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Jonathan Strahan

Author of The New Space Opera

72+ Works 7,098 Members 229 Reviews 1 Favorited

About the Author

Jonathan Strahan was born in 1964 in Belfast, Northern Ireland. He is an editor and publisher of science fiction. His family moved to Perth, Western Australia in 1968, and he graduated from the University of Western Australia with a Bachelor of Arts in 1986. In 1990 he co-founded Eidolon: The show more Journal of Australian Science Fiction and Fantasy, and worked on it as co-editor and co-publisher until 1999. He was also co-publisher of Eidolon Books which published Robin Pen's The Secret Life of Rubber-Suit Monsters, Howard Waldrop's Going Home Again, Storm Constantine's The Thorn Boy, and Terry Dowling's Blackwater Days. In 2015 he was nominated in the editor and anthology categories for the Locus Awards with the title Reach for Infinity. In 2018, he won the 2017 Aurealis Awards for the best Australian anthology for his book, Infinity Wars. (Bowker Author Biography) show less
Image credit: Photo by Cat Sparx.


Works by Jonathan Strahan

The New Space Opera (2007) — Editor — 540 copies
Engineering Infinity (2011) — Editor; Introduction — 347 copies
Under My Hat: Tales from the Cauldron (2012) — Editor — 303 copies
Swords & Dark Magic: The New Sword and Sorcery (2010) — Editor — 282 copies
The Starry Rift (2008) — Editor — 277 copies
Edge of Infinity (2012) — Editor — 210 copies
The Book of Dragons: An Anthology (2020) — Editor — 203 copies
Wings of Fire (2010) — Editor — 176 copies
Eclipse 3: New Science Fiction and Fantasy (2009) — Editor — 159 copies
The Best of R. A. Lafferty (2019) — Editor — 148 copies
Eclipse 1: New Science Fiction and Fantasy (2007) — Editor — 148 copies
Reach for Infinity (2014) — Editor — 136 copies
Eclipse 2: New Science Fiction and Fantasy (2008) — Editor — 134 copies
Science Fiction: The Best of 2003 (2004) — Editor — 118 copies
Eclipse 4: New Science Fiction and Fantasy (2011) — Editor — 115 copies
Fearsome Journeys (2013) — Editor — 107 copies
Science Fiction: The Best of 2004 (2005) — Editor — 98 copies
Life on Mars: Tales from the New Frontier (2011) — Editor — 96 copies
The Best Science Fiction and Fantasy of the Year Volume Eight (1890) — Editor; Introduction — 96 copies
Godlike Machines (2010) — Editor; Preface — 86 copies
Drowned Worlds (2016) — Editor — 84 copies
Meeting Infinity (2015) — Editor — 78 copies
Fantasy: The Best of 2004 (2005) — Editor — 76 copies
Infinity Wars (2017) — Editor — 72 copies
Infinity's End (2018) — Editor — 70 copies
Bridging Infinity (1783) — Editor — 61 copies
Legends of Australian Fantasy (2010) — Editor — 59 copies
Made To Order: Robots and Revolution (2020) — Editor — 58 copies
Best Short Novels 2004 (2004) — Editor — 57 copies
Mission Critical (2019) — Editor — 52 copies
The Best of Joe Haldeman (2013) — Editor — 51 copies
Fearsome Magics (2014) — Editor — 47 copies
Someone in Time: Tales of Time-Crossed Romance (2022) — Editor — 42 copies
Best Short Novels 2006 (2006) — Editor — 42 copies
The Book of Witches: An Anthology (2023) — Editor — 33 copies
Best Short Novels 2007 (2007) — Editor — 25 copies
Fantasy: The Very Best of 2005 (2006) — Editor — 22 copies
Best Short Novels 2005 (2005) — Editor — 18 copies
Science Fiction: The Best of 2005 (2006) — Editor — 14 copies
Eidolon (2006) — Editor — 5 copies
Subterranean Magazine Winter 2014 — Editor — 5 copies
Sárkányok könyve (2021) 1 copy

Associated Works

The Jack Vance Treasury (2007) — Editor — 235 copies
The Best of Kim Stanley Robinson (2010) — Editor — 184 copies
Ascendancies: The Best of Bruce Sterling (2007) — Editor — 77 copies
The Best of Larry Niven (2010) — Editor — 50 copies
The Time Invariance of Snow: A Tor.com Original (2019) — Editor — 22 copies
Eidolon I (2006) — Editor, some editions — 5 copies
Locus Nr.492 2002.01 — Contributor — 1 copy
Red Mother [novelette] — Editor — 1 copy


2008 (21) anthology (1,121) calibre (28) collection (100) currently-reading (24) dragons (35) ebook (281) fantasy (562) fiction (493) Fiction SFF (35) goodreads (40) hard sf (22) hardcover (36) house (33) Kindle (125) literature (20) new (41) not free sf reader (27) online (31) own (25) owned (36) paperback (34) purchased from Amazon (23) read (42) science fiction (1,352) Science Fiction/Fantasy (22) sf (402) sff (112) short fiction (70) short stories (740) short story (27) short story collections (26) signed (32) space opera (96) speculative fiction (38) Strahan (23) to-read (711) unread (88) wishlist (28) year's best (28)

Common Knowledge



Originally posted on Just Geeking by.

Content warnings:
This book contains scenes of death, blood, and violence.

Content warnings for specific stories are as follows:

‘What I Remember of Oresha Moon Dragon Devshrata’ by P. Djèlí Clark – Betrayal, prejudice, ignorance, rumours, and lies.

‘Catechism for Those Who Would Find Witches’ by Kathleen Jennings – Misogyny.

‘The Luck Thief’ by Tade Thompson – Brief reference to children being stalked due to custody battles going wrong, and discussion of physical abuse.

‘Good Spells’ by Ken Liu – Corporate greed, dehumanisation of workers, alienation.

‘The Witch Is Not the Monster’ by Alaya Dawn Johnson – Racism, prejudice, child abuse.

‘Met Swallow’ by Cassandra Khaw – Domestic abuse (physical).

‘The Nine Jars of Nukulu’ by Tobi Ogundiran – Forced amputation of a child’s hands by a parent for ritual magic, genocide, brutal deaths.

‘In a Cabin, In a Wood’ by Kelly Robson – Death of a parent, discussion of death.

‘What Dreams May Come’ by C. L. Clark – Prejudice, Transphobia,

‘She Who Makes the Rain’ by Millie Ho (Poem) – Reference to memory loss.

‘As Wayward Sisters’ by Hand in Hand, Indrapramit Das – Drug use, sexual abuse, racism.

‘Orphanage of the Last Breath’ by Saad Z. Hossain – Child abuse (physical), child death, mutilation, police corruption.

‘So Spake the Mirrorwitch’ by Premee Mohamed – Ignorance, prejudice, religious zealotry.

‘Just a Nudge’ by Maureen McHugh – End of life care, discussion of a day working in the ICU hospital, homophobia, ableism, hostile neighbour, threatening behaviour.

‘Her Ravenous Waters’ by Andrea Stewart – Domestic abuse (physical), gaslighting, betrayal.

‘Déjà Vue’ by Tochi Onyebuchi – Mention of infant death, woman is burned alive as a witch, prejudice, child abandonment.

‘BOTANICA: A Song in Four Movements’ by Sheree Renée Thomas (Poem)

‘Through the Woods, Due West’ by Angela Slatter – War, reference to experimentation.

‘Nameless Here for Evermore’ by Fonda Lee – Prejudice, religious zealotry, suicide.

‘Mask of the Nautilus’ by Sheree Renée Thomas – Discussion of generation racism.

‘Night Riding’ by Usman T. Malik – Body horror, medical trauma, hospital scenes, ableism, medical model of disability, sexual assault (off page),

‘Witchfires’ by E. Lily Yu – Misogyny, prejudice, pack mentality, women burned alive as witches.

‘The Academy of Oracular Magic’ by Miyuki Jane Pinckard – Prejudice, transphobia.

‘The Cost of Doing Business’ by Emily Y. Teng – Body horror, workplace accidents.

‘John Hollowback and the Witch’ by Amal El-Mohtar – Domestic abuse (emotional, manipulation), gaslighting, homophobia.

An anthology titled The Book of Witches, of course, caught my attention, and with such a showcase of writing talent on offer I had to check this one out. There are twenty-five stories and four poems in The Book of Witches, and I enjoyed the wide variety of subjects covered under the umbrella term of “witches”. It is always interesting to see how each writer interprets the theme of an anthology, and The Book of Witches is a splendid example of creativity. The range of settings and genres means that this is an anthology that truly does offer something for everything. From the traditional urban fantasy and paranormal themed stories, to tales of necromancers, vengeful spirits, techno-witches and dream magic.

My favourites from the anthology are ‘What I Remember of Oresha Moon Dragon Devshrata’ by P. Djèlí Clark, ‘The Luck Thief’ by Tade Thompson, ‘The Witch Is Not the Monster’ by Alaya Dawn Johnson, ‘Met Swallow’ by Cassandra Khaw, ‘The Nine Jars of Nukulu’ by Tobi Ogundiran, ‘What Dreams May Come’ by C. L. Clark, ‘The Unexpected Excursion of the Murder Mystery Writing Witches’ by Garth Nix, ‘So Spake the Mirrorwitch’ by Premee Mohamed’, ‘Her Ravenous Waters’ by Andrea Stewart, ‘Through the Woods, Due West’ by Angela Slatter, ‘Witchfires’ by E. Lily Yu and ‘The Cost of Doing Business’ by Emily Y. Teng.

Some of these are by authors that I’ve read multiple times and know to deliver sensational short stories, such as Cassandra Khaw and Angela Slatter. While others are on my reading list (C. L. Clark and Andrea Stewart) and confirmed everything that I’ve heard about their writing. The other authors I’ve not read before, but will certainly be checking out now!

The Book of Witches begins with a well researched introduction by editor Jonathan Strahan. It’s an interesting read, however as a disabled reader I was extremely disappointed to see only BIPOC and LGBTQIA+ writers named when he mentioned diversity. This is such an ignorant perspective, and having it printed in an anthology published by a major publisher is rather upsetting. Despite this comment in the introduction, there is disability representation in The Book of Witches, most notably the excellent ‘Just a Nudge’ by Maureen McHugh and the brilliant ‘Night Riding’ by Usman T. Malik (please do check the content warnings for this one though as it is a very dark tale).

On a final note, I was disappointed by the illustrations. I didn’t feel that they were of particularly good quality nor did they add anything to the stories they accompanied.

Full list of stories and poems:

‘Seed of Power’ by Linda D. Addison (Poem)

‘What I Remember of Oresha Moon Dragon Devshrata’ by P. Djèlí Clark

‘Catechism for Those Who Would Find Witches’ by Kathleen Jennings

‘The Luck Thief’ by Tade Thompson

‘Good Spells’ by Ken Liu

‘The Liar’ by Darcie Little Badger

‘Escape Artists’ by Andrea Hairston (Poem)

‘The Witch Is Not the Monster’ by Alaya Dawn Johnson

‘Met Swallow’ by Cassandra Khaw

‘The Nine Jars of Nukulu’ by Tobi Ogundiran

‘In a Cabin’ by In a Wood by Kelly Robson

‘What Dreams May Come’ by C. L. Clark

‘She Who Makes the Rain’ by Millie Ho (Poem)

‘As Wayward Sisters’ by Hand in Hand, Indrapramit Das

‘Orphanage of the Last Breath’ by Saad Z. Hossain

‘The Unexpected Excursion of the Murder Mystery Writing Witches’ by Garth Nix

‘So Spake the Mirrorwitch’ by Premee Mohamed

‘Just a Nudge’ by Maureen McHugh

‘Her Ravenous Waters’ by Andrea Stewart

‘Déjà Vue’ by Tochi Onyebuchi

‘BOTANICA: A Song in Four Movements’ by Sheree Renée Thomas (Poem)

‘Through the Woods, Due West’ by Angela Slatter

‘Nameless Here for Evermore’ by Fonda Lee

‘Mask of the Nautilus’ by Sheree Renée Thomas

‘Night Riding’ by Usman T. Malik

‘Witchfires’ by E. Lily Yu

‘The Academy of Oracular Magic’ by Miyuki Jane Pinckard

‘The Cost of Doing Business’ by Emily Y. Teng

‘John Hollowback and the Witch’ by Amal El-Mohtar

… (more)
justgeekingby | Nov 13, 2023 |
Definitely worth a try

Every anthology has stories that may not match a particular Person's tastes. This collection didn't much match my tastes, but I have to say technical quality was still above average, as is the value, having close to 400 pages for $4. Def
acb13adm | 2 other reviews | Sep 13, 2023 |
Confused ramblings

Some weak plots, but mostly confused ramblings like "things that make you go huh?"
A couple good tales, but for the most part... NO
acb13adm | 15 other reviews | Sep 13, 2023 |
The Drone Pirates of Silicon Valley by Meg Elison. A wealthy teenager learns about inequality from his friend. Good.
Down and Out in Exile Park by Tade Thomson. A community if social outcasts build a thriving home on a floating island of plastic detritus. OK
Once Upon a Future in the West by Daryl Gregory. California wildfires cause trouble for some residents. Good.
Crisis Actors by Greg Egan. A climate change denier saboteur goes undercover to try and undermine a hurricane disaster support group and ends up doing good in spite of himself. Good
When the Tide Rises by Sarah Gailey. The tribulations of working for a kelp harvesting company. OK - a bit clunky.
I Give You the Moon by Justina Robson. Rather slow story about cleaning up the Namibian coastline and giving others their dreams. OK
Do You Hear the Fungi Sing by Chen Qiufan. Irritating story of a young women attempting to complete a tech project to monitor and control environmental impacts who encounters a group if nature worshippers. Dull - dnf.
Legion by Malka Older. Women create a monitoring system to observe and support each other and deter attacks. Excellent.
The Ferryman by Saad Z Hossain. In a community where brain implants and enhancements are ubiquitous a low-caste body collector learns how to make the dead of poor families live in a virtual world. Good
After the Storm by James Bradley. Dull teen-angst set against sea-level rises that manace southern Australia. OK
… (more)
SChant | 1 other review | Sep 7, 2023 |



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