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Chinua Achebe (1930–2013)

Author of Things Fall Apart

60+ Works 32,840 Members 628 Reviews 46 Favorited
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About the Author

Albert Chinualumogu Achebe was born on November 16, 1930 in Ogidi, Nigeria. He studied English, history and theology at University College in Ibadan from 1948 to 1953. After receiving a second-class degree, he taught for a while before joining the Nigeria Broadcasting Service in 1954. He was show more working as a broadcaster when he wrote his first two novels, and then quit working to devote himself to writing full time. Unfortunately his literary career was cut short by the Nigerian Civil War. During this time he supported the ill-fated Biafrian cause and served abroad as a diplomat. He and his family narrowly escaped assassination. After the civil war, he abandoned fiction for a period in favor of essays, short stories, and poetry. His works include Things Fall Apart, Arrow of God, No Longer at Ease, A Man of the People, Anthills of the Savannah, and There Was a Country. He also wrote four children's books including Chike and the River and How the Leopard Got His Claws. In 2007, he won the Man Booker International Prize for his "overall contribution to fiction on the world stage." He also worked as a professor of literature in Nigeria and the United States. He died following a brief illness on March 21, 2013 at the age of 82. (Bowker Author Biography) show less

Series

Works by Chinua Achebe

Things Fall Apart (1958) 23,387 copies, 460 reviews
No Longer at Ease (1960) 1,732 copies, 32 reviews
Arrow of God (1964) 1,466 copies, 29 reviews
Anthills of the Savannah (1987) 1,237 copies, 14 reviews
A Man of the People (1966) 982 copies, 17 reviews
Girls at War and Other Stories (1972) 321 copies, 1 review
Things Fall Apart [Norton Critical Edition] (1958) 320 copies, 5 reviews
Home and Exile (2001) 243 copies, 4 reviews
Hopes and Impediments: Selected Essays (1988) 216 copies, 1 review
Africa's Tarnished Name (2018) 204 copies, 3 reviews
Chike and the River (1966) 162 copies, 9 reviews
African Short Stories (1985) — Editor; Contributor — 159 copies, 2 reviews
How the Leopard Got His Claws (1972) 141 copies, 9 reviews
Collected Poems (1969) 111 copies, 5 reviews
The Trouble with Nigeria (1984) 75 copies
Beware Soul Brother: Poems (1972) 59 copies
Morning yet on creation day: Essays (1975) 36 copies, 2 reviews
OCR GCSE Story Collection (2002) 23 copies
The Drum (1977) 14 copies, 1 review
The Flute: A Children's Story (1977) 11 copies, 1 review
Dead Men's Path 8 copies, 2 reviews
Sugar Baby [short story] (1972) 4 copies
The world of the Ogbanje (1986) 2 copies
Už nikdy klid 2 copies, 1 review
Civil Peace 2 copies
The Voter (1994) 1 copy

Associated Works

The Story and Its Writer: An Introduction to Short Fiction (1976) — Contributor — 1,216 copies, 3 reviews
Africa: Altered States, Ordinary Miracles (2008) — Foreword — 395 copies, 10 reviews
The Art of the Tale: An International Anthology of Short Stories (1986) — Contributor — 381 copies, 3 reviews
Telling Tales (2004) — Contributor — 373 copies, 2 reviews
The World's Greatest Short Stories (2006) — Contributor — 326 copies, 2 reviews
The Art of the Short Story (2005) — Contributor — 285 copies, 5 reviews
Under African Skies: Modern African Stories (1997) — Contributor — 106 copies, 1 review
Rotten English: A Literary Anthology (2007) — Contributor — 83 copies, 1 review
The Anchor Book of Modern African Stories (2002) — Foreword — 59 copies
One World of Literature (1992) — Contributor — 27 copies
Currents in Fiction (1968) — Contributor — 25 copies
African Literature: an anthology of criticism and theory (2007) — Contributor — 24 copies
African Rhapsody: Short Stories of the Contemporary African Experience (1994) — Foreword, some editions — 23 copies
An African Quilt: 24 Modern African Stories (2012) — Contributor — 22 copies
Masters of British Literature, Volume B (2007) — Contributor — 22 copies
Wonders: Writings and Drawings for the Child in Us All (1980) — Contributor — 19 copies
AQA Anthology (2002) — Contributor — 19 copies
Commonwealth Short Stories (1971) — Contributor — 6 copies, 1 review

Tagged

1001 (105) 1001 books (110) 20th century (319) Africa (1,928) African (449) African fiction (121) African literature (798) Chinua Achebe (167) classic (266) classics (303) colonialism (541) essays (108) fiction (3,152) historical fiction (434) history (128) Igbo (123) literature (565) Nigeria (1,207) Nigerian (221) Nigerian Literature (289) non-fiction (123) novel (629) own (95) politics (96) postcolonial (150) postcolonialism (104) read (365) religion (104) to-read (1,313) unread (101)

Common Knowledge

Legal name
Achebe, Albert Chinụalụmọgụ
Birthdate
1930-11-16
Date of death
2013-03-21
Gender
male
Education
University College, Ibadan, Nigeria
University of London
Occupations
broadcaster
professor
novelist
short story writer
poet
school teacher
Organizations
Anambra State University of Technology
Bard College
Brown University
Nigerian Broadcasting Corporation
Awards and honors
Visiting professorship (University of Massachusetts-Amherst ∙ University of Connecticut ∙ UCLA)
Friedenspreis des Deutschen Buchhandels (2002)
American Academy and Institute of Arts and Letters. Honorary Fellowship.
Nigerian National Merit Award
Campion Award (1996)
Lotus Prize for Literature (1975)
Relationships
Okigbo, Christopher (friend)
Short biography
Chinua Achebe was born in Nigeria in 1930. He was raised in the large village of Ogidi, one of the first centers of Anglican missionary work in Eastern Nigeria, and was a graduate of University College, Ibadan.

His early career in radio ended abruptly in 1966, when he left his post as Director of External Broadcasting in Nigeria during the national upheaval that led to the Biafran War. He was appointed Senior Research Fellow at the University of Nigeria, Nsukka, and began lecturing widely abroad.

From 1972 to 1976, and again in 1987 to 1988, Mr. Achebe was Professor of English at the University of Massachusetts, Amherst, and also for one year at the University of Connecticut, Storrs.

Cited in the London Sunday Times as one of the "1,000 Makers of the Twentieth Century" for defining "a modern African literature that was truly African" and thereby making "a major contribution to world literature," Chinua Achebe published novels, short stories, essays and children's books. [adapted from Things Fall Apart, c1959, 1994 printing Anchor Books Ed.]

Mr. Achebe received numerous honors from around the world including more than twenty honorary doctorates from universities in England, Scotland, the United States, Canada, and Nigeria.

Latterly Mr. Achebe lived with his wife in Annandale, New York, where they both taught at Bard College. They had four children.
Nationality
Nigeria
Birthplace
Ogidi, Anambra State, Nigeria Protectorate
Places of residence
Ogidi, Nigeria
Nekede, Nigeria
Umuahia, Abia State, Nigeria
Oba, Nigeria
Lagos, Nigeria
Enugu, Nigeria (show all 12)
Aba, Biafra
Nsukku, Nigeria
Nneobi, Nigeria
Annandale, New York, USA
Massachusetts, USA
Providence, Rhode Island, USA
Place of death
Boston, Massachusetts, USA
Burial location
Ogidi, Anambra State, Nigeria
Associated Place (for map)
Nigeria

Members

Discussions

Happy Birthday, Chinua Achebe in Book talk (November 2025)
AFRICAN NOVEL CHALLENGE JULY 2023 - ACHEBE / OKRI in 75 Books Challenge for 2023 (August 2023)
Things Fall Apart Chapters 18-25/END in Geeks who love the Classics (February 2022)
Things Fall Apart Chapters 9-17 in Geeks who love the Classics (February 2022)
Things Fall Apart Chapters 1-8 in Geeks who love the Classics (January 2022)
Things Fall Apart Jan-March 2022 Housekeeping Items in Geeks who love the Classics (January 2022)
November 2020: Chinua Achebe in Monthly Author Reads (December 2020)

Reviews

664 reviews
1959 novel set in an Igbo (or, as it's rendered here, Ibo) village, both before and after the coming of Christian missionaries and colonial rulers. I found it an interesting and rewarding glimpse into a culture largely unfamiliar to me, as it brings this place and its people and its customs to vivid, and very human, life. I'm sort of struck by how, despite the differences in time, place and culture, the main character, Okonkwo feels so recognizable to me as a particular, familiar type of show more man. One who, in modern American culture, we might describe as "poisoned by toxic masculinity." Despite which, one feels real sympathy for him, and the ending of his story is incredibly poignant on any number of levels. Achebe doesn't shrink from depicting Okonkwo's violent nature or the way the customs of his people can be terribly cruel, but he also makes your heart ache at what is coming for them. And Okonkwo sees what is coming for them. show less
The first three-quarters of Things Fall Apart is immersed in the clan culture of eastern Nigeria (we don't actually learn the specific setting - the events of the novel can presumably be transferred to any sub-Saharan pre- and post-colonial setting). The society that Achebe describes can be brutally violent and superstitious, and the protagonist, or anti-hero, Okonkwo is so single-minded and angry that it's difficult to sympathize with him. I think that Achebe chose to show the clan society show more with all of its flaws to counter any nationalist or tribal tendency to romanticize an idyllic past. Despite these flaws, there is a well-defined system of ethics in place that is necessary to keeping the society intact. Things do indeed fall apart when the British colonial administrators and missionaries arrive on the scene.

Achebe doesn't place judgment on either culture; the point is that whenever two systems collide and contend for power, tragedy is unavoidable.

Revised 2.3.12

After another reading, what strikes me is the juxtaposition of the two cultures. The Western reader is shocked by some of the extremes of the tribal culture, but they make sense in context. They make no sense at all when confronted with British, imperial, Christian forces.

Revised 3/26/18

What makes this novel so brilliant is that it is unflinching. The animistic cultural traditions of the Igbo are treated matter-of-factly, with the contact with European Christians laying bare the internal tensions of the tribe. Achebe avoids value judgments here. In fact, it is Okonkwo's inability to really critique his own culture to be his downfall. He is a true believer; he cannot adapt. The Christians are just as rigid in their dogma - but they have the guns, germs and steel on their side.
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Okonkwo is an Igbo man whose greatest desire is to be the successful man his father wasn't. Tragically for Okonkwo, the rules for success change during his lifetime with the arrival of British colonial government and the influence of Christian missionaries.

Achebe gives the reader an insider's perspective on the culture of Umuofia, Okonkwo's Nigerian village. Viewed from the inside, one can discern the source of many of the traditions and values of Okonkwo's world. The life and stability of show more the community takes precedence over individual rights, and men take precedence over women and children. In Umuofia, an entire village bears the weight of guilt for one man's crime, and it is considered just to execute an innocent man as payment for this collective guilt. Under such circumstances a clash with Western/European culture is inevitable.

Achebe's novel addresses universal themes of family, generational conflict, fear of failure, fear of change, friendship, religion, and social conflict. It's a must-read for anyone preparing to live and work in a cross cultural setting.
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This is an extraordinary book in its ability to narrate both a story of cultural dissonance and an overarching tale about the human condition. Achebe's novel broaches the subject of morality, but demonstrates that even the concept of "evil" is subject to a cultural interpretive context.

Okonkwo, the book's tragic hero, is an emblem of tradition, but also represents how tradition can be subject to the inner turmoil of the human soul. While the Ibo people must face the threat of European show more missionaries, Okonkwo must confront the threat of his own misplaced hubris. Achebe is a sympathetic voice, but is unafraid to reveal the flaws of his characters as a commentary upon our own imperfect existence.

This is probably one of the best introductions to African fiction, precisely because the story does not limit itself to the African context. The author's investigation of tragedy is pragmatic, yet emotionally stimulating without being romanticized. It is a book that will help the western reader more easily understand not only Nigerian tribal culture, but the power of ideas and their institutions.
show less
½

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Awards

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Associated Authors

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Abdulrazak Gurnah Contributor
Dambudzo Marechera Contributor
Ngugi wa Thiong'o Contributor
Odun Balogun Contributor
David Owoyele Contributor
Leonard Kibera Contributor
Grace Ogot Contributor
Jomo Kenyatta Contributor
Bessie Head Contributor
Tayeb Salih Contributor
Ousmane Sembène Contributor
Ama Ata Aidoo Contributor
L.B. Honwana Contributor
Mafika Gwala Contributor
Alifa Rifaat Contributor
Ezekiel Mphahlele Contributor
Ahmed Essop Contributor
Tijan M. Sallah Contributor
Okey Chigbo Contributor
EB Dongala Contributor
Ba'bila Mutia Contributor
Daniel Mandishona Contributor
Kyalo Mativo Contributor
M. G. Vassanji Contributor
Steve Chimombo Contributor
Assia Djebar Contributor
Lindiwe Mabuza Contributor
Jamal Mahjoub Contributor
Mia Couto Contributor
Njabulo S. Ndebele Contributor
Kojo Laing Contributor
Ben Okri Contributor
Jan Dicker Translator
Edel Rodriguez Cover designer, Cover artist
Kwame Anthony Appiah Foreword, Introduction
Ian Serraillier Introduction
Uche Okeke Illustrator
iliyakareem Illustrator, binding artist
Jaap Dicker Translator
Biyi Bandele Introduction
Bruce Onobrakpeya Illustrator
Peter Edwards Cover artist
Gudrun Honke Translator
Charles Keeping Cover artist
Maya Jaggi Introduction
Robert Dorsman Translator
Karl Maier Introduction
John Dyke Cover artist
Peter Abspoel Translator
Don Hemerman Photographer
Victor Ekpuk Cover artist
Barbara de Wilde Cover designer
Mary GrandPré Illustrator
George Mogaka Illustrator
Shyam Varma Cover designer

Statistics

Works
60
Also by
23
Members
32,840
Popularity
#589
Rating
3.8
Reviews
628
ISBNs
422
Languages
26
Favorited
46

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