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Robert Penn Warren (1905–1989)

Author of All the King's Men

137+ Works 14,375 Members 177 Reviews 36 Favorited

About the Author

Robert Penn Warren, the first Poet Laureate of the United States, was an unusually versatile writer who tried his hand at almost every kind of literature. In all of these forms, he achieved recognition and distinction, but it is as a poet, critic, and novelist that he was most widely known. Writing show more almost always about his native South, Warren produced 10 novels and a collection of short stories, The Circus in the Attic and Other Stories (1948). By far the most successful of his novels is All the King's Men (1946), the story of a southern politician and demagogue named Willie Stark, which Warren based on the rise and fall of Huey Long. Warren was considered one of the most influential of the New Critics, whose influence on the teaching of literature in American schools and universities during the late 1940s and 1950s could scarcely be overestimated. Because All the King's Men seemed to be the very epitome of what a good work of literature should be in New Critical terms---a complicated but highly readable narrative filled with irony and ambiguity---the novel came to be used widely in courses on modern fiction. It won both the Pulitzer Prize and the Southern Authors Award in 1947. Warren's other novels are disappointing by comparison. Following the success of All the King's Men, however, Warren seemed to turn to more loosely told stories about dramatic and romantic subjects, such as the interracial theme of Band of Angels (1955) or the natural catastrophes that serve as the crisis background for The Cave (1959) and Flood: A Romance of Our Time (1964). Wilderness: A Tale of the Civil War (1961) is an allegory of a man's spiritual quest for truth about himself and the world. Meet Me in the Green Glen (1971), the story of a tragic love affair, seemed to mark a return to the tighter structure and more complex artistry of Warren's earlier novels, but A Place to Come To (1977), his last novel, in which an elderly and renowned scholar who seems to owe much to Warren himself looks back on his family's past in an effort to find the meaning of his life, struck some reviewers as a confused and tired work. Sometime midway through his career as a novelist it is as if Warren stopped thinking of himself as a southern writer in the tradition of William Faulkner and turned instead to Thomas Wolfe for inspiration. Although in retrospect that switch must be regretted, no one can deny the immense influence of Robert Penn Warren on modern letters. Warren's poetry is intellectual, rich in powerful images, and has its roots in the pre-Civil War South. He continued to write impressive poetry almost until the time of his death. (Bowker Author Biography) show less
Image credit: Courtesy Wikipedia.

Series

Works by Robert Penn Warren

All the King's Men (1946) 8,088 copies, 133 reviews
Short Story Masterpieces (1954) — Editor — 777 copies, 3 reviews
Understanding Poetry (1938) — Author — 399 copies, 1 review
Chief Joseph of the Nez Perce (1983) 360 copies, 3 reviews
A Place to Come To (1977) 357 copies, 1 review
Remember the Alamo! (Landmark books) (1958) 323 copies, 1 review
World Enough and Time (1950) 301 copies, 10 reviews
Band of Angels (1955) 287 copies, 3 reviews
Wilderness: A Tale of the Civil War (1961) 174 copies, 1 review
Flood (1960) 144 copies, 1 review
The Legacy of the Civil War (1961) 141 copies
Night Rider (1939) 138 copies, 1 review
Understanding Fiction (1979) 130 copies, 1 review
The Cave (1959) 123 copies, 2 reviews
The Circus in the Attic: and Other Stories (1968) 101 copies, 1 review
Selected poems 1923-1975 (1976) 98 copies
An Approach to Literature (1975) 89 copies
At Heaven's Gate (1949) 88 copies, 1 review
Who Speaks for the Negro? (1965) 81 copies, 1 review
A Robert Penn Warren Reader (1987) 81 copies
Meet Me in the Green Glen (1971) 66 copies
Being Here: Poetry (1980) 64 copies
Rumor Verified: Poems (1981) 50 copies, 1 review
New and Selected Essays (1989) 45 copies
All the King's Men: A Play (1960) 42 copies
Randall Jarrell, 1914-1965 (1967) — Editor — 37 copies
60 Years of American Poetry (1996) 33 copies, 1 review
Audubon: A Vision (1969) 30 copies
The Scope of Fiction (1960) — Author & Editor — 30 copies
Selected Essays (1958) 30 copies
Modern Rhetoric {unspecified} (1958) — Author & Editor — 28 copies
Or Else - Poems 1968-74 (1974) 25 copies
Portrait Of A Father (1998) 21 copies, 1 review
Modern Rhetoric {Fourth Edition} (1979) — Author & Editor — 19 copies
Modern Rhetoric {Third Edition} (1977) — Author & Editor — 19 copies, 1 review
The Essential Melville (1987) 17 copies
Promises: Poems 1954-1956 (1957) 15 copies
The Gods of Mount Olympus (2000) 15 copies
Modern Rhetoric {Shorter Edition} (1961) — Author & Editor — 13 copies
Modern Rhetoric {Shorter Third Edition} (1977) — Author & Editor — 12 copies
Stories from six authors (2000) — Contributor — 12 copies, 1 review
A New Southern Harvest (1957) 10 copies
Modern Rhetoric {Second Edition} (1958) — Author & Editor — 7 copies
Blackberry Winter (1946) 3 copies
La Grande Forêt (2017) 3 copies
Amantha (1959) 3 copies
Selected Poems 1923-1943 (1944) 2 copies
A Southern Harvest (2007) 2 copies
The Ballad of Billie Potts (2017) 2 copies, 1 review
Or Else 1 copy
Band of Angels (1955) 1 copy
La caverne 1 copy
Six poems 1 copy
Two Poems 1 copy
THE FLOOD 1 copy
All the king's men (2017) 1 copy

Associated Works

A Farewell to Arms (1929) — Introduction, some editions — 25,560 copies, 280 reviews
The Sound and the Fury (1929) — Introduction, some editions — 19,414 copies, 247 reviews
Nostromo: A Tale of the Seaboard (1904) — Introduction, some editions — 5,306 copies, 70 reviews
The Best American Short Stories of the Century (2000) — Contributor — 1,712 copies, 10 reviews
The Vintage Book of Contemporary American Poetry (1990) — Contributor — 852 copies, 3 reviews
The World of the Short Story: A 20th Century Collection (1986) — Contributor — 510 copies, 4 reviews
A Pocket Book of Modern Verse (1954) — Contributor, some editions — 483 copies, 3 reviews
Critical Theory Since Plato (1971) — Contributor, some editions — 435 copies, 1 review
The Granta Book of the American Short Story (1992) — Contributor — 391 copies, 1 review
Coleridge's Poetry and Prose [Norton Critical Edition] (2003) — Contributor — 213 copies
American Religious Poems: An Anthology (2006) — Contributor — 183 copies, 2 reviews
The Mark Twain Anthology: Great Writers on His Life and Work (2010) — Contributor — 157 copies, 1 review
A Comprehensive Anthology of American Poetry (1929) — Contributor — 138 copies, 2 reviews
The Signet Classic Book of Southern Short Stories (1991) — Contributor — 136 copies, 1 review
The Literature of the American South: A Norton Anthology (1997) — Contributor — 110 copies
Twentieth Century American Poetry (1944) — Contributor — 109 copies, 2 reviews
The Collected Stories of Caroline Gordon (1981) — Introduction, some editions — 92 copies
Baseball's Best Short Stories (1995) — Contributor — 87 copies
200 Years of Great American Short Stories (1975) — Contributor — 78 copies, 1 review
All the King's Men [1949 film] (1949) — Novel — 73 copies
The Heath Anthology of American Literature, Concise Edition (2003) — Contributor — 72 copies, 1 review
The English Romantics: Major Poetry and Critical Theory (1978) — Contributor — 47 copies, 1 review
Who Owns America: A New Declaration of Independence (1977) — Contributor — 47 copies
The Sun Also Rises / A Farewell to Arms / The Old Man and the Sea (1962) — Introduction, some editions — 43 copies, 1 review
A Quarto of Modern Literature (1935) — Contributor — 43 copies
Southern Dogs and Their People (2000) — Contributor — 42 copies
Partisan Review (1998) — Contributor, some editions — 38 copies
Birds in the Hand: Fiction and Poetry about Birds (2004) — Contributor — 37 copies, 1 review
The Best American Short Stories 1964 (1967) — Contributor — 30 copies
Praising It New: The Best of the New Criticism (2008) — Contributor — 27 copies, 1 review
Pulitzer Prize Reader (1961) — Contributor — 27 copies
Selected Poems of Herman Melville (1991) — Editor — 27 copies
The Best American Short Stories 1972 (1972) — Contributor — 26 copies
A Good Man: Fathers and Sons in Poetry and Prose (1993) — Contributor — 21 copies, 1 review
A Portrait of Southern Writers: Photographs (2000) — Contributor — 18 copies
Men and Women: The Poetry of Love (1970) — Contributor — 9 copies
Various Temptations (1955) — Contributor — 8 copies
Writer to Writer: Readings on the Craft of Writing (1966) — Contributor — 8 copies
Perspectives on poetry (1968) — Contributor — 7 copies
Selected Poems (1963) — Editor, some editions — 5 copies
Themes in American Literature (1972) — Contributor — 5 copies
A Long Fourth and Other Stories (1948) — Introduction, some editions — 4 copies
Robert Penn Warren's Brother to Dragons: A Discussion (1983) — Contributor — 3 copies
O. Henry Memorial Award Prize Stories of 1937 (1937) — Contributor — 1 copy

Tagged

Common Knowledge

Birthdate
1905-04-24
Date of death
1989-09-15
Gender
male
Education
Vanderbilt University (BA | 1925)
University of California, Berkeley ( [1926])
Yale University (1928)
University of Oxford ( [1930])
Citizens Military Training Corp, Fort Knox, Kentucky
Clarksville High School, Clarksville, Tennessee (show all 7)
Guthrie School
Occupations
poet
novelist
short story writer
playwright
literary critic
editor (show all 8)
publisher
professor
Organizations
The Fugitives
The Agrarians
Fellowship of Southern Writers (charter member)
American Academy of Poets ( [1950])
American Academy of Poets ( [1972])
American Academy of Arts and Letters (1959) (show all 12)
American Academy of Arts and Sciences (1975)
American Philosophical Society (1952)
National Institute of Arts and Letters (1950)
Century Association (1958)
Modern Language Association
The Southern Review (co-founder ∙ editor-in-chief)
Awards and honors
Poet Laureate Consultant in Poetry to the Library of Congress (1944-1945)
Poet Laureate Consultant in Poetry to the Library of Congress (1986-1987)
Presidential Medal of Freedom (1980)
Bollingen Prize (1967)
Jefferson Lecture (1974)
Gold Medal for Poetry ( [1985]) (show all 27)
Emerson-Thoreau Medal (1975)
Distinguished Alumnus Award ( [1950])
National Arts Foundation Award (1968)
National Medal of Arts (1987)
National Medal of Literature (1970)
Founder's Medalist (1925)
Award for Distinction in Literature ( [1973])
Ten Best Teachers Award ( [1972])
Creative Arts Award ( [1984])
Shelley Memorial Award (1943)
MacArthur Prize (1981)
Wilma and Roswell Messing, Jr., Award ( [1977])
Phi Beta Kappa (1925)
Rhodes Scholar (1928-1930)
Guggenheim Fellowship
Warren-Brooks Award
Robert Penn Warren Award for Fiction
Robert Penn Warren Center for the Humanities (Vanderbilt University)
English Committee of the Board of Overseers of Harvard College (1967-68)
U.S. Naval Academy (declined due to injury)
Only poet to have served twice as U.S. Poet Laureate
Relationships
Clark, Eleanor (wife)
Warren, Rosanna (daughter)
Brooks, Cleanth (friend)
Lytle, Andrew (friend)
Taylor, Peter Hillsman (friend)
Erskine, Albert (friend) (show all 10)
Davidson, Donald (teacher)
Jarrell, Randall (student)
Mims, Edwin (teacher)
Dew, Robb Forman (goddaughter)
Short biography
Robert Penn Warren is the only person to have won Pulitzer Prizes for both fiction and poetry. He served twice as Poet Laureate of the United States.
Nationality
USA
Birthplace
Guthrie, Kentucky, USA
Places of residence
Guthrie, Kentucky, USA
Fairfield, Connecticut, USA
Stratton, Vermont, USA
Nashville, Tennessee, USA
Place of death
Stratton, Vermont, USA
Burial location
Willis Cemetery, Stratton, Vermont, USA
Associated Place (for map)
USA

Members

Reviews

198 reviews
This was not at all what I expected it to be. It seemed everyone I know had read this book in college, but I am many many many years past that time and had just not gotten around to it. I thought it would be like Confederacy of Dunces (a book I loved) but it was not at all. Yes, an insular and corrupt state government lead by a man of outsize personality is at the center of things, but that is not what this book is about. It is about what it is to be a good person. It is about costs of going show more with the flow rather than taking decisive actions and taking responsibility for those actions. It is about love, in its many forms. It is very much about honor. These are big themes, and this is no beach read. The book is complicated and challenging. It is also one of the most beautifully written books I have ever read and I will be thinking about it for a long time to come. show less
Murder, adultery, seduction, an illegitimate child, political double crossing: throw them all together and they make an engrossing tale. Base it on a true crime, and it’s even more compelling.

Robert Penn Warren took the case and did just that. The basic facts were that
on November 7, 1825, Solomon Sharp, a Kentucky legislator, was murdered. Jereboam Beauchamp was convicted of the murder and executed, becoming the first person to be legally executed in Kentucky.

Warren sticks closely to the show more original story. Beauchamp become Jeremiah Beaumont; Sharp is now Colonel Cassius Fort. The wronged woman was Anna Cooke, here known as Rachel Jordan. While in prison, Beauchamp had written his side of the story, and Warren uses this device in his novel, sifting through Jeremiah’s letters and prison diary to tell of a man and a world where violence was all pervasive, and murder was perhaps justified.

Kentucky at that time was a frontier. It was a violent and lonely land, and when the night came on, the loneliness was equal for the big brick house with the portico overlooking a meadow or the log house set at the head of a cove in the knobs. Eastward, cutting off the past, rose the wall of mountains, and westward the wilderness stretched away forever with its terror and its promise.

Land speculation was rampant; people would be on top one day and bankrupt the next. The political debate and legal wrangling over capital and credit, debt relief and imprisonment, is an important backdrop to the tale of young Jeremiah, who managed to survive his father’s financial downfall and become a lawyer. As he moved in increasingly more connected circles, he came to realise how honest hard working men came to be victims of these dealings.

He also learned that love can be bound up in speculation too. This was the start of his downfall. Writing his diaries in prison, he and his world come into sharper focus than stories from two hundred years ago normally do. The reader starts to root for Jeremiah, following him through to the end, the only place where Warren differs from what became known as The Kentucky Tragedy.

Written at a time when people routinely read long novels with many characters, it still holds up well, as does his All the King’s Men. At times it seemed like Cormac McCarthy, must be a fan; it’s every bit as immersive, but less brutal.
show less
This is a collection of interviews Warren conducted with civil rights leaders and workers in 1964, interspersed with his own observations and conclusions. Originally published in 1965, my 2014 edition contains an excellent introduction by David W. Blight.

It is fascinating to read the varying positions of such well-known men as James Baldwin, Adam Clayton Powell, Malcolm X, Martin Luther King, Carl Rowan and Roy Wilkins on subjects from integration to non-violence in historical context, as show more well as the perspectives of the low-profile individuals dedicated to the difficult task of carrying out their leaders' agendas. It is also demoralizing to realize that despite all the work of all the people who devoted their lives---even sacrificed their lives, and all the changes that did come out of that troubled period, our country has not resolved the fundamental issues underlying racial conflict, and seems now to be moving in the wrong direction. Warren took on an incredibly ambitious project here, especially for an OWM from the Southland, and did a remarkable job with it. This book deserves to be read alongside all the 21st century works on the subject of race that are currently gracing our shelves. show less
My take away from my reading is that the black community represented here with their interviews of the likes of Charles Evers, Kenneth B. Clark, Martin Luther King Jr., Septima P. Clark, Roy Wilkins, Malcom X, Bayard Rustin and many more did not speak in one voice or have one vision or strategy but what united the movements and its people in the early 60s was their reaction, leading to a vibrant willingness to deal through a gaining confidence. with a punishingly never ending violent show more oppression. My guess is that Robert Penn Warren was hoping that his readers would be both black and white , all other American groups for the most part are not discussed, and would gain an understanding that would lead to some kind of meeting of the minds and action. One can see from the enclosed discussions the grappling with and defining of problems then and how painfully incremental there has been some present successes. Along with the rawness and pain the seeds of cautious hope are clearly there, especially on Mr. Penn's part.

Quotes: (page 13, Clarie Collins Harvey) “And many of the Charles Evers, Kenneth B. Clark, Martin Luther King Jr., Septima P. Clark, Roy Wilkins, Malcom X, Bayard Rustin said that their sanity was maintained while they were under torturous conditions, in this tremendous heat, and with the brutal treatment they were receiving in Parchman, because they knew that back in Jackson, Mississippi, there were woman who were concerned and interested and who represented something of the mind of the community. They felt their efforts were not being wasted.”

(page 61, Robert P. Moses) “The students were constantly renewed by the people who came off the land. The farmers, they're unsophisticated, but simply voice, time and time again, the simple truths. They speak from their own lives and their own personal experience.. So the students are rooted in that. This is what keeps them from going off on some kind of a tangent, as long as they keep working with the people. The people are really the force of values. At this [organizing] meeting, for instance, that we had on Sunday.”

(pages 254-255 James Baldwin) “The American Negro has had to accommodate a vast amount of hatred since he's been here. And that was a terrible school to go through. I myself am accused of hating all white people and saying that all Negroes do. I, myself, don't feel that so much as I feel a bitterness.
You can despise [white people]. You may have given moments when you want to kill them. But here it's your brother and your sister, whether or not they know that they are your brothers and your sisters. And that complicates it. It complicates it so much that I can't quite see my way through this.”

(page 294 Malcolm X) “When I was in Mecca, I noticed they had no color problem. They had people there whose eyes were blue and people there whose eyes were black, people whose skin was white, people whose skin was black, people whose hair was blond, people whose hair was black, from the whitest person to the blackest person. There was no racism; there was no problem. But the religious philosophy that they had adopted, in my opinion, was the only thing, that can remove the white from the mind of a white man and the Negro from the mind of a Negro. I have seen what Islam has done with our people. Our people who had the feeling of [being a] Negro, and it had a psychological effect of putting them in a mental prison.”

(page 316 Bayard Rustin) “ I think the identity crisis on the part of a number of Negro writers and thinkers today, has attempted to turn the Negro toward a separate state---nationalism or a return to Africa---or to a rejection of whites. It's calling for the emergence of a Negro expression. Many of them talk about Negroes as being the soul people. And they feel that from this a great new thing is going to spring. I happen to believe that the Negro does have a very peculiar mission, that he is, as it were, the chosen people. But that does not mean superior, or that he's any better, or that he's anymore noble or any more depraved. It means that he has an identity which is part of the national struggle in this country for the extension of democracy. Like many who are at the bottom of the barrel, if he shakes, the barrel shakes, And I believe that we are chosen---nonviolently---to eradicate from this country the last vestiges of privilege and racism. This is our destiny.”
show less
½

Lists

AP Lit (1)
1940s (1)
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Statistics

Works
137
Also by
60
Members
14,375
Popularity
#1,596
Rating
3.9
Reviews
177
ISBNs
266
Languages
13
Favorited
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