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Description

A miser learns the true meaning of Christmas when three ghostly visitors review his past and foretell his future.

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19th century (390) British (188) British literature (246) Charles Dickens (171) children (94) children's (92) Christmas (2,166) Christmas Carol (60) classic (1,053) classic fiction (83) classic literature (144) classics (1,184) Dickens (284) Dickens' A Christmas Carol (291) England (278) English (112) English literature (229) fantasy (275) fiction (2,094) ghost stories (132) ghosts (450) holiday (168) holidays (160) literature (486) London (95) Readers Arena (46) Scrooge (187) supernatural (48) UK (52) Victorian (225)

Recommendations

Member Recommendations

bell7 Les Standiford explores the many ways in which Dickens' "A Christmas Carol" affected our celebration of Christmas.
120
souloftherose The Haunted Man is the last of Charles Dickens' five Christmas tales and the one most like A Christmas Carol.
51
anonymous user The Greatest Gift is the book that was turned into It's a Wonderful Life, probably the second best Christmas story after A Christmas Carol!
21
keremix I don't wanna give spoilers, but for me it was hard to miss the things these two books have in common.
22
JenniferRobb Both have male protagonists who experience visions of the past and of the future and whose visions cause a behavioral change. Dickens's work is about Christmas while Kingsbury's is not.
11
JenniferRobb Both books look at three different periods in the main characters life. In Dickens it is past, present, and future. In Blount, it is childhood, adulthood, and old age.
12
Voracious_Reader Sweet, short Christmas story. Not a similar plot to A Christmas Carol, but I find it more enjoyable.
01
JenniferRobb OK, so Dickens doesn't have as many children in the main part of his novel, but the story is so much better than Dailey's.
JenniferRobb Both books feature characters who have dreams/visions of times in their lives and end up changed.
03

Member Reviews

631 reviews
If I were to guess how many times I’ve read this book, I’d say somewhere in the neighborhood of 25 times. I read it to my children when they were growing up. I read it to other people’s children. I’ve listened to it numerous times. (My favorite recording is by the great actor, Patrick Stewart)

This novella is considered by some as one of the best books ever written. I would include myself among those who think it so. Dickens entertains us with a wonderful story of redemption that is full of suspense, the supernatural, crisp action, thick, vivid atmosphere, and of course, Christmas.
There is a philosophy of living here that Dickens sums up as “keeping Christmas”. Something akin to the Golden Rule, he has Scrooge learning the show more proper way to live--in service to his fellow man--not just at that festive time of year when it seems easier because of the spirits of Christmas past, present, and future, but all the way through the year. It’s a lesson that even the most generous among us should reflect upon regularly, but more so, those who have become hardened by this often harsh and unfair world we call home.

If you only know the story through films and plays, you are missing quite a lot of the beauty of this masterpiece. Dickens penned the story hurriedly in 1843, yet it is perhaps his finest work. It can be argued that the publication of this tale and its subsequent reprintings and theatrical versions have done more to influence the joys of the season than the spirits themselves.
If you’ve never read it, do yourself a favor. Dickens certainly knew what he was about.
And as Tiny Tim said, “God bless us, everyone.”
show less
A Masterpiece Alongside Two Failures: An Uneven Collection

A Christmas Carol is a five-star masterwork—a story with perfect unity of plot and profound emotional power. Dickens crafted something that works on multiple levels simultaneously: ghost story, moral fable, and deeply human portrait of transformation. The structure is elegant, the characterisation vivid, and reading it in one sitting (as Dickens intended for his public readings) delivers a genuinely moving experience. For anyone who's experienced conversion or recovery, Scrooge's journey resonates with particular force. The story's core—everyone deserves a chance to change and put things right—is delivered through imaginative experience rather than didactic preaching.

This show more Capstone Classics edition, however, pairs Carol with two of Dickens's lesser Christmas books: The Chimes and The Cricket on the Hearth. Both demonstrate why A Christmas Carol became the enduring classic while these faded into obscurity. The Chimes lacks coherent unity—I finished it wondering what actually happened. The Cricket on the Hearth muddles its characters (I struggled to tell them apart) and offers a confused plot involving people making assumptions about their beloveds, but the threads never cohere.

Tom Butler-Bowdon's introduction acknowledges the story's multiplicity without reducing it to mere allegory, though he does impose an economic-political framework—reading Scrooge as representing "the worst of free-market capitalism"—that risks flattening a psychologically complex character into a symbol.

Read this edition for A Christmas Carol, which alone justifies the purchase. The companion stories are historical curiosities that highlight why masterpieces are rare, even from great authors.
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Ah, revisiting the past by revisiting the past. :)

Just in time for Xmas, I've successfully read this story to my daughter on Xmas eve. Is six too young for the original? Not at all. She cried when Tiny Tim died, freaked out when Scrooge got to see his gravestone.

Ahhh, what says Xmas more than a bunch of time-and-space traveling ghosts kicking your butt and telling you to stop being such a dick!?

NOTHING.

Merry Christmas one and all, and to all, a good night!
How do I review such a widely-beloved classic? What more is there to say?

This story never gets old. Its ideas are still relevant today, its characters still charming, its ghosts still impressive. Its portrait of Christmas celebrations still delights readers and shapes their own festivities. This is a tale of magic—of regret, redemption, hope, and love. It is heartwarming and uplifting and life-affirming. I like that Scrooge’s change doesn’t happen all at once: he is already wishing that he had been kinder while he’s with the ghost of Christmas Past. I also like that Scrooge, by some standards, was always doing some things right. He mourned for his friend Jacob when no one else did, he always strove to be straightforward in his show more business dealings, and he never lied or cheated. He was always honest, even to the point of rudeness. It is implied (though not stated) that he would have tried to help Tiny Tim earlier if he’d only known of his condition. The whole point is that it wasn’t enough for Scrooge not to hurt anyone: he needed to actively help others. His wake-up call transformed his life. Finally, I like the idea that it’s never too late to change. And when Scrooge’s adventure is over, Dickens creates the perfect euphoric atmosphere. What a glorious tale! show less
The idea of actually reading a story as omnipresent as A Christmas Carol always seemed a bit redundant to me. The story and its characters have infused Western Culture to such an extent that they’ve become archetypes, and the plot a formula. But this year I picked up a Penguin Classics edition of Dickens Christmas stories at a thrift store and so it found its way onto my shelf. I’ve been meaning to get around to reading some Dickens for a few years now; like this story, I sort of assumed that there was nothing for me to learn from an author that already seemed to have sublimated into the culture. As I’ve gotten older, I’ve learned that classics are classics for a reason, and are often much stranger and more interesting than show more their offshoots would lead you to believe.
The most striking thing about this story is how scary it is. The ghosts are described in an almost psychedelic, hallucinatory way, and at the introduction of each subsequent phantom I was amazed at the vividness of Dickens’ . It speaks to the paucity of the modern imagination that is seems incredible he could fashion such imagery with only words, and without having seen the fruits of art and technology that have made the kind of thing he is describing cheap and common with the advent of film and computer generated imagery.
I’m also struck by the presence of Death stalking all of these pages. Adaptations focus on Scrooge’s redemption arc, but they often leave out what is the most disturbing revelation he has on his journey, and which Dickens is reminding us all of: we will all die. Scrooge’s greed and stinginess is merely a symptom of a denial of death, a hoarding of worldly good at the expense of what is truly precious in life.
show less
The only Dickens I've ever read. This story has become part of our cultural lexicon much more than most other classics, but reading the original version gave me a better insight into the moral and messages, beyond the top layer that everyone knows about. I think this book better encapsulates what should be "the Christmas spirit" than any holiday special will ever be able to do. Familiar, comforting, and moving... and excellently narrated by Jim Dale, who was flawless as always.
I really loved reading A Christmas Carol. From start to finish, it kept me completely engaged and even made me feel like I was on the journey with Scrooge. I loved seeing how his character changed from being cold and selfish to kind and generous—it was satisfying and inspiring.
What I enjoyed most was how emotional the story is. The ghosts made the lessons feel real and urgent, and I found myself thinking about my own life as I read. The way Dickens describes the festive atmosphere, the struggles of the poor, and the warmth of family made the story feel alive and timeless.

By the end of the story, I was genuinely happy for Scrooge, and it left me with a warm feeling and a reminder of the importance of generosity, compassion, and show more change.

Overall, I can honestly say I really, really liked A Christmas Carol. It’s a story I would happily read again every Christmas, and it’s one that stuck with me long after I finished it.
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Talk Discussions

Current Discussions

Christmas Carol LE? in Folio Society Devotees (December 2025)

Past Discussions

Lyra's Christmas Carol in Fine Press Forum (December 2023)
Lyra's Books A Christmas Carol in Fine Press Forum (January 2022)
Book covers - A Christmas Carol in Tattered but still lovely (December 2014)
Charles Dickens on U.S. debt in Pro and Con (May 2011)
DISCUSS "A CHRISTMAS CAROL" HERE in The Green Dragon (January 2007)
The "A Christmas Carol" Reading and Discussion Thread in The Green Dragon (December 2006)

Author Information

Picture of author.
Author
2,578+ Works 313,139 Members
Charles Dickens, perhaps the best British novelist of the Victorian era, was born in Portsmouth, Hampshire, England on February 7, 1812. His happy early childhood was interrupted when his father was sent to debtors' prison, and young Dickens had to go to work in a factory at age twelve. Later, he took jobs as an office boy and journalist before show more publishing essays and stories in the 1830s. His first novel, The Pickwick Papers, made him a famous and popular author at the age of twenty-five. Subsequent works were published serially in periodicals and cemented his reputation as a master of colorful characterization, and as a harsh critic of social evils and corrupt institutions. His many books include Oliver Twist, David Copperfield, Bleak House, Great Expectations, Little Dorrit, A Christmas Carol, and A Tale of Two Cities. Dickens married Catherine Hogarth in 1836, and the couple had nine children before separating in 1858 when he began a long affair with Ellen Ternan, a young actress. Despite the scandal, Dickens remained a public figure, appearing often to read his fiction. He died in 1870, leaving his final novel, The Mystery of Edwin Drood, unfinished. (Bowker Author Biography) show less

Some Editions

Innocenti, Roberto (Illustrator)
Aisato, Lisa (Illustrator)
Altın, Sami (Translator)
Altena, Ernst van (Translator)
Amato, B. (Editor)
Anttila, Werner (Translator)
Aquilano, Mariela (Translator)
Aragão, Alexandra (Translator)
Atwood, Margaret (Introduction)
Aya, Emilio Olcina (Translator)
Baker, Tom (Narrator)
Ballini, Frida (Translator)
Bandol, Justina (Translator)
Barkóczi András (Translator)
Barrymore, Lionel (Introduction)
Beck, Charles (Illustrator)
Bedford, Francis D. (Illustrator)
Blake, Quentin (Illustrator)
Brock, C. E. (Illustrator)
Buckinx, Théo (Translator)
Carofiglio, Gianrico (Introduction)
Churberg, Waldemar (Translator)
Colombo, Ruth (Introduction)
Coolen, Anton (Translator)
Curry, Tim (Narrator)
Dale, Jim (Narrator)
Davidson, Bertha (Illustrator)
Díaz, José (Translator)
de Goy, André (Translator)
Doré, Gustave (Illustrator)
Downer, Maggie (Illustrator)
Dunn, Charles (Illustrator)
Enhörning, Eva (Translator)
Eytinge, Sol (Illustrator)
Fehr, Maria Luisa (Translator)
Feld, Leo (Translator)
Ferrero, Sergio (Translator)
Flint, Russ (Illustrator)
Flix (Illustrator)
Fluck, Peter (Illustrator)
Foreman, Michael (Illustrator)
French, Vivian (Adaptor)
Garcia, Laura (Narrator)
Geißler, Trude (Translator)
Glazer, Mitch (Introduction)
Grazzi, Emanuele (Translator)
Helquist, Brett (Illustrator)
Hesse, Karen (Introduction)
Hildebrandt, Greg (Illustrator)
Holmberg, Nils (Translator)
Hoog, Else (Translator)
Horowitz, Anthony (Introduction)
Hyman, Trina Schart (Illustrator)
Imsand, Marcel (Photographer)
Ingpen, Robert (Illustrator)
Innocenti, Roberto (Illustrator)
Jacobi, Derek (Narrator)
Jones, John Lawrence (Illustrator)
Keller, Arthur I. (Illustrator)
Kolb, Carl (Translator)
Kredel, Fritz (Illustrator)
Kriegel, Volker (Illustrator)
Law, Roger (Illustrator)
Lederer, Wolfgang (Illustrator)
Leech, John (Illustrator)
Lesser, Anton (Narrator)
Loe, Erlend (Translator)
Lorain, Paul (Translator)
Lund, Stefan (Translator)
Lynch, P.J. (Illustrator)
Maraja, Libico (Illustrator)
Marks, Alan (Illustrator)
Masini, Beatrice (Translator)
Mateus, Carlos Ardila (Illustrator)
Noble, Peter (Narrator)
Orr, Monroe S. (Illustrator)
Palmer, Geoffrey (Narrator)
Pedraza, Juan Manuel (Illustrator)
Peppé, Mark (Illustrator)
Pober, Arthur (Editor)
Prebble, Simon (Narrator)
Rackham, Arthur (Illustrator)
Rice, James (Illustrator)
Schönfeld, Eike (Translator)
Searle, Ronald (Illustrator)
Sestito, Marisa (Introduction)
South, Anna (Afterword)
Stalner, Jean-Marc (Illustrator)
Stewart, Patrick (Narrator)
Sturrock, Walt (Illustrator)
Tabor, Alan (Illustrator)
Taylerson, Kareen (Illustrator)
Torvinen, Jukka (Translator)
Valkonen, Tero (Translator)
Veenbaas, Jabik (Translator)
Vittum, Henry E. (Contributor)
Vogel, Malvina (Adapter)
Weise, Arne (Narrator)
Westcott, Martyn (Translator)
Wilton, Charles (Illustrator)
Winter, Milo (Illustrator)
Worsley, John (Illustrator)
Zwerger, Lisbeth (Illustrator)

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Common Knowledge

Canonical title
A Christmas Carol
Original title
A Christmas Carol
Alternate titles*
Canto di Natale; Racconto di Natale
Original publication date
1843-12-17
People/Characters
Ebenezer Scrooge; Jacob Marley (Scrooge's late partner); Tiny Tim Cratchit; Bob Cratchit (Scrooge's clerk); Ghost of Christmas Past; Ghost of Christmas Present (show all 15); Ghost of Christmas Yet to Come; Fred (Scrooge's Nephew); Martha Cratchit (Bob's oldest daughter); Belinda Cratchit (Bob's second daughter); Peter Cratchit (Bob's oldest son); Fan Scrooge (Ebenezer's sister, after marriage, Fred's mother); Mr. Fezziwig (Scrooge's employer when he was an apprentice); Dick Wilkins (Fezziwig's other apprentice); Belle [A Christmas Carol] (love interest of Ebenezer Scrooge)
Important places
London, England, UK; Camden Town, London, England, UK; Scrooge's office, London, England, UK; Scrooge's house, London, England, UK; Scrooge's childhood school, England, UK; Fezziwig's place of business, England, UK (show all 9); Belle, her husband, and children's home, England, UK; Fred's house, London, England, UK; England, UK
Important events
Christmas; Victorian Era; 19th century
Related movies
Scrooge (1951 | IMDb); A Christmas Carol (1951 | IMDb); Mister Magoo's Christmas Carol (1962 | TV | IMDb); Scrooge (1970 | IMDb); A Christmas Carol (1971 | TV | IMDb); An American Christmas Carol (1979 | IMDb) (show all 13); Mickey's Christmas Carol (1983 | IMDb); A Christmas Carol (1984 | Clive Donner | IMDb); Scrooged (1988 | Richard Donner | IMDb); The Muppet Christmas Carol (1992 | Brian Henson | IMDb); A Christmas Carol (1999 | TV | IMDb); A Christmas Carol (2009 | Robert Zemeckis | IMDb); Christmas Above the Clouds (2025 | IMDb)
First words
Marley was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge's name was good u... (show all)pon 'Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.
Quotations
"God bless us, every one!" said Tiny Tim, the last of all.
"Bah!" said Scrooge. "Humbug!"
Marley was dead: to begin with.
If you should happen, by any unlikely chance, to know a man more blest in a laugh than Scrooge's nephew, all I can say is I should like to know him too.
[This is when Scrooge is about to meet the Ghost of Christmas Past. The clock has struck 12 and he's wondering if it's noon or midnight, even though it's dark. He's not hearing people rushing around outside, though. Becaus... (show all)e the story was first published in 1843, this snark must be about the US depression of 1837-1844.]

... This was a great relief, because 'three days after sight of this First of Exchange pay to Mr. Ebenezer Scrooge or his order,' and so forth, would have become a mere United States security if there were no days to count by.
[Scrooge is waiting for the Ghost of Christmas Present to show up in his bedroom, which is filled with a ruddy light.]

... and which, being only light, was more alarming than a dozen ghosts, as he was powerless to mak... (show all)e out what it meant, or would be at; and was sometimes apprehensive that he might be at that very moment an interesting case of spontaneous combustion, without having the consolation of knowing it.
[This was about bakers leaving their ovens available, for a small fee, for poor people to cook their dinners on Sundays and others wanting those ovens cold on the Sabbath. Scrooge wanted to know why the Ghost of Christmas Pr... (show all)esent would want to have those ovens closed on Sundays and deprive poor persons of a chance for their one real meal a week.]

'I seek!' exclaimed the Spirit.

'Forgive me if I am wrong. It has been done in your name, or at least in that of your family,' said Scrooge.

'There are some upon this earth of yours,' returned the Spirit, 'who lay claim to know us, and who do their deeds of passion, pride, ill-will, hatred, envy, bigotry, and selfishness in our name, who are as strange to us and all our kith and kin, as if they had never lived. Remember that, and charge their doings on themselves, not us.'
Last words
(Click to show. Warning: May contain spoilers.)He had no further intercourse with Spirits, but lived upon the Total Abstinence Principle, ever afterwards; and it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!
Publisher's editor*
Lletres majúscules
Original language
English
Canonical DDC/MDS
823.83; 823.08733
Disambiguation notice
This work contains various editions of the unabridged book "A Christmas Carol" by Charles Dickens. Please do not combine it with adaptations or abridgments, or with collections that contain additional works.
I am assuming (without any evidence!) that the Puffin children's edition is an adaptation: if you know that it is NOT, please combine with the main work, otherwise leave it be.
Specially edited for reading aloud before an audience.
ISBN 1568461828 is not a DK Eyewitness Classics edition.
ISBN 1580495796 is "Unabridged with glossary and reader's notes." "This Prestwick House edition, is an unabridged republication of A Christmas Carol, published by George Routledge and Sons, London."
ISBN 1857159284 is an Everyman's Library Children's Classics edition of A Christmas Carol.
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genres
Fiction and Literature, General Fiction
DDC/MDS
823.83Literature & rhetoricEnglish & Old English literaturesEnglish fiction1837-1899Dickens, Charles 1812–70
LCC
PR4572 .C68Language and LiteratureEnglishEnglish Literature19th century , 1770/1800-1890/1900
BISAC

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