — 29 copies, 3 reviews
Selections from Dreamsongs 1: Fan Fiction and Sci-Fi from Martin's Early Years (2007) 20 copies, 1 review
Selections from Dreamsongs 2: Stories of Fantasy, Horror/Sci-Fi, and a Man Called Tuf (2007) 19 copies, 3 reviews
A Clash of Kings: The Graphic Novel: Volume Three: Volume Three (A Game of Thrones: The Graphic Novel) (2021) 15 copies
The Rogue Prince, or, A King's Brother 11 copies
Wild Cards 10 copies
A Knight of the Seven Kingdoms Collector’s Edition: From the internationally bestselling creator of GAME OF THRONES (A Song of Ice and Fire) (2025) 7 copies
George R. R. Martin Presents Wild Cards: Marked Cards: Book Two of the Card Shark Triad (Card Shark Triad: Wild Cards, 2) (2025) 6 copies
George R. R. Martin Presents Wild Cards: Card Sharks: Book One of the Card Shark Triad (Card Shark Triad: Wild Cards, 1) (2025) 5 copies
Meathouse Man [short story] 5 copies
Juego de tronos I 4 copies
George R. R. Martin Presents Wild Cards: Showdown: Book Three of the Card Shark Triad (Card Shark Triad: Wild Cards, 3) (2025) 4 copies
Zobenu Vērtība (II) 4 copies
George R. R. Martin Starter Pack 4-Book Bundle: A Game of Thrones, Dreamsongs: Volume I, Fevre Dream, Armageddon Rag (2012) 4 copies
Yedi Krallık Şövalyesi (Taht Oyunları'ndan yüz yıl önce, Westeros topraklarını cesur kahramanlar arşınlıyordu...) (2021) 3 copies
The Sons of the Dragon 3 copies
Game of Thrones - Das Lied von Eis und Feuer 5 — Author — 3 copies
Os Reinos do Caos, vol I de II 3 copies
Wild Cards 4-7: The Puppetman Quartet: Aces Abroad, Down & Dirty, Ace in the Hole, Dead Man's Hand (2015) 3 copies
A game of thrones - Le Trône de fer - tome 3 - A game of thrones - Le Trône de fer (3/6) (2013) 3 copies
Os Reinos do Caos, vol II de II 3 copies
A Game of Thrones: The Story Continues : The Complete Boxset of All 7 Books with FREE Poster Map of Westeros and The Free Cities (2020) 2 copies
Game Of Thrones, A 2 copies
Wild Cards - Die Cops von Jokertown: Roman (Wild Cards - Jokertown 1) (German Edition) (2018) 2 copies
Lohikäärmetanssi. 2, Pitojen jälkeen 2 copies
Wild Cards - Der höchste Einsatz: Roman (Wild Cards - American Heroes 3) (German Edition) (2016) 2 copies
Wild Cards. Die erste Generation 02 - Der Schwarm: Roman (Wild Cards - 1. Generation 2) (German Edition) (2017) 2 copies
George R.R. Martins Game of Thrones - Königsfehde: Bd. 4 (2. Buch von Das Lied von Eis und Feuer) (2023) 2 copies
Gold Prospector Magazine 2 copies
PËRPLASJE MBRETËRISH 2 1 copy
The Sons of the Dragon 1 copy
Bouře mečů 1 copy
Hra o trůny 1 copy
La Terra al tramonto 1 copy
Ledový drak 1 copy
Y la muerte, su legado 1 copy
Oheň a krev 1 copy
Střet králů 1 copy
Tanec s vlky 1 copy
House Rules: Set in the Wild Cards universe created by the internationally bestselling author of A GAME OF THRONES (2024) 1 copy
Tufova dobrodružství 1 copy
Hunter's Run 1 copy
Vuur en Bloed: De inspiratie voor de HBO Original-serie House of the Dragon (De wereld van het lied van ijs en vuur, 1) (2024) 1 copy
Tempesta di spade 1 copy
Il grande inverno 1 copy
La regina dei draghi 1 copy
Il trono di spade 1 copy
A GAME OF THRONES - ILLUSTRATED EDITION (ENGLISH, Hardcover, Martin, George R. R.) (2016) 1 copy, 1 review
I fiumi della guerra 1 copy
Il portale delle tenebre 1 copy
Il regno del lupi 1 copy
Il dominio della regina 1 copy
Ledeni zmaj 1 copy
Dodelijk Spel 1 copy
Walimah lil-ghirban 1. 1 copy
Raqsah maa al-tananin 1. 1 copy
Trò chơi vương quyền 1b 1 copy
La mano del muerto 1 copy
Le trône de fer 1 1 copy
A dance with dragons P. 2 1 copy
Songs The Dead Men Sing 1 copy
La Danza Dei Draghi 1 copy
PËRPLASJE MBRETËRISH 1 1 copy
Wild Cards 04: Aces Abroad 1 copy
Wild Cards 03: Wild Cards 1 copy
Wild Cards 02: Aces High 1 copy
Wild Cards 01 1 copy
Негодяи 1 copy
Perihelion #2 1 copy
Closing Time [short story] 1 copy
Storm of Swords Poster 1 copy
A Game of Thrones Sketches 1 copy
Westeros and the Free Cities 1 copy
Le Trône de Fer - L'Intégrale 1 (Tomes 1 et 2): Le Trône de Fer - Le Donjon rouge (French Edition) 1 copy
Podwójny pasjans 1 copy
Le trône de fer : Coffret en 3 volumes : Tome 1, Le trône de fer ; Tome 2, Le donjon rouge ; Tome 3, La bataille des r (2006) 1 copy
Wild Cards 18-20: The American Heroes Triad: Inside Straight, Busted Flush, Suicide Kings (2015) 1 copy
Jube: One 1 copy
Jube: Seven 1 copy
Jube: Six 1 copy
Jube: Five 1 copy
Winter's Chill 1 copy
Jube: Four 1 copy
Jube: Three 1 copy
Jube: Two 1 copy
Appendix 1 copy
Interlude Five 1 copy
Interlude Four 1 copy
Interlude Three 1 copy
Interlude Two 1 copy
Interlude One 1 copy
Prologue 1 copy
Crusader 1 copy
All the King's Horses 2 1 copy
StarPort [screenplay] 1 copy
All the King's Horses 7 1 copy
All the King's Horses 6 1 copy
All the King's Horses 5 1 copy
All the King's Horses 4 1 copy
All the King's Horses 3 1 copy
All the King's Horses 1 1 copy
Stare de asediu 1 copy
Complete Short Fiction 1 copy
"Game of Thrones", DVD 1 copy
Wild Cards 6 Ace in the Hole 1 copy
Le Trone de fer ( Tome 4 - L'ombre maléfique ) CD Livre audio - Audiobook (Écoutez lire, 10601) (French Edition) (2016) 1 copy
Voyaging, Volume One: The Plague Star: A thrilling New York and Sunday Times bestselling sci-fi comedy graphic novel (2023) 1 copy
The World of Fire and Ice 1 copy
A Game of Thrones 5-Book Set 1 copy
George R. R. Martin A DANCE WITH DRAGONS Book 5 Fire & Ice 2011 Bantam Books [Hardcover] unknown 1 copy
By George R.R. Martin - JOKERTOWN SHUFFLE (Wild Cards) (1991-08-16) [Mass Market Paperback] (1991) 1 copy
Wild Cards — Low Chicago 1 copy
“Mhysa” 1 copy
Game of thrones Seizoen 7 1 copy
"The Kingsroad" 1 copy
"Baelor" 1 copy
"The Pointy End" 1 copy
“You Win or You Die” 1 copy
"A Golden Crown" 1 copy
"The Wolf and the Lion" 1 copy
"Lord Snow" 1 copy
"Winter is Coming" 1 copy
"The North Remembers" 1 copy
"Fire and Blood" 1 copy
"The Night Lands" 1 copy
"The Rains of Castamere" 1 copy
"Second Sons" 1 copy
"The Climb" 1 copy
"Kissed By Fire" 1 copy
"Walk of Punishment" 1 copy
"Dark Wings, Dark Words" 1 copy
"What is Dead May Never Die" 1 copy
"Valar Dohaeris" 1 copy
"Valar Morghulis" 1 copy
"Blackwater" 1 copy
"The Prince of Winterfell" 1 copy
"A Man Without Honor" 1 copy
“The Old Gods and the New” 1 copy
"The Ghost of Harrenhal" 1 copy
"Garden of Bones" 1 copy
Associated Works
Legends I: New Short Novels by the Masters of Modern Fantasy (1998) — Contributor — 2,072 copies, 19 reviews
Legends II: New Short Novels by the Masters of Modern Fantasy (2003) — Contributor — 1,369 copies, 22 reviews
The Big Book of Science Fiction: The Ultimate Collection (2016) — Contributor — 520 copies, 7 reviews
Legends: Short Novels by the Masters of Modern Fantasy, Vol. 2 (of 3) (1998) — Contributor — 468 copies, 4 reviews
The Year's Best Fantasy and Horror: First Annual Collection (1986) — Contributor — 332 copies, 6 reviews
The Locus Awards: Thirty Years of the Best in Science Fiction and Fantasy (2004) — Contributor — 289 copies, 11 reviews
Legends: Short Novels by the Masters of Modern Fantasy, Vol. A (of 2) (1998) — Contributor — 288 copies, 1 review
The Year's Best Science Fiction: Third Annual Collection (1986) — Contributor — 250 copies, 1 review
The Year's Best Science Fiction: First Annual Collection (1984) — Contributor — 148 copies, 1 review
Isaac Asimov's Magical Worlds of Fantasy, Volume 6: Mythical Beasties (1837) — Contributor — 134 copies, 2 reviews
Second Person: Role-Playing and Story in Games and Playable Media (2007) — Contributor — 113 copies, 1 review
Asimov's Science Fiction: Hugo & Nebula Award Winning Stories (1995) — Contributor — 103 copies, 2 reviews
The Prentice Hall Anthology of Science Fiction and Fantasy (2000) — Contributor — 100 copies, 2 reviews
Isaac Asimov's Wonderful Worlds of Science Fiction, Volume 2: The Science Fictional Olympics (1984) — Contributor — 94 copies, 1 review
The Infinite Arena: Seven Science Fiction Stories About Sports (1977) — Contributor — 75 copies, 1 review
Nebula Awards 21: Sfwa's Choices for the Best Science Fiction and Fantasy, 1985 (Nebula Awards Showcase) (1986) — Contributor — 44 copies, 2 reviews
New York Fantastic: Fantasy Stories from the City that Never Sleeps (2017) — Contributor — 43 copies, 1 review
Analog Science Fiction/Science Fact: Vol. XCVII, No. 6 (June 1977) (1977) — Contributor — 36 copies, 1 review
A Very Large Array: New Mexico Science Fiction and Fantasy (1987) — Contributor — 35 copies, 3 reviews
Analog Science Fiction/Science Fact: Vol. XCVII, No. 4 (April 1977) (1977) — Contributor — 29 copies
Analog Science Fiction/Science Fact: Vol. C, No. 4 (April 1980) (1980) — Contributor — 29 copies, 1 review
Analog Science Fiction/Science Fact: Vol. XCVII, No. 7 (July 1977) (1977) — Contributor — 27 copies, 1 review
Analog Science Fiction/Science Fact: Vol. XC, No. 4 (December 1972) (1972) — Contributor — 26 copies
Analog Science Fiction/Science Fact: Vol. XCVIII, No. 2 (February 1978) (1978) — Contributor — 26 copies
Analog Science Fiction/Science Fact: Vol. XCV, No. 5 (May 1975) (1975) — Contributor — 26 copies, 1 review
Analog Science Fiction/Science Fact: Vol. XCV, No. 7 (July 1975) (1975) — Contributor — 24 copies, 1 review
Analog Science Fiction/Science Fact: Vol. LXXXIX, No. 6 (August 1972) (1972) — Contributor — 24 copies
Analog Science Fiction/Science Fact: Vol. XCII, No. 1 (September 1973) (1973) — Contributor — 22 copies
The Magazine of Fantasy and Science Fiction October 1981, Vol. 61, No. 4 (1981) — Contributor — 19 copies
Asimov's Science Fiction: Vol. 24, No. 12 [December 2000] (2000) — Contributor — 12 copies, 2 reviews
Legends II: New Short Novels by the Masters of Modern Fantasy: Vol. 1 (Audio) (2003) — Contributor — 9 copies
Légendes de la Fantasy, Vol. 1: Six récits inédits par les maîtres de la Fantasy moderne (2003) — Contributor — 9 copies
Monolith 003 : Almanah Znanstveno-fantasticne Knjizevnosti (Monolith, No. 003) (2000) — Contributor — 3 copies
MidAmeriCon II Souvenir Book — Contributor — 1 copy
Tagged
Common Knowledge
- Legal name
- Martin, George Raymond Richard
- Other names
- Martin, George Raymond (birth name)
- Birthdate
- 1948-09-20
- Gender
- male
- Education
- Northwestern University (B.S., Journalism, 1970, summa cum laude)
Northwestern University (M.S., Journalism, 1971) - Occupations
- instructor (journalist ∙ Clarke College)
teacher
author
science fiction writer
fantasy writer - Organizations
- Science Fiction and Fantasy Writers of America (SFWA)
- Awards and honors
- Guest of Honour, Eastercon, UK (1993)
Jack Williamson Lectureship (1995, 2002)
E.E. Smith Memorial Award for Imaginative Fiction (2004)
Carl Sandburg Literary Award (2019) - Agent
- Kay McCauley (Pimlico Agency ∙ UK/US/translation)
- Relationships
- Burnick, Gale (former spouse|1975-1979)
- Short biography
- George R. R. Martin was born in 1948 in New Jersey. Having been a journalist, he now devotes himself to writing. He is a prolific author of short stories, which have garnered numerous nominations and wins for the field's major awards, including the Hugo, Nebula, Stoker, and World Fantasy awards.George Raymond Richard Martin (born George Raymond Martin; September 20, 1948), also known as GRRM, is an American novelist and short story writer, screenwriter, and television producer. He wrote the series of epic fantasy novels A Song of Ice and Fire, which was adapted into the HBO series Game of Thrones (2011–2019).
In 2005, Lev Grossman of Time called Martin "the American Tolkien", and in 2011, he was included on the annual Time 100 list of the most influential people in the world.
George Raymond Martin (he adopted the confirmation name Richard at 13 years old) was born on September 20, 1948, in Bayonne, New Jersey, the son of longshoreman Raymond Collins Martin and Margaret Brady Martin. On his mother's side his family used to be wealthy, and owned a successful construction business, but they lost it all in the Great Depression, something Martin was reminded about every day when he passed what used to be his family's dock and house. It made him feel that even if they were poor, they came from greatness that had been taken away from them. He has two younger sisters, Darleen and Janet. His mother was of half Irish ancestry. He also acknowledges French, English, Welsh and German roots, which were confirmed on the television series Finding Your Roots. However, while he also believed he was a quarter Italian because of who he was told was his paternal grandfather, a DNA test on the show confirmed his Irish and other ancestries but excluded any Italian ancestry, showing instead he is approximately a quarter Ashkenazi Jewish. - Nationality
- USA
- Birthplace
- Bayonne, New Jersey, USA
- Places of residence
- Santa Fe, New Mexico, USA
Bayonne, New Jersey, USA (35 East First Street)
Chicago, Illinois, USA
Dubuque, Iowa, USA
Hollywood, California, USA - Associated Place (for map)
- USA
Members
Discussions
That's Tuf in Good Show Sir! — bad science fiction and fantasy covers (January 2025)
Somebody had to do it . . . are you dancing with dragons? in FantasyFans (February 2022)
Short paranormal romance story in an anthology, female main character jumping through worlds in Name that Book (May 2016)
So I finally tried Game of Thrones (NO SPOILERS PLEASE) in The Green Dragon (July 2014)
Group Read: A Game of Thrones - First 1/3 in 75 Books Challenge for 2011 (July 2014)
Dance of Dragons gets a publication date. in FantasyFans (January 2012)
Group Read: A Game of Thrones in 75 Books Challenge for 2011 (February 2011)
Group Read: A Game of Thrones - Second 1/3 in 75 Books Challenge for 2011 (February 2011)
Reviews
Honestly, what can I say about this book that hasn't already been said? This book is utterly fucking phenomenal. It's incredible from the opening words of the first chapter to the last words of the final chapter.
Let's start with the prologue. It's ominous as fuck. GRRM is amazing at making you feel the harshness and rawness of this world, especially in POV chapters that take place in the north. His descriptions of the cold are so detailed that he manages to transport you into this show more unforgiving world where people die like flies to the forces of nature. In addition, this chapter reminds you of the true threat Westeros faces. The majority of the series's focus so far has been on the political squabbles and the War of the Five Kings, but this book immediately reminds you of the true danger and the true enemy that our heroes must eventually face. It is why the "Samwell" chapters are probably my favorite in this book. However, choosing a favorite POV character in this book is like choosing a favorite child. All of them are just so fucking good.
The book wastes no time. It immediately continues where we left off with our characters in the last one. The aftermath of the various battles and important events are still being felt, but the book wastes no time in building on these events and continuing the overall story. Despite how large this book is, it still feels relatively fast-paced. Yes, there are some slower chapters here and there, but they all serve two important purposes: to continue building this massive world and to continue developing these complex characters. One of the most developed characters in this book is Jamie Lannister. In the previous two books, you saw him purely as a piece of shit with no honor. In this one, however, he's revealed to be exceedingly complex, with very interesting motivations and an incredible backstory. By the end, you actually start to root for him as you realize that he still has honor in him, he wants to help Brienne with her task of finding the Stark daughters, and he loves his brother Tyrion (one of the primary protagonists of this series) dearly. Yes, he did some unforgivable things in the past, but a lot of his actions are also revealed to be morally grey due to the complexity of the decisions he constantly has to make.
Perhaps the most infamous aspect of this book is the downfall of Robb Stark's kingdom. Yes, his kingdom started fragmenting in the last book when Theon Greyjoy betrayed him, but this is where we really start to see Robb lose his foothold on the North and the riverlands. It's fucking heartbreaking, man. Things constantly go from bad to worse, and the end of this arc is one of the most tragic moments in all of fiction. The Red Wedding is notorious and infamous for all the right reasons; it is utterly merciless, but it makes perfect sense. It is set up so well that, after it happens, you wonder how you didn't see it coming, but, when reading for the first time, you are utterly blown away by the sheer brutality of the scene. It is no understatement to call GRRM an evil genius.
The entire second half of this book is genuinely one the craziest things you will read in your entire life. I've already mentioned the Red Wedding, but there's so much more that happens in the final 30 chapters of this book that you honestly can't catch a breath. Main characters are dying left and right, and you are put in this state of dread, wondering if your favorite character will live to see another day. When you think about it, all of the incredible moments in Season 3 and Season 4 of the show (considered by many to be the best seasons of the show) happen in this book. It's just plot twist after plot twist after plot twist. The character who goes through the most is Tyrion Lannister. At first, he is accused of murdering Joffrey Baratheon, and you think he's a goner. The situation goes from bad to worse as more "evidence" is brought against him, but he finds an unexpected path to salvation with someone whom he thought would be a major pain in his ass: Oberyn Martell. The Dornishman champions his cause spectacularly, and you think Tyrion might have escaped his fate, but, at the last second, he is BRUTALLY murdered by Gregor Clegane, and now you think there's truly no way Tyrion escapes his plight. But, with the help of Varys and Jamie Lannister, he does, and Tywin Lannister is killed in the process (for good reason; that Tysha backstory is utterly devastating).
It's not just Tyrion's last chapter that blew me away; practically every POV character in this story has an incredible final chapter. It really does feel like the end of a trilogy and the first major arc of this series: the Lannisters triumph over the Starks in a war that started in the first book; Jon Snow decides to remain a brother of the Night's Watch instead of accepting Stannis Baratheon's deal to become Jon Stark (Lord of Winterfell) after Robb's death; Sansa Stark finally stars playing the "Game of Thrones"; Arya Stark is about to begin her training as a Faceless Man with Jaqen H'ghar; Tyrion escapes the Lannisters after much ambivalence towards their behavior in recent years; and Daenerys Targaryen chooses to remain in Essos and rule over her people instead of sailing to Westeros and letting them fend for themselves. I really wish there were only six books in this series instead of seven (books four and five are basically one large book) as this really feels like the halfway point of the series with so many plot threads being resolved.
If I had to criticize this book, I would say that it's a bit too long as there are a number of chapters (Arya's chapters, in particular) where not much really happens. A bit too many chapters take place in the riverlands, and you are starting to see the beginning of this series's inexorable increase in length and plot threads. Ultimately, however, my complaints pale in comparison to my praises. I'm not sure I even mentioned everything I love about this one because there's just so much. It truly is one of the best fantasy stories ever written. show less
Let's start with the prologue. It's ominous as fuck. GRRM is amazing at making you feel the harshness and rawness of this world, especially in POV chapters that take place in the north. His descriptions of the cold are so detailed that he manages to transport you into this show more unforgiving world where people die like flies to the forces of nature. In addition, this chapter reminds you of the true threat Westeros faces. The majority of the series's focus so far has been on the political squabbles and the War of the Five Kings, but this book immediately reminds you of the true danger and the true enemy that our heroes must eventually face. It is why the "Samwell" chapters are probably my favorite in this book. However, choosing a favorite POV character in this book is like choosing a favorite child. All of them are just so fucking good.
The book wastes no time. It immediately continues where we left off with our characters in the last one. The aftermath of the various battles and important events are still being felt, but the book wastes no time in building on these events and continuing the overall story. Despite how large this book is, it still feels relatively fast-paced. Yes, there are some slower chapters here and there, but they all serve two important purposes: to continue building this massive world and to continue developing these complex characters. One of the most developed characters in this book is Jamie Lannister. In the previous two books, you saw him purely as a piece of shit with no honor. In this one, however, he's revealed to be exceedingly complex, with very interesting motivations and an incredible backstory. By the end, you actually start to root for him as you realize that he still has honor in him, he wants to help Brienne with her task of finding the Stark daughters, and he loves his brother Tyrion (one of the primary protagonists of this series) dearly. Yes, he did some unforgivable things in the past, but a lot of his actions are also revealed to be morally grey due to the complexity of the decisions he constantly has to make.
Perhaps the most infamous aspect of this book is the downfall of Robb Stark's kingdom. Yes, his kingdom started fragmenting in the last book when Theon Greyjoy betrayed him, but this is where we really start to see Robb lose his foothold on the North and the riverlands. It's fucking heartbreaking, man. Things constantly go from bad to worse, and the end of this arc is one of the most tragic moments in all of fiction. The Red Wedding is notorious and infamous for all the right reasons; it is utterly merciless, but it makes perfect sense. It is set up so well that, after it happens, you wonder how you didn't see it coming, but, when reading for the first time, you are utterly blown away by the sheer brutality of the scene. It is no understatement to call GRRM an evil genius.
The entire second half of this book is genuinely one the craziest things you will read in your entire life. I've already mentioned the Red Wedding, but there's so much more that happens in the final 30 chapters of this book that you honestly can't catch a breath. Main characters are dying left and right, and you are put in this state of dread, wondering if your favorite character will live to see another day. When you think about it, all of the incredible moments in Season 3 and Season 4 of the show (considered by many to be the best seasons of the show) happen in this book. It's just plot twist after plot twist after plot twist. The character who goes through the most is Tyrion Lannister. At first, he is accused of murdering Joffrey Baratheon, and you think he's a goner. The situation goes from bad to worse as more "evidence" is brought against him, but he finds an unexpected path to salvation with someone whom he thought would be a major pain in his ass: Oberyn Martell. The Dornishman champions his cause spectacularly, and you think Tyrion might have escaped his fate, but, at the last second, he is BRUTALLY murdered by Gregor Clegane, and now you think there's truly no way Tyrion escapes his plight. But, with the help of Varys and Jamie Lannister, he does, and Tywin Lannister is killed in the process (for good reason; that Tysha backstory is utterly devastating).
It's not just Tyrion's last chapter that blew me away; practically every POV character in this story has an incredible final chapter. It really does feel like the end of a trilogy and the first major arc of this series: the Lannisters triumph over the Starks in a war that started in the first book; Jon Snow decides to remain a brother of the Night's Watch instead of accepting Stannis Baratheon's deal to become Jon Stark (Lord of Winterfell) after Robb's death; Sansa Stark finally stars playing the "Game of Thrones"; Arya Stark is about to begin her training as a Faceless Man with Jaqen H'ghar; Tyrion escapes the Lannisters after much ambivalence towards their behavior in recent years; and Daenerys Targaryen chooses to remain in Essos and rule over her people instead of sailing to Westeros and letting them fend for themselves. I really wish there were only six books in this series instead of seven (books four and five are basically one large book) as this really feels like the halfway point of the series with so many plot threads being resolved.
If I had to criticize this book, I would say that it's a bit too long as there are a number of chapters (Arya's chapters, in particular) where not much really happens. A bit too many chapters take place in the riverlands, and you are starting to see the beginning of this series's inexorable increase in length and plot threads. Ultimately, however, my complaints pale in comparison to my praises. I'm not sure I even mentioned everything I love about this one because there's just so much. It truly is one of the best fantasy stories ever written. show less
The Nightflyers by George R. R. Martin – 3.25★
Nightflyers is a strange relic—a haunted-house-in-space story that feels half like a prototype for Event Horizon and half like a psych experiment written on a malfunctioning word processor. The setup is irresistible: a small crew aboard the Nightflyer, led by an unseen captain, chasing mysterious aliens called the Volcryn. The execution? A mixed bag of solid cosmic dread and exhausting 1980s sci-fi clutter.
The first half is all jargon and show more noise. Martin introduces a pile of oddly spelled names, telepaths, and alien races in a blur that feels like reading a passenger manifest in another language. The characters are more functions than people: the self-sacrificing scientist, the anxious telepath, the “Improved” woman who keeps reminding everyone she’s genetically enhanced. Dialogue repeats points the reader already knows, and the book’s idea of sensuality is apparently limited to “women occasionally lose their clothes.”
But buried in the clatter is a strong concept. Royd Eris—the half-human, half-holographic captain—is one of Martin’s better creations: a tragic figure literally haunted by his mother, who lives on inside the ship’s systems. The story’s final act, when Royd turns on her to save what’s left of the crew, is pure Psycho in space—Norman Bates with a starship. And the Volcryn themselves, glowing and unknowable, deliver a neat sting of cosmic indifference. Humanity’s not saved; it’s barely noticed.
There are moments where you can feel the future of sci-fi horror forming under your fingertips, but they’re wrapped in too much exposition and too little humanity. Nightflyers has the bones of a classic, but the prose and pacing make it a slog. Interesting to study, not much fun to live through.
Verdict: Ambitious, uneven, and occasionally brilliant—worth reading once as a fossil of how “haunted spaceship” horror evolved, but not a voyage I’d take again. show less
Nightflyers is a strange relic—a haunted-house-in-space story that feels half like a prototype for Event Horizon and half like a psych experiment written on a malfunctioning word processor. The setup is irresistible: a small crew aboard the Nightflyer, led by an unseen captain, chasing mysterious aliens called the Volcryn. The execution? A mixed bag of solid cosmic dread and exhausting 1980s sci-fi clutter.
The first half is all jargon and show more noise. Martin introduces a pile of oddly spelled names, telepaths, and alien races in a blur that feels like reading a passenger manifest in another language. The characters are more functions than people: the self-sacrificing scientist, the anxious telepath, the “Improved” woman who keeps reminding everyone she’s genetically enhanced. Dialogue repeats points the reader already knows, and the book’s idea of sensuality is apparently limited to “women occasionally lose their clothes.”
But buried in the clatter is a strong concept. Royd Eris—the half-human, half-holographic captain—is one of Martin’s better creations: a tragic figure literally haunted by his mother, who lives on inside the ship’s systems. The story’s final act, when Royd turns on her to save what’s left of the crew, is pure Psycho in space—Norman Bates with a starship. And the Volcryn themselves, glowing and unknowable, deliver a neat sting of cosmic indifference. Humanity’s not saved; it’s barely noticed.
There are moments where you can feel the future of sci-fi horror forming under your fingertips, but they’re wrapped in too much exposition and too little humanity. Nightflyers has the bones of a classic, but the prose and pacing make it a slog. Interesting to study, not much fun to live through.
Verdict: Ambitious, uneven, and occasionally brilliant—worth reading once as a fossil of how “haunted spaceship” horror evolved, but not a voyage I’d take again. show less
So in the early 80s George R. R. Martin has an early mid-life crisis and decides to go on an ill-advised literary trip down memory lane. But in trying to recapture his student days from the Sixties, he unfortunately creates, in The Armageddon Rag, something sophomoric.
At first, I was on board with Martin's "quixotic… gesture to [his] lost youth" (pg. 30); there's enough in the writing to suggest he doesn't look at the time solely with rose-tinted glasses, even if he does lower those shades show more from time to time. From the perspective of 1983, Martin's protagonist, Sandy Blair, sets out with a chip on his shoulder about when the dream turned sour and people sold out, only to come to the realisation that the capacity for violence, hysteria and malice was always there. There was always more Altamont than Woodstock, a seedy, rapey/druggy Sixties comprised of spaced-out drop-outs demanding sloppy blowjobs from underage groupies and runaways.
Martin doesn't shy away from this, and while that's a bad move from a nostalgic, storytelling perspective (it's grindingly depressing to read), it is admirable from a literary perspective – even if The Armageddon Rag doesn't approach literature. Particularly so as, by coincidence, I have read the book in early June 2020, where the decades-long fetishization of activism and street protest in the media and on campuses has seen people abandon a supposedly-essential pandemic lockdown in favour of the latest vogue 'happening' on the streets. While I was reading Martin's book, the unpleasant crescendo of people being whipped into hysteria by malicious agitprop and targeted manipulation, to a cry of "fuck the fascist authorities" (pp 321-2), I thought how I could just as easily have been reading the daily news. "On armageddon day… both armies will think they fight for good," Martin writes on page 319, and the agitation only makes the divide deeper. The bleeding will never stop, Sandy realises on page 323, in deciding to step away from the madness. He's right.
It's a shame, then, that The Armageddon Rag is a paltry vehicle for this idea. There are two reasons for this. The first is that Martin does not commit to it; the sentimental attachment to the 'aging hippies' (pg. 260) doesn't allow him to be too critical of that scene, even when it went bad. He just enjoys the free love, the sticking it to 'the Man', the lack of responsibility too much. "I tell the kids to put the spaghetti in their hair, and all they ask is how that will help them get a job," one teacher character moans on page 148, in a tone-deaf passage that is clearly intended to evoke sympathy.
The second is that, in its regular construction, the novel is just nothing very good. The murder-mystery that opens the book does not sustain; the suspense peters out during the indulgent nostalgia, and the plot is snipped anticlimactically towards the final act. Plenty of the characters are stereotypes and their relationships are undercooked. The writing itself contains a lot of wispy dream sequences and cringey sex scenes, including one guy who loves to have young women 'plunk his magic twanger' while he speaks in a frog voice (pg. 146). (No, I'm not kidding.) Even the protagonist can't once describe a woman without noting how her breasts sway under her shirt, or how erect her nipples are.
The fatal flaw, however, is not any of this; it is that the music scene does not work. Martin writes the propulsive beat of the band ('The Nazgûl') well enough, but they're not quintessentially Sixties, and 'Ragin'' and 'The Armageddon Rag' reminded me more of 'Stonehenge' than 'Stairway to Heaven'. The band, and the book, is unfortunately a Spinal Tap that Martin takes seriously. show less
At first, I was on board with Martin's "quixotic… gesture to [his] lost youth" (pg. 30); there's enough in the writing to suggest he doesn't look at the time solely with rose-tinted glasses, even if he does lower those shades show more from time to time. From the perspective of 1983, Martin's protagonist, Sandy Blair, sets out with a chip on his shoulder about when the dream turned sour and people sold out, only to come to the realisation that the capacity for violence, hysteria and malice was always there. There was always more Altamont than Woodstock, a seedy, rapey/druggy Sixties comprised of spaced-out drop-outs demanding sloppy blowjobs from underage groupies and runaways.
Martin doesn't shy away from this, and while that's a bad move from a nostalgic, storytelling perspective (it's grindingly depressing to read), it is admirable from a literary perspective – even if The Armageddon Rag doesn't approach literature. Particularly so as, by coincidence, I have read the book in early June 2020, where the decades-long fetishization of activism and street protest in the media and on campuses has seen people abandon a supposedly-essential pandemic lockdown in favour of the latest vogue 'happening' on the streets. While I was reading Martin's book, the unpleasant crescendo of people being whipped into hysteria by malicious agitprop and targeted manipulation, to a cry of "fuck the fascist authorities" (pp 321-2), I thought how I could just as easily have been reading the daily news. "On armageddon day… both armies will think they fight for good," Martin writes on page 319, and the agitation only makes the divide deeper. The bleeding will never stop, Sandy realises on page 323, in deciding to step away from the madness. He's right.
It's a shame, then, that The Armageddon Rag is a paltry vehicle for this idea. There are two reasons for this. The first is that Martin does not commit to it; the sentimental attachment to the 'aging hippies' (pg. 260) doesn't allow him to be too critical of that scene, even when it went bad. He just enjoys the free love, the sticking it to 'the Man', the lack of responsibility too much. "I tell the kids to put the spaghetti in their hair, and all they ask is how that will help them get a job," one teacher character moans on page 148, in a tone-deaf passage that is clearly intended to evoke sympathy.
The second is that, in its regular construction, the novel is just nothing very good. The murder-mystery that opens the book does not sustain; the suspense peters out during the indulgent nostalgia, and the plot is snipped anticlimactically towards the final act. Plenty of the characters are stereotypes and their relationships are undercooked. The writing itself contains a lot of wispy dream sequences and cringey sex scenes, including one guy who loves to have young women 'plunk his magic twanger' while he speaks in a frog voice (pg. 146). (No, I'm not kidding.) Even the protagonist can't once describe a woman without noting how her breasts sway under her shirt, or how erect her nipples are.
The fatal flaw, however, is not any of this; it is that the music scene does not work. Martin writes the propulsive beat of the band ('The Nazgûl') well enough, but they're not quintessentially Sixties, and 'Ragin'' and 'The Armageddon Rag' reminded me more of 'Stonehenge' than 'Stairway to Heaven'. The band, and the book, is unfortunately a Spinal Tap that Martin takes seriously. show less
Okay, I am well aware that I am very very late to this party – I have never watched the TV phenomenon Game of Thrones and never had any interest in it. But at some point, *something* made me buy the first book in the series, so long ago that I don’t remember getting it. I’ve never been inspired to pick it up before now, but then I decided to do so on a whim. I didn’t expect to enjoy it and I told myself that if I wasn’t interested after about the first 50 pages, I would allow show more myself to not finish it (I hardly ever leave a book unfinished no matter how little I’m enjoying it).
Anyhow, by the time I got to 50 pages in I was completely hooked! I absolutely loved the politics, the machinations, the characters and the strategies they employed – everything! Essentially it boils down to a battle for power among various families in the Seven Kingdoms. Each family has their reason for believing that they should be the ruling power, and they are each prepared to go to war for it, and do whatever is necessary.
My favourite characters were Ned Stark and Tyrion Lannister, but I loved how all of the characters were so well developed. The chapters alternate between different characters’ points of view and situations, so we get to see situations from all sides. And it’s the beginning of the series! I’ll probably give it six months and then start on the second book, and of course I definitely need to watch the show now.
Given that fantasy is one of my least favourite genres, and one I rarely read, I was surprised myself with how much I enjoyed this, even though I felt towards the end that it was just a *tad* too long, possibly. But it was captivating, thrilling and I was totally absorbed. Definitely recommended. show less
Anyhow, by the time I got to 50 pages in I was completely hooked! I absolutely loved the politics, the machinations, the characters and the strategies they employed – everything! Essentially it boils down to a battle for power among various families in the Seven Kingdoms. Each family has their reason for believing that they should be the ruling power, and they are each prepared to go to war for it, and do whatever is necessary.
My favourite characters were Ned Stark and Tyrion Lannister, but I loved how all of the characters were so well developed. The chapters alternate between different characters’ points of view and situations, so we get to see situations from all sides. And it’s the beginning of the series! I’ll probably give it six months and then start on the second book, and of course I definitely need to watch the show now.
Given that fantasy is one of my least favourite genres, and one I rarely read, I was surprised myself with how much I enjoyed this, even though I felt towards the end that it was just a *tad* too long, possibly. But it was captivating, thrilling and I was totally absorbed. Definitely recommended. show less
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