A Monster Calls
by Patrick Ness
On This Page
Description
Thirteen-year-old Conor awakens one night to find a monster outside his bedroom window, but not the one from the recurring nightmare that began when his mother became ill--an ancient, wild creature that wants him to face truth and loss.Tags
Recommendations
Member Recommendations
Ciruelo Each book features a young adult facing a crisis and helped through this time by a supernatural being.
20
nsblumenfeld One's a novel, the other a comic, but both are excellent and devastating stories of grief.
keremix I don't wanna give spoilers, but for me it was hard to miss the things these two books have in common.
elenchus A Monster Calls and Jellaby share a similar premise, as well as thematic concerns with isolation and childhood depression. They're each illustrated, but the words are as important as the images (and vice versa), and though they treat of sobering concerns, are ultimately good-hearted and optimistic.
DODO by Felipe Nunes
elenchus Ness's A Monster Calls and Nunes's Dodo share a broadly similar premise, and a serious consideration of the world as seen by hurt children. Dodo is perhaps suitable for younger readers, but both books are not cartoon-y nor simplistic. The aesthetics styles are distinct, too, though the use of dreamscapes and analogues are similar.
by Nickelini
Member Reviews
based on an idea by Siobhan Dowd
{stand alone; fantasy, magical realism, young adult, grief, dealing with illness, family}
Siobhan Dowd was an award winning children's author who died from breast cancer in 2007. She had the idea for this book, of a young boy with a mother very ill with cancer but did not get to write it before she died. Ness was asked to write the book, based on her idea. Reading it felt especially poignant knowing this background.
This book was heart-wrenching and so well written, but I don't know if I could read it again. It is told (in the third person) from the point of view of thirteen year old Connor O'Malley - an ordinary, decent boy, easy to identify with - whose mother is very sick. She has been through a few show more rounds of treatment, obviously for cancer, but the current round doesn't seem to be helping as well as it should. Connor's dad is out of the picture, having remarried and moved to America and his mum's mum is a no-nonsense sort of person whom Connor doesn't get on with at all (though we can see she does care about him). Meanwhile, Connor feels ostracised at school because everyone found out that his mum is sick and they walk on eggshells around him - except for Harry and his followers who constantly bully Connor.
But that's not the worst of it. Connor has a recurring nightmare, of darkness and hands slipping from his grasp which has him waking screaming in terror. So when the yew tree at the top of the hill that his mother always gazes at turns into a monster and breaks into his room, Connor isn't scared (which bewilders the monster a bit).
The monster will tell Connor three stories and the fourth, well the fourth one will have to come from Connor and will be the story of his nightmare. And so we live Connor's life with him, at home, with his mum, at school, at night with the yew tree monster and even at the hospital.
Short and bitter-sweet. Beautifully written. I'm still dabbing at tears as I write this (and I never cry, I'll have you know).
Wikipedia tells me this was turned into a film in 2016 and later adapted into an award winning play. I see from other reviewers here that their versions had illustrations but, sadly, my e-book did not.
Recommended. When you're ready.
(May 2024)
5 stars show less
{stand alone; fantasy, magical realism, young adult, grief, dealing with illness, family}
Siobhan Dowd was an award winning children's author who died from breast cancer in 2007. She had the idea for this book, of a young boy with a mother very ill with cancer but did not get to write it before she died. Ness was asked to write the book, based on her idea. Reading it felt especially poignant knowing this background.
This book was heart-wrenching and so well written, but I don't know if I could read it again. It is told (in the third person) from the point of view of thirteen year old Connor O'Malley - an ordinary, decent boy, easy to identify with - whose mother is very sick. She has been through a few show more rounds of treatment, obviously for cancer, but the current round doesn't seem to be helping as well as it should. Connor's dad is out of the picture, having remarried and moved to America and his mum's mum is a no-nonsense sort of person whom Connor doesn't get on with at all (though we can see she does care about him). Meanwhile, Connor feels ostracised at school because everyone found out that his mum is sick and they walk on eggshells around him - except for Harry and his followers who constantly bully Connor.
But that's not the worst of it. Connor has a recurring nightmare, of darkness and hands slipping from his grasp which has him waking screaming in terror. So when the yew tree at the top of the hill that his mother always gazes at turns into a monster and breaks into his room, Connor isn't scared (which bewilders the monster a bit).
The monster's eyes widened. Who am I? it said, its voice getting louder. Who am I?When is a monster not a monster?
The monster seemed to grow before Conor's eyes, getting taller and broader. A sudden, hard wind swirled up around them, and the monster spread its arms out wide, so wide they seemed to reach to opposite horizons, so wide they seemed big enough to encompass the world.
I have had as many names as there are years to time itself! roared the monster. I am Herne the Hunter! I am Cernunnos! I am the eternal Green Man!
A great arm swung down and snatched Conor up in it, lifting him high in the air, the wind whirling around them, making the monster's leafy skin wave angrily.
Who am I? the monster repeated, still roaring. I am the spine that the mountains hang upon! I am the tears that the rivers cry! I am the lungs that breathe the wind! I am the wolf that kills the stag, the hawk that kills the mouse, the spider that kills the fly! I am the stag, the mouse and the fly that are eaten! I am the snake of the world devouring its tail! I am everything untamed and untameable! It brought Conor up close to its eye. I am this wild earth, come for you, Conor O'Malley.
"You look like a tree," Conor said.
The monster squeezed him until he cried out.
I do not often come walking, boy, the monster said, only for matters of life and death. I expect to be listened to.
The monster loosened its grip and Conor could breathe again. "So what do you want with me?" Conor asked.
The monster gave an evil grin. The wind died down and a quiet fell. At last , said the monster. To the matter at hand. The reason I have come walking.
The monster will tell Connor three stories and the fourth, well the fourth one will have to come from Connor and will be the story of his nightmare. And so we live Connor's life with him, at home, with his mum, at school, at night with the yew tree monster and even at the hospital.
Short and bitter-sweet. Beautifully written. I'm still dabbing at tears as I write this (and I never cry, I'll have you know).
Wikipedia tells me this was turned into a film in 2016 and later adapted into an award winning play. I see from other reviewers here that their versions had illustrations but, sadly, my e-book did not.
Recommended. When you're ready.
(May 2024)
5 stars show less
Much has been made of the opening paragraph of this slender YA book: “The monster showed up after midnight. As they do.” But they weren’t the lines that most struck me in this excellent, though-provoking novella.
They come when Conor is threatened by this monster, who is not the one he’d expected: ”Shout all you want,” Conor shrugged, barely raising his voice. “I’ve seen worse.”
And, indeed, although just 13, Conor really has seen worse than a philosophical yew monster: his parents’ divorce, his father’s emigration to America with a new wife, his mother’s cancer making her bald and nauseous, the ending of a life-long friendship — and something even worse.
To say anything more would be to ruin the enjoyment of this show more incredibly moving book, great for anyone from teenager to senior citizen; let’s just that, in the hands of author Patrick Ness, the themes of the power of stories and the triumph of love over fear don’t emerge hackneyed at all.
Lastly, kudos to Jim Ness for some startlingly effective black-and-white illustrations. show less
They come when Conor is threatened by this monster, who is not the one he’d expected: ”Shout all you want,” Conor shrugged, barely raising his voice. “I’ve seen worse.”
And, indeed, although just 13, Conor really has seen worse than a philosophical yew monster: his parents’ divorce, his father’s emigration to America with a new wife, his mother’s cancer making her bald and nauseous, the ending of a life-long friendship — and something even worse.
To say anything more would be to ruin the enjoyment of this show more incredibly moving book, great for anyone from teenager to senior citizen; let’s just that, in the hands of author Patrick Ness, the themes of the power of stories and the triumph of love over fear don’t emerge hackneyed at all.
Lastly, kudos to Jim Ness for some startlingly effective black-and-white illustrations. show less
We all have our monsters to face, just as we all have our truths.
In the darkness and silence of a little past midnight, Conor rips himself from the clutches of a nightmare. One that has taken up seemingly endless residence in his sleeping brain without the benefit of its clutches lessening over time. As his senses awaken and the nightmare slides away from him, he becomes aware that there's an oddness to the silence surrounding him. Something he can't quite put his finger on but notices all the same. Soon, Conor's name seems to drift in on the unseasonably warm October air slipping in at his open window. Again and again he's called; he answers.
Patrick Ness' A Monster Calls isn't what I expected. I went into the read having never show more encounter Ness' work before and not realizing it was a YA novel. My interest was piqued when it was selected as a recent group read but I wasn't able to sit down with it until yesterday. From the title and cover, I assumed it would be something atmospheric and suspenseful; a perfect read for the first day that has finally felt a bit like fall and deserving the companionship of a hot cup of apple cider. I certainly didn't expect raw and reddened emotions and the whispers of past monsters to start tumbling about.
We quickly learn that Conor's mom is very sick and has been for a very long time. Her illness is never named but it grows, consumes, and devastates in its wake, leaving her tired and in pain. Conor is pushed ever nearer to the gaping precipice that is a parent's mortality by being ostracized at school. He is torn between being trapped in the awkward singled-out spotlight of those teachers and old friends who wish to say something but haven't the words and the invisibility that they've cloaked him in as this awkwardness grows. He's also become the target of a trio of bullies and each day brings a new round of bloodied nose and knees and their cavalierly bandied abuse concerning both Conor's person and his mother.
As Conor's monster says, "humans are complicated beasts."
Ness communicates the drudge and toll of Conor's days so well that I couldn't help being yanked into a few memories. I was seven when my dad died; he was sick for a little over a year before his death. Death was still a vagary for me at that point. I knew what it was, to an extent. It was more my dad's growing depression and fear that resonated with me. That was what I wanted so desperately to right, the only wound I could address with hugs and good behavior. Silly ripples that defied the ache of a certainty that made no sense.
I was lucky; the bullying didn't start for me until after my dad died. I didn't hear the first mixture of "your dad died because he couldn't bear to be around you" until I was already plenty numb. It wasn't anything I wasn't already saying to myself in a childish bid to rectify the guilt of living. I tended to hug my invisibility to me; when I stopped being me and started being 'the fat girl whose dad died,' there was comfort in the remove just as there was anger, futile and roiling anger. A continual fume and mute mutation.
Again, humans are complicated beasts...; even the most nonsensical of their actions reverberate. And bullying will always have safe harbor in the realm of the nonsensical for me.
As the monster also says, "Stories are important [...]. They can be more important than anything. If they carry the truth."
Conor's confrontation with his truth is so vital, so defining. Ness' entire premise in A Monster Calls is vital; this is a book I would have wished for as that little girl, it's a monster I would have gladly called. Please, come and get me.
I say all this to end with: this is a completely biased review. I don't think its emotional relevance to my personal experience eclipses the fact that Ness' narrative is strongly written. I think its emotional relevance would be significantly dampened if it wasn't written so well. Ness skillfully marries modern tone and lore, he captures his main character's voice and the emotionally charged atmosphere of each development in plot to a point that it's easy to become engrossed in/to relate to each character in turn. This review is biased because it ripped a tiny part of me open and I loved it for that. With future revisits I may have a more critical eye. I sincerely doubt it but we'll leave that end of things open for now. show less
In the darkness and silence of a little past midnight, Conor rips himself from the clutches of a nightmare. One that has taken up seemingly endless residence in his sleeping brain without the benefit of its clutches lessening over time. As his senses awaken and the nightmare slides away from him, he becomes aware that there's an oddness to the silence surrounding him. Something he can't quite put his finger on but notices all the same. Soon, Conor's name seems to drift in on the unseasonably warm October air slipping in at his open window. Again and again he's called; he answers.
Patrick Ness' A Monster Calls isn't what I expected. I went into the read having never show more encounter Ness' work before and not realizing it was a YA novel. My interest was piqued when it was selected as a recent group read but I wasn't able to sit down with it until yesterday. From the title and cover, I assumed it would be something atmospheric and suspenseful; a perfect read for the first day that has finally felt a bit like fall and deserving the companionship of a hot cup of apple cider. I certainly didn't expect raw and reddened emotions and the whispers of past monsters to start tumbling about.
We quickly learn that Conor's mom is very sick and has been for a very long time. Her illness is never named but it grows, consumes, and devastates in its wake, leaving her tired and in pain. Conor is pushed ever nearer to the gaping precipice that is a parent's mortality by being ostracized at school. He is torn between being trapped in the awkward singled-out spotlight of those teachers and old friends who wish to say something but haven't the words and the invisibility that they've cloaked him in as this awkwardness grows. He's also become the target of a trio of bullies and each day brings a new round of bloodied nose and knees and their cavalierly bandied abuse concerning both Conor's person and his mother.
As Conor's monster says, "humans are complicated beasts."
Ness communicates the drudge and toll of Conor's days so well that I couldn't help being yanked into a few memories. I was seven when my dad died; he was sick for a little over a year before his death. Death was still a vagary for me at that point. I knew what it was, to an extent. It was more my dad's growing depression and fear that resonated with me. That was what I wanted so desperately to right, the only wound I could address with hugs and good behavior. Silly ripples that defied the ache of a certainty that made no sense.
I was lucky; the bullying didn't start for me until after my dad died. I didn't hear the first mixture of "your dad died because he couldn't bear to be around you" until I was already plenty numb. It wasn't anything I wasn't already saying to myself in a childish bid to rectify the guilt of living. I tended to hug my invisibility to me; when I stopped being me and started being 'the fat girl whose dad died,' there was comfort in the remove just as there was anger, futile and roiling anger. A continual fume and mute mutation.
Again, humans are complicated beasts...; even the most nonsensical of their actions reverberate. And bullying will always have safe harbor in the realm of the nonsensical for me.
As the monster also says, "Stories are important [...]. They can be more important than anything. If they carry the truth."
Conor's confrontation with his truth is so vital, so defining. Ness' entire premise in A Monster Calls is vital; this is a book I would have wished for as that little girl, it's a monster I would have gladly called. Please, come and get me.
I say all this to end with: this is a completely biased review. I don't think its emotional relevance to my personal experience eclipses the fact that Ness' narrative is strongly written. I think its emotional relevance would be significantly dampened if it wasn't written so well. Ness skillfully marries modern tone and lore, he captures his main character's voice and the emotionally charged atmosphere of each development in plot to a point that it's easy to become engrossed in/to relate to each character in turn. This review is biased because it ripped a tiny part of me open and I loved it for that. With future revisits I may have a more critical eye. I sincerely doubt it but we'll leave that end of things open for now. show less
When a boy refuses to grow up, he visits the monsters. When a boy needs to grow up, the monster comes to him.
The clock hits 12:07AM and Conor O'Malley is visited by a Monster, but it's not the one he was expecting. This isn't the monster from his nightmare. It's not the monster that's slowly taking his mother's life. This monster is here because Conor unwittingly called upon him.
Taking a story idea from the late Siobhan Dowd, Patrick Ness has created a most memorable monster. A Monster Calls is horrific, harrowing tale of a thirteen-year-old boy being forced to grow up as he watches his mother slowly succumb cancer. When the monster awakens him at 12:07AM, Conor doesn't get what he expects. Instead of the punishment he longs for, the show more monster comes bearing three tales and expecting the fourth tale to come form Conor's lips. The monster wants the truth, Conor's truth. But is Conor ready to accept his fears and admit what his nightmare really holds?
I know it's stereotype to think that a juvenile book contains no merit - even though I dislike J.K. Rowling, I will admit that Harry Potter holds some weight in the world of literature - A Monster Calls is the most powerful novel I've read this year thus far. It outmatches anything I read last year, as well. It's a curiosity on how Siobhan Dowd would have written it had she not passed on, but Patrick Ness doesn't fail in giving us this masterpiece. The illustrations within the book are beautiful in that haunting sort of way. show less
The clock hits 12:07AM and Conor O'Malley is visited by a Monster, but it's not the one he was expecting. This isn't the monster from his nightmare. It's not the monster that's slowly taking his mother's life. This monster is here because Conor unwittingly called upon him.
Taking a story idea from the late Siobhan Dowd, Patrick Ness has created a most memorable monster. A Monster Calls is horrific, harrowing tale of a thirteen-year-old boy being forced to grow up as he watches his mother slowly succumb cancer. When the monster awakens him at 12:07AM, Conor doesn't get what he expects. Instead of the punishment he longs for, the show more monster comes bearing three tales and expecting the fourth tale to come form Conor's lips. The monster wants the truth, Conor's truth. But is Conor ready to accept his fears and admit what his nightmare really holds?
I know it's stereotype to think that a juvenile book contains no merit - even though I dislike J.K. Rowling, I will admit that Harry Potter holds some weight in the world of literature - A Monster Calls is the most powerful novel I've read this year thus far. It outmatches anything I read last year, as well. It's a curiosity on how Siobhan Dowd would have written it had she not passed on, but Patrick Ness doesn't fail in giving us this masterpiece. The illustrations within the book are beautiful in that haunting sort of way. show less
I wish there were 10 star ratings to give this one a 10+1. This is one seriously good book narrated by a 13 year old boy (Conor) and the dark path he has to go down because his mother is dying of cancer. The illustrations are pretty good; but the real gem here is the story. This book really made an impact on me because whenever I had read a story of someone dying, I would really get into what the person dying was going through and suffered their story and always ended up terrified of death. This book however made me look at it the other way around: how when we depart, our loved ones are the ones that take all the weight of it on their shoulders. I mean: when we're gone, we're dead and no longer feel the grief and sorrow, no? This book show more made me see how much it would tear my son apart if I were to die while he is young. This is a top 10 must reads of all times: it stays with you longer after you're done reading through tears that last page. show less
This novel written for young adults (so NOT my favorite genre!) is, to quote my friend Megan, heart-wrenching goodness. Ness beautifully explores the grief of a young teenage boy losing his mother to cancer. But this book provides us with so much more. Through the voice of the monster, who visits young Conor routinely at 12:07am, Ness teaches the reader about some of the most basic longings of young (and not so young) adult humans: the need to be truly seen, and the gut-wrenching paradox that love and attachment are inextricably woven with pain and rage into one lovely cloth. These are themes that I have seen so dramatically explored in my work as a psychologist and, indeed, explored repeatedly in my own introspection. This novel is show more psychology applied with care and creativity. show less
Wow. I picked up this book after seeing the trailers in front of Fantastic Beasts and also Rogue One, I found myself mesmerized by it, so I knew I wanted to read it. And I was not disappointed. The writing was just beautiful, and it really sucked me in. I loved how Patrick Ness used the stories from the monster to shake Conor's understanding of the world. As an adult, the realities he learns in these stories are ones I have already discovered from experience but it was beautiful to see it put into story form. And I could relate with Conor's dissatisfaction in the way they were ending. Conor's story is told wonderfully, and even if we haven't been in the situation that he is in with his mother, you identify with him strongly. In the end show more when he has to face reality you understand his fears and I was left crying along with him. I don't think I've been this moved by a book in years, and I really loved it. show less
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ThingScore 100
"... it’s powerful medicine: a story that lodges in your bones and stays there." “A Monster Calls” is a gift from a generous storyteller and a potent piece of art.
added by RBeffa
The power of this beautiful and achingly sad story for readers over the age of 12 derives not only from Mr. Ness's capacity to write heart-stopping prose but also from Jim Kay's stunning black-ink illustrations. There are images in these pages so wild and ragged that they feel dragged by their roots from the deepest realms of myth.
added by RBeffa
It's also an extraordinarily beautiful book. Kay's menacing, energetic illustrations and the way they interact with the text, together with the lavish production values, make it a joy just to hold in your hand. If I have one quibble, it is with a line in the introduction where Ness says the point of a story is to "make trouble". It seems to me he has done the opposite here. He's produced show more something deeply comforting and glowing with – to use a Siobhan Dowd word – solace. The point of art and love is to try to shortchange that grim tax collector, death. Ness, Dowd, Kay and Walker have rifled death's pockets and pulled out a treasure. Death, it seems, is no disqualification. show less
added by souloftherose
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Author Information
44+ Works 29,604 Members
Patrick Ness was born on October 17, 1971 near Fort Belvoir, Virginia. He studied English Literature and is a graduate of the University of Southern California. He was a corporate writer before moving to London in 1999. He taught creative writing at Oxford University and is a literary critic and reviewer for the Guardian and other major show more newspapers. He is the author of eight novels including The Rest of Us Just Live Here and a short story collection entitled Topics About Which I Know Nothing. His young adult novels include the Chaos Walking trilogy, More Than This, and Monsters of Men, which won the Carnegie Medal. A Monster Calls won the Kate Greenaway Medal for illustration, the Carnegie Medal, and was made into a movie and released in October 2016. (Bowker Author Biography) show less
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Common Knowledge
- Canonical title
- A Monster Calls
- Original title
- A Monster Calls; A Monster Calls [Movie publishing]
- Original publication date
- 2011-05-05
- People/Characters
- Conor O'Malley; The Monster (a/k/a Herne the Hunter, Cernunnos, and the Green Man); Mum (mother of Conor O'Malley, former wife of Liam O'Malley); Grandma (grandmother of Conor O'Malley); Liam O’Malley; Lily Andrews (Lillian Andrews) (show all 15); Harry; Anton; Sully; Miss Kwan; Herne the Hunter (a/k/a The Monster, Cernunnos, and the Green Man); Cernunnos (a/k/a The Monster, Herne the Hunter, and the Green Man); Green Man (a/k/a The Monster, Herne the Hunter, and Cernunnos); The Green Man; Mrs. Marl
- Important places
- England, UK
- Related movies
- A Monster Calls (2016 | IMDb)
- Epigraph
- You're only young once, they say, but doesn't it go on
for a long time? More years than you can bear.
Hilary Mantel, An Experiment in Love - Dedication
- For Siobhan (Dowd)
- First words
- The monster showed up just after midnight. As they do.
I never got to meet Siobhan Dowd. (Author's Note) - Quotations
- You do not write your life with words, the monster said. You write it with actions. What you think is not important. It is only important what you do.
- Last words
- (Click to show. Warning: May contain spoilers.)And by doing so, he could finally let her go.
(Click to show. Warning: May contain spoilers.)Make trouble. (Author's Note) - Blurbers
- Rosoff, Meg; Pullman, Philip; Boyce, Frank Cottrell; Bray, Libba; Hoffman, Mary
- Original language
- English
- Canonical DDC/MDS
- 813.6
- Canonical LCC
- PZ7.N43843
Classifications
- Genres
- Tween, Fiction and Literature, Teen, Fantasy, Young Adult
- DDC/MDS
- 813.6 — Literature & rhetoric American literature in English American fiction in English 2000-
- LCC
- PZ7 .N43843 — Language and Literature Fiction and juvenile belles lettres Fiction and juvenile belles lettres Juvenile belles lettres
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