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Henry Louis Gates, Jr.

Author of The Classic Slave Narratives

121+ Works 10,727 Members 103 Reviews 8 Favorited

About the Author

Henry Louis Gates, Jr. was born on September 16, 1950, in Keyser, West Virginia. He received a degree in history from Yale University in 1973 and a Ph.D. from Clare College, which is part of the University of Cambridge in 1979. He is a leading scholar of African-American literature, history, and show more culture. He began working on the Black Periodical Literature Project, which uncovered lost literary works published in 1800s. He rediscovered what is believed to be the first novel published by an African-American in the United States. He republished the 1859 work by Harriet E. Wilson, entitled Our Nig, in 1983. He has written numerous books including Colored People: A Memoir, A Chronology of African-American History, The Future of the Race, Black Literature and Literary Theory, and The Signifying Monkey: Towards a Theory of Afro-American Literary Criticism. In 1991, he became the head of the African-American studies department at Harvard University. He is now the director of the W.E.B. Du Bois Institute for African and African-American Research at the university. He wrote and produced several documentaries including Wonders of the African World, America Beyond the Color Line, and African American Lives. He has also hosted PBS programs such as Wonders of the African World, Black in Latin America, and Finding Your Roots. (Bowker Author Biography) show less
Image credit: Henry Louis Gates Jr. speaks on a panel about race in America on the Understanding Our World Stage at the National Book Festival, August 31, 2019. Photo by Shawn Miller/Library of Congress.

Series

Works by Henry Louis Gates, Jr.

The Classic Slave Narratives (1789) — Editor; Introduction — 1,216 copies, 8 reviews
The Bondwoman's Narrative (2002) — Editor — 1,001 copies, 15 reviews
Colored People: A Memoir (1994) 563 copies, 7 reviews
Cane [Norton Critical Edition] (1988) — Editor — 548 copies, 5 reviews
Slave Narratives (2000) — Editor — 355 copies, 2 reviews
The Dictionary of Global Culture (1997) — Editor — 284 copies, 3 reviews
The Norton Anthology of African American Literature {2nd edition} (2003) — Editor — 282 copies, 2 reviews
The Future of the Race (1996) 245 copies, 1 review
The Annotated Uncle Tom's Cabin (2007) — Editor — 230 copies, 1 review
Black in Latin America (2011) 157 copies
Race, Writing, and Difference (1986) — Editor — 133 copies
Wonders of the African World (1999) 116 copies, 1 review
The Black Box: Writing the Race (2024) 114 copies, 1 review
Three Classic African-American Novels (1990) — Editor; Introduction — 109 copies
The African Americans: Many Rivers to Cross (2013) 97 copies, 2 reviews
Lincoln on Race and Slavery (2009) — Editor — 97 copies, 2 reviews
Finding Oprah's Roots: Finding Your Own (2007) 96 copies, 3 reviews
And Still I Rise: Black America Since MLK (2015) 89 copies, 1 review
100 Amazing Facts About the Negro (2017) 78 copies, 2 reviews
The Portable Nineteenth-Century African American Women Writers (2017) — Editor — 77 copies, 1 review
African American Lives (2004) — Editor — 56 copies
The Henry Louis Gates, Jr. Reader (2012) 55 copies, 1 review
Black Literature and Literary Theory (1984) — Editor — 43 copies
African American Lives [2006 TV episode] (2004) 31 copies, 3 reviews
Encyclopedia of Africa (2010) — Editor — 13 copies
Black in Latin America [DVD] (2011) 13 copies, 2 reviews
Harlem Renaissance Lives (2009) 9 copies
Finding Your Roots [2012 TV series] (2012) 8 copies, 1 review
African American Lives 2 (2008) 6 copies
A Negro Way of Saying (1985) 1 copy

Associated Works

Their Eyes Were Watching God (1937) — Afterword, some editions — 22,184 copies, 384 reviews
Incidents in the Life of a Slave Girl (1861) — Foreword, some editions — 5,023 copies, 87 reviews
Twelve Years a Slave (1853) — Afterword, some editions — 4,885 copies, 136 reviews
The Autobiography of an Ex-Colored Man (1912) — Introduction, some editions — 1,678 copies, 29 reviews
Dust Tracks on a Road (1942) — Series editor, afterword, bibliogrpaphy, & chronology, some editions — 1,583 copies, 19 reviews
Black Reconstruction in America, 1860-1880 (1935) — Editor, some editions — 1,008 copies, 5 reviews
Tell My Horse: Voodoo and Life in Haiti and Jamaica (1938) — Series editor, afterword, bibliography, & chronology, some editions — 907 copies, 13 reviews
Not Without Laughter (1930) — Foreword, some editions — 776 copies, 17 reviews
Our Nig; or, Sketches from the Life of a Free Black (1859) — Editor, some editions; Introduction, some editions — 754 copies, 7 reviews
Literary Theory: An Anthology (1998) — Contributor, some editions — 741 copies, 1 review
Zora Neale Hurston: The Complete Stories (1995) — Afterword, some editions; Introduction, some editions — 567 copies, 2 reviews
Moses, Man of the Mountain (1939) — Series editor, afterword, bibliography, & chronology, some editions — 548 copies, 3 reviews
Jonah's Gourd Vine (1934) — Series editor, afterword, bibliography, & chronology, some editions — 519 copies, 5 reviews
God's Trombones: Seven Negro Sermons in Verse (1927) — Editor, some editions — 462 copies, 7 reviews
Iola Leroy, or Shadows Uplifted (1892) — Foreword, some editions — 445 copies, 5 reviews
The Kidnapped Prince: The Life of Olaudah Equiano (2005) — Introduction, some editions — 405 copies, 4 reviews
Seraph on the Suwanee (1948) — Series editor, afterword, bibliography, & chronology, some editions — 367 copies, 4 reviews
Life Stories: Profiles from the New Yorker (2000) — Contributor — 329 copies, 4 reviews
The Souls of Black Folk [Norton Critical Editions] (1999) — Editor — 297 copies
You Don't Know Us Negroes and Other Essays (2022) — Editor, some editions; Introduction, some editions — 263 copies, 4 reviews
Criticism: Major Statements (1964) — Contributor — 234 copies
Mule Bone: A Comedy of Negro Life in Three Acts (1991) — Editor, introduction, some editions — 205 copies, 1 review
Strange Fruit, Volume I: Uncelebrated Narratives from Black History (2014) — Foreword — 188 copies, 12 reviews
Africa: The Art of a Continent (1995) — Contributor — 181 copies
The Best American Essays 1995 (1995) — Contributor — 172 copies, 1 review
Dusk of Dawn: An Essay Toward an Autobiography of a Race Concept (1975) — Editor, some editions — 158 copies
The Light of Truth: Writings of an Anti-Lynching Crusader (2014) — Editor, some editions — 148 copies
The Matter of Black Lives: Writing from The New Yorker (2021) — Contributor — 117 copies
Unchained Memories: Readings from the Slave Narratives (2002) — Foreword — 113 copies, 1 review
The Literature of the American South: A Norton Anthology (1997) — Contributor — 110 copies
Six Women's Slave Narratives (1988) — Foreword, some editions — 110 copies
Brotherman: The Odyssey of Black Men in America (1995) — Contributor — 104 copies
Beat Down to Your Soul: What Was the Beat Generation? (2001) — Contributor — 102 copies, 1 review
Flyboy in the Buttermilk: Essays on Contemporary America (1993) — Foreword — 100 copies, 1 review
Common Culture: Reading and Writing About American Popular Culture (1995) — Contributor, some editions — 99 copies
Tenderheaded: A Comb-Bending Collection of Hair Stories (2001) — Contributor — 98 copies, 2 reviews
The State of the Language [1990] (1979) — Contributor — 97 copies, 2 reviews
Rhapsodies in Black: Art of the Harlem Renaissance (1997) — Contributor; Contributor — 95 copies
The Portable Frederick Douglass (Penguin Classics) (2016) — Editor, some editions — 93 copies, 2 reviews
Narrative of the Life of Henry Box Brown (1849) — Foreword — 88 copies, 1 review
The Collected Works of Phillis Wheatley (1988) — Foreword — 82 copies
Facing History: The Black Image in American Art 1710-1940 (1990) — Introduction — 70 copies
Black Male: Representations of Masculinity in Contemporary American Art (1994) — Contributor — 70 copies, 1 review
Black Cool: One Thousand Streams of Blackness (2012) — Foreword — 62 copies
Watchmen [2019 TV miniseries] (2019) — Actor — 61 copies, 2 reviews
Deconstruction and the Possibility of Justice (1992) — Contributor — 55 copies
Five for Five: The Films of Spike Lee (1991) — Contributor — 45 copies
Encyclopedia of Black Comics (2017) — Foreword — 45 copies, 1 review
More Great Railway Journeys (1996) — Contributor — 36 copies, 1 review
The Harvard Guide to African-American History (2001) — Foreword — 33 copies
Great Railway Journeys | More Great Railway Journeys (1997) — Contributor — 32 copies
Race: An Anthology in the First Person (1997) — Contributor — 30 copies, 1 review
The New Negro Aesthetic: Selected Writings (2022) — Editor — 25 copies
Spiritual Narratives (1988) — Foreword — 24 copies
Our Gang: A Racial History of The Little Rascals (2015) — Foreword — 23 copies
The Black Flame Trilogy Book One: The Ordeal of Mansart (2007) — Editor, some editions — 19 copies, 1 review
The Black Flame Trilogy Book Two: Mansart Builds a School (1976) — Editor, some editions — 19 copies
The Works of Alain Locke (2012) — Foreword — 18 copies
The Black Flame Trilogy Book Three: Worlds of Color (1961) — Editor, some editions — 18 copies
Race Relations: Opposing Viewpoints (2000) — Contributor — 17 copies
Isaac Julien: Lessons of the Hour – Frederick Douglass (2022) — Contributor — 11 copies
The Oxford W. E. B. Du Bois: 19-Volume Set (1957) — Editor — 11 copies
These Hands I Know: African-American Writers on Family (2002) — Contributor — 8 copies
Harriet Wilson's New England: Race, Writing, and Region (2007) — Contributor — 6 copies
Faces of America [2010 TV series] (2010) — Narrator — 2 copies

Tagged

Common Knowledge

Canonical name
Gates, Henry Louis, Jr.
Legal name
Gates, Henry Louis, Jr.
Other names
Gates, Skip
Birthdate
1950-09-16
Gender
male
Education
Clare College, University of Cambridge (MA|1974|Ph.D|1979)
Yale University (BA|1973)
Potomac State College
Piedmont High School
Occupations
professor
literary critic
writer
editor
Organizations
Harvard University
Duke University
Cornell
Yale University
Council of Foreign Relations
Sons of the American Revolution (2006)
Awards and honors
MacArthur Fellowship (1981)
National Humanities Medal (1998)
American Academy of Arts and Letters (Literature ∙ 1999)
American Philosophical Society (1995)
American Academy of Arts & Sciences (1993)
American Antiquarian Society (1989) (show all 33)
British Academy (Corresponding Fellow, 2021)
Jefferson Lecture (2002)
Vilcek Prize for Excellence in Literary Scholarship (2025)
Barry Prize (2024)
Spingarn Medal (2024)
PEN America Audible Literary Service Award (2021)
PBS Beacon Award (2021)
Historical Society of Pennsylvania Founders Award (2021)
Don M. Randel Award (2021)
National Institute of Social Sciences Gold Medal (2021)
Boston Public Library Literary Light Award (2022)
Webby Award (2020, 2021, 2022)
Peabody Award (2013)
NAACP Image Award (2013)
Carl Sandburg Literary Award (2004)
National World War Two Museum American Spirit Award (2021)
Muhammad Ali Voice of Humanity Award (2020)
Louis Stokes Community Visionary Award (2020)
Chicago Tribune Literary Award (2019)
Anne Izard Storytellers' Choice Award (2019)
Association for the Study of African American Life and History Inaugural Luminary Award (2021)
Alfred I. duPont–Columbia University Award (2015, 2020)
Anisfield-Wolf Book Award (1989)
Golden Plate Award, Academy of Achievement (1995)
American Book Award (1989)
Andrew W. Mellon Foundation Fellowship (1973)
Phi Beta Kappa (1972)
Relationships
Iglesias Utset, Marial (spouse)
Nationality
USA
Birthplace
Keyser, West Virginia, USA
Places of residence
Piedmont, West Virginia, USA
Kilimatinde, Tanzania
Ithaca, New York, USA
Durham, North Carolina, USA
Cambridge, Massachusetts, USA
Associated Place (for map)
USA

Members

Reviews

118 reviews
This companion book to a PBS series looks at the history of the Black church beginning with the arrival of the first Africans in what is now the United States. Not surprisingly, the text is comprised of quotes from scholars and other eminent persons interviewed for the series. I really like Dr. Gates’ interviewing style, and I think I would have appreciated this content more in the television format.

This book’s strength is its close examination of the social, cultural, and political show more significance of the Black church in American culture. Its influence extends to all segments of the U.S. population. Gates writes of a tension between the customs that developed in the North, where practices seemed to emulate those of the white churches, and the South, where worship practices grew out of the praise houses of slaves. It seems that this tension still exists, and that there are still a variety of worship preferences within the Black church.

Dr. Gates and most of his interviewees seem to eschew the literal interpretation of Scripture. However, a 2021 Pew Research Center report on the “Religious beliefs among Black Americans” indicates that 44% of Black adults believe that the Bible is the Word of God and should be taken literally, 38% believe the Bible is the Word of God but should not be taken literally, and 16% believe the Bible was written by people. A majority of Black Protestants (56%) believe that the Bible is the Word of God and should be taken literally, while a majority of Black Catholics (57%) believe that the Bible is the Word of God but should not be taken literally. Education makes a difference as well. Nearly half (49%) of Black Americans with some college or less believe that the Bible is the Word of God and should be taken literally, while just 32% of Black American college graduates believe that the Bible is the Word of God and should be taken literally. Dr. Gates and most of his interviewees would seem to fall into the Black American college graduate category.

Dr. Gates writes from the perspective of a religious observer rather than an active church member. (In the epilogue he describes himself as an “avid spectator”.) It would be interesting to compare an “insider’s” (active churchgoer’s) view of the Black church and see how it might differ from the perspective offered here.
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½
Gates writes in a scholarly, but never dry; informative, but never preachy style that gives his subject matter an excellent showing. This book is assembled from lectures Dr. Gates has given (revised many times over the years, in accordance with the kind of questions and responses he has received from his students) in his Harvard African American Studies courses. The basic topic here is how the Black community has worked toward acceptance, respect and identity through literacy and the arts show more since before the Civil War. He discusses in some detail the many sides of the question "What does it mean to BE African American?", including the evolution of both Black and white stances over time, and the moral, ethical and political complexities of even trying to define what it means to be Black in America. Exceptional, and difficult to process with a single reading, through no fault of the author. Highly recommended. show less
This memoir of childhood and very early adulthood is just excellent. Dr. Gates grew up in a small mill town in West Virginia, where he experienced the beginnings of desegregation without the trauma it generated in so many places. His childhood was a happy one, his colored community a strong support system for its members, and most of his interactions with white people unremarkable. When he left home for college in 1968, his horizons broadened and he became more worldly, more political, yet show more realized that the struggle for a full recognition of black identity ironically brought about a certain loss of the feeling of safety and security he had known growing up. This is a thought-provoking read from the perspective of a very thoughtful man. Highly recommended. show less
½
To the casual observer, it has become obvious that America needs more and deeper racial education and reconciliation. Many of the efforts focus their literature on social topics like being anti-racist. In this book, Gates offers a different take – a history of African-American religion. Religion and social justice understandably intermix in this tale. He provides us with a beautiful, cogent expression of how America got to its present situation. He also offers us hope for how we can show more continue to grow out of these roots.

Gates is a celebrated, elite academic scholar of African-American culture. His writing is accessible to the general reader yet filled with a careful selection of facts. He weaves this tapestry into a coherent, compelling story. He begins his conversation with the arrival of enslaved Africans into St. Augustine, Florida, in the 1500s (yes, before 1619). Focusing on the intersection of religious practice and culture, he continues this story through the remaining colonies. He includes slave rebellions, emancipation, failed Reconstruction, Jim Crow, and subsequent civil-rights efforts.

In talking about the church, he rightly includes Islam in the discussion. He talks about how black culture has never completely separated from the religious sphere, largely because of oppressing social factors. Important figures – including many females other accounts overlook – each have pericopes delving into their individual biographies and impacts. Gates is inclusive, but not to a fault. He grasps the main story of the black church and does not forget its impact.

To be frank, this book brought me to tears and also enlivened my soul. This book offers a deep account of how America came to where it is today. History offers a way of understanding ourselves so that we can reposition ourselves for the future without repeating past mistakes. It can also provide deep fonts of inspiration for that future. Gates offers us the full sweep of history with all its problems and its beauties. Readers of any and every color can use this work to educate themselves about current cultural trends through this poignant book.
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Awards

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Statistics

Works
121
Also by
85
Members
10,727
Popularity
#2,214
Rating
4.0
Reviews
103
ISBNs
323
Languages
5
Favorited
8

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