Margo Jefferson

We have been told to be aware of the “one story”, and Ms. Jefferson’s unflinchingly frank memoir of the black elite is a well-needed puzzle piece to add to the complexities of the race discussion. Ms. Jefferson, whose work as a cultural critic has garnered her recognition and prizes, turns the lens towards herself as she looks over the privileges, the constraints, the changes of her life with affection, openness, and analysis. To set the tone of the book, the author defines show more “Negroland” to the reader and provides a history of the black elite. The format of the book worked well for me, it is told in the first-person and third-person perspective which allows the reader to be informed of the events that influenced not only the author but anyone who came of age in the 1960s and 1970s, and also to be intimate with the specifics of the author’s life within her world. But identity is a complicated group characteristic often defined by others yet is a wholly individual as each of us defines who am I. The author honestly looks at this as she is coming of age where the Civil Rights Movement and Feminist Movement uprooted the rules of race, class and gender and how our own individual ambitions were at times outside of what others expected of us. I ran a gamut of emotions when reading this thought-provoking book and for me there was much I could I identify with. Beautifully written and in a voice that is precise, courageous and dazzling as it looks at the challenges, tensions, and strategies of a particular time, I recommend this emotive memoir to all interested in understanding from where we come. show less

Margo Jefferson's Negroland is a memoir of growing up in 1950s Chicago as a member of the "Talented Tenth" or the "Third Race"—upper-middle-class Black people whose very successes made them all the more conscious of race, class, and the visible performance of respectability. Jefferson's prose is cool and crisp and consciously analytical, sometimes wry, sometimes rueful; she shies away from the more lurid sharing of intimacies that characterises other memoirs. Yet despite that there is show more something vulnerable and raw in this book, as Jefferson lays out the mental burden imposed on her and other Black people by constantly reckoning with racial injustice, with class issues, with gender roles. An engrossing read. show less

My interest in this audiobook waxed and waned but, by the end, I was sure glad I listened. It was such an eye-opening look at middle- and upper-middle class African Americans, many who could pass or almost pass for white, from the POV of one who lived it.

This apparent need for human hierarchies reminded me of an incident at my all-white elementary school in the late 50s. In first grade, when my blond hair turned brown, I was no longer allowed to be an angel in the Christmas play. That role show more was reserved for blonds. But since my eyes were blue, I could be a runner-up angel. I didn't think much about it then but I sure do now.

My mother passed for white, despite her dark hair and eyes and olive skin. As did her mother, who had lighter skin than her own daughter and married a white man. Genetics can throw surprises. But my mom still passed. My great-grandmother couldn't pass, not on the street or in the census, though she illegally married the white man she lived with after they had two daughters. And they stayed married for life.

So this book brought up a lot of my own family issues. I never knew of my African roots till DNA tests in middle age and, later, genealogy records. I never lived the life of Margo Jefferson as I was raised white in a white world. By the time of the DNA tests, both my parents were long gone. Did my mom harbor a secret? Or my grandmother? Did they ever live in "Negroland"? I'll never know.

My mom was in the WWII generation when it was important to be white. Too bad for her. My sister and I, who did the DNA tests, came of age in the civil rights era of the 60s and we thought the test results were very cool. No secret here. I tell people all the time -- probably too many as I won't shut up! -- including my own adopted brown daughters. Who wants to be boring and white? Knowing, of course, that I enjoy all the fun and none of the discrimination. So please forgive my hypocrisy.

Thanks to Margo for bringing up all these issues. It seemed like she and her family were trapped between two worlds and didn't fit into either. The book was a huge contribution to my increasing education about the Black experience.

Recommended to all, regardless of your roots! show less

This book is marketed as a memoir but I'd maybe describe it more as an observed history or the psychological unpacking of one woman's black identity. I loved Jefferson's writing style from the jump. She is so clearly smarter than me, more well read and more cultured than me. I love the flexing. I love that when I give this a closer second read, I'll have a long list of writers and musicians and historical figures to check out. Jefferson is writing about a history that she has a personal show more vested interest in, she has a point to make and her use of language is so intentional and pointed. When she simply described a historical event as "white people instigated riots," I knew I'd rate this highly. On top of the intellectual flexing and the pointed language, Jefferson is also hella funny. Sometimes she does these asides, these dramatic reenactments that I found hilarious. But again, sometimes its just her use of language, her quippy expressions of thought that had me laughing out loud and rewinding the audiobook to play back. Her writing actually reminded me if Cristina Rivera Garza's writing in Grieving. Garza's writing lacked this level of humor though.

As for content...this book honestly felt like it was written for black audiences, which I appreciate, because its talking about complex issues in the black community. A super simplified summary is that Negroland was/is a class of people who believed in exceptionalism as a solution to most of the racial woes they experienced from being black in America. Jefferson describes what it was like growing up in that environment and the sort of residue it left on her psyche as she matured.

As a lower middle class black kid who went to predominantly white schools in the 90s and early 00s, Negroland is still incredibly relatable. As a child growing up in that environment there is just a lot you're learning on your own, that your parents are teaching you, and that your parents are trying to protect you from racially. Every kid who grows up in a similar situation probably has a memoir's worth of stuff to unpack, so it was nice seeing Jefferson unpack it, acknowledging her flaws and the mistakes she made along the way, and then finally releasing it and moving on.

From a historical/social commentary perspective, I think this provides a treasure trove of unsung heroes, stories, and insight. While more of this generation sees the problems with exceptionalism as a solution, the core issues that supported that idea are why there are still so many conversations about the success of white mediocrity. Like the core issue of the oppression of black has never disappeared in America and Jefferson's story represents one segment of a generation's attempt to solve it. I also think as my own generation has moved away from this idea, its been easy for us to forget just how hard our parents and grandparents were grinding to make this a tolerable country to live in for us. Even if this group was wrong in wanting to be "better" than the average black person, the good they did can't be dismissed. They were the politicians, they were on the different boards, they were integrating neighborhoods. They were living up to whatever white standard was in place so they could get their foot in the door. U.S. culture has changed so much in the last eighty years, and we owe at least part of that to them.

So, yeah, absolutely loved this. Its the history of one segment of a black generation that we don't have enough stories about. show less