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Laurence Sterne (1713–1768)

Author of The Life and Opinions of Tristram Shandy, Gentleman

199+ Works 12,799 Members 171 Reviews 73 Favorited

About the Author

If Fielding showed that the novel (like the traditional epic or drama) could make the chaos of life coherent in art, Sterne only a few years later in The Life and Opinions of Tristram Shandy, Gentleman (1760--67) laughed away the notion of order. In Sterne's world, people are sealed off in their show more own minds so that only in unpredictable moments of spontaneous feeling are they aware of another human being. Reviewers attacked the obscenity of Tristram's imagined autobiography as it was published (two volumes each in 1759, early 1761, late 1761, 1765, and one in 1767), particularly when the author revealed himself as a clergyman, but the presses teemed with imitations of this great literary hit of the 1760s. Through the mind of the eccentric hero, Sterne subverted accepted ideas on conception, birth, childhood, education, and the contemplation of maturity and death, so that Tristram's concerns touched his contemporaries and are still important. Since Tristram Shandy is patently a great and lasting comic work that yet seems, as E. M. Forster said, "ruled by the Great God Muddle," much recent criticism has centered on the question of its unity or lack of it; and its manipulation of time and of mental processes has been considered particularly relevant to the problems of fiction in our day. Sterne's Sentimental Journey (1768) has been immensely admired by some critics for its superb tonal balance of irony and sentiment. His Sermons of Mr. Yorick (1760) catches the spirit of its time by dramatically preaching benevolence and sympathy as superior to doctrine. Whether as Tristram or as Yorick, Sterne is probably the most memorably personal voice in eighteenth-century fiction. (Bowker Author Biography) show less

Includes the names: Laurence Sterne, Lawrence STERNE, Laurence Sterne

Also includes: Sterne (1)

Image credit: From Wikipedia

Works by Laurence Sterne

The Life and Opinions of Tristram Shandy, Gentleman (1759) — Author — 8,578 copies, 125 reviews
A Sentimental Journey Through France and Italy (1768) 1,964 copies, 27 reviews
Tristram Shandy [Norton Critical Edition] (1980) 439 copies, 5 reviews
Britannica Great Books: Swift and Sterne (1726) 310 copies, 1 review
A Sentimental Journey & Journal to Eliza (1975) 108 copies, 2 reviews
The sermons of Mr. Yorick (1973) 39 copies
A Political Romance (1759) 30 copies
The Journal to Eliza (1981) 11 copies
Briefe und Dokumente (1985) 4 copies
Torisutoramu Shandi 001 (1969) 3 copies
Briefe (2018) 3 copies
Hành trình tình cảm 1 copy, 1 review
Novels 1 copy

Associated Works

Love Letters (1996) — Contributor — 224 copies, 1 review
The Penguin Book of Irish Fiction (1999) — Contributor — 170 copies
The Book of Love (1998) — Contributor — 150 copies
The Norton Book of Travel (1987) — Contributor — 119 copies, 1 review
Pathetic Literature (2022) — Contributor — 50 copies, 1 review
The Lock and Key Library (Volume 7: Oldtime English) (1909) — Contributor — 43 copies, 1 review
The World's Greatest Books Volume 08 Fiction (2004) — Contributor — 24 copies
Great English Short Stories (1930) — Contributor — 21 copies, 1 review

Tagged

1001 (66) 1001 books (76) 18th century (573) 18th century literature (92) British (203) British literature (184) classic (231) classics (258) England (136) English (126) English fiction (55) English literature (379) fiction (1,536) Folio Society (59) France (71) humor (206) Irish (51) Italy (55) Laurence Sterne (58) literature (500) metafiction (80) novel (503) read (61) Roman (66) satire (126) Sterne (87) to-read (629) travel (146) UK (50) unread (96)

Common Knowledge

Canonical name
Sterne, Laurence
Birthdate
1713-11-24
Date of death
1768-03-18
Gender
male
Education
Jesus College, Cambridge (BA|1737|MA|1740)
Occupations
Anglican cleric (Deacon, 1737|Priest, 1738)
novelist
Organizations
Church of England
Short biography
Laurence Sterne was born in Clonmel, Ireland in 1713, son of an army ensign. During his first ten years the family moved from barracks to barracks. At the age of ten, Laurence went to school in Halifax and later went on to study divinity and classics at Jesus College, Cambridge. He was ordained into the Church of England as a deacon in 1737 after graduating that year. With the help of his uncle, Dr Jaques Sterne (Precentor of York), he began to make a moderately successful ecclesiastical career. He was ordained priest in 1738 and was granted the living of Sutton-on-the-Forest, to which he added six years later the living of Stillington. He married Elizabeth Lumley in 1741 and had a daughter, Lydia – the only one of his children to survive infancy.

Two of his sermons were published in 1747 and 1750, but the publication of a satirical pamphlet in 1759 displayed his talents as a writer.

The pamphlet, A Political Romance, was suppressed; but it gave Sterne the inspiration for a more ambitious work, and he contacted the London bookseller, Robert Dodsley with the draft of one volume of a work entitled The Life and Opinions of Tristram Shandy. Unable to secure a guarantee of publication, Sterne revised the work and in 1759 printed and published the first two volumes of Tristram Shandy by paying for it himself and sending it to London.

Tristram Shandy was an immediate success. Sterne became famous virtually overnight and following the exhibition of his portrait painted by Joshua Reynolds became a celebrity within the first few months of the book's release.

Sterne had already published the first two volumes of The Life and Opinions of Tristram Shandy, Gentleman when he came to Coxwold in 1760. He wrote the next seven volumes of Tristram Shandy and A Sentimental Journey through France and Italy while living at Shandy Hall.

His friends celebrated his success as a writer by christening his new home ‘Shandy Hall', the word Shandy being a dialect word for ‘wild, nonsensical, merry or odd'.
Alterations to the house were made by Sterne including the building of a coach house, a cellar and a box-like two-storey brick façade at the west end.

He had been afflicted all his life with illness, and travelled for his health to France, where his wife and daughter took up residence. In the last years of his life he fell in love with Eliza Draper, and wrote A Journal to Eliza after she returned to India and her husband.

Laurence Sterne died in 1768, and was buried three times: once in the graveyard of St. George's, Hanover Square; again when he was recognized after having been disinterred for anatomists; and finally, when development took place at the London burial ground, his skull and a femur were taken to Coxwold and buried outside the church where he was once the preacher.
Cause of death
tuberculosis
Nationality
Ireland (birth)
England
Birthplace
Clonmel, County Tipperary, Ireland
Places of residence
Coxwold, North Yorkshire, England, UK
Place of death
London, Middlesex, England, UK
Burial location
St. Michael's Churchyard, Coxwold, Yorkshire, England, UK (reinterred 1969)
St. George's Churchyard, Hanover Square, London, Middlesex, England, UK
Map Location
England, UK

Members

Discussions

the life and Opinions of Tristram Shandy in Folio Society Devotees (June 2022)
Laurence Sterne - Resources and General Discussion in Literary Centennials (January 2016)
Laurence Sterne - Tristram Shandy in Literary Centennials (March 2014)
Laurence Sterne - A Sentimental Journey in Literary Centennials (December 2013)
Tristram Shandy: Books 7-9 in Group Reads - Literature (February 2012)
Tristram Shandy, Books 4-6 in Group Reads - Literature (August 2011)
Tristram Shandy: Books 1-3 in Group Reads - Literature (August 2011)

Reviews

191 reviews
This is a novel that has, since it’s publication in 1759, divided opinion throughout the ages. It certainly divided mine as you can tell from the review radar below.

While I’m all for authors trying to push the envelope of what a novel can do, such experimentation often comes at a price. In this case, the price to be paid was a great deal of readability and, unless you can excuse an autobiography dedicating hundreds of pages solely to the birth of the protagonist, any sense of plot.

Sterne show more was both a genius and massively influential. But genii are often unaware of the masses’ need for accessibility, much like most of us are unaware how hard using scissors is for lefties.

I’m not going to lie and say I enjoyed having this read to me. I didn’t. In fact, I let out a loud cheer in the car when it finally finished. But in reading further online, I can see quite how foundational this novel was. It set standards for what writers could do, how cheeky they could be, and asked questions of what the novel was fundamentally for.

However, I think it’s more than fair to say that it is foundational to literature in the same way that Leviticus is foundational to Holy Scripture: tediously.
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½
I wonder what Sterne would have thought of all the theorising about this book? The introduction to this volume claims that we should read 'Shandy' because it will help us avoid the 'rationalism' of 'totalitarianism' of the twentieth century; that we are too much like Mrs Wadman, who wants to know if Uncle Toby has a penis or not. We should leave the fortress unpenetrated, the mystery unrevealed, the riddle unsolved.
Of course, this idiocy is exactly what Sterne was writing against- not show more against rationalism, but against superstition uninformed by history or heart; not against rationalism, but against stupidity. That many literary critics (especially the 'postmodern' ones) can't distinguish between the two says more about the way we talk about our world than about the world itself, which is plainly and continuously stupid, and not at all rational.
Roy Porter says this book is 250 years ahead of its time, but the truth is, Barth and Leyner - and all the over specialists without spirit & sensualists without heart - are 250 years behind it. Sterne exhausted the form he created.

That rant over, this is a really funny dick joke. Plenty of the references are stale (unless you're really into seventeenth and eighteenth century theories of medicine, warfare, etc etc...), but you'll get the point pretty quickly anyway. But whatever you do, read it without the introductory material- there's nothing worse than explaining a dick joke as if it were an earth-shatteringly huge political statement, and Sterne knew it.
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This book is an amazing and wonderful encapsulation of the complexity of knowledge and perception and understanding; it is crass; it is clever; it is witty; it is fantastically cultured and informed, without the slightest care for wisdom or information. It is no wonder that Laurence Sterne's colleagues despaired at him - but this may just be one of the great achievements of the Anglican mind. It is one of the relatively few books which is consistently genuinely funny, and like all real show more humour it is horribly true. show less
There's scarcely a page's worth of Tristram's life in this satirical novel outside of a mad dash through France, but perhaps there's some of his opinions. Sterne's joke is that Tristram gets so terribly sidetracked into setting up the background for launching into his autobiography, he never really gets around to it. We are introduced to the circumstances of Tristram's birth - but then there comes an aside while he auctions his biography's dedication, and then come several details about the show more midwife who served at his birth; then about the parson who paid for her credentials; then the story of the parson's horse ... and already we are getting nowhere fast. Another 500 pages of this lies ahead. It can frustrate or amuse, and may often do both.

There's all kinds of playfulness with exploring the limitations of literature, and in drawing comparisons with the strengths and weaknesses of other forms of art. The novel was a new and exciting form in the 1700s and Sterne was happy to indulge, but at the same time refute any thought that it was an ideal medium for delivering all human experience. When he uses a page and a half to describe someone's stance, it's of no matter except to demonstrate how poorly the written word captures what an actor conveys instantly. Similarly when he hums a tune, it demonstrates failure to convey an emotive melody. In addition, this work is littered with 1770s postmodernism: interrupting the narrative with a page of black ink or marbling, interweaving Latin with English translations and Greek footnotes, tossing symbols onto the page to illustrate a point, skipping a chapter or leaving one blank, etc. It's easy to find modern authors who 'push the envelope' (e.g. Lemony Snicket, Mark Danielewski etc.) but this work reveals they only follow Sterne's lead from centuries earlier.

Sterne gets shovelled in alongside Fielding and Richardson as representing the state of literature in his period, but his format links more directly to the satirical works of Swift (especially seen in "A Tale of a Tub"). In that light there's many good bits: the cursing of Obadiah, Slawkenbergius' tale, the adventure of the chestnut, and nearly anything that prompts Uncle Toby to start whistling, to highlight a few. Doctor Slop might be my favourite character for dryly recognizing the nuttiness of the conversation, where even the digressions have their digressions. I anticipated I would find this "novel" either fun or frustrating. I've landed on the fun side but I could have done without Part Seven, and the last two parts contain signs of Sterne's diminishing health. This is a classic I'm glad to have read on paper. The Penguin edition's comprehensive endnotes were helpful, and otherwise I would have missed some of the gags.
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Lists

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AP Lit (1)
1750s (1)

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Statistics

Works
199
Also by
21
Members
12,799
Popularity
#1,832
Rating
3.8
Reviews
171
ISBNs
512
Languages
20
Favorited
73

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