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The Yiddish Policemen's Union by Michael…
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The Yiddish Policemen's Union (2007)

by Michael Chabon

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingMentions
8,979381577 (3.8)572
In a world in which Alaska, rather than Israel, has become the homeland for the Jews following World War II, Detective Meyer Landsman and his half-Tlingit partner Berko investigate the death of a heroin-addled chess prodigy.
  1. 151
    The Amazing Adventures of Kavalier & Clay by Michael Chabon (Pagemistress)
  2. 102
    The City & The City by China Miéville (grizzly.anderson, kaipakartik)
    grizzly.anderson: Both are police procedural mysteries set in slightly alternate worlds.
    kaipakartik: Both are detective tales in alternate settings
  3. 51
    The Man in the High Castle by Philip K. Dick (AlanPoulter)
    AlanPoulter: Both are alternate histories set in a USA changed by World War Two.
  4. 20
    Finch by Jeff VanderMeer (kaipakartik)
    kaipakartik: Detective tales set in a fast deteriorating city
  5. 20
    The Last Policeman by Ben H. Winters (EerierIdyllMeme)
    EerierIdyllMeme: Noir mysteries exploring interesting hypothetical settings with ticking timers.
  6. 31
    The Long Goodbye by Raymond Chandler (melmore)
    melmore: Another book with a detective protagonist attempting to come to terms with his life and his relationships.
  7. 31
    The Plot against America by Philip Roth (ljbwell)
    ljbwell: Alternate history based in the US where WWII has had a different outcome.
  8. 42
    The Thin Man by Dashiell Hammett (Pagemistress)
  9. 21
    Farthing by Jo Walton (BeckyJP)
  10. 00
    Reservation Blues by Sherman Alexie (PghDragonMan)
    PghDragonMan: Both deal with ethnic conflict and searching for identity.
  11. 00
    The Ministry of Special Cases by Nathan Englander (hairball)
    hairball: While one is an alternative history and the other is based around historical fact (Argentina's disappeared), they have a similar flavor to them.
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» See also 572 mentions

English (368)  French (4)  Dutch (3)  Italian (2)  Danish (1)  Catalan (1)  Spanish (1)  All languages (380)
Showing 1-5 of 368 (next | show all)
one of last books read with Wordies before I moved back North ( )
  Overgaard | Apr 10, 2020 |
This is such a great book, I pick it up every so often to read it again and every time I am completly drawn into the story.
It is especially the little details for describing situations which lets you dive into this universe of alternate reality. ( )
  Black-Lilly | Mar 8, 2020 |
One of Chabon's best books. ( )
  tombrown | Feb 21, 2020 |
I have mixed feelings about this book. On one hand, it kept me going through 5months of reading, on the other hand, it took me five months to read it. Especially the first half feels more like an investment to get at the better second part and the female characters felt more off to me than the noirish tropes and biased POV-character would explain, but then I really like Chabon's way with words and language.

Full review on: https://chwiggys-world.de/2019/11/14/incidental-history/ ( )
  chwiggy | Nov 14, 2019 |
Overall, this was a well-executed noir detective story. The alternate history backdrop was exceedingly well done; the exposition of it was extremely subtle and never distracting. My only problem with it was the ending (which I won't discuss in detail--with a detective story, that would be just plain mean). Both in terms of plot and theme, then ending was trite, naively romantic, and too-quick. This was all the more disappointing insofar as it stood in stark contrast to the quality of the rest of the book.


( )
  ralphpalm | Nov 11, 2019 |
Showing 1-5 of 368 (next | show all)
Chabon is a spectacular writer. He does a witty turn reinventing Yiddish for the modern Alaskan Jews - of course the lingua franca of Jews without an Israel - just a little of which I, with only faintly remembered childhood Yiddish, could grasp. A mobile phone is a shoyfer (perhaps because, like the ram's horn, it calls you), a gun is a sholem (a Yiddish version of a Peacemaker?). Chabon is a language magician, turning everything into something else just for the delight of playing tricks with words. He takes the wry, underbelly vision of the ordinary that the best of noir fiction offers and ratchets it up to the limit. Nothing is allowed to be itself; all people and events are observed as an echo of something else. Voices are like "an onion rolling in a bucket", or rusty forks falling. An approaching motorcycle is "a heavy wrench clanging against a cold cement floor. The flatulence of a burst balloon streaking across the living room and knocking over a lamp." Chabon's ornate prose makes Chandler's fruity observations of the world look quite plain. Nothing is described as just the way it is. Nothing is let be. He writes like a dream and has you laughing out loud, applauding the fun he has with language and the way he takes the task of a writer and runs delighted rings around it.

For the most part, Chabon's writing serves the knotted mystery that is being unravelled, but there is eventually a point where it begins to weary the mind, where the elaborations of things get in the way of the things themselves and the narrative gets sucked under by style. The compulsory paragraph of Byzantine physical description whenever another character arrives on the scene starts to seem an irritating interlude; another over-reaching cadenza. Though it seems churlish to complain about such a vivid talent, a little less would have been enough already.
 
It’s obvious that the creation of this strange, vibrant, unreal world is Chabon’s idea of heaven. He seems happy here, almost giddy, high on the imaginative freedom that has always been the most cherished value in his fiction.
 
Some of the pleasures of The Yiddish Policemen’s Union are, actually, distinctly Dan Brown–ish. Mr. Chabon often ends chapters with cliffhangers that might be tiresome in the hands of a lesser writer (say, Dan Brown). Here, they’re over-the-top suspenseful, savory and delicious.
 
More important, Mr. Chabon has so thoroughly conjured the fictional world of Sitka — its history, culture, geography, its incestuous and byzantine political and sectarian divisions — that the reader comes to take its existence for granted. By the end of the book, we feel we know this chilly piece of northern real estate, where Yiddish is the language of choice, the same way we feel we have come to know Meyer Landsman — this “secular policeman” who has learned to sail “double-hulled against tragedy,” ever wary of “the hairline fissures, the little freaks of torque” that can topple a boat in the shallows.
 
This novel makes you think, but it is an ordeal to read. The problem: Chabon has mixed two very dark story lines that jar the reader. There is the real tragedy of Sitka's wandering Jews, and then there is the faux bleakness of the noir genre with its posturing attitude. The central character comes across as a Jewish Humphrey Bogart wannabe, not a three-dimensional character who can shoulder a 400-plus-page novel about exile, fanatics and longing.
added by MikeBriggs | editUSA Today, Deirdre Donahue (Apr 30, 2007)
 

» Add other authors (11 possible)

Author nameRoleType of authorWork?Status
Chabon, Michaelprimary authorall editionsconfirmed
Carlson-Stanisic, LeahDesignersecondary authorsome editionsconfirmed
Fischer, AndreaTranslatorsecondary authorsome editionsconfirmed
Riegert, PeterNarratorsecondary authorsome editionsconfirmed
Staehle, WillCover artistsecondary authorsome editionsconfirmed
Staehle, WillIllustratorsecondary authorsome editionsconfirmed
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Epigraph
"And they went to sea in a sieve."
- Edward Lear
Dedication
To Ayelet, bashert
First words
Nine months Landsman's been flopping at the Hotel Zamenhof without any of his fellow residents managing to get themselves murdered. Now somebody has put a bullet in the brain of the occupant of 208, a yid who was calling himself Emanuel Lasker.
Quotations
He likes the leash ... Without it, he doesn't sleep.
It has nothing to do with religion ... It has everything to do, God damn it, with fathers.
A Messiah who actually arrives is no good to anybody.
I don't care what is written. I don't care what supposedly got promised to some sandal-wearing idiot whose claim to fame is that he was ready to cut his own son's throat for the sake of a hare-brained idea. I don't care about red heifers and patriarchs and locusts. A bunch of old bone in the sand. My homeland is in my hat. It's in my ex-wife's tote bag.
God damn them all. I always knew they were there. Down there in Washington. Up there ever our heads. Holding the strings. Setting the agenda. Of course I knew that. We all knew that. We all grew up knowing that, right? We are here on sufferance. Houseguests. But they ignored us for so long. Left us to our own devices. It was easy to kid yourself. Make you think you had a little autonomy, in a small way, nothing fancy. I thought I was working for everyone. You know. Serving the public. Upholding the law. But really I was just working for Cashdollar.
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(Click to show. Warning: May contain spoilers.)
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Book description
The novel is a detective story set in an alternate history version of the present day, based on the premise that during World War II, a temporary settlement for Jewish refugees was established in Sitka, Alaska in 1941, and that the fledgling State of Israel was destroyed in 1948.
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