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Jacques Derrida (1930–2004)

Author of Of Grammatology

396+ Works 19,672 Members 105 Reviews 45 Favorited

About the Author

Jacques Derrida was born in El-Biar, Algeria on July 15, 1930. He graduated from the École Normal Supérieure in 1956. He taught philosophy and logic at both the University of Paris and the École Normal Supérieure for around 30 years. His works of philosophy and linguistics form the basis of the show more school of criticism known as deconstruction. This theory states that language is an inadequate method to give an unambiguous definition of a work, as the meaning of text can differ depending on reader, time, and context. During his lifetime, he wrote more than 40 books on various aspects of deconstruction including Of Grammatology, Glas, The Postcard: From Socrates to Freud and Beyond, and Ulysses Gramophone: Hear Say Yes in Joyce. He died of pancreatic cancer on October 9, 2004 at the age of 74. (Bowker Author Biography) show less

Series

Works by Jacques Derrida

Of Grammatology (1967) 2,243 copies, 5 reviews
Writing and Difference (1967) 1,874 copies, 5 reviews
Dissemination (1972) 776 copies, 5 reviews
Margins of Philosophy (1972) 745 copies
The Politics of Friendship (1994) 636 copies
Archive Fever: A Freudian Impression (1995) 619 copies, 4 reviews
The Gift of Death (1992) 539 copies, 4 reviews
Limited Inc (1988) 466 copies
La voix et le phénomène (1967) 438 copies, 2 reviews
Positions (1972) 431 copies, 5 reviews
The Truth in Painting (1978) 376 copies, 3 reviews
On Cosmopolitanism and Forgiveness (1997) 283 copies, 1 review
Of Spirit: Heidegger and the Question (1989) 280 copies, 3 reviews
The Animal That Therefore I Am (2002) 276 copies, 3 reviews
Deconstruction and Criticism (1979) 236 copies, 1 review
Given Time: I. Counterfeit Money (Vol 1) (1991) 224 copies, 1 review
Of Hospitality (1997) 200 copies, 4 reviews
Acts of Literature (1992) 196 copies
Acts of Religion (2002) 194 copies
Aporias (1993) 184 copies, 2 reviews
Glas (1974) 179 copies
The Work of Mourning (2001) 175 copies, 1 review
Rogues: Two Essays on Reason (2003) 171 copies, 1 review
On the Name (1993) 165 copies, 1 review
Paper Machine (2001) 147 copies, 2 reviews
Religion (1995) 141 copies
Adieu to Emmanuel Levinas (1997) 130 copies
On Touching: Jean-Luc Nancy (1998) 112 copies
Resistances of Psychoanalysis (1996) 98 copies, 1 review
For What Tomorrow: A Dialogue (2001) 94 copies, 4 reviews
Memoires for Paul de Man (1986) 89 copies, 1 review
Cinders (1987) 88 copies
Without Alibi (2002) 81 copies
The Death Penalty, Volume I (2012) 62 copies
A Taste for the Secret (1997) 60 copies, 1 review
The Secret Art of Antonin Artaud (1998) 53 copies, 1 review
The Problem of Genesis in Husserl's Philosophy (1990) — Author — 50 copies
Counterpath (1999) 49 copies
Signeponge-Signsponge (1984) 46 copies
Foi et savoir (2001) 45 copies
Pharmacie de Platon (1972) 37 copies, 1 review
Université sans condition (2001) 30 copies
Artaud the Moma (2002) 30 copies
For Nelson Mandela (1987) 27 copies, 1 review
Khôra (1993) 26 copies
Sauf le nom (1993) 24 copies
Right of Inspection (1985) 24 copies
Die différance (2002) 24 copies
Etats d'âme de la psychanalyse (2000) — Author — 18 copies
Il fattore della verità (1975) 17 copies, 1 review
Marx & Sons (2002) 15 copies
Demeure : Maurice Blanchot (1998) 14 copies
Passions (1993) 14 copies
Du droit à la philosophie (1990) 13 copies
Penser, c est dire non (2022) 11 copies, 1 review
Fichus (2002) 11 copies
Die Tode von Roland Barthes (1989) 11 copies
Il sogno di Benjamin (2003) 9 copies
Jacques Derrida (2004) — Contributor — 8 copies
Velos (Spanish Edition) (2001) 8 copies
Moscou aller-retour (1998) 7 copies
Tiempo y presencia (2015) 6 copies
La Faculté de juger (1985) 6 copies
La mano di Heidegger (1991) 6 copies
Marx en jeu (1997) 6 copies
Che cos’è la poesia? (1990) 5 copies
Advances (Univocal) (2018) 5 copies
El tocar, Jean Luc-Nancy (2011) — Author — 4 copies
Donner le temps II (2021) 4 copies
Cile (2010) 4 copies
Le dernier des Juifs (2014) 4 copies
Logique de la nature (2000) — Author — 3 copies
Et cetera (2005) 3 copies
Le Calcul des langues (2020) 3 copies
Adesso l'architettura (2008) 3 copies
Abramo, l'altro (2005) 3 copies
Derrida 3 copies
MALLARMÉ 2 copies
Atlan : Grand format (2001) 2 copies
+ R (además) 2 copies
TÍMPANO 2 copies
Speculare su Freud (2000) 2 copies
EXERGO 2 copies
ELIPSIS 2 copies
Verità figura visione (1998) 2 copies
ENVÍO 2 copies
Circumfession (2017) 2 copies
Sopra-vivere 2 copies
We zijn allemaal migranten (2016) — Contributor — 2 copies
Torres De Babel 2 copies
Jacques Derrida 2 copies
Inny kurs (2017) 2 copies
Au-delà des apparences (2002) 2 copies
Telepathie (2004) 2 copies
A Dessein, le Dessin (2013) 2 copies
Vadios (2009) 2 copies
Demeure, Athènes (2009) 2 copies
Dos ensayos 2 copies
Ciò che resta del fuoco (2007) 2 copies, 1 review
Als ob ich tot wäre (1999) 2 copies
O Soberano Bem (2004) 1 copy
Firmatoponge (2010) 1 copy
Den oändliga dialogen (2022) 1 copy
Altérités (1986) 1 copy
Despre gramatologie (2009) 1 copy
Morada 1 copy
Tentazione di Siracusa (2019) 1 copy
Do espirito (1990) 1 copy
Résistances 1 copy
promesse 1 copy
Parergon (2018) 1 copy
Leben ist Überleben (2005) 1 copy
Die Seitenallee (2018) 1 copy
Jacques Derrida (1973) 1 copy
Ki az anya? 1 copy
The Purveyor of Truth (1975) 1 copy
Economimesis — Author — 1 copy
Index 1 copy
HOY EN DÍA 1 copy
IR DESPACIO 1 copy
Entrevista 1 copy
carta 1 copy

Associated Works

Literary Theory: An Anthology (1998) — Contributor, some editions — 744 copies, 1 review
Criticism: Major Statements (1964) — Contributor — 234 copies
After Philosophy: End or Transformation? (1986) — Contributor — 138 copies, 1 review
The Phenomenology Reader (2002) — Contributor — 106 copies
Deconstruction and the Possibility of Justice (1992) — Contributor — 55 copies
Antiquities (Postwar French Thought) (2001) — Contributor — 47 copies
Derrida and Negative Theology (1992) — Contributor — 39 copies
Augustine and Postmodernism (2005) — Contributor — 38 copies
Life.After.Theory (2003) — Contributor — 36 copies
Reading Heidegger: Commemorations (1993) — Contributor — 36 copies
James Joyce: A Collection of Critical Essays (1992) — Contributor — 20 copies
Lost in the Archives (2002) — Contributor — 14 copies
Love and Forgiveness for a More Just World (2015) — Contributor — 7 copies
Deconstructing Derrida: Tasks for the New Humanities (2005) — Contributor — 5 copies
Derrida and Antiquity (2010) — Contributor — 5 copies
Afterwords (1992) — Contributor — 2 copies
On Distsance and Intimacy — Contributor — 1 copy
Comment vivre ensemble ? (2001) — Contributor — 1 copy
Revue philosophique, No° 2 (1990), Derrida (2007) — Contributor — 1 copy
詩と思想 1989年 03月号 — Contributor — 1 copy

Tagged

Common Knowledge

Canonical name
Derrida, Jacques
Legal name
Derrida, Jacques
Other names
Derrida, Jackie Élie (birth)
Birthdate
1930-07-15
Date of death
2004-10-09
Gender
male
Education
University of Paris (doctorat d'État|1980)
École Normale Supérieure (BA|MA)
Lycée Louis-le-Grand, Paris, France
Occupations
philosopher
professor
literary critic
linguist
historian
Organizations
Ecole des hautes études en sciences sociales (Professeur, Directeur d'études, Philosophie, 1984 (Professeur, Directeur d'études, Philosophie, 19 84)
Ecole normale supérieure, Paris (Maître-assistant, Histoire, 1964 | 1984)
Faculté des lettres de Paris (Assistant, Philosophie, 1960 | 1964)
Lycée Montesquieu, Mans, Sarthe (Professeur, Philosophie, 1959 1960)
Armée française, Service militaire (Enseignant à Alger, 1957 | 1959)
Université Yale, New Haven, Connecticut, Etats-Unis (Professeur invité, 19 75) (show all 9)
Université Cornell, New York, Etats-Unis (A. D. White Professor-at-large, 19 75)
Université de Californie à Irvine (Distinguished Professor, 19 86 | )
Collège international de philosophie (Co-fondateur, 19 83)
Awards and honors
Theodor Adorno Prize (2001)
Foreign Honorary Member, American Academy of Arts & Sciences (1985)
Relationships
Derrida, Marguerite (spouse/widow)
Alferi, Pierre (child)
Short biography
Jacques Derrida was the third of five children born in French Algeria to a Sephardic Jewish family originally from Spain. His studies were interrupted when the Vichy regime banned Jewish children from education during World War II. Derrida was fascinated by philosophy from a young age. In 1949, he moved to Paris, where he attended lycée and prepared for the entrance exam for the prestigious École Normale Supérieure. He failed his first attempt at this exam, but passed on his second try in 1952. Derrida entered the École Normale as part of a remarkable generation that included Foucault, Althusser, Lyotard, Barthes, and Marin. At the École Normale, Derrida studied philosophy and focused on the work of Edmund Husserl. He became particularly interested in analyzing the writing of philosophy itself. In the 1960s, he published several articles in Tel Quel, France's forum for leftist avant-garde theory, and wrote reviews of books on history and the nature of writing for the journal Critique. He developed a method of identifying patterns within the act of writing, which he termed "deconstruction." These would be the foundation of Derrida's highly influential work Of Grammatology (1967). Derrida was invited to the USA in 1967 by Johns Hopkins University, where he delivered his lecture "Structure, Sign, and Play in the Discourse of the Human Sciences," which won him international acclaim. He taught at the Ecole Normale Supérieur from 1965 to 1984, and divided much of his time between Paris and American universities such as Johns Hopkins, New York University, and Yale. He became the director of the École des Hautes Études en Science Sociales in Paris. In 1986, he was named Professor of Philosophy, French and Comparative Literature at the University of California, Irvine, where he taught until shortly before his death in 2004. He was involved in numerous political causes, fighting for the rights of Algerian immigrants in France, against apartheid, and for the rights of Czech dissidents. His works are among the most frequently-cited by other academics in a wide range of fields, particularly in literary criticism and philosophy.
Cause of death
pancreatic cancer
Nationality
France
Birthplace
El-Biar, French Algeria
Places of residence
El-Biar, Algeria (birth)
Paris, France
Place of death
Paris, France
Burial location
Cimetière communal, Ris-Orangis, Essonne, Île-de-France, France
Associated Place (for map)
France

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Jacques Derrida in Legacy Libraries (June 2015)

Reviews

113 reviews
Spurs (Eperons in the original French) is Derrida's treatment of Nietzsche's styles, which is to say his stylus, which is rather his phallus, approached through its apparent complement, Nietzsche's representation of "woman." Nietzsche is justifiably famous for both the seeming lucidity of his prose and the archness of his wordplay; Derrida is justly notorious for the opacity of his prose and the profundity of his wordplay. (The hieratically arcane Pierre Klossowski also deserves some show more mention, in consequence of Derrida's reliance on his translations of Nietzsche.) This combination cannot but awesomely challenge the stoutest of translators, and my hat is off to Barbara Harlow for even attempting the English contents of this volume. Still, as if in admission of the practical impossibility of a translator doing full justice to the text, the original French is reproduced here in parallel.

An introduction is furnished by Stefano Agosti, who insists that "If one is going to speak of Derrida's 'text', one can, finally, but re-state it, only prolong it" (25). Accordingly, Agosti tries to extend and outdo Derrida's verbal convolutions, to the point where the English translation (I cannot vouch for the French) becomes a nearly unreadable blow to the head. (The lexical touchstone of Agosti's introduction is the coup.)

Despite the elegance of the design, with its tallish page dimensions and enigmatic drawings by Francois Loubrieu, I fault this edition severely for its typography. In the English text (the French seems better managed) there are routine substitutions of em dashes for hyphens, hyphens for en dashes, and so forth. Especially in the context of Derrida's inventive vocabulary and his sometimes halting, digressive presentation, these confusions of punctuation are unkindnesses to the reader. Likewise, the use in both the French and the English translation of French double-angle quote marks, and only French double-angle quote marks, creates serious hazards of reading. Spurs often finds Derrida quoting Nietzsche quoting another -- even if this last is merely scare quotes -- and these nested quotes quickly become entangled, so that the compounded intertext sometimes requires a diligent reader to go back to the start of the paragraph and count the marks inward to the verbiage at stake. This last process is hardly assisted by the short lines, the lack of either indentations or line spacing at the paragraph breaks, and the absence of full justification. (The text is merely left-justified.) And parentheses are an instrument of abuse similar to the quotation marks.

But intellectual frustration is in many ways the goal of the book. Ultimately, Spurs is concerned with the undecidability of signification and the ways in which texts undergo their loss of contexts. These themes are implicitly demonstrated throughout, becoming gradually more overt, and fully explicit only in the penultimate section on "Abysses of truth" and a sort of coda: " 'I have forgotten my umbrella'." At the last, Derrida insists that his own writing (like Nietzsche's) is "indecipherable ... cryptic and parodying" (137). The disingenuous denial of the anamnesis of the umbrella is a failure to forget the phallus, an exposure of the simultaneous ubiquity and absence of sexual difference. Read it if you must.
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Well, Derrida, I have realized many things about you over the years but I never realized until now that you are Thomas Kuhn! The unique event at the centre is the thing that defines the eventless ontological steady state of the structure, makes the world comprehensible. The centre in this sense is also the beginning and the end—this is more Derridean. And but in addition to that which it excludes, there is that which it can be made to encompass—there is play in it, and when we recognize show more the centre as not transcendental but instead constructed, discursive, then the play in the structure becomes the place where everything interesting happens.

D calls out Nietzsche and Freud as the classic precursors of this classic idea; it is traditional (cf. e.g. Foucault) to also include Marx, but he was no radical decenterer, merely (and I love the man) a determinist and positivist who thought things had to change. (There’s a lot there—the Marxist Revolution is the classic Event as beginning and end, destroying and founding, and yet there is no kind of relativism in the way he treats it, contrary to the perspective that would find such a relativism inevitable—and this is what I find so troubling about latter-day Marxists in the being-and-event- mould like Badiou and Žižek, this dictatorial streak—and I used to value Marxism as myth and execrate it as economics but now I wonder if the reverse might help reclaim Karl himself and remove some contradictions. Why am I writing about Marx?).

(There is also Einstein, the decenterer of the physical universe, though I think he was horrified to have himself grouped with this crew; and of course many others.)

Anyway, Derrida also includes Heidegger, and makes the evergreen observation that as he regarded Nietzsche as “the last Platonist,” we could also do the same for him, and so on, and discourse in a sense is a destroying-each-other-mutually. But the point isn’t metaphysics here but instead the human sciences specifically. Derrida’s project is moving “beyond philosophy,” though of course he just ended up reinscribing the structure and forcing philosophers to choose between a rigid “logical positivism” and a “continentalism” that is more sophisticated—more “heuristic” and less “algorithmic” about its pieties, by which I mean to convey a difference between the same situation of guided but not determined variation with the focus placed on the variation, in the case of heuristic continentals, and the guidedness or patternization, in that of the Anglo-Americans. At some point we are always reducing something in order to understand and describe it, and the point is just—at what point. We don’t criticize the linguist for describing the grammar of a language based on only an infinitesimal fraction of the utterances in that language, as Derrida notes, but it is best to remain open to question of what is nevertheless lost, what play in the “floating signifier” occluded.

And so to the names above let me also add the linguist Whorf, who took the Boas–Sapir structure of Weltansichten and pushed it into conflicted relativistic territory (but who I think like Marx was ultimately a positivist icon-breaker, a truthseeker and no relativist). Ethnography, Derrida notes with great truth, is the beginning of a relativism that matters; Being is really always just Being, no matter how we may conceive of it, until it is infiltrated by (ways of) Seeing (words, cultures, &c., but always irreducibly, interpretation—and this is why determinism is always a little gross-feeling; it takes away the agency which is our birthright).

The first time I encountered this piece, thirteen years ago now(!), it seemed like a work of metaphysics itself, but—and this is heartening—it has subsided to what seems like a more proper state: a work of idiosyncratic, oblique, scholarlily lax but intellectually dazzling intellectual history with epistemological overtones and a gentle polemic against structuralism (that still gives all credit to the structuralists for identifying the same issues, for example Lévi-Strauss on the natural/cultural dual nature of the incest prohibition, contrary to Derrida’s reputation as a big self-promoter—this leads us on to the binary blah blah, which is fine and all but not the most interesting part of this essay as I revisit it). And really cogent, which is weird to write: have I learned so much that I can handle this stuff with ease, or just spent so long in a world where difference-deferral and the gradient nature of the ontological and the linguistic and the mythopoeic and the historic (my version of a definition of bricolage, which I think this essay bears out—by adding “scientific” at the end are we completing a circle back to “ontological”?) are basic assumptions that the emperor now seems clothed? Depends on your discourse, I guess, but this essay still seems magnificent to me. As Derrida observes regarding the ethics of Nietzsche, the embrace of the noncentre is not the loss of the centre: it is freedom to take the centre or leave it, every minute of every day. Freed from the requirement of decipherment, our contradictions “reconcile[d] in an obscure economy,” let us play.
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Certain Soviet philosophers told me in Moscow a few years ago: the best translation of perestroika was still "deconstruction."

Specters of Marx sustains five star prose and luminous ideas. Unfortunately i became lost along the way. maybe my effort slipped. The opening program is truly delightful, Hamlet and The Manifesto amble about, offering a gleaming tribute to Marx always a heady feat, and one Derrida performs with panache.

The subsequent sections are a somewhat more mixed bag. Derrida show more scoffs at the idea that only after the Soviet collapse is it proper to recognize Marx's greatness. Derrida links Marx's use of ghosts and spirits to a reading of Hamlet. Instead Derrida places Marx in that metaphysical caravan between presence and Otherness where each theorist struggles to be outside and after, but is bound to such all the same.

Francis Fukuyama's The End of History And The Last man is then challenged by Derrida and delightfully ripped to shreds. Neo-liberal military humanism often is found hollow upon inspection. Derrida then broaches the relationship between Marx and fellow New Hegealian Max Stirner. What follows was beyond me.

Derrida is ever playful when discussing the ghostly baggage of Marx, addressing the idea of a "hauntology" to depict the uncanny alienation present in our being. there are also grim and yet hopeful dimensions as well. There is a frequent use of Marcellus imploring to Horatio: "Thou are a Scholar, speak to it, Horatio." This strikes me personally as call to the stage of our present vanguard: Badiou, Žižek and Negri/Hardt amongst others.
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Students and employers and the wide world always ask, or express their skepticism at least: "Literature? 'Theory'? What good is this stuff, anyway?" And like, nothing you say will convince the people for whom "good" means "knows how to program a VCR", but this game, good, and giving little book is a pretty good argument to win over the people who just want to know "how is this relevant to my life?" I always say theory books are moral philosophy when I read them, but this time I really mean show more it.


This is late Derrida, and exemplary of his project to respond to the big vein of criticism of deconstruction as apolitical, undermining the progressive project, or even reactionary. He does it with his argument--applying his philosophy as method to the materials under study--but also formally, by deemphasizing the deconstructive method--lowballing it, so to speak, and hybridizing it with his sources rather than applying it mechanistically, which is my big quibble with his early work.


What that means is that in the first chapter we get a consideration of the Charta 77 Czech philosopher/revolutionary Jan Patočka's ideas on responsibility as fulfilllment of the forward motion of the individual conscience, represented in an explicitly Christian fashion as the totalized responsibility that the believer offers up to God, as opposed to the relative and negotiable responsibility we have to our fellow being--an antifascist argument for Patočka, I can only assume, and a pretext for Derrida to remind us of the irrreducible Other at the core of every belief system--the orgiastic "secret" at the centre of Platonist synchronic rationalism in the form of melete thanatou, the coming to terms with one's own death; the Platonist secret at the core of Christianity, which is rational, limited, and oriented toward the "polis," as opposed to a Europe that realizes the implications of its own Christianity, which has not yet arrived.


Book 2 gives us a figuring of that Europe in receipt of its own Christian heritage by examining the story of Abraham in terms of totalized responsibility toward God--a move away from the relative sharing of responsibility, the responsibility as accountability or answerability in the sense of a little-other, fellow-man-oriented "ethics", to the totalized situation that recognizes that there is one of you only and that a total act of responsibility is a total act of irresponsibility--it's killing your kid for God, even though nobody else can see him and he's just in your head. The secret of this gift of death is that taking a "pure" responsibility for yourself means abdicating your social or political ethical self.


Book 3 looks at the implications of this, somewhat--the Hegelian becoming of the historical concept that it implies, as opposed to a Kierkegaardian accrual of events with no thematic unity necessary. It comes down, interestingly and somewhat starkly, on the "Christian", total side--referring to the "cruelty" of "old Kant" and his Categorical Imperative and implicitly aligning an "ethics"-structure with an evaluative process that means we are forever absconding from some responsibility, deciding our friend who was in a car crash is more important than our sick grandma, or feeding our kid more important than Haiti, (or playing online poker more important than feeding our kid), unless our responsibility is totalized, transcendent. Unless we create a big Other, an idol, out of a small.


And so as far as I am concerned, this is of the most powerful implication for our own personal lives--and loves. Maybe you can't have a totalized responsibility outside of a religious-belief context. But what you can have is relative levels of responsibility that are supersaturable--eventually, everyone has to give more than what they can give. Car-crash friend or sick grandma? Your career, or your wife's career? And it's only real, not a power negotiation or commmodity trade,if you do it with total commitment: Abraham doesn't kill his kid because he thinks God will stop him; he does it. And God interrupts. So do you do it and trust that you'll be let off the hook when it gets too much? Doesn't that destroy the meaning of the gesture?


Like, wouldn't a Jesus that didn't die on the cross be totalitarian, an oppressive, totally equalized portion-for-each of public love--as opposed to a sacrificial divinity that did it for me? Is the secret of love that it requires dying, giving the gift of death, to the one you love--and not to others? Is it impossible, then, to live a responsible life that is also an ethical one? And what's more important? This book leaves you with a big, big, weighty, urgent question.
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Associated Authors

Richard Macksey Contributor
Roland Barthes Contributor
Georges Poulet Contributor
Charles Morazé Contributor
Jean Hyppolite Contributor
René Girard Contributor
Eugenio Donato Editor, Contributor
Immanuel Kant Contributor
Karl Popper Contributor
Hannah Arendt Contributor
Rachel Bowlby Translator
John Searle Contributor
Edmund Husserl Contributor
Lucien Goldmann Contributor
Guy Rosolato Contributor
Jacques Lacan Contributor
Tzvetan Todotov Contributor
Nicolas Ruwet Contributor
Françoise Meltzer Introduction
Dirk De Schutter Translator
Edwin van Elden Translator
Henk Daalder Translator
Thomas Mertens Translator
Rokus Hofstede Translator
Remi Peeters Translator
Nelson Mandela Introduction
Barbara Masekela Introduction
Srđan Rahelić Translator
David Wills Translator
Vincenzo Costa Afterword
Carlo Sini Preface
John P. Leavey Translator
Stefano Agosti Traduttore
Josef Fulka Translator
Jeff Clark Cover designer
Michael Wetzel Übersetzer
Ned Lukacher Translator
Dustin Kilgore Cover designer
湯浅 博雄 Translator
郷原 佳以 Translator

Statistics

Works
396
Also by
33
Members
19,672
Popularity
#1,106
Rating
3.8
Reviews
105
ISBNs
1,004
Languages
25
Favorited
45

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