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Romeo and Juliet by William Shakespeare

Romeo and Juliet (1594)

by William Shakespeare

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingMentions
20,731204110 (3.76)470
  1. 70
    The Romance of Tristan and Iseult by Joseph Bédier (JGKC)
  2. 20
    Antony and Cleopatra by William Shakespeare (Waldstein)
    Waldstein: Shakespeare's treatments of passionate, irrational and self-destructive love between teenagers (R&J) and mature people (A&C) make for a truly fascinating comparison. The vastly greater political and metaphysical implications, as well as the extreme concentration of the language, in the later play show how far Shakespeare developed for just over a decade.… (more)
  3. 10
    The Tryst Tale by Duane Romana (femme)
  4. 00
    La Celestina by Fernando de Rojas (longway)
  5. 00
    The Boy Next Door: A Novel by Irene Sabatini (infiniteletters)

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» See also 470 mentions

English (188)  Spanish (5)  French (4)  Italian (3)  Finnish (2)  German (2)  Swedish (1)  Greek (1)  Catalan (1)  Dutch (1)  All languages (208)
Showing 1-5 of 188 (next | show all)
Romeo and Juliet. William Shakespeare. Folger Shakespeare Library. 1992. As I said above, this was a book club selection. Cannot remember when I last read this play, but I loved reading it this time. How can I forget how much I love Shakespeare?!! After I read the play, I found a BBC Radio production with Kenneth Branagh playing Romeo and Judie Dench playing Nurse! I really enjoyed reading along as I listened and got more out of the play the second reading. I sort of wanted to listen to it again, but instead decided to watch Zeffierlli’s movie and am so glad I did. A great way to enjoy Shakespeare! ( )
  judithrs | Apr 28, 2019 |
Romeo and Juliet Summary. A deep rooted quarrel between two amazing families emits into carnage. A gathering of covered Montagues hazard further clash by gatecrashing a Capulet party. A youthful lovesick Romeo Montague falls in a split second enamored with Juliet Capulet, who is expected to wed her dad's decision, the County Paris. ( )
  ChristianR.G1 | Mar 27, 2019 |
A classic book that has been rehashed and regurgitated ad nauseum for almost 500 years, it's little surprise why screenwriters and book authors keep on basing stories from this tragic love story of two innocents from warring families that outright detest each other.

Now, I know, every high school in English majority nations have plastered this author's books as the best pieces of literature of all time. For better or worse, I was not raised in a country where English is the official language and never really grew up with his work. When I finally did get a chance to read this story (translated to Spanish), maybe it was the translation that lost some of the poetic lyricism, but I found the book very hard to follow.

I probably also felt disconnected with it because the book was written such a long time ago that the phrases used seem out of style or hard to understand. It really bogged the immersion and fun factor and made it a bit of a chore to read.

Still, the plot is great, but I would have probably enjoyed it more if there was a more modernized and less poetic version of the prose to aid in my commoner ears. ( )
1 vote chirikosan | Feb 25, 2019 |
O teach me how I should forget to think

I was prepared to be underwhelmed by a jaded near fifty return to this plethora of love-anchored verse. It was quite the opposite, as I found myself steeled with philosophy "adversity's sweet milk" and my appreciation proved ever enhanced by the Bard's appraisal of the human condition. How adroit to have situated such between two warring tribes, under a merciful deity, an all-too-human church and the wayward agency of hormonal teens. Many complain of this being a classic Greek drama adapted to a contemporary milieu. There is also a disproportionate focus on the frantic pacing in the five acts. I can appreciate both concerns but I think such is beyond the point. The chorus frames matters in terms of destiny, a rumination on Aristotelian tragedy yet the drama unfolds with caprice being the coin of the realm. Well, as much agency as smitten couples can manage. Pacing is a recent phenomenon, 50 episodes for McNulty to walk away from the force, a few less for Little Nell to die.

Shakespeare offers insights on loyalty and human frailty as well as the Edenic cursing of naming in some relative ontology. Would Heidegger smell as sweet? My mind's eye blurs the poise of Juliet with that of Ophelia; though no misdeeds await the Capulet, unless being disinherited by Plath's Daddy is the road's toll to a watery sleep. The black shoe and the attendant violent delights. ( )
  jonfaith | Feb 22, 2019 |
First, it’s prose, translated by multiple hands, so of course the rhythm or point to the line is lost. Montale and Ungaretti have translated individual poems, much more freely in the prior’s case.
Also lost in even great translations are the puns and historic meanings, say RJ I.i, the many uses of “stand,” The 1590’s word erection—made clear in the puns on sword, “my naked tool is out.”
Here, Emilio Cecchi, translator of Otello, footnotes puns, like “white” and “wight” (170). He also has a great note on “folly” as “scemenza vale lascivia.” (Cecchi also translates Iago’s epigrams into verse, so his O is more four-stars; he was a screen-writer, films until 1949.)
My favorite lines, aloudread at Milanese cafe’s over a cappucio, are those which adopt some Italian priority, like food: King, “Dove Polonio?” Hamlet, “A cena.” K, “A cena! Dove?” H,”Non dove mangia, ma dove e mangiato...Vermi politici si sta occupando di lui”(126). (L. Squarzina’s translation was first performed and directed by V. Gassman —and the translator—in Fall, 1952.)
Cecchi has Iago’s drinking song with Cassio, preparing him to be killed by a poorer swordsman,
“Facciam tintinnare i bicchieri/ [Ripetere]
La vita e un spanna,
Il soldato tracanna
E un uomo lui.”
Of course, “cannikin” hard to render by “bicchieri.” As is “clink” by “tintinnare,” to sound or ring.
Cecchi also has the gravediggers songs, and their complaint that la gente ripulita have right to drown themselves while men don’t.
Hamlet jokes with Horacio about nourishing bones that could as well make dice to play skittles, birilli. The gravedigger’s refrain,
Per baciare il primo che venga, hi ho hu,
C’e una bocca di argilla nel suol. (140)
Before this, “Una zappa e una vanga, e una vanga, hi ho hu,/ e un sudario per lenzuol,/ per baciare...”
Asked how long he’s dug graves, the digger-clown answers, sineold Hamlet beat Fortibras, the same day young Hamlet was born, he who is mad and sent to Inghilterra. H, Perche? “Gli inglesi sono matti come lui.”
Paola Ojetti translates RJ, but finds the bawdy puns impossible, say Romeo’s to the Nurse, “The bawdy dial of the sun stands on the prick of noon,” Perche il dito Della meridiana sta adesso Mezzogiorno.(37). But again, Italian food comes through, with “una lepre, messere, in un pasticcio di quaresima..”. This improves on “an hare in a Lenten pie.” Anyone who’s dined on home-made pasticcio would prefer it to a pub Shepherds pie. ( )
  AlanWPowers | Dec 30, 2018 |
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» Add other authors (314 possible)

Author nameRoleType of authorWork?Status
Shakespeare, WilliamAuthorprimary authorall editionsconfirmed
Andrews, John F.Editorsecondary authorsome editionsconfirmed
Baldini, GabrieleTranslatorsecondary authorsome editionsconfirmed
Barnet, SylvanEditorsecondary authorsome editionsconfirmed
Bate, JonathanEditorsecondary authorsome editionsconfirmed
Books, PennyEditorsecondary authorsome editionsconfirmed
Braunmuller, A. R.Editorsecondary authorsome editionsconfirmed
Bryant, CliveEditorsecondary authorsome editionsconfirmed
Burningham, Hilarysecondary authorsome editionsconfirmed
Cajander, PaavoTranslatorsecondary authorsome editionsconfirmed
Chamberlain, RichardNarratorsecondary authorsome editionsconfirmed
Craft, KinukoCover artistsecondary authorsome editionsconfirmed
Devlin, JimIllustratorsecondary authorsome editionsconfirmed
Evans, Gwynne BlakemoreEditorsecondary authorsome editionsconfirmed
Farjeon, HerbertEditorsecondary authorsome editionsconfirmed
Farjeon, HerbertEditorsecondary authorsome editionsconfirmed
Flockhart, CalistaNarratorsecondary authorsome editionsconfirmed
Furness, Horace HowardEditorsecondary authorsome editionsconfirmed
Günther, FrankTranslatorsecondary authorsome editionsconfirmed
Gibbons, BrianEditorsecondary authorsome editionsconfirmed
Gill, RomaEditorsecondary authorsome editionsconfirmed
Gundersheimer, WernerPrefacesecondary authorsome editionsconfirmed
Hagberg, Carl AugustTranslatorsecondary authorsome editionsconfirmed
Hankins, John ErskineEditorsecondary authorsome editionsconfirmed
Harrison, George B.Editorsecondary authorsome editionsconfirmed
Hatherell, WilliamIllustratorsecondary authorsome editionsconfirmed
Hormann, NicholasNarratorsecondary authorsome editionsconfirmed
Hudson, Henry N.Editorsecondary authorsome editionsconfirmed
Hugo, JeanIllustratorsecondary authorsome editionsconfirmed
Jylhä, YrjöTranslatorsecondary authorsome editionsconfirmed
Kittredge, George LymanEditorsecondary authorsome editionsconfirmed
Kobler, Donald G.Editorsecondary authorsome editionsconfirmed
Komrij, GerritTranslatorsecondary authorsome editionsconfirmed
LaMar, Virginia A.Editorsecondary authorsome editionsconfirmed
Law, Robert AdgerEditorsecondary authorsome editionsconfirmed
Levenson, Jill L.Editorsecondary authorsome editionsconfirmed
Lombardo, AgostinoTranslatorsecondary authorsome editionsconfirmed
Mack, Maynard, JrEditorsecondary authorsome editionsconfirmed
Mandell, AlanNarratorsecondary authorsome editionsconfirmed
Menzer, PaulEditorsecondary authorsome editionsconfirmed
Metzl, ErvineIllustratorsecondary authorsome editionsconfirmed
Metzl, ErvineIllustratorsecondary authorsome editionsconfirmed
Mowat, Barbara A.Editorsecondary authorsome editionsconfirmed
Neruda, PabloTranslatorsecondary authorsome editionsconfirmed
Newborn, SashaEditorsecondary authorsome editionsconfirmed
Orgel, StephenEditorsecondary authorsome editionsconfirmed
Pérez Romero, MiguelTranslatorsecondary authorsome editionsconfirmed
Poole, AdrianEditorsecondary authorsome editionsconfirmed
Raffel, BurtonEditorsecondary authorsome editionsconfirmed
Rasmussen, EricEditorsecondary authorsome editionsconfirmed
Ribner, IrvingEditorsecondary authorsome editionsconfirmed
Rolfe, William JamesEditorsecondary authorsome editionsconfirmed
Schlegel, August Wilhelm vonTranslatorsecondary authorsome editionsconfirmed
Sisson, Charles JasperEditorsecondary authorsome editionsconfirmed
Spencer, T. J. B.Editorsecondary authorsome editionsconfirmed
Stamberg, JoshNarratorsecondary authorsome editionsconfirmed
Stevenson, O. J.Editorsecondary authorsome editionsconfirmed
Valverde, José MaríaTranslatorsecondary authorsome editionsconfirmed
Weis, RenéEditorsecondary authorsome editionsconfirmed
Weller, ShaneEditorsecondary authorsome editionsconfirmed
Werstine, PaulEditorsecondary authorsome editionsconfirmed
White, JulieNarratorsecondary authorsome editionsconfirmed
Wolf, MatthewNarratorsecondary authorsome editionsconfirmed
Wright, Louis B.Editorsecondary authorsome editionsconfirmed

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First words
Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean.
But, soft! what light through yonder window breaks?

It is the east, and Juliet is the sun.
Good night, good night! parting is such sweet sorrow,

That I shall say good night till it be morrow.
This bud of love, by summer's ripening breath,

May prove a beauteous flower when next we meet.
What's in a name? That which we call a rose

By any other name would smell as sweet.
A plague o' both your houses!
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Romeo and Juliet (the play) ISBN 9780942208665
Romeo and Juliet Director's Playbook (play plus theatrical production sections) ISBN 9780942208658.
Please distinguish between this work, which is Shakespeare's original play, from any of its many adaptations (audio, video, reworking, etc.).
Publisher's editors
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Original language
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Book description
The most iconic love story of all time, Shakespeare's Romeo and Juliet is an epic-scale tragedy of desire and revenge. Despite the bitter rivalry that exists between their families, Romeo Montague and Juliet Capulet have fallen madly in love. But when the long-running rivalry boils over into murder, the young couple must embark on a dangerous and deadly mission to preserve their love at any cost.

An L.A. Theatre Works full-cast performance featuring:
Calista Flockhart as Juliet
Matthew Wolf as Romeo
Julie White as Nurse
Alan Mandell as Friar Laurence
Richard Chamberlain as Prince Escalus
Nicholas Hormann as Lord Capulet
Josh Stamberg as Mercutio
Mark J. Sullivan as Benvolio and others
Logan Fahey as Tybalt and Balthasar
Alfred Molina as Chorus
Henry Clarke as Paris and others
Lily Knight as Lady Capulet
Janine Barris as Young Lady, Boy Page to Paris and others
Darren Richardson as Sampson and Peter
Alan Shearman as Lord Montague and others
André Sogliuzzo as Gregory and others
Sarah Zimmerman as Lady Montague and others

Directed by Martin Jarvis.
Recorded at the Invisible Studios, West Hollywood in January, 2012.

Haiku summary
"Love moderately,"
said the Friar to the kids.
Wish they had listened.

Is it star-crossed love?
Should the Friar have hosed them?
A little of both.

Amazon.com Product Description (ISBN 0743477111, Mass Market Paperback)

Each edition includes:

Freshly edited text based on the best early printed version of the play Full explanatory notes conveniently placed on pages facing the text of the play Scene-by-scene plot summaries A key to famous lines and phrases An introduction to reading Shakespeare's language An essay by an outstanding scholar providing a modern perspective on the play Illustrations from the Folger Shakespeare Library's vast holdings of rare books

The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.

(retrieved from Amazon Thu, 12 Mar 2015 18:06:37 -0400)

(see all 12 descriptions)

Provides the text of the play, accompanied by notes and an introduction. Also includes a section of study questions and a brief biography of Shakespeare.

» see all 95 descriptions

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Penguin Australia

3 editions of this book were published by Penguin Australia.

Editions: 0140714847, 0141012269, 0141335378

Yale University Press

An edition of this book was published by Yale University Press.

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Sourcebooks MediaFusion

An edition of this book was published by Sourcebooks MediaFusion.

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An edition of this book was published by McFarland.

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Urban Romantics

2 editions of this book were published by Urban Romantics.

Editions: 1909175153, 1909175161

Recorded Books

2 editions of this book were published by Recorded Books.

Editions: 1456100025, 1449879675

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