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Twelfth Night (1601)

by William Shakespeare, F. H. Pritchard

Other authors: See the other authors section.

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10,850113647 (3.97)1 / 342
Drama. Fiction. HTML:

Another case of mistaken identity from the king of the plot twist, Twelfth Night tells the tale of the beautiful young Viola who is separated from her twin brother, Sebastian, when their ship is lost at sea. Believing Sebastian to be dead Viol poses as a man and enters service with the Duke Orisino. When Olivia, the woman that Orisino loves, falls for his messenger "boy" Viola and she in turn falls for the Duke the stage is set for a classic Shakespearean love triangle.

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» See also 342 mentions

English (104)  Portuguese (Brazil) (1)  Catalan (1)  French (1)  Spanish (1)  German (1)  Swedish (1)  All languages (110)
Showing 1-5 of 104 (next | show all)
I'm rarely let down by an Arden edition, but this one is almost the exception. No, that's being too cruel, but...

As always, the quality of the text, the depth of the notes, the discussion of editorial issues, and the bibliography are immaculate. You couldn't ask for a greater scholarly resource and overall "cheat sheet" to one of the Bard's works. At the same time, the introduction is a rare letdown for this series. Overall, the Ardens inhabit an awkward gray area between scholarly pursuits - reading in to every line, letter, and semi-colon - and general accessibility. Inevitably when examining a work at this level of detail, academia will rear its ugly head. At the same time, the Arden editors have wisely made each introduction an overall analysis, leaving the more scholarly notes for the bibliography. After all, this kind of opaque discussion is more the purview of scholarly articles and papers rather than published editions of the play. The massive bibliographies are vital, and they lead those of us with scholarly minds down that path. Unfortunately, this work is dry and hermeneutic from page one. (This might seem like a silly complaint, but when these introductions clock in at 150 dense pages, it's important they work well.)

So, I can't complain about the high standard of the text, but unfortunately I'll be seeking out alternative "Twelfth Night" editions for an overview. ( )
  therebelprince | Apr 21, 2024 |
This one was for Book Duo, and I thoroughly enjoyed it. Still not sure what I think of all of the Shakespeare conspiracy theories, but this whoever wrote this play was having fun. I particularly like how the theme of rising above one's station plays into the idea of Twelfth Night being a time when the social norms were turned upside down (may have just learned that from some notes I read on Twelfth Night.) Viola remains my favorite Shakespeare female character, even though she never gets to change out of her man clothes. Maybe Shakespeare didn't like Hallmark Cinderella moments, either.

*Shout out to my review readers: Roz, Peter, and Jewel. Your faithful likes keep me tap-tapping the keys with opinions. ( )
  pianistpalm91 | Apr 7, 2024 |
This is a truly funny comedy. First, I although Shakespeare is allegedly difficult for the modern reader, I have never had difficulty understanding it; everything is better in iambic pentameter.

In Twelfth Night, Viola disguises herself as a boy after being rescued from a shipwreck and enters the service of Duke Orsino as a eunuch. The Duke sends her to convey his love to Countess Olivia, who will have none of him. But Olivia falls in love with Viola's male persona and invites him to return. Meanwhile, Viola falls in love with the Duke. Viola also has a twin brother, Sebastian, whom she hopes was also saved from the shipwreck, but he doesn't appear until late in the play.

Part of the humor of the play is Viola's frequent speeches in which she subtly admits to being a woman in disguise, which only the reader/watcher recognizes as truth. For example, "My father had a daughter loved a man, as it might be perhaps, were I a woman, I should love your lordship. ... [But died thy sister of her love, my boy, asks the Duke]. I am all the daughters of my father's house, and all the brothers too, and yet I know not."

Another example:
Olivia: I prithee tell me what thou think'st of me.
Viola: That you think you are not what you are.
Olivia: If I think so, I think the same of you.
Viola: Then think you right; I am not what I am
...
Viola: By innocence I swear, and by my youth, | I have one heart, one bosom, and one truth, | and that no woman has; nor never none | shall mistress be of it, save I alone.

The play is also the source of the quotes, "Some are born great, some achieve greatness, and some have greatness thrust upon them" and "if music be the food of love, play on." ( )
  AliciaBooks | Mar 10, 2024 |
Shakespeare's play that showcases his dramatic abilities is a romantic comedy. The Yale edition is fantastic, and this is one of my favorites. ( )
  jwhenderson | Mar 1, 2024 |
The play is both delightful and readable. Unfortunately, this e-book edition of the work was atrocious. Most of the additional material that come with the e-book Folger editions was missing. In particular, the footnotes were missing. Worst of all, the formatting of the text made it very difficult to read. Take a careful look at the edition before purchasing this. ( )
  M_Clark | Jan 13, 2024 |
Showing 1-5 of 104 (next | show all)
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» Add other authors (459 possible)

Author nameRoleType of authorWork?Status
Shakespeare, Williamprimary authorall editionsconfirmed
Pritchard, F. H.main authorall editionsconfirmed
Andrews, John F.Editorsecondary authorsome editionsconfirmed
Auld, WilliamTranslatorsecondary authorsome editionsconfirmed
Baker, Herschel ClayEditorsecondary authorsome editionsconfirmed
Baldini, Gabrielesecondary authorsome editionsconfirmed
Barnet, SylvanEditorsecondary authorsome editionsconfirmed
Bate, JonathanEditorsecondary authorsome editionsconfirmed
Bevington, David M.secondary authorsome editionsconfirmed
Bjerke, AndréOvers.secondary authorsome editionsconfirmed
Black, Ebenezer CharltonEditorsecondary authorsome editionsconfirmed
Black, JoeEditorsecondary authorsome editionsconfirmed
Bloom, HaroldContributorsecondary authorsome editionsconfirmed
Bradley, Jeansecondary authorsome editionsconfirmed
Branagh, KennethEditorsecondary authorsome editionsconfirmed
Braunmuller, Albert RichardEditorsecondary authorsome editionsconfirmed
Campbell, Oscar JamesEditorsecondary authorsome editionsconfirmed
Carnevali, FrancescoIllustratorsecondary authorsome editionsconfirmed
Charton, EbenezerEditorsecondary authorsome editionsconfirmed
Cone, Helen GrayAdditional Notessecondary authorsome editionsconfirmed
Conejero, Manuel ÁngelEditorsecondary authorsome editionsconfirmed
Conolly, LeonardEditorsecondary authorsome editionsconfirmed
Crewe, Jonathan V.Introductionsecondary authorsome editionsconfirmed
Cusack, NiamhNarratorsecondary authorsome editionsconfirmed
Dean, Leonard FellowsEditorsecondary authorsome editionsconfirmed
Deane, SummerEditorsecondary authorsome editionsconfirmed
Deans, NeilIllustratorsecondary authorsome editionsconfirmed
Dent, John CyrilEditorsecondary authorsome editionsconfirmed
DiNobili, LilaIllustratorsecondary authorsome editionsconfirmed
Dobson, MichaelEditorsecondary authorsome editionsconfirmed
Donno, Elizabeth StoryEditorsecondary authorsome editionsconfirmed
Doppler, FranzTranslatorsecondary authorsome editionsconfirmed
Duff, Anne-MarieNarratorsecondary authorsome editionsconfirmed
Duffin, H. C.secondary authorsome editionsconfirmed
Durband, AlanEditorsecondary authorsome editionsconfirmed
Eccles, MarkEditorsecondary authorsome editionsconfirmed
Elam, KeirEditorsecondary authorsome editionsconfirmed
Eriksson, Göran O.Translatorsecondary authorsome editionsconfirmed
Farjeon, HerbertEditorsecondary authorsome editionsconfirmed
Firth, JonathanNarratorsecondary authorsome editionsconfirmed
Fitzpatrick, Lucy M.Notessecondary authorsome editionsconfirmed
Flint, KateEditorsecondary authorsome editionsconfirmed
Frykman, ErikIntroductionsecondary authorsome editionsconfirmed
Furness, Horace HowardEditorsecondary authorsome editionsconfirmed
Gay, PennyIntroductionsecondary authorsome editionsconfirmed
Günther, FrankTranslatorsecondary authorsome editionsconfirmed
Gill, Ericsecondary authorsome editionsconfirmed
Gill, RomaEditorsecondary authorsome editionsconfirmed
Gollancz, IsraelPrefacesecondary authorsome editionsconfirmed
Gonet, Stellasecondary authorsome editionsconfirmed
Guinness, OwenEditorsecondary authorsome editionsconfirmed
Hagberg, Carl AugustTranslatorsecondary authorsome editionsconfirmed
Hall, PeterIntroductionsecondary authorsome editionsconfirmed
Harbage, AlfredEditorsecondary authorsome editionsconfirmed
Harrison, G. B.Editorsecondary authorsome editionsconfirmed
Hart, Walter MorrisEditorsecondary authorsome editionsconfirmed
Hodges, C WalterCover designersecondary authorsome editionsconfirmed
Holden, William P.Editorsecondary authorsome editionsconfirmed
Honigmann, E. A. J.Editorsecondary authorsome editionsconfirmed
Hort, Johnsecondary authorsome editionsconfirmed
Host, Leelasecondary authorsome editionsconfirmed
Howard, John H.Illustratorsecondary authorsome editionsconfirmed
Hudson, Henry N.Editorsecondary authorsome editionsconfirmed
Hudson, Henry NormanIntroductionsecondary authorsome editionsconfirmed
Huldén, LarsTranslatorsecondary authorsome editionsconfirmed
Hulme, A. M.Editorsecondary authorsome editionsconfirmed
Innes, Arthur D.Editorsecondary authorsome editionsconfirmed
Kastan, David ScottEditorsecondary authorsome editionsconfirmed
Kéry GyörgyAfterwordsecondary authorsome editionsconfirmed
Kellog, BrainardIntroductionsecondary authorsome editionsconfirmed
Kittredge, George LymanEditorsecondary authorsome editionsconfirmed
Klose, DietrichEditorsecondary authorsome editionsconfirmed
Komrij, GerritTranslatorsecondary authorsome editionsconfirmed
Krige, Uyssecondary authorsome editionsconfirmed
LaMar, Virginia A.Editorsecondary authorsome editionsconfirmed
Lausund, OlavAfterwordsecondary authorsome editionsconfirmed
Lee, ElizabethIntroductionsecondary authorsome editionsconfirmed
Li, NanaIllustratorsecondary authorsome editionsconfirmed
Lisle, RebeccaEditorsecondary authorsome editionsconfirmed
Lombardo, Agostinosecondary authorsome editionsconfirmed
Lothian, John MauleEditorsecondary authorsome editionsconfirmed
Lott, Bernardsecondary authorsome editionsconfirmed
Mahood, M. A.Editorsecondary authorsome editionsconfirmed
Mahood, M. M.Editorsecondary authorsome editionsconfirmed
Maloney, MichaelNarratorsecondary authorsome editionsconfirmed
McCowen, AlecForewordsecondary authorsome editionsconfirmed
McEachern, ClaireEditorsecondary authorsome editionsconfirmed
McKenna, Siobhansecondary authorsome editionsconfirmed
McPeek, James Andrew ScarboroughEditorsecondary authorsome editionsconfirmed
Melchiori, BarbaraPr.secondary authorsome editionsconfirmed
Melson, Ida E.Editorsecondary authorsome editionsconfirmed
Morton, Edward P.Editorsecondary authorsome editionsconfirmed
Mould, ChrisIllustratorsecondary authorsome editionsconfirmed
Mowat, Barbara A.Editorsecondary authorsome editionsconfirmed
Murphy, Gerardsecondary authorsome editionsconfirmed
Nielson, William AllanEditorsecondary authorsome editionsconfirmed
Nobili, Lila DiIllustratorsecondary authorsome editionsconfirmed
Oliva, SalvadorTranslatorsecondary authorsome editionsconfirmed
Orgel, StephenEditorsecondary authorsome editionsconfirmed
Orr, Andrew A.Questions bysecondary authorsome editionsconfirmed
Papp, JosephForewordsecondary authorsome editionsconfirmed
Platz, Norbert H.secondary authorsome editionsconfirmed
Prouty, Charles TylerEditorsecondary authorsome editionsconfirmed
Quiller-Couch, ArthurIntroductionsecondary authorsome editionsconfirmed
Radnóti MiklósTranslatorsecondary authorsome editionsconfirmed
Radspieler, HansAutorsecondary authorsome editionsconfirmed
Radspieler, JohannaAutorsecondary authorsome editionsconfirmed
Raffel, BurtonIntroductionsecondary authorsome editionsconfirmed
Rasmussen, EricEditorsecondary authorsome editionsconfirmed
Rónay GyörgyTranslatorsecondary authorsome editionsconfirmed
Reyes, C. M. deAfterwordsecondary authorsome editionsconfirmed
Ridley, M. R.secondary authorsome editionsconfirmed
Robinson, William HeathIllustratorsecondary authorsome editionsconfirmed
Rolfe, William JamesEditorsecondary authorsome editionsconfirmed
Root, Amandasecondary authorsome editionsconfirmed
Sackler, Howardsecondary authorsome editionsconfirmed
Sanders, Francessecondary authorsome editionsconfirmed
Schafer, ElizabethEditorsecondary authorsome editionsconfirmed
Schlegel, August Wilhelm vonTranslatorsecondary authorsome editionsconfirmed
Scofield, Paulsecondary authorsome editionsconfirmed
Seely, JohnEditorsecondary authorsome editionsconfirmed
Simon, JosetteNarratorsecondary authorsome editionsconfirmed
Somogyi, Nick DeEditorsecondary authorsome editionsconfirmed
Stevenson, O. J.secondary authorsome editionsconfirmed
Stone, W. G. Boswellsecondary authorsome editionsconfirmed
Story Donno, ElizabethEditorsecondary authorsome editionsconfirmed
Stroffolino, ChrisEditorsecondary authorsome editionsconfirmed
Thorndike, Ashley HoraceEditorsecondary authorsome editionsconfirmed
Tragelehn, Bernhard K.Autorsecondary authorsome editionsconfirmed
Unwin, StephenAdaptersecondary authorsome editionsconfirmed
Ward, Candacesecondary authorsome editionsconfirmed
Warren, RogerEditorsecondary authorsome editionsconfirmed
Wells, Stanley W.secondary authorsome editionsconfirmed
Werstine, PaulEditorsecondary authorsome editionsconfirmed
White, Richard GrantEditorsecondary authorsome editionsconfirmed
Wieland, Christoph Martinsecondary authorsome editionsconfirmed
Wilson, John Doversecondary authorsome editionsconfirmed
Wilson, RichardEditorsecondary authorsome editionsconfirmed
Wood, StanleyEditorsecondary authorsome editionsconfirmed
Worrall, AndrewEditorsecondary authorsome editionsconfirmed
Wright, Louis B.Editorsecondary authorsome editionsconfirmed

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Epigraph
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First words
If music be the food of love, play on,

Give me excess of it; that, surfeiting,

The appetite may sicken, and so die.
Feste the Clown: Come away, come away, death,
And in sad cypress let me be laid;
Fly away, fl y away, breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O, prepare it!
My part of death, no one so true
Did share it.
Quotations
If music be the food of love, play on;
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.

That strain again! it had a dying fall:
O, it came o'er my ear like the sweet sound
That breathes upon a bank of violets,
Stealing and giving odour!
what says Quinapalus?
“Better a witty fool, than a foolish wit.”
If this were played upon a stage now, I could condemn it as an improbable fiction.
Be not afraid of greatness: some men are born great, some achieve greatness and some have greatness thrust upon them.
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(Click to show. Warning: May contain spoilers.)
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This work is for the complete Twelfth Night only. Do not combine this work with abridgements, adaptations or "simplifications" (such as "Shakespeare Made Easy"), Cliffs Notes or similar study guides, or anything else that does not contain the full text. Do not include any video recordings. Additionally, do not combine this with other plays.
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Wikipedia in English (6)

Drama. Fiction. HTML:

Another case of mistaken identity from the king of the plot twist, Twelfth Night tells the tale of the beautiful young Viola who is separated from her twin brother, Sebastian, when their ship is lost at sea. Believing Sebastian to be dead Viol poses as a man and enters service with the Duke Orisino. When Olivia, the woman that Orisino loves, falls for his messenger "boy" Viola and she in turn falls for the Duke the stage is set for a classic Shakespearean love triangle.

.

No library descriptions found.

Book description
Viola is shipwrecked and dons male clothing to get a job. Cesario (Viola) is sent by Duke Orsino to woo for him the Lady Olivia; Olivia, however, is more interested, and falls in love with Cesario (Viola). (Subplot: Olivia's uncle Toby Belch and cohorts scheme to trick Malvolio into thinking that Olivia favors him.) Meanwhile, Viola's twin brother, thought to be lost at sea, emerges and is swept into marriage with Olivia — and the masquerade is over, to most people's advantage.
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