Robert Penn Warren (1905–1989)
Author of All the King's Men
About the Author
Robert Penn Warren, the first Poet Laureate of the United States, was an unusually versatile writer who tried his hand at almost every kind of literature. In all of these forms, he achieved recognition and distinction, but it is as a poet, critic, and novelist that he was most widely known. Writing show more almost always about his native South, Warren produced 10 novels and a collection of short stories, The Circus in the Attic and Other Stories (1948). By far the most successful of his novels is All the King's Men (1946), the story of a southern politician and demagogue named Willie Stark, which Warren based on the rise and fall of Huey Long. Warren was considered one of the most influential of the New Critics, whose influence on the teaching of literature in American schools and universities during the late 1940s and 1950s could scarcely be overestimated. Because All the King's Men seemed to be the very epitome of what a good work of literature should be in New Critical terms---a complicated but highly readable narrative filled with irony and ambiguity---the novel came to be used widely in courses on modern fiction. It won both the Pulitzer Prize and the Southern Authors Award in 1947. Warren's other novels are disappointing by comparison. Following the success of All the King's Men, however, Warren seemed to turn to more loosely told stories about dramatic and romantic subjects, such as the interracial theme of Band of Angels (1955) or the natural catastrophes that serve as the crisis background for The Cave (1959) and Flood: A Romance of Our Time (1964). Wilderness: A Tale of the Civil War (1961) is an allegory of a man's spiritual quest for truth about himself and the world. Meet Me in the Green Glen (1971), the story of a tragic love affair, seemed to mark a return to the tighter structure and more complex artistry of Warren's earlier novels, but A Place to Come To (1977), his last novel, in which an elderly and renowned scholar who seems to owe much to Warren himself looks back on his family's past in an effort to find the meaning of his life, struck some reviewers as a confused and tired work. Sometime midway through his career as a novelist it is as if Warren stopped thinking of himself as a southern writer in the tradition of William Faulkner and turned instead to Thomas Wolfe for inspiration. Although in retrospect that switch must be regretted, no one can deny the immense influence of Robert Penn Warren on modern letters. Warren's poetry is intellectual, rich in powerful images, and has its roots in the pre-Civil War South. He continued to write impressive poetry almost until the time of his death. (Bowker Author Biography) show less
Image credit: Courtesy Wikipedia.
Series
Works by Robert Penn Warren
Six Centuries of Great Poetry: A Stunning Collection of Classic British Poems from Chaucer to Yeats (1992) — Editor — 342 copies, 1 review
Selected Letters of Robert Penn Warren: The Apprentice Years 1924--1934 (Southern Literary Studies) (v. 1) (2000) 17 copies
American Literature: The Makers and the Making Book d 1914 to the Present (American Literature (St Martins)) (1974) — Editor — 8 copies
Robert Penn Warren (3 Book Set) All the King's Men -- World Enough and Time -- Band of Angels. (1974) 6 copies
Selected poems, 1923-1943 4 copies
Warren Robert Penn 2 copies
Un lugar a donde llegar 2 copies
Rare 1955 Robert Penn Warren 1st Printing BAND OF ANGELS w/ DJ $3.95 Intact FUGITIVE (1955) 2 copies
Or Else 1 copy
Coro de angeles 1 copy
“A Christian Education” 1 copy
UN ENDROIT OU ALLER 1 copy
The Theory of Literature 1 copy
La caverne 1 copy
Christmas Gift 1 copy
Six poems 1 copy
Evening Hawk [poem] 1 copy
Det store bedrag 1 copy
Two Poems 1 copy
Thirty-six poems 1 copy
“Bearded Oaks” 1 copy
“Audubon” 1 copy
“Mortal Limit” 1 copy
El caballero de la noche 1 copy
Modern Rehetoric 1 copy
Blackberry winter, a story 1 copy
THE FLOOD 1 copy
Вся королевская рать 1 copy
Select Poems 1923~1975 1 copy
Associated Works
The World of the Short Story: A 20th Century Collection (1986) — Contributor — 510 copies, 4 reviews
American Poetry: The Twentieth Century, Volume Two: E. E. Cummings to May Swenson (2000) — Contributor — 442 copies, 1 review
I'll Take My Stand: The South and the Agrarian Tradition (Library of Southern Civilization) (1930) — Contributor — 351 copies
The Mark Twain Anthology: Great Writers on His Life and Work (2010) — Contributor — 157 copies, 1 review
The Fugitive Poets: Modern Southern Poetry (Southern Classics Series) (1991) — Contributor — 123 copies
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 72 copies, 1 review
The Sun Also Rises / A Farewell to Arms / The Old Man and the Sea (1962) — Introduction, some editions — 43 copies, 1 review
Published and Perished: Memoria, Eulogies, and Remembrances of American Writers (2002) — Contributor — 41 copies, 1 review
Rediscoveries: Informal Essays in Which Well-Known Novelists Rediscover Neglected Works of Fiction by One of Their Favorite Authors (1971) — Contributor — 27 copies
The Best Short Stories of 1939 and the Yearbook of the American Short Story (1939) — Contributor — 8 copies
Works in Progress Number 4: Selections from the Best in Books to be Published in Coming Months (1971) — Contributor — 7 copies
32 Współczesne Opowiadania Amerykańskie - Tom I — Contributor — 1 copy
The Ethnic Image in Modern American Literature, 1900-1950, Volumes 1-2 (1984) — Contributor — 1 copy
Tagged
Common Knowledge
- Birthdate
- 1905-04-24
- Date of death
- 1989-09-15
- Gender
- male
- Education
- Vanderbilt University (BA | 1925)
University of California, Berkeley ( [1926])
Yale University (1928)
University of Oxford ( [1930])
Citizens Military Training Corp, Fort Knox, Kentucky
Clarksville High School, Clarksville, Tennessee (show all 7)
Guthrie School - Occupations
- poet
novelist
short story writer
playwright
literary critic
editor (show all 8)
publisher
professor - Organizations
- The Fugitives
The Agrarians
Fellowship of Southern Writers (charter member)
American Academy of Poets ( [1950])
American Academy of Poets ( [1972])
American Academy of Arts and Letters (1959) (show all 12)
American Academy of Arts and Sciences (1975)
American Philosophical Society (1952)
National Institute of Arts and Letters (1950)
Century Association (1958)
Modern Language Association
The Southern Review (co-founder ∙ editor-in-chief) - Awards and honors
- Poet Laureate Consultant in Poetry to the Library of Congress (1944-1945)
Poet Laureate Consultant in Poetry to the Library of Congress (1986-1987)
Presidential Medal of Freedom (1980)
Bollingen Prize (1967)
Jefferson Lecture (1974)
Gold Medal for Poetry ( [1985]) (show all 27)
Emerson-Thoreau Medal (1975)
Distinguished Alumnus Award ( [1950])
National Arts Foundation Award (1968)
National Medal of Arts (1987)
National Medal of Literature (1970)
Founder's Medalist (1925)
Award for Distinction in Literature ( [1973])
Ten Best Teachers Award ( [1972])
Creative Arts Award ( [1984])
Shelley Memorial Award (1943)
MacArthur Prize (1981)
Wilma and Roswell Messing, Jr., Award ( [1977])
Phi Beta Kappa (1925)
Rhodes Scholar (1928-1930)
Guggenheim Fellowship
Warren-Brooks Award
Robert Penn Warren Award for Fiction
Robert Penn Warren Center for the Humanities (Vanderbilt University)
English Committee of the Board of Overseers of Harvard College (1967-68)
U.S. Naval Academy (declined due to injury)
Only poet to have served twice as U.S. Poet Laureate - Relationships
- Clark, Eleanor (wife)
Warren, Rosanna (daughter)
Brooks, Cleanth (friend)
Lytle, Andrew (friend)
Taylor, Peter Hillsman (friend)
Erskine, Albert (friend) (show all 10)
Davidson, Donald (teacher)
Jarrell, Randall (student)
Mims, Edwin (teacher)
Dew, Robb Forman (goddaughter) - Short biography
- Robert Penn Warren is the only person to have won Pulitzer Prizes for both fiction and poetry. He served twice as Poet Laureate of the United States.
- Nationality
- USA
- Birthplace
- Guthrie, Kentucky, USA
- Places of residence
- Guthrie, Kentucky, USA
Fairfield, Connecticut, USA
Stratton, Vermont, USA
Nashville, Tennessee, USA - Place of death
- Stratton, Vermont, USA
- Burial location
- Willis Cemetery, Stratton, Vermont, USA
- Associated Place (for map)
- USA
Members
Reviews
This was not at all what I expected it to be. It seemed everyone I know had read this book in college, but I am many many many years past that time and had just not gotten around to it. I thought it would be like Confederacy of Dunces (a book I loved) but it was not at all. Yes, an insular and corrupt state government lead by a man of outsize personality is at the center of things, but that is not what this book is about. It is about what it is to be a good person. It is about costs of going show more with the flow rather than taking decisive actions and taking responsibility for those actions. It is about love, in its many forms. It is very much about honor. These are big themes, and this is no beach read. The book is complicated and challenging. It is also one of the most beautifully written books I have ever read and I will be thinking about it for a long time to come. show less
Murder, adultery, seduction, an illegitimate child, political double crossing: throw them all together and they make an engrossing tale. Base it on a true crime, and it’s even more compelling.
Robert Penn Warren took the case and did just that. The basic facts were that
on November 7, 1825, Solomon Sharp, a Kentucky legislator, was murdered. Jereboam Beauchamp was convicted of the murder and executed, becoming the first person to be legally executed in Kentucky.
Warren sticks closely to the show more original story. Beauchamp become Jeremiah Beaumont; Sharp is now Colonel Cassius Fort. The wronged woman was Anna Cooke, here known as Rachel Jordan. While in prison, Beauchamp had written his side of the story, and Warren uses this device in his novel, sifting through Jeremiah’s letters and prison diary to tell of a man and a world where violence was all pervasive, and murder was perhaps justified.
Kentucky at that time was a frontier. It was a violent and lonely land, and when the night came on, the loneliness was equal for the big brick house with the portico overlooking a meadow or the log house set at the head of a cove in the knobs. Eastward, cutting off the past, rose the wall of mountains, and westward the wilderness stretched away forever with its terror and its promise.
Land speculation was rampant; people would be on top one day and bankrupt the next. The political debate and legal wrangling over capital and credit, debt relief and imprisonment, is an important backdrop to the tale of young Jeremiah, who managed to survive his father’s financial downfall and become a lawyer. As he moved in increasingly more connected circles, he came to realise how honest hard working men came to be victims of these dealings.
He also learned that love can be bound up in speculation too. This was the start of his downfall. Writing his diaries in prison, he and his world come into sharper focus than stories from two hundred years ago normally do. The reader starts to root for Jeremiah, following him through to the end, the only place where Warren differs from what became known as The Kentucky Tragedy.
Written at a time when people routinely read long novels with many characters, it still holds up well, as does his All the King’s Men. At times it seemed like Cormac McCarthy, must be a fan; it’s every bit as immersive, but less brutal. show less
Robert Penn Warren took the case and did just that. The basic facts were that
on November 7, 1825, Solomon Sharp, a Kentucky legislator, was murdered. Jereboam Beauchamp was convicted of the murder and executed, becoming the first person to be legally executed in Kentucky.
Warren sticks closely to the show more original story. Beauchamp become Jeremiah Beaumont; Sharp is now Colonel Cassius Fort. The wronged woman was Anna Cooke, here known as Rachel Jordan. While in prison, Beauchamp had written his side of the story, and Warren uses this device in his novel, sifting through Jeremiah’s letters and prison diary to tell of a man and a world where violence was all pervasive, and murder was perhaps justified.
Kentucky at that time was a frontier. It was a violent and lonely land, and when the night came on, the loneliness was equal for the big brick house with the portico overlooking a meadow or the log house set at the head of a cove in the knobs. Eastward, cutting off the past, rose the wall of mountains, and westward the wilderness stretched away forever with its terror and its promise.
Land speculation was rampant; people would be on top one day and bankrupt the next. The political debate and legal wrangling over capital and credit, debt relief and imprisonment, is an important backdrop to the tale of young Jeremiah, who managed to survive his father’s financial downfall and become a lawyer. As he moved in increasingly more connected circles, he came to realise how honest hard working men came to be victims of these dealings.
He also learned that love can be bound up in speculation too. This was the start of his downfall. Writing his diaries in prison, he and his world come into sharper focus than stories from two hundred years ago normally do. The reader starts to root for Jeremiah, following him through to the end, the only place where Warren differs from what became known as The Kentucky Tragedy.
Written at a time when people routinely read long novels with many characters, it still holds up well, as does his All the King’s Men. At times it seemed like Cormac McCarthy, must be a fan; it’s every bit as immersive, but less brutal. show less
This is a collection of interviews Warren conducted with civil rights leaders and workers in 1964, interspersed with his own observations and conclusions. Originally published in 1965, my 2014 edition contains an excellent introduction by David W. Blight.
It is fascinating to read the varying positions of such well-known men as James Baldwin, Adam Clayton Powell, Malcolm X, Martin Luther King, Carl Rowan and Roy Wilkins on subjects from integration to non-violence in historical context, as show more well as the perspectives of the low-profile individuals dedicated to the difficult task of carrying out their leaders' agendas. It is also demoralizing to realize that despite all the work of all the people who devoted their lives---even sacrificed their lives, and all the changes that did come out of that troubled period, our country has not resolved the fundamental issues underlying racial conflict, and seems now to be moving in the wrong direction. Warren took on an incredibly ambitious project here, especially for an OWM from the Southland, and did a remarkable job with it. This book deserves to be read alongside all the 21st century works on the subject of race that are currently gracing our shelves. show less
It is fascinating to read the varying positions of such well-known men as James Baldwin, Adam Clayton Powell, Malcolm X, Martin Luther King, Carl Rowan and Roy Wilkins on subjects from integration to non-violence in historical context, as show more well as the perspectives of the low-profile individuals dedicated to the difficult task of carrying out their leaders' agendas. It is also demoralizing to realize that despite all the work of all the people who devoted their lives---even sacrificed their lives, and all the changes that did come out of that troubled period, our country has not resolved the fundamental issues underlying racial conflict, and seems now to be moving in the wrong direction. Warren took on an incredibly ambitious project here, especially for an OWM from the Southland, and did a remarkable job with it. This book deserves to be read alongside all the 21st century works on the subject of race that are currently gracing our shelves. show less
My take away from my reading is that the black community represented here with their interviews of the likes of Charles Evers, Kenneth B. Clark, Martin Luther King Jr., Septima P. Clark, Roy Wilkins, Malcom X, Bayard Rustin and many more did not speak in one voice or have one vision or strategy but what united the movements and its people in the early 60s was their reaction, leading to a vibrant willingness to deal through a gaining confidence. with a punishingly never ending violent show more oppression. My guess is that Robert Penn Warren was hoping that his readers would be both black and white , all other American groups for the most part are not discussed, and would gain an understanding that would lead to some kind of meeting of the minds and action. One can see from the enclosed discussions the grappling with and defining of problems then and how painfully incremental there has been some present successes. Along with the rawness and pain the seeds of cautious hope are clearly there, especially on Mr. Penn's part.
Quotes: (page 13, Clarie Collins Harvey) “And many of the Charles Evers, Kenneth B. Clark, Martin Luther King Jr., Septima P. Clark, Roy Wilkins, Malcom X, Bayard Rustin said that their sanity was maintained while they were under torturous conditions, in this tremendous heat, and with the brutal treatment they were receiving in Parchman, because they knew that back in Jackson, Mississippi, there were woman who were concerned and interested and who represented something of the mind of the community. They felt their efforts were not being wasted.”
(page 61, Robert P. Moses) “The students were constantly renewed by the people who came off the land. The farmers, they're unsophisticated, but simply voice, time and time again, the simple truths. They speak from their own lives and their own personal experience.. So the students are rooted in that. This is what keeps them from going off on some kind of a tangent, as long as they keep working with the people. The people are really the force of values. At this [organizing] meeting, for instance, that we had on Sunday.”
(pages 254-255 James Baldwin) “The American Negro has had to accommodate a vast amount of hatred since he's been here. And that was a terrible school to go through. I myself am accused of hating all white people and saying that all Negroes do. I, myself, don't feel that so much as I feel a bitterness.
You can despise [white people]. You may have given moments when you want to kill them. But here it's your brother and your sister, whether or not they know that they are your brothers and your sisters. And that complicates it. It complicates it so much that I can't quite see my way through this.”
(page 294 Malcolm X) “When I was in Mecca, I noticed they had no color problem. They had people there whose eyes were blue and people there whose eyes were black, people whose skin was white, people whose skin was black, people whose hair was blond, people whose hair was black, from the whitest person to the blackest person. There was no racism; there was no problem. But the religious philosophy that they had adopted, in my opinion, was the only thing, that can remove the white from the mind of a white man and the Negro from the mind of a Negro. I have seen what Islam has done with our people. Our people who had the feeling of [being a] Negro, and it had a psychological effect of putting them in a mental prison.”
(page 316 Bayard Rustin) “ I think the identity crisis on the part of a number of Negro writers and thinkers today, has attempted to turn the Negro toward a separate state---nationalism or a return to Africa---or to a rejection of whites. It's calling for the emergence of a Negro expression. Many of them talk about Negroes as being the soul people. And they feel that from this a great new thing is going to spring. I happen to believe that the Negro does have a very peculiar mission, that he is, as it were, the chosen people. But that does not mean superior, or that he's any better, or that he's anymore noble or any more depraved. It means that he has an identity which is part of the national struggle in this country for the extension of democracy. Like many who are at the bottom of the barrel, if he shakes, the barrel shakes, And I believe that we are chosen---nonviolently---to eradicate from this country the last vestiges of privilege and racism. This is our destiny.” show less
Quotes: (page 13, Clarie Collins Harvey) “And many of the Charles Evers, Kenneth B. Clark, Martin Luther King Jr., Septima P. Clark, Roy Wilkins, Malcom X, Bayard Rustin said that their sanity was maintained while they were under torturous conditions, in this tremendous heat, and with the brutal treatment they were receiving in Parchman, because they knew that back in Jackson, Mississippi, there were woman who were concerned and interested and who represented something of the mind of the community. They felt their efforts were not being wasted.”
(page 61, Robert P. Moses) “The students were constantly renewed by the people who came off the land. The farmers, they're unsophisticated, but simply voice, time and time again, the simple truths. They speak from their own lives and their own personal experience.. So the students are rooted in that. This is what keeps them from going off on some kind of a tangent, as long as they keep working with the people. The people are really the force of values. At this [organizing] meeting, for instance, that we had on Sunday.”
(pages 254-255 James Baldwin) “The American Negro has had to accommodate a vast amount of hatred since he's been here. And that was a terrible school to go through. I myself am accused of hating all white people and saying that all Negroes do. I, myself, don't feel that so much as I feel a bitterness.
You can despise [white people]. You may have given moments when you want to kill them. But here it's your brother and your sister, whether or not they know that they are your brothers and your sisters. And that complicates it. It complicates it so much that I can't quite see my way through this.”
(page 294 Malcolm X) “When I was in Mecca, I noticed they had no color problem. They had people there whose eyes were blue and people there whose eyes were black, people whose skin was white, people whose skin was black, people whose hair was blond, people whose hair was black, from the whitest person to the blackest person. There was no racism; there was no problem. But the religious philosophy that they had adopted, in my opinion, was the only thing, that can remove the white from the mind of a white man and the Negro from the mind of a Negro. I have seen what Islam has done with our people. Our people who had the feeling of [being a] Negro, and it had a psychological effect of putting them in a mental prison.”
(page 316 Bayard Rustin) “ I think the identity crisis on the part of a number of Negro writers and thinkers today, has attempted to turn the Negro toward a separate state---nationalism or a return to Africa---or to a rejection of whites. It's calling for the emergence of a Negro expression. Many of them talk about Negroes as being the soul people. And they feel that from this a great new thing is going to spring. I happen to believe that the Negro does have a very peculiar mission, that he is, as it were, the chosen people. But that does not mean superior, or that he's any better, or that he's anymore noble or any more depraved. It means that he has an identity which is part of the national struggle in this country for the extension of democracy. Like many who are at the bottom of the barrel, if he shakes, the barrel shakes, And I believe that we are chosen---nonviolently---to eradicate from this country the last vestiges of privilege and racism. This is our destiny.” show less
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Awards
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Statistics
- Works
- 137
- Also by
- 60
- Members
- 14,375
- Popularity
- #1,596
- Rating
- 3.9
- Reviews
- 177
- ISBNs
- 266
- Languages
- 13
- Favorited
- 36

















































