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lestat my beloved ( ![]() Anne Rice and readers like me were into Vampires when Vampires weren't cool. I read this book as a school assignment. I remember it mostly as gloomy and sad. cannot believe people have been shipping louis and lestat for decades based on THIS material???? "When [I became a vampire], I thought it was going to be fun and exciting, like that movie Spaceballs; but instead it was sad and depressing, like that movie Police Academy." - Homer Simpson Initially, Interview's narrative feels at once engaging and directionless. There doesn't appear to be much of a story beyond a vampire's search for identity, but this alone makes for an interesting read and is held together by good characters. I enjoyed the search, the struggle, the frustration, the lack of means for these creatures to learn what they are; yet trapped in a state of uncertain immortality, lust and self-loathing... and ultimately, despite its episodic nature, many strands come back around to tie everything up in a way that is mostly satisfying. I did enjoy this, but it felt lacking. The biggest drawback is the prose, which to me feels very empty. Although at times bordering on poetic, any attempt at flair just feels "put on", or lacking substance. I was drawn in by characters and situations, but nothing in the writing touched me. I was left cold. Despite this, the book was often engrossing and is helped immensely by some excellent character development. I almost felt able to look past its drawbacks and slap a high 3 (or 4) on this fella, but I just found the ending too clunky. The central premise, a vampire being interviewed, is also superfluous, which I found dissapointing. It gives no context for its relevance, and is wrapped up fairly predictably. 3.5
The author's seriousness is honest, I think, but misplaced; perhaps a bit more Grand Guignol elegance was called for father than incessant philosophizing. Immersed in the book's fetid, morbid atmosphere - like being in a hothouse full of decaying funeral lilies - one longs to get out in the garden. Is contained in10 Anne Rice Books: Interview with the Vampire, The Feast of All Saints, Tale of the Body Thief, Lasher, Taltos, Servant by Anne Rice 9 Book Collection of Anne Rice: The Queen of the Damned, The Tale of the Body Thief, Interview With The Vampire, Memnoch by Anne Rice Interview with the Vampire / The Vampire Lestat / The Queen of the Damned / The Tale of the Body Thief / Memnoch the Devil by Ann Rice Collector's Set (5-Paperback Books): Taltos, The Tale Of The Body Thief, Queen Of The Damned, The Vampire Lestat, Interview With The Vampire by Anne Rice Exit to Eden / Feast of All Saints / Interview With the Vampire / Lasher / Merrick / The Mummy / Pandora / Queen of the Damned / Servant of the Bones / The Tale of the Body Thief / The Vampire Lestat / Vittorio the Vampire / The Witching Hour by Ann Rice Vittorio the Vampire / The Vampire Lestat / Interview With the Vampire / The Vampire Armand / Queen of the Damned / Merrick / The Witching Hour / Blood Canticle / The Mummy / Memnoch the Devil / Taltos by Ann Rice Interview With the Vampire / The Vampire Lestat / The Queen of the Damned / The Tale of the Body Thief / Memnoch the Devil / The Vampire Armand by Anne Rice Interview With the Vampire / The Vampire Lestat / The Queen of the Damned / The Tale of the Body Thief by Anne Rice Set of 8 Vampire Chronicles by Anne Rice~Interview With The Vampire/The Witching Hour/The Queen of the Damned/Merrick/The Vampire Lestat/Vittorio the Vampire/Taltos Lives of the Mayfair Witches/Violin by Anne Rice Interview With the Vampire / The Vampire Lestat / Queen of the Damned / The Tale of the Body Thief / Memnoch the Devil / The Vampire Armand / Merrick by Anne Rice ContainsIs retold inHas the adaptationInspiredHas as a reference guide/companion
Fantasy.
Fiction.
Horror.
Thriller.
HTML:40th ANNIVERSARY EDITION ? From the #1 New York Times bestselling author, "a magnificent, compulsively readable thriller...Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth??the education of the vampire? (Chicago Tribune). ? The inspiration for the hit television series The time is now. We are in a small room with the vampire, face to face, as he speaks??as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . . He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir??young, romantic, cultivated??to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless," life . . . learning first to sustain himself on the blood of cocks and rats caught in the raffish streets of New Orleans, then on the blood of human beings . . . to the years when, moving away from his final human ties under the tutelage of the hated yet necessary Lestat, he gradually embraces the habits, hungers, feelings of vampirism: the detachment, the hardened will, the "superior" sensual pleasures. He carries us back to the crucial moment in a dark New Orleans street when he finds the exquisite lost young child Claudia, wanting not to hurt but to comfort her, struggling against the last residue of human feeling within him . . . We see how Claudia in turn is made a vampire??all her passion and intelligence trapped forever in the body of a small child??and how they arrive at their passionate and dangerous alliance, their French Quarter life of opulence: delicate Grecian statues, Chinese vases, crystal chandeliers, a butler, a maid, a stone nymph in the hidden garden court . . . night curving into night with their vampire senses heightened to the beauty of the world, thirsting for the beauty of death??a constant stream of vulnerable strangers awaiting them below . . . We see them joined against the envious, dangerous Lestat, embarking on a perilous search across Europe for others like themselves, desperate to discover the world they belong to, the ways of survival, to know what they are and why, where they came from, what their future can be . . . We follow them across Austria and Transylvania, encountering their kind in forms beyond their wildest imagining . . . to Paris, where footsteps behind them, in exact rhythm with their own, steer them to the doors of the Théâtre des Vampires??the beautiful, lewd, and febrile mime theatre whose posters of penny-dreadful vampires at once mask and reveal the horror within . . . to their meeting with the eerily magnetic Armand, who brings them, at last, into intimacy with a whole brilliant and decadent society of vampires, an intimacy that becomes sudden terror when they are compelled to confront what they have feared and fled . . . In its unceasing flow of spellbinding storytelling, of danger and flight, of loyalty and treachery, Interview with the Vampire bears witness of a lit No library descriptions found.
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![]() GenresMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC ClassificationRatingAverage:![]()
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