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Umberto Eco (1932–2016)

Author of The Name of the Rose

504+ Works 115,357 Members 1,730 Reviews 610 Favorited
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About the Author

Umberto Eco was born in Alessandria, Italy on January 5, 1932. He received a doctorate of philosophy from the University of Turin in 1954. His first book, Il Problema Estetico in San Tommaso, was an extension of his doctoral thesis on St. Thomas Aquinas and was published in 1956. His first novel, show more The Name of the Rose, was published in 1980 and won the Premio Strega and the Premio Anghiar awards in 1981. In 1986, it was adapted into a movie starring Sean Connery. His other works include Foucault's Pendulum, The Island of the Day Before, Baudolino, The Prague Cemetery, and Numero Zero. He also wrote children's books and more than 20 nonfiction books including Serendipities: Language and Lunacy. He taught philosophy and then semiotics at the University of Bologna. He also wrote weekly columns on popular culture and politics for L'Espresso. He died from cancer on February 19, 2016 at the age of 84. (Bowker Author Biography) show less

Series

Works by Umberto Eco

The Name of the Rose (1983) — Author — 21,767 copies, 334 reviews
Foucault's Pendulum (1988) 19,187 copies, 274 reviews
Baudolino (2000) 8,537 copies, 105 reviews
The Island of the Day Before (1994) — Author — 7,823 copies, 68 reviews
The Mysterious Flame of Queen Loana (2004) 5,657 copies, 102 reviews
The Prague Cemetery (2010) 5,150 copies, 176 reviews
How to Travel with a Salmon and Other Essays (1992) 2,563 copies, 20 reviews
Travels in Hyper Reality: Essays (1984) 2,511 copies, 18 reviews
History of Beauty (2004) 2,115 copies, 12 reviews
How to Write a Thesis (1977) — Author — 1,589 copies, 27 reviews
On Literature (2002) 1,566 copies, 14 reviews
Numero Zero (2015) 1,460 copies, 86 reviews
Misreadings (1963) — Author — 1,451 copies, 13 reviews
Serendipities: Language and Lunacy (1999) 1,388 copies, 17 reviews
On Ugliness (2007) 1,305 copies, 17 reviews
Six Walks in the Fictional Woods (1994) 1,023 copies, 13 reviews
The Search for the Perfect Language (1992) 978 copies, 7 reviews
Art and Beauty in the Middle Ages (1987) 975 copies, 6 reviews
Postscript to The Name of the Rose (1983) — Author — 914 copies, 17 reviews
The infinity of lists: from Homer to Joyce (2009) 869 copies, 12 reviews
Five Moral Pieces (1997) 777 copies, 9 reviews
This Is Not the End of the Book (2009) 726 copies, 20 reviews
The Book of Legendary Lands (2013) 725 copies, 12 reviews
A Theory of Semiotics (1976) 661 copies, 3 reviews
Belief or Nonbelief? (1996) 644 copies, 18 reviews
Apocalypse Postponed (1965) 597 copies, 4 reviews
The Open Work (1962) 572 copies, 4 reviews
Inventing the Enemy: Essays (2011) 478 copies, 11 reviews
Semiotics and the Philosophy of Language (1984) 452 copies, 2 reviews
Experiences in Translation (2006) 438 copies, 6 reviews
The Limits of Interpretation (1990) 421 copies, 5 reviews
Mouse or Rat? Translation as Negotiation (2003) 408 copies, 8 reviews
Interpretation and Overinterpretation (1992) 392 copies, 2 reviews
Confessions of a Young Novelist (2011) 353 copies, 13 reviews
Conversations About the End of Time (1998) 326 copies, 5 reviews
Il fascismo eterno (1995) 296 copies, 10 reviews
Chronicles of a Liquid Society (2016) 270 copies, 2 reviews
How to Spot a Fascist (2020) 230 copies, 3 reviews
Die Bibliothek (1981) 222 copies, 5 reviews
The Absent Structure (1971) 218 copies, 1 review
Sugli specchi e altri saggi (1985) 163 copies, 1 review
Story of Time (1999) — Author — 158 copies
The Sign of Three. Peirce, Holmes, Dupin (1983) 158 copies, 4 reviews
La bustina di Minerva (1994) 146 copies, 2 reviews
Il segno (1976) 141 copies, 1 review
De superman au surhomme (1976) 134 copies, 2 reviews
A Definição da Arte (1968) 99 copies, 1 review
Tra menzogna e ironia (1998) 95 copies, 1 review
The Three Astronauts (1988) 90 copies, 1 review
The Bomb and the General (1988) 73 copies, 2 reviews
O Nome Da Rosa (2010) 56 copies, 2 reviews
Migrazioni e intolleranza (2019) 54 copies
Sator arepo eccetera (2006) 38 copies
Dalla periferia dell'impero (1991) 33 copies
Streichholzbriefe (1990) 31 copies
Talking of Joyce (1998) 31 copies, 1 review
La Nueva Edad Media (1988) 29 copies
Filozofia frywolna (2004) 26 copies
Tre racconti (2004) 25 copies, 1 review
The Gnomes of Gnu (1992) — Author — 23 copies
Antik Yunan (2017) 22 copies
Stelle & stellette (1991) 22 copies
Cult Of Vespa (1996) 21 copies
Mnemotecniche e rebus (2013) 13 copies
Ur-Fascism 13 copies, 1 review
As formas do conteúdo (2010) 12 copies
Felsefe Tarihi 1 (2014) 12 copies
Antik Yakindogu (Ciltli) (2018) 12 copies
Felsefe Tarihi (2020) 11 copies
La riscoperta dell'America (1984) 11 copies, 1 review
Il Medioevo - 7. Basso Medioevo. Storia (2014) 11 copies, 1 review
Il Medioevo - 1. Alto Medioevo. Storia (2009) 10 copies, 1 review
The Bond Affair — Editor — 10 copies
Felsefe Tarihi 5 (2022) 10 copies
Carnival! (1984) 8 copies
Neue Streichholzbriefe (1997) 7 copies
Reconnaître le faux (2022) 7 copies
Sulla televisione. Scritti 1956-2015 (2018) 7 copies, 1 review
Museo, El (2014) 7 copies
Da dove si comincia? 7 copies, 1 review
Vocali (1991) 7 copies
La bellezza 6 copies
Antik Roma (Ciltli) (2021) 6 copies
Die historischen Romane (2011) 6 copies
Baudolino : segunda parte (2013) 5 copies
Riflessioni sul dolore (2014) 5 copies
Baudolino : primera parte (2013) 5 copies
Nebbia. Testo originale a fronte (2009) 5 copies, 1 review
Incontro (1996) 5 copies
Sign, Symbol, Code (1996) 4 copies
L'Era della Comunicazione 4 copies, 1 review
L'expérience des images (2011) 3 copies
Ecoloquio con Umberto Eco (1977) 3 copies
Box Umberto Eco (2023) 3 copies
Carmi 3 copies
Les trois cosmonautes : Et autres contes (2008) — Author — 3 copies
La metafora nel Medioevo (2004) 3 copies
L'antichità 2 copies
Narratologia 2 copies
Costumi di casa 2 copies
Il complotto 2 copies
薔薇の名前 2 copies
Cultura y semiotica (2009) 2 copies
Conceito de texto (1984) 2 copies
L'Antichità - Roma (2012) 2 copies
L'ANTICHITA' N. 5 Grecia 2 copies, 1 review
Yêu Yêu Saigon (2009) 1 copy
Istoria frumuse¿Đii (2019) 1 copy
Pilotnumurs 1 copy
Waterloo (2008) 1 copy
1. L'arte come mestiere (1969) — Editor — 1 copy, 1 review
Simbolo (2018) 1 copy
Lo Zen 1 copy
Umberto Eco 1 copy
Eco Umberto 1 copy
Encyclomedia 1 copy
Po esie (2000) 1 copy

Associated Works

Nineteen Eighty-Four (1949) — Prólogo, some editions — 94,349 copies, 1,450 reviews
The Count of Monte Cristo (1844) — Contributor, some editions — 30,855 copies, 494 reviews
Pinocchio (1881) — Introduction, some editions — 10,019 copies, 156 reviews
Mythologies (1957) — Foreword, some editions — 4,889 copies, 38 reviews
Exercises in Style (1943) — Translator, some editions — 2,905 copies, 57 reviews
Homo Ludens: A Study of the Play-Element in Culture (1938) — Introduction, some editions — 1,424 copies, 13 reviews
American Fascists: The Christian Right and the War On America (2006) — Contributor, some editions — 1,275 copies, 14 reviews
The Plot: The Secret Story of The Protocols of the Elders of Zion (2005) — Introduction, some editions — 800 copies, 28 reviews
Libraries (2005) — Introduction — 505 copies, 9 reviews
The Name of the Rose [1986 film] (1986) — Original book — 442 copies, 9 reviews
The Mysteries of Paris (1842) — Contributor, some editions — 376 copies, 11 reviews
The Notebook (2009) — Preface, some editions — 297 copies, 7 reviews
The Templars: The Secret History Revealed (2004) — Foreword — 267 copies, 7 reviews
Sylvie (1853) — Translator, some editions — 258 copies, 4 reviews
The Ethiopian (1978) — Foreword, some editions — 256 copies, 2 reviews
Bad Trips (1991) — Contributor — 244 copies, 7 reviews
Criticism: Major Statements (1964) — Contributor — 234 copies
The Future of the Book (1996) — Afterword — 194 copies, 2 reviews
Constantinople (1877) — Afterword — 137 copies, 1 review
Bread of Dreams: Food and Fantasy in Early Modern Europe (1980) — Introduction, some editions — 129 copies, 4 reviews
Arguing Comics: Literary Masters on a Popular Medium (2004) — Contributor — 78 copies
Il mio Dante (2008) — Foreword — 66 copies
Long Overdue: Book About Libraries and Librarians (1993) — Contributor — 49 copies
Stankonia (2000) — Contributor — 43 copies
Lapham's Quarterly - Lines of Work: Volume IV, Number 2, Spring 2011 (2011) — Contributor — 32 copies, 2 reviews
Vendere l'anima: il mestiere del libraio (2006) — Foreword, some editions — 18 copies, 1 review
Charles M. Schulz: 40 Years Life and Art (1990) — Introduction, some editions — 14 copies
Paras elokuvakirja (1995) — Contributor — 6 copies
Den kriminelle novelle (1999) — Author, some editions — 5 copies, 1 review
Kleur in beeld (2011) 5 copies, 1 review
The Irish Review 10: Dublin. Europe. Dublin (1991) (1991) — Interviewee — 2 copies
The Notebook (Volume 2) (2010) — Preface — 2 copies
Linus. Febbraio 2023 (Linus 2023 Vol. 2) (2023) — Author — 1 copy

Tagged

20th century (690) art (701) eco (589) essay (492) essays (1,753) fiction (9,400) historical (720) historical fiction (2,641) historical novel (465) history (1,236) Italian (1,674) Italian literature (2,418) Italy (2,001) language (532) literary criticism (614) literature (2,072) medieval (870) Middle Ages (823) mystery (2,109) non-fiction (1,738) novel (1,952) philosophy (1,752) read (787) religion (760) Roman (744) semiotics (978) to-read (4,389) translation (668) Umberto Eco (700) unread (664)

Common Knowledge

Canonical name
Eco, Umberto
Birthdate
1932-01-05
Date of death
2016-02-19
Gender
male
Education
University of Turin (Laurea | 1954 | Philosophy and Literature)
Occupations
philosopher
semiotician
university professor
critic
Organizations
Scuola Superiore di Studi Umanistici
University of Bologna
Milan Polytechnic
University of Florence
University of Milan
University of Turin (show all 9)
Radiotelevisione Italiana / RAI
Gruppo '63
Bopiani
Awards and honors
Austrian State Prize for European Literature (2001)
Kenyon Review Award for Literary Achievement (2005)
Premio Príncipe de Asturias (2000)
Royal Society of Literature (1991)
Premio Strega (1981)
Prix Medicis Etranger (1982) (show all 14)
Italian Grand Cross of Merit (Knight)
American Academy of Arts and Letters (1999)
Accademia dei Lincei (2010)
Anghiari Prize (1981)
McLuhan Teleglobe Prize (1985)
Kenyon Review Award for Literary Achievement (2005)
Gutenberg Prize (2014)
Associate Member, Royal Academy of Belgium
Relationships
Ramge, Renata (wife)
Short biography
Umberto Eco was born in the city of Alessandria in the Italian region of Piedmont, right in the middle of the Genova, Milan, Turin triangle. Before he was drafted to fight in 3 wars, his father, Giulio Eco, was an accountant. Young Umberto and his mother, Giovanna, moved to a small village in the Piedmontese mountainside during the Second World War. Eco received a Salesian education, and he has made references to the order and its founder in his works and interviews. His family name is supposedly an acronym of ex caelis oblatus (Latin: a gift from the heavens), which was given to his grandfather (a foundling) by a city official. His father came from a family of thirteen children, and was very keen of Umberto to read Law, but instead he entered the University of Turin in order to take up medieval philosophy and literature. Umberto's thesis was on the topic of Thomas Aquinas and this earned him a BA in philosophy in 1954. In that period, Eco abandoned the Roman Catholic Church after a crisis of faith. Following this, Eco worked as a cultural editor for RAI, Radiotelevisione Italiana, the state broadcasting station, he also became a lecturer at the University of Turin (1956–64). A group of avant-garde artists—painters, musicians, writers—whom he had befriended at RAI (Gruppo 63) became an important and influential component in Eco's future writing career. This was especially true after the publication of his first book in 1956, Il problema estetico di San Tommaso, which was an extension of his doctoral thesis. This also marked the beginning of his lecturing career at his alma mater. In September 1962, he married Renate Ramge, a German art teacher with whom he has a son and a daughter. He divides his time between an apartment in Milan and a vacation house near Rimini. He has a 30,000 volume library in the former and a 20,000 volume library in the latter.
Cause of death
pancreatic cancer
Nationality
Italy
Birthplace
Alessandria, Piedmont, Italy
Places of residence
Rimini, Italy
Milan, Lombardy, Italy
Urbino, Italy
Place of death
Milan, Italy
Map Location
Italy

Members

Discussions

Umberto Eco in Legacy Libraries (December 2025)
Umberto Eco / The Name of the Rose in Someone explain it to me... (July 2025)
test in Christopher's LT Testing Group (October 2020)
May Group Read - The Name of the Rose (Umberto Eco) in 75 Books Challenge for 2016 (September 2016)
Umberto Eco dead at 84 in Book talk (February 2016)
**Umberto Eco in 2014 Category Challenge (June 2014)
Bibliographie in Zwischen �t�p� und Wirklichkeit: Konstruierte Sprachen für die gl�b�l�s�rt� Welt (June 2012)
[The Name of the Rose] in Historical Mysteries (September 2006)

Reviews

1,905 reviews
"I challenge anyone to find himself abandoned on a deserted ship, between sea and sky in a vast space, and not be ready to dream that in his great misfortune he at least has had the good fortune to stumble into the heart of time" (273).

The Island of the Day Before is a fantasy about fantasy, with a documentary conceit and no genuinely supernatural elements. Some details of the seventeenth-century science may now seem rather occult, but the essential metaphysics of the entire tale are very show more much of our world. It is a tale about a quest for the secret of determining longitude, and it seeks to celebrate the mystery of the antipodes in the paradoxes of an international date line.

Although this story was set a century earlier, I found it rather reminiscent of Thomas Pynchon's Mason & Dixon. Both are big beefy novels written in the waning of the 20th century, and concerned with the exploratory push of European powers (in early modernity and the Enlightenment, respectively), as well as the relationships between objective and subjective worlds. But their titles show the biggest difference between the books. Mason & Dixon has two protagonists, and the surfeit of plot (to be expected from Pynchon) concerns their relationships to each other and their world. The insular Eco novel is instead nearly solipsistic in the extent to which characters other than the protagonist Roberto are practically reduced to figments of his imagination--the plot, such as it is, is largely in his reminiscences, dreams, and eventually, composed fictions.

The book is a long one, with many short chapters, and the slow pace of the plotting makes it easy to pick up and to put down. It took me more than a month to read it through. My two favorite chapters in the book could each stand on their own, and with particular reference to my occult interests. Chapter 26, "Delights for the Ingenious: A Collection of Emblems" is a long meditation on the symbolism of doves. Chapter 37, "Paradoxical Exercises Regarding the Thinking of Stones," is a contemplative demonstration of getting stoned in line with the discussion "On the Final Will" in Liber Aleph vel CXI.

The metafictional elements are pronounced in this novel, where the principal character himself ends up writing a "romance," in which his imagined half-brother and rival becomes his alter-ego. Eco makes both the opening and the closing of the book rather disorienting and unconventional, as part of his reflection on the composition of imaginative literature, and he uses the premise of working from a discovered three-hundred-year-old manuscript both to assert and to undermine the credibility of his story.
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I will read pretty much anything Umberto Eco publishes, and I'm always delighted when a new novel of his appears in English. In this one, much slimmer than his usual offerings, Eco returns to his frequent themes of conspiracy theories, Italian politics, media criticism, and biting satire of journalistic practices and ethics. I suspect those with more knowledge of Italian media and politics may get more out of this one than I did, but the connections to Berlusconi's rise to power are veiled show more thinly enough even for me to catch. Hilariously funny in many places, and spot-on with much of its evisceration of modern media practices, this is very much worth a read if you're interested in Eco's themes. show less
½
It's only taken me ... well, several months longer than I would care to admit to... to finish this book. And having now waded through all 623 pages of it, I can firmly state that it is one of the biggest exercises in intellectual onanism that it has ever been my misfortune to read. Self-indulgent, boring, incoherent and eminently unlikeable—Eco is clearly a learned person, but his ego is in even greater evidence here than his intellect.

Speaking as a medievalist, there is also one enormous show more plot hole: at least one of the main characters has a doctorate in medieval history, but is lacking in the basic palaeographical skills required to understand the difference between 'p' and the symbols for 'per' and 'pro'? This is a mistake on which a large chunk of the book turns, by the way. I almost threw the damn thing at the wall when I realised that. Avoid. show less
½
As Brother William of Baskerville, an English Franciscan monk, nears the Italian abbey where he’s to attend a conclave, he correctly deduces from tracks in the snow and other minute details that the party of brethren approaching him on the road are seeking a horse — whose name he also guesses.

Naturally, this astonishes both the search party and William’s companion, his scribe, a German novice named Adso. It also pleases the abbot, who’s delighted to have so keen an observer on hand, show more because a young monk has died under suspicious circumstances, and the mystery must be solved before the conclave takes place in a few days’ time.

Or, to be precise, the abbot seems pleased, but the readily apparent struggle between truth and expediency dividing the abbey’s occupants, heightened by the anticipated high-level meeting, clouds his motives.

The year is 1327, and the church is fighting itself, with one pope in Rome, and the other in Avignon. The expected French envoys — and, menacingly, their accompanying armed force — include a charismatic, unscrupulous inquisitor whom William knows and fears; he was once an inquisitor himself but gave it up because he felt the entire process of hunting heretics was irrational and unjust.

Since then, he has openly avowed the empirical philosophy of Roger Bacon and William Occam (he of the famous razor), beliefs that unsettle many other monks and, in their eyes, skate dangerously close to heresy.

Moreover, the abbot has forbidden William to investigate the library stacks, labyrinthine rooms that no one save the librarian himself may enter. This restriction cripples William’s efforts, particularly after more monks die, and he supposes that a hidden text holds the key. So, with Adso in tow, he invades the abbey’s sanctum sanctorum, with ever-startling results.

Adso makes a superb narrator and foil, a Watson scared of where knowledge will lead, to William’s Holmes, who thinks knowledge itself can be neither good nor evil. A weighty theme, and The Name of the Rose tips the scales at almost 600 pages, but Eco does a brilliant job focusing on two issues that, at first glance, seem too ridiculous to kill for, whether for personal motives, to serve the church, or for reasons of state.

First, did Christ ever laugh? And second, did he and his apostles choose poverty, the belief on which the Franciscan order rests?

But the narrative, if at length, shows why these questions matter in 1327 and today. If Christ did not laugh, the official reasoning goes, satire, jokes, and humor are either vile, a threat to faith, or both. However, William argues that if a devout person must have only a certain sober, humorless mind, then the inquisitors rule, as in fact they do, and the crucial precept of accepting faith through free will ceases to exist.

As William warns Adso, “The Antichrist can be born from piety itself, from excessive love of God or of the truth, as the heretic is born from the saint and the possessed from the seer. Fear prophets, Adso, and those prepared to die for the truth, for as a rule they make many others die with them, often before them, at times instead of them.”

The question of poverty has a more immediate political implication. The Franciscan order has splintered, prompting rebellions against church power, to which the church has responded by burning heretics, charging the use of magic, and accusing their opponents of free love and appalling butchery. But as William tells Adso, the rebels don’t care about church doctrines, especially; they resent the extreme wealth of the church and the regimes it supports, both of which contribute to keep the poor as they are.

Amid all this, monks continue to die, and William must divert his efforts from solving the mystery to play politician during the conclave, standing up for his beliefs while avoiding condemnation. As you may have figured out by now (how did I give it away?), The Name of the Rose is a discursive book, but no less mesmerizing for that:

The Name of the Rose does what the best historical fiction should: illuminate the past by its own lights and therefore reveal the present. As a mystery, it is excellent; to that, add profundity and power.
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Awards

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National Maritime Museum Host Institute and Corporate Author
Eugenio Carmi Illustrator
William Weaver Translator
David Lodge Introduction
Jean-Philippe de Tonnac Editor, Introduction
Th. van Velthoven Contributor
Jon Rognlien Translator
Marcia Pointon Contributor
John House Contributor
Silke Ackermann Contributor
Martin Rudwick Contributor
Dawn Adès Contributor
Howard Morphy Contributor
Anthony Spalinger Contributor
Ken Arnold Contributor
David King Contributor
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John Macdonald Contributor
Ivan Gaskel Contributor
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Jonathan Betts Contributor
Michael Loewe Contributor
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Iain Fenlon Contributor
Martin J. Rees Contributor
Jean Umiker-Sebeok Contributor
Nancy Harrowitz Contributor
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Wulf Rehder Contributor
Jaakko Hintikka Contributor
Giampaolo Proni Contributor
Merril B. Hintikka Contributor
Carlo Ginzburg Contributor
Patty Krone Translator
Yond Boeke Translator
Burkhart Kroeber Translator
Richard Dixon Translator
Ricardo Pochtar Translator
Eva Alexanderson Translator
Alastair McEwen Translator
Henny Vlot Translator
Tuula Saarikoski Translator
Antoni Vicens Translator
Helinä Kangas Translator
Pietha de Voogd Translator
Cerstin Urban Translator
Jenny Tuin Translator
Romanzo Bompiani Translator
Pietha de Voogd Translator
Sean Barrett Narrator
Stephen Parker Cover artist
Rob Gerritsen Translator
Martin Pfeiffer Translator, Übersetzer
Geoffrey Brock Translator
Helinä Kangas Translator
Astrid Nordang Translator
Eric Baker Cover designer
Théo Buckinx Translator
Tinke Davids Translator
Dace Meiere Translator
Helmut Schade Cover designer
Thomas Harder Translator
Françoise Lacroix Cover Photographer
Leonardo Céndamo Author Photographer
Tullio Pericoli Cover artist
Michaela Sullivan Cover designer
Barbro Andersson Translator
Pia Lundgren Translator
Ronald Jonkers Translator
Gerard Hadders Cover designer
René Daniëls Cover artist
Peter Cox Photographer
Gerard Terburg Translator
mistrettadaniele Translator
James Fentress Translator
Polly Mclean Translator
Barbara Schaden Übersetzer
Liesbeth van Nes Translator
Barbara Kleiner Translator
Matt Broughton Cover designer
Marek Sedláček Translator
Minna Proctor Translator
Emanuele Severino Contributor
Zdeněk Frýbort Translator
Martine Vosmaer Translator
Ladislav Nagy Translator
Ian Maclean Translator
Roger Pearson Translator
Myriem Bouzaher Translator
Jules Chevrier Illustrator
Ellen Esrock Translator
Günter Memmert Übersetzer
Isabelle Frèze Translator
Mimi van Rhijn Translator
Peter Noble Narrator
Maria Llopis Translator
Isabelle Frèze Translator

Statistics

Works
504
Also by
40
Members
115,357
Popularity
#72
Rating
4.1
Reviews
1,730
ISBNs
2,505
Languages
44
Favorited
610

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