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Laurence Sterne (1713–1768)

Author of The Life and Opinions of Tristram Shandy, Gentleman

198+ Works 12,790 Members 171 Reviews 73 Favorited

About the Author

If Fielding showed that the novel (like the traditional epic or drama) could make the chaos of life coherent in art, Sterne only a few years later in The Life and Opinions of Tristram Shandy, Gentleman (1760--67) laughed away the notion of order. In Sterne's world, people are sealed off in their show more own minds so that only in unpredictable moments of spontaneous feeling are they aware of another human being. Reviewers attacked the obscenity of Tristram's imagined autobiography as it was published (two volumes each in 1759, early 1761, late 1761, 1765, and one in 1767), particularly when the author revealed himself as a clergyman, but the presses teemed with imitations of this great literary hit of the 1760s. Through the mind of the eccentric hero, Sterne subverted accepted ideas on conception, birth, childhood, education, and the contemplation of maturity and death, so that Tristram's concerns touched his contemporaries and are still important. Since Tristram Shandy is patently a great and lasting comic work that yet seems, as E. M. Forster said, "ruled by the Great God Muddle," much recent criticism has centered on the question of its unity or lack of it; and its manipulation of time and of mental processes has been considered particularly relevant to the problems of fiction in our day. Sterne's Sentimental Journey (1768) has been immensely admired by some critics for its superb tonal balance of irony and sentiment. His Sermons of Mr. Yorick (1760) catches the spirit of its time by dramatically preaching benevolence and sympathy as superior to doctrine. Whether as Tristram or as Yorick, Sterne is probably the most memorably personal voice in eighteenth-century fiction. (Bowker Author Biography) show less

Includes the names: Laurence Sterne, Lawrence STERNE, Laurence Sterne

Also includes: Sterne (1)

Image credit: From Wikipedia

Works by Laurence Sterne

The Life and Opinions of Tristram Shandy, Gentleman (1759) — Author — 8,574 copies, 125 reviews
A Sentimental Journey Through France and Italy (1768) 1,961 copies, 27 reviews
Tristram Shandy [Norton Critical Edition] (1980) 439 copies, 5 reviews
Britannica Great Books: Swift and Sterne (1726) 310 copies, 1 review
A Sentimental Journey & Journal to Eliza (1975) 108 copies, 2 reviews
The sermons of Mr. Yorick (1973) 39 copies
A Political Romance (1759) 30 copies
The Journal to Eliza (1981) 11 copies
Briefe und Dokumente (1985) 4 copies
Torisutoramu Shandi 001 (1969) 3 copies
Briefe (2018) 3 copies
Hành trình tình cảm 1 copy, 1 review
Novels 1 copy

Associated Works

Love Letters (1996) — Contributor — 224 copies, 1 review
The Penguin Book of Irish Fiction (1999) — Contributor — 170 copies
The Book of Love (1998) — Contributor — 151 copies
The Norton Book of Travel (1987) — Contributor — 119 copies, 1 review
Pathetic Literature (2022) — Contributor — 50 copies, 1 review
The Lock and Key Library (Volume 7: Oldtime English) (1909) — Contributor — 43 copies, 1 review
The World's Greatest Books Volume 08 Fiction (2004) — Contributor — 24 copies
Great English Short Stories (1930) — Contributor — 21 copies, 1 review

Tagged

1001 (66) 1001 books (76) 18th century (573) 18th century literature (92) British (203) British literature (184) classic (231) classics (258) England (136) English (126) English fiction (55) English literature (379) fiction (1,536) Folio Society (59) France (71) humor (206) Irish (51) Italy (55) Laurence Sterne (58) literature (500) metafiction (80) novel (503) read (61) Roman (66) satire (126) Sterne (87) to-read (629) travel (146) UK (50) unread (96)

Common Knowledge

Canonical name
Sterne, Laurence
Birthdate
1713-11-24
Date of death
1768-03-18
Gender
male
Education
Jesus College, Cambridge (BA|1737|MA|1740)
Occupations
Anglican cleric (Deacon, 1737|Priest, 1738)
novelist
Organizations
Church of England
Short biography
Laurence Sterne was born in Clonmel, Ireland in 1713, son of an army ensign. During his first ten years the family moved from barracks to barracks. At the age of ten, Laurence went to school in Halifax and later went on to study divinity and classics at Jesus College, Cambridge. He was ordained into the Church of England as a deacon in 1737 after graduating that year. With the help of his uncle, Dr Jaques Sterne (Precentor of York), he began to make a moderately successful ecclesiastical career. He was ordained priest in 1738 and was granted the living of Sutton-on-the-Forest, to which he added six years later the living of Stillington. He married Elizabeth Lumley in 1741 and had a daughter, Lydia – the only one of his children to survive infancy.

Two of his sermons were published in 1747 and 1750, but the publication of a satirical pamphlet in 1759 displayed his talents as a writer.

The pamphlet, A Political Romance, was suppressed; but it gave Sterne the inspiration for a more ambitious work, and he contacted the London bookseller, Robert Dodsley with the draft of one volume of a work entitled The Life and Opinions of Tristram Shandy. Unable to secure a guarantee of publication, Sterne revised the work and in 1759 printed and published the first two volumes of Tristram Shandy by paying for it himself and sending it to London.

Tristram Shandy was an immediate success. Sterne became famous virtually overnight and following the exhibition of his portrait painted by Joshua Reynolds became a celebrity within the first few months of the book's release.

Sterne had already published the first two volumes of The Life and Opinions of Tristram Shandy, Gentleman when he came to Coxwold in 1760. He wrote the next seven volumes of Tristram Shandy and A Sentimental Journey through France and Italy while living at Shandy Hall.

His friends celebrated his success as a writer by christening his new home ‘Shandy Hall', the word Shandy being a dialect word for ‘wild, nonsensical, merry or odd'.
Alterations to the house were made by Sterne including the building of a coach house, a cellar and a box-like two-storey brick façade at the west end.

He had been afflicted all his life with illness, and travelled for his health to France, where his wife and daughter took up residence. In the last years of his life he fell in love with Eliza Draper, and wrote A Journal to Eliza after she returned to India and her husband.

Laurence Sterne died in 1768, and was buried three times: once in the graveyard of St. George's, Hanover Square; again when he was recognized after having been disinterred for anatomists; and finally, when development took place at the London burial ground, his skull and a femur were taken to Coxwold and buried outside the church where he was once the preacher.
Cause of death
tuberculosis
Nationality
Ireland (birth)
England
Birthplace
Clonmel, County Tipperary, Ireland
Places of residence
Coxwold, North Yorkshire, England, UK
Place of death
London, Middlesex, England, UK
Burial location
St. Michael's Churchyard, Coxwold, Yorkshire, England, UK (reinterred 1969)
St. George's Churchyard, Hanover Square, London, Middlesex, England, UK
Map Location
England, UK

Members

Discussions

the life and Opinions of Tristram Shandy in Folio Society Devotees (June 2022)
Laurence Sterne - Resources and General Discussion in Literary Centennials (January 2016)
Laurence Sterne - Tristram Shandy in Literary Centennials (March 2014)
Laurence Sterne - A Sentimental Journey in Literary Centennials (December 2013)
Tristram Shandy: Books 7-9 in Group Reads - Literature (February 2012)
Tristram Shandy, Books 4-6 in Group Reads - Literature (August 2011)
Tristram Shandy: Books 1-3 in Group Reads - Literature (August 2011)

Reviews

190 reviews
There's scarcely a page's worth of Tristram's life in this satirical novel outside of a mad dash through France, but perhaps there's some of his opinions. Sterne's joke is that Tristram gets so terribly sidetracked into setting up the background for launching into his autobiography, he never really gets around to it. We are introduced to the circumstances of Tristram's birth - but then there comes an aside while he auctions his biography's dedication, and then come several details about the show more midwife who served at his birth; then about the parson who paid for her credentials; then the story of the parson's horse ... and already we are getting nowhere fast. Another 500 pages of this lies ahead. It can frustrate or amuse, and may often do both.

There's all kinds of playfulness with exploring the limitations of literature, and in drawing comparisons with the strengths and weaknesses of other forms of art. The novel was a new and exciting form in the 1700s and Sterne was happy to indulge, but at the same time refute any thought that it was an ideal medium for delivering all human experience. When he uses a page and a half to describe someone's stance, it's of no matter except to demonstrate how poorly the written word captures what an actor conveys instantly. Similarly when he hums a tune, it demonstrates failure to convey an emotive melody. In addition, this work is littered with 1770s postmodernism: interrupting the narrative with a page of black ink or marbling, interweaving Latin with English translations and Greek footnotes, tossing symbols onto the page to illustrate a point, skipping a chapter or leaving one blank, etc. It's easy to find modern authors who 'push the envelope' (e.g. Lemony Snicket, Mark Danielewski etc.) but this work reveals they only follow Sterne's lead from centuries earlier.

Sterne gets shovelled in alongside Fielding and Richardson as representing the state of literature in his period, but his format links more directly to the satirical works of Swift (especially seen in "A Tale of a Tub"). In that light there's many good bits: the cursing of Obadiah, Slawkenbergius' tale, the adventure of the chestnut, and nearly anything that prompts Uncle Toby to start whistling, to highlight a few. Doctor Slop might be my favourite character for dryly recognizing the nuttiness of the conversation, where even the digressions have their digressions. I anticipated I would find this "novel" either fun or frustrating. I've landed on the fun side but I could have done without Part Seven, and the last two parts contain signs of Sterne's diminishing health. This is a classic I'm glad to have read on paper. The Penguin edition's comprehensive endnotes were helpful, and otherwise I would have missed some of the gags.
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I find it nearly impossible to review this, since it is one of my favorite novels of all time, makes me laugh even on a crowded Boston, MA bus and is apparently a classic that few people read (at least according to the essay in the back of my Signet Classics edition). Walter and Toby Shandy, Doctor Slop and Corporal Trim are as real to me as my bus companions -- more real, in fact, because at least the characters in Tristram Shandy have emotions.
https://fromtheheartofeurope.eu/tristram-shandy-by-laurence-sterne/

I first read Tristram Shandy when I was 23, more than thirty years ago, and still have the slightly mildewed paperback that I picked up off a Cambridge bookstall one day in late 1990. I can’t honestly tell you what happens in it; I can’t find any particular lines that resonate or are very quotable; the most memorable moment is when our hero’s penis gets caught in the windowframe in Book 5 Chapter 17. (Sorry for the show more spoiler.)

And yet somehow I love it. It’s rambling, self-indulgent, full of references to things I know nothing about; and at the same time the stream-of-consciousness narrative, the refusal to make many concessions to the reader who wants to know what is actually going on, are part of the charm. It’s clearly an inspiration for Joyce, Woolf, and lots of the modernist writers who I really like; but it’s a book of its own time, requiring friendly engagement and repaying that engagement with warmth and humour.
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It's been called the first post-modernist novel, skipping realism, naturalism, modernism, etc. That is perhaps an exaggeration, but it does seem to be in a class by itself.

I thought Volume VII dragged a bit, taking us out of the Shandy households for an excursion through France. Perhaps the English loved both the critiques of the French and, I'm guessing here, the parody of Continental travelogues of the time.

Overall, it can be a slog and try one's patience, and he seems to rely way too much show more on references to Burton, Rabelais, Cervantes, and other favorites to convey his opinions. And since I'm not of a mind to investigate the philosophers and writers of the 16th and 17th centuries to "get" it, I must withhold any final judgement and just say there was some humor there that kept me going. Being very Church of England, Sterne wasn't afraid to criticize Catholicism, especially its more egregious acts in Spain and Portugal, those fun times for the tormenters employed by the Inquisition. show less

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Statistics

Works
198
Also by
21
Members
12,790
Popularity
#1,834
Rating
3.8
Reviews
171
ISBNs
512
Languages
20
Favorited
73

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