E. B. White (1899–1985)
Author of Charlotte's Web
About the Author
Born in Mount Vernon, New York, E. B. White was educated at Cornell University and served as a private in World War I. After several years as a journalist, he joined the staff of the New Yorker, then in its infancy. For 11 years he wrote most of the "Talk of the Town" columns, and it was White and show more James Thurber who can be credited with setting the style and attitude of the magazine. In 1938 he retired to a saltwater farm in Maine, where he wrote essays regularly for Harper's Magazine under the title "One Man's Meat." Like Thoreau, White preferred the woods; he also resembled Thoreau in his impatience and indignation. White received several prizes: in 1960, the gold medal of the American Academy of Arts and Letters; in 1963, the Presidential Medal of Freedom, the nation's highest civilian award (he was honored along with Thornton Wilder and Edmund Wilson); and in 1978, a special Pulitzer Prize. His verse is original and witty but with serious undertones. His friend James Thurber described him as "a poet who loves to live half-hidden from the eye." Three of his books have become children's classics: Stuart Little (1945), about a mouse born into a human family, Charlotte's Web (1952), about a spider who befriends a lonely pig, and The Trumpet of the Swan (1970). Among his best-known and most widely used books is The Elements of Style (1959), a guide to grammar and rhetoric based on a text written by one of his professors at Cornell, William Strunk, which White revised and expanded. White was married to Katherine Angell, the first fiction editor of the New Yorker. (Bowker Author Biography) Elwyn Brooks White was born on July 11, 1899, in Mt. Vernon, New York. After graduating from Cornell University, he worked briefly for an advertising agency and as a newspaper reporter before joining the staff of The New Yorker magazine in 1927. As a columnist for The New Yorker and a contributor to Harper's Magazine, White established a reputation as a prose stylist of exceptional elegance, clarity and wit. His interests, as reflected in his writing, were numerous and varied; his essays touched on such wide-ranging subjects as politics, farm animals, and life in New York City. White married Katharine S. Angell in 1929. They had one son, and in 1957 the family left New York for a farm in North Brookline, Maine. Writings from The New Yorker, 1927-1976 is a compilation of columns and essays produced during White's long relationship with the magazine. One Man's Meat, published in 1942, is a collection of his writings for Harper's. White adapted a short guide to English grammar and usage, The Elements of Style, from a college text written by one of his professors at Cornell, William Strunk Jr. It has sold millions of copies since it was first published in 1959 and has become a cherished resource for guidance in writing. White also co-authored Is Sex Necessary? with the humorist James Thurber, a fellow staff member at The New Yorker. E.B. White died on October 1, 1985 after succumbing to Alzheimer's. His diverse legacy also includes three children's books: Stuart Little, Charlotte's Web, and The Trumpet of the Swan. In 1970 the American Library Association presented White the Laura Ingalls Wilder Award in recognition of his "substantial and lasting contribution to literature for children." He was also awarded the Presidential Medal of Freedom in 1963 and received a special Pulitzer Prize citation for his body of work in 1970. (Bowker Author Biography) show less
Works by E. B. White
Chickens, Gin, and a Maine Friendship: The Correspondence of E. B. White and Edmund Ware Smith (2020) 54 copies, 3 reviews
The Wild Flag: Editorials from The New Yorker on Federal World Government and Other Matters (1946) 46 copies
In the Words of E. B. White: Quotations from America's Most Companionable of Writers (2011) 27 copies, 2 reviews
Newbery Award Favorite Library 8 Book Box Set : Charlotte's Web, The One and Only Ivan, Ella Enchanted, Dragonwings (2020) — Contributor — 18 copies
New York Sketches 15 copies
Death of a Pig 7 copies
Reading room 3 copies
The Elements of Reasoning 2 copies
Charlotte's Web [Illustrated] (text only) 1st (First) edition by E. B. White,G. Williams (1952) 1 copy
The geese 1 copy
Charlotte's Web 1980 Edition 1 copy
No Dummy 1 copy
Stuart Little - Abridged 1 copy
Charlotte's Web 1 copy
Pajęczyna Szarloty 1 copy
[Title missing] 1 copy
Charlotte's Web- "DVD" Movie 1 copy
Qui New York 1 copy
A Letter From E. B. White 1 copy
Irtnog 1 copy
Til Death Do Us Part 1 copy
Rare - Charlotte's Web & Other Classics by White Illustrated New Sealed Leather Bound (1777) 1 copy, 1 review
The Hour of Letdown 1 copy
Seeing Stars 1 copy
Les aventures de Narcisse 1 copy
Associated Works
Fierce Pajamas: An Anthology of Humor Writing from The New Yorker (2001) — Contributor — 788 copies, 5 reviews
A Patriot's Handbook: Songs, Poems, Stories, and Speeches Celebrating the Land We Love (2003) — some editions — 565 copies, 5 reviews
The World of the Short Story: A 20th Century Collection (1986) — Contributor — 511 copies, 4 reviews
Reporting World War II Part One : American Journalism, 1938-1944 (1995) — Contributor — 479 copies, 3 reviews
Reporting World War II Part Two : American Journalism 1944-1946 (1995) — Contributor — 429 copies, 3 reviews
The Lives and Times of Archy and Mehitabel (1927) — Introduction, some editions — 407 copies, 8 reviews
75 Short Masterpieces: Stories from the World's Literature (1961) — Contributor — 316 copies, 2 reviews
The 50 Funniest American Writers: An Anthology of Humor from Mark Twain to The Onion (2011) — Contributor — 284 copies, 3 reviews
This is My Best: American Greatest Living Authors Present and Give Their Reasons Why (1942) — Contributor — 215 copies
An American Album: One Hundred and Fifty Years of Harper's Magazine (2000) — Contributor — 145 copies, 1 review
The Owl in the Attic and Other Perplexities (1931) — Introduction, some editions — 116 copies, 1 review
The Glorious American Essay: One Hundred Essays from Colonial Times to the Present (2020) — Contributor — 116 copies
The Greatest Sailing Stories Ever Told: Twenty-Seven Unforgettable Stories (2002) — Contributor — 83 copies
Gentlemen, Scholars and Scoundrels: A Treasury of the Best of Harper's Magazine from 1850 to the Present (1972) — Contributor — 62 copies
Published and Perished: Memoria, Eulogies, and Remembrances of American Writers (2002) — Contributor — 41 copies, 1 review
The Best of Both Worlds: An Anthology of Stories for All Ages (1968) — Contributor — 25 copies, 1 review
Charlotte's Web - 3 Movie Collection (Charlotte's Web/Charlotte's Web -Animation/Charlotte's Web 2 - Animation) (2013) — Original book — 11 copies, 1 review
Contemporary Short Stories: Representative Selections, Volume 3 — Contributor — 6 copies
Furrow's End: An Anthology of Great Farm Stories — Contributor — 2 copies
Contos Dramáticos — Contributor — 1 copy
The Ethnic Image in Modern American Literature, 1900-1950, Volumes 1-2 (1984) — Contributor — 1 copy
Eight Modern Essayists (First Edition) — Contributor — 1 copy
Tagged
Common Knowledge
- Canonical name
- White, E. B.
- Legal name
- White, Elwyn Brooks
- Other names
- Andy (nickname)
- Birthdate
- 1899-07-11
- Date of death
- 1985-10-01
- Gender
- male
- Education
- Cornell University (AB|1921)
- Occupations
- journalist
writer
editor - Organizations
- Harper's Magazine
The New Yorker
United States Army (WWI)
Phi Gamma Delta
Quill and Dagger Society, Cornell University
United Press International (show all 7)
American Legion - Awards and honors
- Pulitzer Prize (Special Citation, 1978)
Laura Ingalls Wilder Medal (1970)
Presidential Medal of Freedom (1963)
American Academy of Arts and Letters (1962)
American Academy of Arts and Letters Gold Medal (1960) - Relationships
- White, Katharine S. (spouse)
Angell, Roger (stepson)
Thurber, James (friend)
Strunk, William (mentor) - Cause of death
- Alzheimer's disease
- Nationality
- USA
- Birthplace
- Mount Vernon, New York, USA
- Places of residence
- Seattle, Washington, USA
New York, New York, USA - Place of death
- North Brooklin, Maine, USA
- Burial location
- Brooklin Cemetery, Brooklin, Maine, USA
- Associated Place (for map)
- USA
Members
Discussions
Thornwillow Charlotte’s Web in Fine Press Forum (January 17)
October 2015: E.B. White in Monthly Author Reads (December 2017)
Reviews
New England writers have a mode - fascinated with nature, and the everyday workmanlike process of filtering the natural experience through the small routines of daily life. Frost did it with "Mending Wall", Updike with his petty domestic dramas, Thoreau with his canoe and tourist cabin. I'll throw Lowell and Dickinson's confessional poetry in with the lot, if only to support my claim that these are all fish out of water stories - what it means to be inside when you really want to be outside, show more to bridge the divide between the house and the forest. White famously did this with his animal stories for children, but in this collection, his neatest rhetorical trick is "Coon Tree" - a meditation on a nocturnal scavenger that segues into a discussion of Cold War politics and nuclear annihilation. show less
“Here is New York” is a portrait of New York City at a particular time: 1948, freshly emerged from the second World War. Though White mentions the outer boroughs in passing when describing the treks of commuters, this is really about the island of Manhattan in all its contradictions and impossibilities, everything it represents and fails to be and excels at.
It's a wonderful piece and I love it. I’ve lived here for a little less than a year, and in that year I’ve felt freer and show more happier than I have living anywhere else, for precisely the reasons White describes in this essay: the strange sense of being so incredibly close to so many people and yet able to, at any moment, be completely isolated from everything. He calls it the “eighteen inches” that separate every New Yorker from everyone else, every other person or event:
With White as our guide, we get a broad survey of Manhattan and the strange multitudes who call it home. We enjoy an open-air concert with him on a balmy summer night in Central Park; sit in a hot, dim bar on East 53rd Street (eighteen inches from the next patron, of course); recall the strange cellular structure of the lighted office windows in skyscrapers, and their haunted quality in the height of emptiest summer. He writes with curiosity, wonder, and a critical eye—the voice of someone who was dazzled by the city as a young man and has lived there long enough to view it with a mix of bewilderment, exhaustion, and tenderness.
The essay ends—as all discussions of New York must, apparently by some ancient decree—by lamenting how much the city has changed. And we may participate in this ourselves, because of course the midcentury city that White experienced no longer exists either: the automats are gone, the shoeshiners are gone, the radio repair shops are gone. It’s even shocking how few 24/7 restaurants exist anymore in the “city that never sleeps.” The Bowery is far from the hellish “street of lost souls” that White describes. And, of course, gentrification is causing the overall homogenization of neighborhoods—bit by bit, everything starts to look more and more like midtown, silver-blue and shiny. It is increasingly becoming a place where nobody but the very rich can afford to live; and the working class have to scrabble over each other for apartments, jobs, $20 shrink-wrapped sandwiches.
But still, “Here is New York” is timeless for a reason, and that’s because White captures the quality of the city perfectly: the pace of life, the swells and surges, the everyday indignities, the patchwork of neighborhoods, the boiling heat and freezing cold with no in-between, the way it shouldn’t work but it does, impossibly.
It's a wonderful piece and I love it. I’ve lived here for a little less than a year, and in that year I’ve felt freer and show more happier than I have living anywhere else, for precisely the reasons White describes in this essay: the strange sense of being so incredibly close to so many people and yet able to, at any moment, be completely isolated from everything. He calls it the “eighteen inches” that separate every New Yorker from everyone else, every other person or event:
The governor came to town. I heard the siren scream, but that was all there was to that—an eighteen-inch margin again. A man was killed by a falling cornice. I was not a party to the tragedy, and again the inches counted heavily. […] I mention these merely to show that New York is peculiarly constructed to absorb almost anything that comes along (whether a thousand-foot liner out of the East or a twenty-thousand-man convention out of the West) without inflicting the event on its inhabitants; so that every event is, in a sense, optional… The quality in New York that insulates its inhabitants from life may simply weaken them as individuals. Perhaps it is healthier to live in a community where, when a cornice falls, you feel the blow; where, when the governor passes, you see at any rate his hat.
With White as our guide, we get a broad survey of Manhattan and the strange multitudes who call it home. We enjoy an open-air concert with him on a balmy summer night in Central Park; sit in a hot, dim bar on East 53rd Street (eighteen inches from the next patron, of course); recall the strange cellular structure of the lighted office windows in skyscrapers, and their haunted quality in the height of emptiest summer. He writes with curiosity, wonder, and a critical eye—the voice of someone who was dazzled by the city as a young man and has lived there long enough to view it with a mix of bewilderment, exhaustion, and tenderness.
The essay ends—as all discussions of New York must, apparently by some ancient decree—by lamenting how much the city has changed. And we may participate in this ourselves, because of course the midcentury city that White experienced no longer exists either: the automats are gone, the shoeshiners are gone, the radio repair shops are gone. It’s even shocking how few 24/7 restaurants exist anymore in the “city that never sleeps.” The Bowery is far from the hellish “street of lost souls” that White describes. And, of course, gentrification is causing the overall homogenization of neighborhoods—bit by bit, everything starts to look more and more like midtown, silver-blue and shiny. It is increasingly becoming a place where nobody but the very rich can afford to live; and the working class have to scrabble over each other for apartments, jobs, $20 shrink-wrapped sandwiches.
But still, “Here is New York” is timeless for a reason, and that’s because White captures the quality of the city perfectly: the pace of life, the swells and surges, the everyday indignities, the patchwork of neighborhoods, the boiling heat and freezing cold with no in-between, the way it shouldn’t work but it does, impossibly.
It is a miracle that New York works at all. The whole thing is implausible. Every time the residents brush their teeth, millions of gallons of water must be drawn from the Catskills and the hills of Westchester. When a young man in Manhattan writes a letter to his girl in Brooklyn, the love message gets blown to her through a pneumatic tube—pfft—just like that. The subterranean system of telephone cables, power lines, steam pipes, gas mains and sewer pipes is reason enough to abandon the island to the gods and the weevils. Every time an incision is made in the pavement, the noisy surgeons expose ganglia that are tangled beyond belief. By rights New York should have destroyed itself long ago, from panic or fire or rioting or failure of some vital supply line in its circulatory system or from some deep labyrinthine short circuit. Long ago the city should have experienced an insoluble traffic snarl at some impossible bottleneck. It should have perished of hunger when food lines failed for a few days. It should have been wiped out by a plague starting in its slums or carried in by ships' rats. It should have been overwhelmed by the sea that licks at it on every side. The workers in its myriad cells should have succumbed to nerves, from the fearful pall of smoke-fog that drifts over every few days from Jersey, blotting out all light at noon and leaving the high offices suspended, men groping and depressed, and the sense of world's end. It should have been touched in the head by the August heat and gone off its rocker.show less
This is an old favorite that I re-read every so often, even though there may not be a young person around to share it with. Someone here recently mentioned there was an audio version read by the author, and of course I had to check that out. We all know the fine story of Wilbur, the runt pig, whose life was saved twice: once by an outraged little girl who wouldn't let her father kill him for being too small, and again by Charlotte A. Cavatica, a gray spider who devised an ingenious plan to show more prevent him from becoming Christmas ham and bacon. (Well, if you don't, you've missed out. Start with the paper book, because you really ought to have Garth Williams' illustrations in your head as you meet the gang for the first time.) On this outing, in addition to the wonderful characterizations of both people and farm animals; the simply delightful vocabu-abulary lessons; and the sensitive handling of the natural rhythms of life and death, I got to experience White's considerable talent at narration. His voice is pleasant, his inflections appropriate, and his accent a combination of George Plimpton, the Tappit brothers and Jack Nicholson. (I thought Paul Lynde nailed it as Templeton in the movie, but now I have to say I prefer Andy White's somewhat subtler, yet more menacing portrayal.) When I was trying to pin down White's accent, I got lycomayflower involved. She listened a bit, and suggested that he reminded her of one of the contemporary diarists portrayed orally in Ken Burns' Civil War documentary. AHA! I said to myself....George Templeton Strong...that's who! (Gotta love that his middle name was...ok, I didn't have to point that out.) And who provided the voice for Strong? George Plimpton. Yup. Imagine my surprise when, following the last chapter of Wilbur's story on the audio version, there came an Afterword written for the 50th anniversary edition of the book, narrated by...*drumroll*... George Plimpton. Some world.
Audio version, reviewed in 2017 show less
Audio version, reviewed in 2017 show less
The wild thing about rereading this as an adult is how normal everyone thinks the situation is. This woman gives birth to a mouse, and everyone’s biggest concern is how he’s going to turn on the water tap, or that he might run away through the mouse hole in the pantry. There is no real resolution and Stuart is kind of cranky. I do like how capable and intelligent he is though. And the scene where he shoots the cat to protect his bird friend is excellent.
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Statistics
- Works
- 94
- Also by
- 83
- Members
- 111,175
- Popularity
- #76
- Rating
- 4.1
- Reviews
- 1,738
- ISBNs
- 697
- Languages
- 25
- Favorited
- 97
















































































