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When the Chamber of Secrets is opened again at the Hogwarts School for Witchcraft and Wizardry, second-year student Harry Potter finds himself in danger from a dark power that has once more been released on the school.Tags
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readafew An excellent series leaning a little more toward Sci-fi
21
Kathleen_E The first in a great trilogy by a wonderful author, The Stone Mage and the sea will be loved by fans of Harry Potter. It is a young adult book, but like Harry Potter is enjoyed by adults also. The main character, Sal, is a boy who, like Harry Potter, is thrust into great and dangerous events due to his parentage and his hidden ability for the magic of the change. On his way he must be schooled in his magic, make friends, mentors and learn many lessons the hard way!
If you like J. K. Rowling, you will love Sean Williams!
21
readafew the second book in the 13th Reality series great reads.
11
Member Reviews
Second readings are a rare treat these days. Typically, it means I'm reading for pure pleasure, there aren't many other pressing reasons to revisit a book apart (perhaps) for reading with one of the kids (school assignment, or merely to join the conversation). This re-read was aloud, over a few months, and always just before bed. We'd seen the film adaptations, and were familiar with the overall story, so we could marvel at the good bits and not worry too much about the larger narrative arc.
For instance, I'd forgotten that Filch is a Squib: a non-magical child of a magical family. Interesting how Rowling introduces the reader to the various intersections between magical and non-magical people, in her world, and hints at the various show more dynamics in personal relations as well as those between groups. These aren't framed as such, rather they arrive in the form of one or another character. So for Filch, the shame of being non-magical, the distrust of Muggles, the excommunication of such imposing personalities as Hagrid.
Similarly, the idea of a ghost teaching History, particularly History of Magic. Takes old joke of not knowing if the lecturer is alive or dead, making it literal.
For all that, it seems to me this second book is a major climax to the series, in many ways more resonant than the final book. There's no real way to know that except after having read them all, though. We learn of the origin and background of Voldemort / Riddle; Lily's "potent countercurse" (by a Muggle!) in sacrificing her life to save Harry against major Dark Arts wizardry; Ginny is possessed by Voldemort whose efforts are foiled nevertheless; Lucius is behind the plot to scandalize the Weasleys but the actions of Harry - Ron - Ginny defeat him; and the Weasley brand of "pure blood" wizarding family triumphs over the Malfoy brand. Not to mention the key lesson for Harry: he knows Parseltongue because Voldemort put a piece of himself in Harry when giving him the scar; despite the parallels with Riddle, he is different in his choices not his blood.
It's a pleasure to read without any concern or aim except for the fun on the page, right there in front of me. show less
For instance, I'd forgotten that Filch is a Squib: a non-magical child of a magical family. Interesting how Rowling introduces the reader to the various intersections between magical and non-magical people, in her world, and hints at the various show more dynamics in personal relations as well as those between groups. These aren't framed as such, rather they arrive in the form of one or another character. So for Filch, the shame of being non-magical, the distrust of Muggles, the excommunication of such imposing personalities as Hagrid.
Similarly, the idea of a ghost teaching History, particularly History of Magic. Takes old joke of not knowing if the lecturer is alive or dead, making it literal.
For all that, it seems to me this second book is a major climax to the series, in many ways more resonant than the final book. There's no real way to know that except after having read them all, though. We learn of the origin and background of Voldemort / Riddle; Lily's "potent countercurse" (by a Muggle!) in sacrificing her life to save Harry against major Dark Arts wizardry; Ginny is possessed by Voldemort whose efforts are foiled nevertheless; Lucius is behind the plot to scandalize the Weasleys but the actions of Harry - Ron - Ginny defeat him; and the Weasley brand of "pure blood" wizarding family triumphs over the Malfoy brand. Not to mention the key lesson for Harry: he knows Parseltongue because Voldemort put a piece of himself in Harry when giving him the scar; despite the parallels with Riddle, he is different in his choices not his blood.
It's a pleasure to read without any concern or aim except for the fun on the page, right there in front of me. show less
While I would have loved a bit more Hermione since at this point in reading the series I already adore her, the amount of time spent with the Weasleys mostly made up for that as they are rapidly becoming one of my favorite book families, I love that even though they’re witches and wizards, they’re relatable and endearing in their money problems, mom attempting to rule a rather unruly roost, and siblings teasing one another, yet having each other’s backs at the same time.
There were definitely moments here that felt reminiscent of the first book and initially I took issue with that, fearing I was reading some sort of re-tread, but ultimately, whether it involved the forest, Hagrid’s penchant for pets, or the confrontation with show more the villain, etc., the more I thought about each instance, the more it seemed like it was building upon what happened previously as opposed to being truly repetitive. Plus with Dobby, Lockhart, Myrtle, and Ginny’s crush, there was plenty of fresh material mixed in with the more familiar scenarios to keep me thoroughly entertained. show less
There were definitely moments here that felt reminiscent of the first book and initially I took issue with that, fearing I was reading some sort of re-tread, but ultimately, whether it involved the forest, Hagrid’s penchant for pets, or the confrontation with show more the villain, etc., the more I thought about each instance, the more it seemed like it was building upon what happened previously as opposed to being truly repetitive. Plus with Dobby, Lockhart, Myrtle, and Ginny’s crush, there was plenty of fresh material mixed in with the more familiar scenarios to keep me thoroughly entertained. show less
“It is our choices, Harry, that show what we truly are, far more than our abilities.”
It's not as easy to review such a well-loved and received series. The base story is already familiar to me since I've seen the movies. While the first followed the movie plot line closely, I noticed little scenes and extras in this book that didn't make their transfer to film. As before, Harry starts in the house of horrors, aka the Dursley residence, where they treat the kid so poorly I'm surprised he doesn't lose it and become an evil wizard himself. I can totally understand his desire to go to Hogwarts and escape that household, as morbidly amusing as it is (and it DOES make a good opening to these novels).
Hogwarts was already fleshed out fully show more in 'Harry Potter and the Sorcerer's Stone', but the charm and magic of the series came further alive in this second installment. It seems that Rowland has become more comfortable with writing itself, something that's hard for me to put a finger on exactly, but it's felt all the same. This book just read better, the previous mild cheese coating dusted away, leaving a fun joy behind. It's not all happiness and games, however; what good story would be? There's a darkness lurking around the corner and a mystery to solve.
First, the professor Gilderoy Lockheart. The new Dark Arts teacher is introduced to this series, bringing numerous hilarious scenes that worked perfectly. What fun it is to follow the three kids through their classes - the clueless and boastful professor is a contrast to the experiences in the classroom of the slithering Snape who seems to have it against the kids. Hogwarts itself has such a strong presence in the novels - from the teachers, the classes, the studied subjects, Dumbledore, Hagrid and his cottage of tea and bizarre animals, that creepy Forbidden Forest with giant critters that nightmares are made of....and now let's throw in secrets passages and riddles and secret diaries. If that doesn't make a workable magical concoction, then I don't know what does.
Since I'd experienced the story celluloid style, it held little surprise. I'm sure if I were naive going in, I'd have been surprised at the twist with the riddle for Tom Riddle, the discovery of the creature waiting in the bowels of the school, and the small twists that came about, but it was still a joy to experience in written form even if I knew the waiting answers. Pacing is kept up strong - you'd think it may be dull to spend so much time in a classroom, but not at all, for it unfolds naturally, applying in various ways to not only the main story of the Chamber, but to small details of the characters lives that will continue enriching the series.
Harry is a wonderful protagonist - he's reasonable and decent but still a typical type of wizard kid willing to break small rules all for a spot of fun or dire circumstances. Ron is humorous without meaning to be, that unfortunate type who has bad luck and circumstance but shines with their general personality, and of course Hermione is a great confidante and friend you like to have around, especially when you aren't sure of the right curse to muster or potion to mix.
Definitely recommended, hard to put down, I enjoyed this one more than the first. Harry Potter and the Sorcerer's Stone wasn't bad, but something felt awkward to me, kind of like the beginning of one those odd school moments where teachers are trying to get kids to learn lame square dancing and then sectioning the kids into gender to dance together. I'm happy to say that awkwardness isn't present in Chamber of Secrets, and the heart of the series has started beating harder - it's not possible for me not to continue this series now. Let the magic continue! show less
It's not as easy to review such a well-loved and received series. The base story is already familiar to me since I've seen the movies. While the first followed the movie plot line closely, I noticed little scenes and extras in this book that didn't make their transfer to film. As before, Harry starts in the house of horrors, aka the Dursley residence, where they treat the kid so poorly I'm surprised he doesn't lose it and become an evil wizard himself. I can totally understand his desire to go to Hogwarts and escape that household, as morbidly amusing as it is (and it DOES make a good opening to these novels).
Hogwarts was already fleshed out fully show more in 'Harry Potter and the Sorcerer's Stone', but the charm and magic of the series came further alive in this second installment. It seems that Rowland has become more comfortable with writing itself, something that's hard for me to put a finger on exactly, but it's felt all the same. This book just read better, the previous mild cheese coating dusted away, leaving a fun joy behind. It's not all happiness and games, however; what good story would be? There's a darkness lurking around the corner and a mystery to solve.
First, the professor Gilderoy Lockheart. The new Dark Arts teacher is introduced to this series, bringing numerous hilarious scenes that worked perfectly. What fun it is to follow the three kids through their classes - the clueless and boastful professor is a contrast to the experiences in the classroom of the slithering Snape who seems to have it against the kids. Hogwarts itself has such a strong presence in the novels - from the teachers, the classes, the studied subjects, Dumbledore, Hagrid and his cottage of tea and bizarre animals, that creepy Forbidden Forest with giant critters that nightmares are made of....and now let's throw in secrets passages and riddles and secret diaries. If that doesn't make a workable magical concoction, then I don't know what does.
Since I'd experienced the story celluloid style, it held little surprise. I'm sure if I were naive going in, I'd have been surprised at the twist with the riddle for Tom Riddle, the discovery of the creature waiting in the bowels of the school, and the small twists that came about, but it was still a joy to experience in written form even if I knew the waiting answers. Pacing is kept up strong - you'd think it may be dull to spend so much time in a classroom, but not at all, for it unfolds naturally, applying in various ways to not only the main story of the Chamber, but to small details of the characters lives that will continue enriching the series.
Harry is a wonderful protagonist - he's reasonable and decent but still a typical type of wizard kid willing to break small rules all for a spot of fun or dire circumstances. Ron is humorous without meaning to be, that unfortunate type who has bad luck and circumstance but shines with their general personality, and of course Hermione is a great confidante and friend you like to have around, especially when you aren't sure of the right curse to muster or potion to mix.
Definitely recommended, hard to put down, I enjoyed this one more than the first. Harry Potter and the Sorcerer's Stone wasn't bad, but something felt awkward to me, kind of like the beginning of one those odd school moments where teachers are trying to get kids to learn lame square dancing and then sectioning the kids into gender to dance together. I'm happy to say that awkwardness isn't present in Chamber of Secrets, and the heart of the series has started beating harder - it's not possible for me not to continue this series now. Let the magic continue! show less
The second entry in the Harry Potter franchise is, in my opinion, the most underrated one. This is considered by most Harry Potter fans to be the weakest story in the entire saga. However, I respectfully disagree. While I acknowledge a lot of the flaws people have with it, I also have a lot of things I absolutely love that make it stand a hair over the first book, in my opinion. [return][return]My favorite aspect about this whole book is the mystery. Yes, it's not perfect (there are lots of plot holes), but I still consider it very well-written as a whole. Rowling did an ungodly job setting it up and revealing all the major information in the final couple chapters. I tell you, when I first read this book about five years ago, I just show more could not put it down. The mystery had me absolutely enthralled, and the major reveals in the end absolutely blew my mind. I could not stop thinking about them for hours after I had finished the book and put it down. Well done, Rowling.[return][return]Not only do I like the way the mystery is built up and resolved, but I also love the dark tone it sets all over Hogwarts. A lot of people complain about the major shift in tone between this book and the books coming before and after it, but I honestly don't see a problem with it. I love the brooding and ominous air all over Hogwarts in the last 200 pages of this story. The fact that a giant monster is creeping around this massive school and trying to kill students is a very simple, yet effective story beat. It really hooked me in and never let go. I just couldn't help but continue reading to see what happens next. [return][return]Harry Potter continues to show why he's become one of the most iconic fictional characters of all time. Not only does he go on incredible adventures and solve mind-bending mysteries, but he truly has a heart of gold. You just can't hate the guy. He is the perfect protagonist. Not only are his morals completely straight, but he's been through a lot at school and throughout his early life. Making him be bullied by the Dursleys for the first ten years of his life is a great decision as it makes the reader more empathetic towards him. He's poor and humble, and that's partly what makes him so likeable. [return][return]This book is obviously not perfect, though. While Rowling created an engaging mystery, she made it a little too big and complex. Consequently, lots of plot holes propped up. Why did the Basilisk just slither through the pipes and not into school grounds? Why did it stop at paralyzing one victim before retreating temporarily and coming back a few weeks later to hunt more students? Why did Tom Riddle explain the entire mystery to Harry down in the Chamber of Secrets instead of just killing him when he had the chance? How did Harry get the extremely convenient instinct to stab Riddle's diary with a Basilisk fang? Why did Ginny dispose of Riddle's Diary in Myrtle's bathroom where Harry and Ron would conveniently end up in not too long afterwards? I could go on. The point is that there are too many things that happen simply to push the plot forward. The entire final scene between Harry and Riddle in the Chamber of Secrets is chock full of conveniences that ensure that Harry survives and Riddle's diary gets destroyed. [return][return]Also, the first 100 or so pages are a bit slow, in my opinion. Not much happens, and it does get a little boring at times. Thankfully, as soon as Harry hears the Basilisk for the first time, the story instantly gets more exciting, and I just can't stop reading it from that point onwards. show less
Like the first book, this was very readable and fairly entertaining (I say fairly because while never boring it also never touched any peaks of emotion).
There were a few things that I didn't enjoy and they are similar flaws as the first book, so bit concerned if these will run throughout the entire series. The main and major problem is that the plot is too slow, or maybe there isn't enough plot. Really, it didn't get going until almost exactly a third of the way through and even then events were protracted and stretched over the course of an entire year for seemingly no reason other than that Rowling has arbitrarily decided that each novel has to cover an entire year even if she's only got two weeks' worth of story. Because of this, show more there was a lot of padding that didn't really go anywhere. The red herrings float about without ever really getting addressed and Dobby... why is Dobby in this? I actually forgot he existed at one point and considering I read this book over about two days, that's a pretty bad sign. Meanwhile, also to keep the plot stretched out over months and months for no logical reason, characters behave in illogical ways. They constantly don't do what a person would really do in a situation or what they just said they were going to do in order for the plot to keep going but not because it makes any internal logical for their character (literally no one ever tells anyone any pertinent information even though lives are at stake), and I can never work out what it is they are all doing for a month before the next bit of plot starts up again.
Also I hate Ron. Harry is a much better character when he doesn't have his bad-conscience getting in the way. Ron is cowardly, selfish, thoughtless, stupid, inconsiderate, thuggish and useless. Why do we have to suffer him?
So, like I said, entertaining and an easy read but could have been a lot better plotted. I even laughed aloud AT IT a few times and so far it hasn't made me laugh with it, so... oops. show less
There were a few things that I didn't enjoy and they are similar flaws as the first book, so bit concerned if these will run throughout the entire series. The main and major problem is that the plot is too slow, or maybe there isn't enough plot. Really, it didn't get going until almost exactly a third of the way through and even then events were protracted and stretched over the course of an entire year for seemingly no reason other than that Rowling has arbitrarily decided that each novel has to cover an entire year even if she's only got two weeks' worth of story. Because of this, show more there was a lot of padding that didn't really go anywhere. The red herrings float about without ever really getting addressed and Dobby... why is Dobby in this? I actually forgot he existed at one point and considering I read this book over about two days, that's a pretty bad sign. Meanwhile, also to keep the plot stretched out over months and months for no logical reason, characters behave in illogical ways. They constantly don't do what a person would really do in a situation or what they just said they were going to do in order for the plot to keep going but not because it makes any internal logical for their character (literally no one ever tells anyone any pertinent information even though lives are at stake), and I can never work out what it is they are all doing for a month before the next bit of plot starts up again.
Also I hate Ron. Harry is a much better character when he doesn't have his bad-conscience getting in the way. Ron is cowardly, selfish, thoughtless, stupid, inconsiderate, thuggish and useless. Why do we have to suffer him?
So, like I said, entertaining and an easy read but could have been a lot better plotted. I even laughed aloud AT IT a few times and so far it hasn't made me laugh with it, so... oops. show less
Nehéz kijönni belőle. Nehéz letenni, és megint ott lenni ebben a gyártási hibás valóságban, ahol Dumbledore valahogy sosem ér rá, de még a Voldemortunk is csak egy pocakos gazduram.
Rowling úgy építi tovább az atmoszférát, ahogy az a nagykönyvben meg van írva. Új szereplők, új lények, Roxfort színei mélyülnek és finomodnak, az egész varázsvilág a szereplők jellemével, no és persze Harry és Tudjukki szembenállásával egyre diverzifikáltabbá válik. Két újdonságot emelnék ki a második részből:
1.) Először mondtam magamban, hogy “Harry, te hülye vagy.”
2.) És immár Harrynek, az üdvöskének is szembe kell néznie azzal, milyen kitaszítottnak lenni, milyen a közösség gyanakvásának show more kereszttüzében állni. (Így jár, aki kígyókkal beszélget.) Úgyhogy még inkább rá van utalva arra a mágiánál is fontosabb dologra, amit mindközönségesen “barátságnak” nevezünk.
Nekem ennél a kötetnél vált egészen nyilvánvalóvá, hogy a HP-sorozat kultikussá válásának egyik központi oka nem is a mágia meg a rejtélyek, mert ezeket a köröket már sokan lefutották előtte. (Persze hogy jobban vagy rosszabbul, azon lehet vitatkozni.) Hanem hogy ez egy barátságregény. Hogy ott vannak a spanjaid, akik különben, egyenként nem nagy számok. Van köztük csóró, van köztük idegesítően tudálékos, no meg olyan is, aki a saját lábában felbotlik. De a barátaid. És ott vannak melletted, pedig rohadtul nagy szarban vagy.
És basszus, ez egyben egy kőkemény társadalomkritika. Ezt is észre kell venni. Mert kik állnak veled szemben? Akik számára a hatalom nem csak eszköz, hanem maga a cél. A folyton “sárvérű!”-t kiáltó rasszisták. A rohadt gazdagok, akik elnyomják és kizsigerelik a házimanóikat. De te nem hátrálsz, pedig esélytelen vagy. Pedig csak egy kölyök vagy. De olyan kölyök, akinek vannak barátai, akikből erőt meríthet. Tudod, hogy igazad van, és ez az igazság is erő. Lehet, hogy félsz, de mész tovább. Úgyhogy Voldemort kösse fel a gatyát, mert előbb-utóbb fenékbe lesz billentve. Minden Voldemort fenékbe lesz billentve.
Mondom, nehezen jöttem ki belőle. Folytatnám tovább a harmadikkal, és így tovább. Majd folytatni is fogom. Most azért tartok egy kis taktikai pihenőt, mert a jó dolgokból érdemes hagyni későbbre is. show less
Rowling úgy építi tovább az atmoszférát, ahogy az a nagykönyvben meg van írva. Új szereplők, új lények, Roxfort színei mélyülnek és finomodnak, az egész varázsvilág a szereplők jellemével, no és persze Harry és Tudjukki szembenállásával egyre diverzifikáltabbá válik. Két újdonságot emelnék ki a második részből:
1.) Először mondtam magamban, hogy “Harry, te hülye vagy.”
2.) És immár Harrynek, az üdvöskének is szembe kell néznie azzal, milyen kitaszítottnak lenni, milyen a közösség gyanakvásának show more kereszttüzében állni. (Így jár, aki kígyókkal beszélget.) Úgyhogy még inkább rá van utalva arra a mágiánál is fontosabb dologra, amit mindközönségesen “barátságnak” nevezünk.
Nekem ennél a kötetnél vált egészen nyilvánvalóvá, hogy a HP-sorozat kultikussá válásának egyik központi oka nem is a mágia meg a rejtélyek, mert ezeket a köröket már sokan lefutották előtte. (Persze hogy jobban vagy rosszabbul, azon lehet vitatkozni.) Hanem hogy ez egy barátságregény. Hogy ott vannak a spanjaid, akik különben, egyenként nem nagy számok. Van köztük csóró, van köztük idegesítően tudálékos, no meg olyan is, aki a saját lábában felbotlik. De a barátaid. És ott vannak melletted, pedig rohadtul nagy szarban vagy.
És basszus, ez egyben egy kőkemény társadalomkritika. Ezt is észre kell venni. Mert kik állnak veled szemben? Akik számára a hatalom nem csak eszköz, hanem maga a cél. A folyton “sárvérű!”-t kiáltó rasszisták. A rohadt gazdagok, akik elnyomják és kizsigerelik a házimanóikat. De te nem hátrálsz, pedig esélytelen vagy. Pedig csak egy kölyök vagy. De olyan kölyök, akinek vannak barátai, akikből erőt meríthet. Tudod, hogy igazad van, és ez az igazság is erő. Lehet, hogy félsz, de mész tovább. Úgyhogy Voldemort kösse fel a gatyát, mert előbb-utóbb fenékbe lesz billentve. Minden Voldemort fenékbe lesz billentve.
Mondom, nehezen jöttem ki belőle. Folytatnám tovább a harmadikkal, és így tovább. Majd folytatni is fogom. Most azért tartok egy kis taktikai pihenőt, mert a jó dolgokból érdemes hagyni későbbre is. show less
With the coronavirus pandemic affecting every part of my life right now, it was impossible to not read this as a COVID-19 allegory. The fear and uncertainty Hogwarts experienced as a monster they didn't understand kept attacking students has never felt so relatable. I've never sympathized with Oliver Wood more than when Quidditch was canceled after he'd spent a year working hard to train his talented team. Ernie Macmillan's "We're all in the same boat" line has never stuck out to me before. And Lockhart has never been more obnoxious.
At least this story gets a happy ending.
At least this story gets a happy ending.
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ThingScore 75
The atmosphere Rowling creates is unique; the story whizzes along; Harry is an unassuming and completely sympathetic hero. But, truth to tell, you may feel as if you’ve read it all before. Rowling clearly hit on a winning formula with the first Harry Potter book; the second book — though still great fun — feels a tad, well, formulaic.
added by Shortride
Tras derrotar una vez más a lord Voldemort, su siniestro enemigo en Harry Potter y la piedra filosofal, Harry espera impaciente en casa de sus insoportables tíos el inicio del segundo curso del Colegio Hogwarts de Magia y Hechicería. Sin embargo, la espera dura poco, pues un elfo aparece en su habitación y le advierte que una amenaza mortal se cierne sobre la escuela. Así pues, Harry no show more se lo piensa dos veces y, acompañado de Ron, su mejor amigo, se dirige a Hogwarts en un coche volador. Pero ¿puede un aprendiz de mago defender la escuela de los malvados que pretenden destruirla? Sin saber que alguien ha abierto la Cámara de los Secretos, dejando escapar una serie de monstruos peligrosos, Harry y sus amigos Ron y Hermione tendrán que enfrentarse con arañas gigantes, serpientes encantadas, fantasmas enfurecidos y, sobre todo, con la mismísima reencarnación de su más temible adversario. show less
added by Pakoniet
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Talk Discussions
Past Discussions
Harry Potter and the Re/Read of the Chamber of Secrets in 75 Books Challenge for 2014 (April 2014)
Harry Potter and the Chamber of Secrets discussion, chapters 10-18 in Hogwarts Express (July 2010)
Harry Potter and the Chamber of Secrets discussion, chapters 1-9 in Hogwarts Express (July 2010)
Chamber of Secrets Chapters 13-18 Discussion in Hogwarts Express (November 2009)
Chamber of Secrets Chapters 9-12 Discussion Thread in Hogwarts Express (July 2009)
Chamber of Secrets Chapters 5-8 Discussion Thread in Hogwarts Express (April 2009)
harry potter and the chamber of secrets ...the worst birthday in Hogwarts Express (April 2008)
Author Information

365+ Works 1,032,553 Members
J. K. (Joanne Kathleen) Rowling was born in Gloucestershire, U. K. on July 31, 1965. She also writes fiction novels under the name of Robert Galbraith. Rowling attended Tutshill Primary and then went on to Wyedean Comprehensive where she was made Head Girl in her final year. She received a degree in French from Exeter University. She later took show more some teaching classes at Moray House Teacher Training College and a teacher-training course in Manchester, England. This extensive education created a perfect foundation to spark the Harry Potter series that Rowling is renowned for. After college, Rowling moved to London to work for Amnesty International, where she researched human rights abuses in Francophone Africa, and worked as a bilingual secretary. In 1992, Rowling quit office work to move to Portugal and teach English as a Second Language. There she met and married her husband, a Portuguese TV journalist. But the marriage dissolved soon after the birth of their daughter. It was after her stint teaching in Portugal that Rowling began to write the premise for Harry Potter. She returned to Britain and settled in Edinburgh to be near her sister, and attempted to at least finish her book, before looking for another teaching job. Rowling was working as a French teacher when her book, Harry Potter and the Philosopher's Stone was published in June of 1997 and was an overnight sensation. Harry Potter and the Philosopher's Stone won the British Book Awards Children's Book of the Year, was shortlisted for the Guardian Fiction Award, and received a Commended citation in the Carnegie Medal awards. She also received 8,000 pounds from the Scottish Arts Council, which contributed to the finishing touches on The Chamber of Secrets. Rowling continued on to win the Smarties Book Prize three years in a row, the only author ever to do so. At the Bologna Book Fair, Arthur Levine from Scholastic Books, bought the American rights to Harry Potter and the Philosopher's Stone for the unprecedented amount of $105,000.00. The book was retitled Harry Potter and the Sorcerer's Stone for it's American release, and proceeded to top the Best Seller's lists for children's and adult books. The American edition won Best of the Year in the School Library Journal, Publishers Weekly, Parenting Magazine and the Cooperative Children's Book Center. It was also noted as an ALA Notable Children's Book as well as Number One on the Top Ten of ALA's Best Books for Young Adults. The Harry Potter Series consists of seven books, one for each year of the main character's attendance at the Hogwarts School of Witchcraft and Wizardry. All of the books in the series have been made into successful movies. She is number 1 on the Hollywood Reporter's '25 Most Powerful Authors' 2016 list. She has also written Fantastic Beasts and Where to Find Them, Quidditch Through the Ages, and The Tales of Beedle the Bard. She won the 2016 PEN/Allen Foundation Literary Service Award. In 2016 she, along with Jack Thorne and John Tiffany, published the script of the play Harry Potter and the cursed child. It became an instant bestseller. Rowling's first novel for an adult audience,The Casual Vacancy, was published by Little Brown in September 2012. She made The New York Times Best Seller List with her title Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination. She published two bestselling fiction novels under the name of Robert Galbraith: The Cuckoo's Calling and The Silkworm. (Bowker Author Biography) show less
Some Editions
Awards and Honors
Awards
Distinctions
Notable Lists
BBC's Big Read (23)
Greatest Books algorithm (1524)
Hungarian Big Read (17)
Series
Belongs to Publisher Series
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Is contained in
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Has as a reference guide/companion
Has as a student's study guide
Common Knowledge
- Canonical title
- Harry Potter and the Chamber of Secrets
- Original title
- Harry Potter and the Chamber of Secrets
- Original publication date
- 1998-07-02
- People/Characters
- Harry James Potter; Hermione Jean Granger; Ronald Bilius "Ron" Weasley; Colin Creevey; Albus Percival Wulfric Brian Dumbledore; Dudley Dursley (show all 33); Petunia Dursley; Vernon Dursley; Filius Flitwick; Rubeus Hagrid; Gilderoy Lockhart; Draco Malfoy; Lucius Malfoy; Minerva McGonagall; Severus Snape; Pomona Sprout; Lord Voldemort; Arthur Weasley; Fred Weasley; George Weasley; Ginevra Molly "Ginny" Weasley; Molly Weasley; Percy Ignatius Weasley; Cornelius Oswald Fudge; Dean Thomas; Dobby; Gregory Goyle; Lavender Brown; Neville Longbottom; Oliver Wood; Parvati Patil; Peter Pettigrew; Vincent Crabbe
- Important places
- Hogwarts School of Witchcraft and Wizardry, Scotland, UK (fictional); Number 4 Privet Drive, Little Whinging, Surrey, England, UK (fictional); Surrey, England, UK; The Burrow, Ottery St. Catchpole, Devon, England, UK (fictional); Devon, England, UK; Forbidden Forest, Scotland, UK (fictional) (show all 15); Scotland, UK; London, England, UK; Diagon Alley, London, England, UK (fictional); Gringotts Bank, London, England, UK (fictional); King's Cross Station, London, England, UK; Platform 9 3/4, King's Cross Station, London, England, UK (fictional); United Kingdom; England, UK; Chamber of Secrets, Hogwarts School of Witchcraft and Wizardry, Scotland, UK (fictional)
- Related movies
- Harry Potter and the Chamber of Secrets (2002 | IMDb | Chris Columbus)
- Dedication
- For Seán P. F. Harris, getaway driver and foul-weather friend.
- First words
- Not for the first time, an argument had broken out over breakfast at number four, Privet Drive.
- Quotations
- "My dear boy, ... do use your common sense. My books wouldn't have sold half as well if people didn't think I'd done those things. No one wants to read about some ugly old Armenian warlock, even if he did save a village from ... (show all)werewolves. He'd look dreadful on the front cover. No dress sense at all. And the witch who banished the Bandon Banshee had a hairy chin. I mean, come on ..."
"So you've just been taking credit for what a load of other people have done?"
"Harry, Harry," said Lockhart, shaking his head impatiently, "It's not nearly as simple as that. There was work involved. I had to track those people down. Ask them exactly how they managed to do what they did. ^Then I had to put a memory charm on them so they wouldn't remember doing it.^
... No, it's been a lot of work, Harry. It's not all book-signings and publicity photos, you know. You want fame, you have to be prepared for a long hard slog."
Never trust anything that can think for itself if you can't see where it keeps its brain. - Last words
- (Click to show. Warning: May contain spoilers.)And together they walked back through the gateway to the Muggle world.
- Publisher's editor
- Little, Christopher
- Original language
- English
- Canonical DDC/MDS
- 823.914
- Canonical LCC
- PR6068.O93
- Disambiguation notice
- The Latin translation of this book (Harrius Potter et Camera Secretorum) should NOT be combined with the main work (Harry Potter and the Chamber of Secrets), under the "dead languages" exception in the combining rules.
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- Media
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- ISBNs
- 552
- UPCs
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- ASINs
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