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Loading... The Hours (1998)by Michael Cunningham
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» 67 more Best Historical Fiction (107) Female Protagonist (43) 20th Century Literature (139) Favourite Books (435) A Novel Cure (81) Books Read in 2015 (247) 1990s (37) Women's Stories (39) Historical Fiction (398) Overdue Podcast (156) Five star books (1,225) My TBR (13) Books Read in 2011 (92) Books tagged favorites (307) Spirit of Place (28) Protagonists - Women (12) Contemporary Fiction (11) Experimental Literature (134) Unread books (892) No current Talk conversations about this book. About Virginia Woolf, so I was all ears, and was rewarded with a great novel. ( ![]() I think this is faultless. The highlighting of the depth of meaning in everyday things is so important. Beautiful, sad and powerful It took my son's invitation to the Met Opera debut of a new work based on this book to get me to read it. In short order my wife and I read the book aloud, watched the acclaimed film, and went back to the source to read Virginia Woolf's Mrs. Dalloway, before attending a broadcast of the opera. Now all of those variants are rolling around in my head in a delicious brew. Two decades after it won the Pulitzer, Michael Cunningham's outstanding work needs neither introduction nor summary. Suffice it to say that it is both simpler and more complex than Woolf's original. His prose is simpler, his sentences often shorter and clearer than Woolf's, his narrative helpfully divided into short chapters with the speakers clearly indicated. Woolf's century-old masterwork scrolls out as one long inner narrative, with no chapter breaks and sometimes barely marked switches from one character's consciousness to another's. Cunningham's complexity comes from beautifully overlaying and intertwining three separate stories from three periods and three locations, each focused on the inner life of a woman struggling against the strictures of her existence. Each heroine reflects, dreams, yearns, and tries to cope and carry on in her own way; each considers the possibility of relief and release brought by death. Cunningham daisy-chains the three stories and the lives of the three protagonists, planting enough Easter eggs to delight any post-modern Taylor Swifty. But it is more than tour de force or homage to Woolf. Meditative and profoundly moving, the work can be read as proto-feminist musing, post-AIDS fable, and disheartening commentary on how little has changed in the last century. Cunningham shows through these three lives how we are all both known and unknown, utterly alone and surrounded by family and friends, free to act and totally constrained, experiencing moments of exquisite joy and paralyzing fear, and finding ways to face "the hours . . . one and then another . . . and then, my god, there's another" (197-8). First edition as new Well written. Read it after seeing the opera. Opera follows the book to a T. Wish i didn’t know the ending. Still shed a tear though.
Cunningham gives you every chance to hear his echoes of Woolf's style: the whimsical similes, the rueful parentheses, the luminous circumstantial detail. And the narrative method is a homage to Woolf's novel. Each section imitates Mrs Dalloway by being restricted to the events of a single day, and follows the stream of one consciousness, only to leave it, for a sentence or a paragraph, for another....Imitation is fitting because Woolf's original novel was trying to do justice to the sharpness of new experience, even as it detonates old memories, and this endeavour is always worth trying afresh. We don't have to read ''Mrs. Dalloway'' before we can read ''The Hours,'' and no amount of pedantic comparison-hunting will help us understand it if we don't understand it already. But the connections between the two books, after the initial, perhaps overelaborate laying out of repetitions and divergences, are so rich and subtle and offbeat that not to read ''Mrs. Dalloway'' after we've read ''The Hours'' seems like a horrible denial of a readily available pleasure -- as if we were to leave a concert just when the variations were getting interesting. Belongs to Publisher SeriesHas the adaptationWas inspired byInspiredHas as a student's study guideAwardsDistinctionsNotable Lists
A trio of stories around the writer, Virginia Woolf. In the first, set in 1923, Woolf is writing her novel, Mrs. Dalloway. The second story is on a woman reading the novel in 1949 Los Angeles, while the third is on a woman in present-day New York who has been nicknamed Mrs. Dalloway by her boyfriend. No library descriptions found.
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![]() GenresMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC ClassificationRatingAverage:![]()
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