Chinua Achebe (1930–2013)
Author of Things Fall Apart
About the Author
Albert Chinualumogu Achebe was born on November 16, 1930 in Ogidi, Nigeria. He studied English, history and theology at University College in Ibadan from 1948 to 1953. After receiving a second-class degree, he taught for a while before joining the Nigeria Broadcasting Service in 1954. He was show more working as a broadcaster when he wrote his first two novels, and then quit working to devote himself to writing full time. Unfortunately his literary career was cut short by the Nigerian Civil War. During this time he supported the ill-fated Biafrian cause and served abroad as a diplomat. He and his family narrowly escaped assassination. After the civil war, he abandoned fiction for a period in favor of essays, short stories, and poetry. His works include Things Fall Apart, Arrow of God, No Longer at Ease, A Man of the People, Anthills of the Savannah, and There Was a Country. He also wrote four children's books including Chike and the River and How the Leopard Got His Claws. In 2007, he won the Man Booker International Prize for his "overall contribution to fiction on the world stage." He also worked as a professor of literature in Nigeria and the United States. He died following a brief illness on March 21, 2013 at the age of 82. (Bowker Author Biography) show less
Series
Works by Chinua Achebe
The African Trilogy: Things Fall Apart / No Longer At Ease / Arrow of God (1988) 574 copies, 7 reviews
Things Fall Apart : No Longer At Ease : Anthills of the Savannah (Voices of the African Diaspora) (1987) 30 copies, 1 review
Beyond hunger in Africa: Conventional wisdom and an African vision (Eastern African studies) (1990) 6 copies
Marriage is a Private Affair 2 copies
Civil Peace 2 copies
Le case crollano 1 copy
හිරු බැස ගිය පසු 1 copy
Associated Works
The Story and Its Writer: An Introduction to Short Fiction (1976) — Contributor — 1,216 copies, 3 reviews
A World of Ideas : Conversations With Thoughtful Men and Women About American Life Today and the Ideas Shaping Our Future (1989) — Interviewee — 603 copies, 1 review
The Art of the Tale: An International Anthology of Short Stories (1986) — Contributor — 381 copies, 3 reviews
Other Voices, Other Vistas: Short Stories from Africa, China, India, Japan, and Latin America (1992) — Contributor — 213 copies, 2 reviews
African Rhapsody: Short Stories of the Contemporary African Experience (1994) — Foreword, some editions — 23 copies
Tagged
Common Knowledge
- Legal name
- Achebe, Albert Chinụalụmọgụ
- Birthdate
- 1930-11-16
- Date of death
- 2013-03-21
- Gender
- male
- Education
- University College, Ibadan, Nigeria
University of London - Occupations
- broadcaster
professor
novelist
short story writer
poet
school teacher - Organizations
- Anambra State University of Technology
Bard College
Brown University
Nigerian Broadcasting Corporation - Awards and honors
- Visiting professorship (University of Massachusetts-Amherst ∙ University of Connecticut ∙ UCLA)
Friedenspreis des Deutschen Buchhandels (2002)
American Academy and Institute of Arts and Letters. Honorary Fellowship.
Nigerian National Merit Award
Campion Award (1996)
Lotus Prize for Literature (1975) - Relationships
- Okigbo, Christopher (friend)
- Short biography
- Chinua Achebe was born in Nigeria in 1930. He was raised in the large village of Ogidi, one of the first centers of Anglican missionary work in Eastern Nigeria, and was a graduate of University College, Ibadan.
His early career in radio ended abruptly in 1966, when he left his post as Director of External Broadcasting in Nigeria during the national upheaval that led to the Biafran War. He was appointed Senior Research Fellow at the University of Nigeria, Nsukka, and began lecturing widely abroad.
From 1972 to 1976, and again in 1987 to 1988, Mr. Achebe was Professor of English at the University of Massachusetts, Amherst, and also for one year at the University of Connecticut, Storrs.
Cited in the London Sunday Times as one of the "1,000 Makers of the Twentieth Century" for defining "a modern African literature that was truly African" and thereby making "a major contribution to world literature," Chinua Achebe published novels, short stories, essays and children's books. [adapted from Things Fall Apart, c1959, 1994 printing Anchor Books Ed.]
Mr. Achebe received numerous honors from around the world including more than twenty honorary doctorates from universities in England, Scotland, the United States, Canada, and Nigeria.
Latterly Mr. Achebe lived with his wife in Annandale, New York, where they both taught at Bard College. They had four children. - Nationality
- Nigeria
- Birthplace
- Ogidi, Anambra State, Nigeria Protectorate
- Places of residence
- Ogidi, Nigeria
Nekede, Nigeria
Umuahia, Abia State, Nigeria
Oba, Nigeria
Lagos, Nigeria
Enugu, Nigeria (show all 12)
Aba, Biafra
Nsukku, Nigeria
Nneobi, Nigeria
Annandale, New York, USA
Massachusetts, USA
Providence, Rhode Island, USA - Place of death
- Boston, Massachusetts, USA
- Burial location
- Ogidi, Anambra State, Nigeria
- Associated Place (for map)
- Nigeria
Members
Discussions
Happy Birthday, Chinua Achebe in Book talk (November 2025)
AFRICAN NOVEL CHALLENGE JULY 2023 - ACHEBE / OKRI in 75 Books Challenge for 2023 (August 2023)
Things Fall Apart Chapters 18-25/END in Geeks who love the Classics (February 2022)
Things Fall Apart Chapters 9-17 in Geeks who love the Classics (February 2022)
Things Fall Apart Chapters 1-8 in Geeks who love the Classics (January 2022)
Things Fall Apart Jan-March 2022 Housekeeping Items in Geeks who love the Classics (January 2022)
November 2020: Chinua Achebe in Monthly Author Reads (December 2020)
Reviews
1959 novel set in an Igbo (or, as it's rendered here, Ibo) village, both before and after the coming of Christian missionaries and colonial rulers. I found it an interesting and rewarding glimpse into a culture largely unfamiliar to me, as it brings this place and its people and its customs to vivid, and very human, life. I'm sort of struck by how, despite the differences in time, place and culture, the main character, Okonkwo feels so recognizable to me as a particular, familiar type of show more man. One who, in modern American culture, we might describe as "poisoned by toxic masculinity." Despite which, one feels real sympathy for him, and the ending of his story is incredibly poignant on any number of levels. Achebe doesn't shrink from depicting Okonkwo's violent nature or the way the customs of his people can be terribly cruel, but he also makes your heart ache at what is coming for them. And Okonkwo sees what is coming for them. show less
The first three-quarters of Things Fall Apart is immersed in the clan culture of eastern Nigeria (we don't actually learn the specific setting - the events of the novel can presumably be transferred to any sub-Saharan pre- and post-colonial setting). The society that Achebe describes can be brutally violent and superstitious, and the protagonist, or anti-hero, Okonkwo is so single-minded and angry that it's difficult to sympathize with him. I think that Achebe chose to show the clan society show more with all of its flaws to counter any nationalist or tribal tendency to romanticize an idyllic past. Despite these flaws, there is a well-defined system of ethics in place that is necessary to keeping the society intact. Things do indeed fall apart when the British colonial administrators and missionaries arrive on the scene.
Achebe doesn't place judgment on either culture; the point is that whenever two systems collide and contend for power, tragedy is unavoidable.
Revised 2.3.12
After another reading, what strikes me is the juxtaposition of the two cultures. The Western reader is shocked by some of the extremes of the tribal culture, but they make sense in context. They make no sense at all when confronted with British, imperial, Christian forces.
Revised 3/26/18
What makes this novel so brilliant is that it is unflinching. The animistic cultural traditions of the Igbo are treated matter-of-factly, with the contact with European Christians laying bare the internal tensions of the tribe. Achebe avoids value judgments here. In fact, it is Okonkwo's inability to really critique his own culture to be his downfall. He is a true believer; he cannot adapt. The Christians are just as rigid in their dogma - but they have the guns, germs and steel on their side. show less
Achebe doesn't place judgment on either culture; the point is that whenever two systems collide and contend for power, tragedy is unavoidable.
Revised 2.3.12
After another reading, what strikes me is the juxtaposition of the two cultures. The Western reader is shocked by some of the extremes of the tribal culture, but they make sense in context. They make no sense at all when confronted with British, imperial, Christian forces.
Revised 3/26/18
What makes this novel so brilliant is that it is unflinching. The animistic cultural traditions of the Igbo are treated matter-of-factly, with the contact with European Christians laying bare the internal tensions of the tribe. Achebe avoids value judgments here. In fact, it is Okonkwo's inability to really critique his own culture to be his downfall. He is a true believer; he cannot adapt. The Christians are just as rigid in their dogma - but they have the guns, germs and steel on their side. show less
Okonkwo is an Igbo man whose greatest desire is to be the successful man his father wasn't. Tragically for Okonkwo, the rules for success change during his lifetime with the arrival of British colonial government and the influence of Christian missionaries.
Achebe gives the reader an insider's perspective on the culture of Umuofia, Okonkwo's Nigerian village. Viewed from the inside, one can discern the source of many of the traditions and values of Okonkwo's world. The life and stability of show more the community takes precedence over individual rights, and men take precedence over women and children. In Umuofia, an entire village bears the weight of guilt for one man's crime, and it is considered just to execute an innocent man as payment for this collective guilt. Under such circumstances a clash with Western/European culture is inevitable.
Achebe's novel addresses universal themes of family, generational conflict, fear of failure, fear of change, friendship, religion, and social conflict. It's a must-read for anyone preparing to live and work in a cross cultural setting. show less
Achebe gives the reader an insider's perspective on the culture of Umuofia, Okonkwo's Nigerian village. Viewed from the inside, one can discern the source of many of the traditions and values of Okonkwo's world. The life and stability of show more the community takes precedence over individual rights, and men take precedence over women and children. In Umuofia, an entire village bears the weight of guilt for one man's crime, and it is considered just to execute an innocent man as payment for this collective guilt. Under such circumstances a clash with Western/European culture is inevitable.
Achebe's novel addresses universal themes of family, generational conflict, fear of failure, fear of change, friendship, religion, and social conflict. It's a must-read for anyone preparing to live and work in a cross cultural setting. show less
This is an extraordinary book in its ability to narrate both a story of cultural dissonance and an overarching tale about the human condition. Achebe's novel broaches the subject of morality, but demonstrates that even the concept of "evil" is subject to a cultural interpretive context.
Okonkwo, the book's tragic hero, is an emblem of tradition, but also represents how tradition can be subject to the inner turmoil of the human soul. While the Ibo people must face the threat of European show more missionaries, Okonkwo must confront the threat of his own misplaced hubris. Achebe is a sympathetic voice, but is unafraid to reveal the flaws of his characters as a commentary upon our own imperfect existence.
This is probably one of the best introductions to African fiction, precisely because the story does not limit itself to the African context. The author's investigation of tragedy is pragmatic, yet emotionally stimulating without being romanticized. It is a book that will help the western reader more easily understand not only Nigerian tribal culture, but the power of ideas and their institutions. show less
Okonkwo, the book's tragic hero, is an emblem of tradition, but also represents how tradition can be subject to the inner turmoil of the human soul. While the Ibo people must face the threat of European show more missionaries, Okonkwo must confront the threat of his own misplaced hubris. Achebe is a sympathetic voice, but is unafraid to reveal the flaws of his characters as a commentary upon our own imperfect existence.
This is probably one of the best introductions to African fiction, precisely because the story does not limit itself to the African context. The author's investigation of tragedy is pragmatic, yet emotionally stimulating without being romanticized. It is a book that will help the western reader more easily understand not only Nigerian tribal culture, but the power of ideas and their institutions. show less
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Awards
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Associated Authors
Statistics
- Works
- 60
- Also by
- 23
- Members
- 32,840
- Popularity
- #589
- Rating
- 3.8
- Reviews
- 628
- ISBNs
- 422
- Languages
- 26
- Favorited
- 46








































































