Vikram Seth

This is a novel of India set in the early 1950s just after the partition. In it, Vikram Seth provides a window into the culture and history of India at an early critical juncture in its history: the political and cultural climate five years after the country gained its independence from Great Britain in 1947. At the center of the novel is a romance about a young girl, Lata, whose mother, Mrs. Rupa Mehra, is searching for a "suitable boy" for her to marry.

The novel's opening section show more succeeded in immediately arresting my attention. Some of the most notable aspects of the novel include the subtle ways that the author suggests the continuing cultural influence of England, from the impact of literary awards to the reading habits of several of the characters. Whether politics, religion, industry, university life, medicine, or law is the subject, each aspect is motivated by a character who is first and foremost a member of a family. The novel stresses loyalty to the extended family and considers this involvement as protection against a harsh world. The thirty or so family members along with an array of supporting characters emerge as memorable individuals. While Seth reveals their comic and absurd sides, he always treats them humanely. The novel is a tour de force that demonstrates his skill in writing, knowledge of India, and his ability to marry the charms of a classical romance novel within the broad reach of an historical family and national saga.

Without disclosing the plot details I can only assure the reader that it is worth all 1400+ pages. The thematic development of the clash between Hindu and Muslim cultures is particularly well portrayed with the impact of historical events on the national level mirrored by dramatic events among the main families whose lives fill the plot and subplots of the novel. It is rare that such a long book is both an entertaining read and an intellectually satisfying challenge. Vikram Seth has more than succeeded in both areas. show less

For 'read but unowned' in my tags, substitute 'thrown away'. I bought cheap copies of this and another novel about musicians following a recommendation, but I obviously have different standards to the other eager reviewer. For a start, a narrator whose head isn't jammed up his own backside. Julia, the long-suffering object (and I don't use the term lightly) of his affections, is a great character, and I would have loved to read the same story from her perspective, but Michael is an show more egotistical twit. He abandons her in Vienna, while suffering some pretentious existential musical crisis, then decides that a decade is a good length of time to try and pick up where they left off, despite Julia having married and moved on with her life. She has a bit of a fling with him while trying to deal with her own (actually important and life-changing) issues, then tries to shake him off - so he turns into a crazy stalker. I actually really hated him, and had to remind myself that I was only reading about a fictional character - and if Vikram Seth, who has written better novels, was aiming to create such a loathsome protagonist, then more power to his word processor. Basically, another novel about music where the characters suffer for the author's art. show less

Michael plays second violin in an up-and-coming Maggiore Quartet, lives on the north side of Hyde Park, takes early morning dips in the Serpentine, has a French girlfriend named Virginie. But his mind is constantly drawn to his first and only love, Julia, whom he knew in Vienna many years earlier. When he catches sight of Julia on a London bus, he cannot help but pursue her. Vikram Seth's new novel is a gently-paced, multi-layered work, proceeding in short sections which flit from Michael's show more ongoing search for Julia back to his childhood as a Rochdale butcher's son, his early training and breakdown in Vienna under the tyrannical Carl Kall, and the emotional history of his quartet; while Michael's discovery of a Beethoven trio rewritten as a string quintet acts as a motif for Michael's pursuit of the lost Julia: can Michael recapture the magic of the past, like Beethoven, who deafly transfigured what he so many years earlier had hearingly composed? Seth is quite brilliant at conveying the intense and complex interplay of chamber musicians, in rehearsal and performance (an odd, obsessed, introspective, separatist breed), and manages the near-impossible--to write in 1999 about Art and Love without embarrassment. --Alan Stewart show less

I was searching for something to say about the imposing length of this book, but it seems every other review has already said it, and indeed, the author makes reference to it a few times as well. Long it may be, but extremely readable, with its smooth, polished, conversational prose and unhurried but regular pacing. In time, it covers just over a year, in people it covers four families and assorted people in their orbits, in theme it goes from comedy to tragedy to romance to domestic drama, show more to campus politics to national politics to urban industry to rural agriculture to religious ferment to obsessive love to social class to music, art and poetry to corruption, reform, idealism and revolt and madness and misogyny and bigotry and catastrophe and riot and two weddings and a funeral and so on and so forth.

Despite its sprawl, it never seems to sprawl, and though there's a lot to keep track of, the leisurely pace and the distinctive characters - who are mostly lovable to one degree or another despite very identifiable foibles and failings - moving through their lives never seem rushed or muddled or melodramatic. There's no zany plot twisting soap operatics here, and all the twists and the turns of their lives, big and small seem natural and unforced. Indeed, perhaps a more ruthless author might have visited more in the way of loss and grief on the central families -at times they seem quite blessed, despite the upheavals personal and political and social going on around them. But life can be like that sometimes too, and the experience is so immersive and vivid and the world so rich and the families so alive it seems like a small complaint that they're not quite unhappy enough. show less