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Victor Hugo (1802–1885)

Author of Les Misérables

2,148+ Works 68,053 Members 907 Reviews 213 Favorited
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About the Author

Victor Hugo was born in Besançon, France on February 26, 1802. Although he originally studied law, Hugo dreamed of writing. In 1819, he founded the journal Conservateur Litteraire as an outlet for his dream and soon produced volumes of poetry, plays, and novels. His novels included The Hunchback show more of Notre Dame and Les Miserables. Both of these works have been adapted for the stage and screen many times. These adaptations include the Walt Disney version of The Hunchback of Notre Dame, and the award-winning musical sensation Les Miserables. In addition to his literary career, Hugo also held political office. In 1841, he was elected to the Academie Francaise. After political upheaval in 1851, he was exiled and remained so until 1870. He returned to Paris in 1871 and was elected to the National Assembly, though he soon resigned. He died on May 22, 1885. (Bowker Author Biography) show less
Image credit: Victor Hugo en 1878 parr Nadar (Gaspard-Félix Tournachon, dit)

Series

Works by Victor Hugo

Les Misérables (1862) 30,574 copies, 379 reviews
The Hunchback of Notre Dame (1831) 16,436 copies, 206 reviews
The Toilers of the Sea (1866) 1,469 copies, 29 reviews
The Last Day of a Condemned Man (1829) 1,425 copies, 30 reviews
Ninety-Three (1874) 1,280 copies, 30 reviews
Les Misérables, Volume 2 of 2 (1862) 1,089 copies, 5 reviews
The Man Who Laughs (1869) 1,036 copies, 25 reviews
Les Misérables, Volume 1 of 2 (1862) 957 copies, 11 reviews
Ruy Blas (1838) 384 copies, 7 reviews
Les Contemplations (1965) 380 copies, 1 review
Les Misérables [abridged] (2008) 378 copies, 5 reviews
The Hunchback of Notre Dame (Bantam Classics) (1956) 377 copies, 2 reviews
Hernani (1830) 362 copies, 5 reviews
Les Miserables (Abridged Edition) (1964) 357 copies, 16 reviews
Les Misérables (1/3) (1973) — Author — 289 copies, 2 reviews
Les Misérables (2/3) (1951) 218 copies, 2 reviews
Les Misérables (3/3) (1972) 209 copies, 1 review
Claude Gueux (1834) — Author — 175 copies, 2 reviews
The Hunchback of Notre Dame / Les Misérables (1991) 161 copies, 2 reviews
Les Châtiments (1973) 153 copies, 1 review
Bug-Jargal (1826) — Author — 147 copies, 4 reviews
Hans of Iceland (1823) 144 copies, 2 reviews
Gavroche (1964) 139 copies
Victor Hugo's The Hunchback of Notre Dame: A Graphic Novel (2006) — Original story — 129 copies, 1 review
La Légende des siècles (1859) 116 copies, 2 reviews
Dernier Jour D Un Condam (Folio (Gallimard)) (French Edition) (1829) — Author — 112 copies, 2 reviews
The Hunchback of Notre Dame (1/2) (1988) — Author — 105 copies, 2 reviews
History of a Crime (-0001) 104 copies, 2 reviews
The Hunchback of Notre Dame (2/2) (1858) — Author — 95 copies
Things seen (1972) 87 copies, 2 reviews
Classics Illustrated: Les Miserables (1997) 84 copies, 2 reviews
The Hunchback of Notre Dame (Great Illustrated Classics) (2008) — author, original work — 82 copies
Les misérables [abridged] (1991) — Author — 79 copies
Napoleon the Little (1852) 76 copies, 2 reviews
Cromwell (1979) 74 copies
Les Misérables (1/5) : Fantine (1974) — Author — 70 copies, 1 review
Lucrèce Borgia (1833) 69 copies, 2 reviews
William Shakespeare (1992) 65 copies
Les Misérables (Radio Theatre) (2001) 62 copies, 3 reviews
De ellendigen (1975) 62 copies
The Story of Jean Valjean (1911) 61 copies
Ernani (sound recording) (2017) — original play — 59 copies
L'Art d'être grand-père (1993) 59 copies
Sefiller - 2 Kitap Takım (2016) 54 copies
Les Miserables- Volume one 53 copies, 1 review
Hernani / The King's Diversion / Ruy Blas (1830) — Author — 48 copies
Les feuilles d'automne (1970) 45 copies
Les Misérables (3/5) : Marius (1974) — Author — 44 copies
The Rhine (1980) — Author — 42 copies, 2 reviews
MISERABLES, LES (VOL.2) - WWC (1999) 42 copies, 1 review
The Memoirs of Victor Hugo (2005) 41 copies
De elendige / B.1 (1974) 40 copies
The Man Who Laughs (1/2) (1982) — Author — 40 copies, 2 reviews
Le roi s'amuse (2007) — Author — 38 copies, 1 review
Le Dernier Jour d'un condamné ; Claude Gueux (1996) — Author — 37 copies
Waterloo (Penguin Little Black Classics) (1992) 36 copies, 1 review
Cosette (1995) — Author — 35 copies, 1 review
Contro la pena di morte (1992) 35 copies
Hernani El rey se divierte (1901) — Author — 34 copies
Odes et ballades (1828) 34 copies
Hugo : La Légende des siècles - La Fin de Satan - Dieu (1950) — Author — 34 copies, 1 review
La fin de Satan (1984) 33 copies
Os Miseráveis - Volume I (2007) 33 copies
Hugo : Notre-Dame de Paris - Les Travailleurs de la mer (1975) — Author — 29 copies, 1 review
Notre Dame de Paris. Tome 2 (2012) — Author — 29 copies
Les Misérables (2016) 29 copies
The Man Who Laughs (2/2) (1993) — Author — 28 copies, 1 review
The Battle of Waterloo (2001) 27 copies, 1 review
Notre Dame de Paris. Tome 1 (2011) — Author — 25 copies
THE HUNCHBACK OF NOTRE DAME by Georges Bess (2023) 22 copies, 2 reviews
Poésies choisies (1967) 21 copies
Libri e biblioteche (2002) — Author — 21 copies
Obras completas (2004) 21 copies
Les Miserables [1978 TV movie] (1978) — Author — 20 copies, 1 review
Los miserables II (1967) 20 copies
Les Misérables [2000 TV mini series] (2013) — Original book — 19 copies
Choix de poésies lyriques (1983) 19 copies, 1 review
Samhällets olycksbarn. D. 1 (1862) 19 copies, 2 reviews
The Novels of Victor Hugo (1862) 18 copies
The Toilers of the Sea (1/2) (2011) — Author — 18 copies, 1 review
Hugo : Oeuvres poétiques, tome 1 (1964) 18 copies, 2 reviews
L'année terrible (1985) 18 copies
Voyages (1987) 17 copies
Choses vues 1849-1885 (1997) 17 copies, 2 reviews
Ninety-Three, Volume 1 of 2 (1874) — Author — 17 copies, 1 review
De elendige. B.3 16 copies
Les voix intérieures; Les rayons et les ombres (2023) — Author — 16 copies
Hugo : Oeuvres poétiques, tome 2 (1967) 16 copies, 1 review
Les chants du crépuscule (1998) 16 copies
Thre complet (1963) 15 copies, 1 review
The Toilers of the Sea / Ninety-Three (1900) — Author — 15 copies, 1 review
Marion de Lorme (2001) — Author — 15 copies
Morceaux Choisis: Poésie (2012) 14 copies
Los miserables II (1983) 14 copies
KURJAT. 2 (1974) 14 copies
Ninety-Three, Volume 2 of 2 (1874) — Author — 13 copies, 1 review
Les Burgraves (1993) — Author — 13 copies
The Toilers of the Sea (2/2) (1890) — Author — 13 copies, 1 review
België (1986) 13 copies
Les Misérables [1935 film] (1935) — Author — 13 copies
Mangeront-ils ? (1993) 12 copies
The Purchase of a Soul (2010) 12 copies
Mon premier Hugo (2001) 11 copies
Les misérables, tome II (1963) 11 copies
The Bishop's Candlesticks (1936) — Author — 11 copies
Los Pirineos (1901) 11 copies
Los miserables Volumen I (1999) 10 copies
Marie Tudor (2013) — Author — 10 copies
The Man Who Laughs / Claude Gueux (1888) — Author — 10 copies
Hernani, Marion De Lorme (1936) 10 copies
Toilers of the Sea / Bug-Jargal (2011) — Author — 10 copies
Contro i tagli alla cultura (2011) 9 copies, 1 review
Choses vues 1830-1846 (1972) 9 copies, 1 review
Les Misérables, tome 1 (1999) 9 copies
Actes et paroles (2010) 9 copies
Le Théâtre en liberté (2002) 9 copies
Ninety-Three / Things Seen (2016) 9 copies, 1 review
Hernani (Ldp Theatre) (1969) 8 copies
Les Miserables Vol III — Author — 8 copies
Heath's Modern Language Series : Les Miserables (1912) — Writer — 8 copies
MISERABLES (I), LOS (2004) 8 copies
Grandes Enigmas : Tomo IV (2000) 8 copies
Poems (2009) 8 copies
History Of A Crime Volume 1 (2017) — Author — 8 copies
Fantine et Cosette (2004) 8 copies, 1 review
La chute (2010) 8 copies
Deniz İşçileri (2019) 8 copies
Dieu (1986) — Author — 8 copies
Les Misérables [1935 film & 1952 film] (2013) — Author — 8 copies
Cosette et Marius (2000) 7 copies, 1 review
I miserabili - Vol. II (1975) 7 copies
LOS MISERABLES TOMO II (2014) 7 copies
Le Promontoire du songe (2012) 7 copies
Toute la lyre 7 copies
Leggenda del bel Pecopino e della bella Baldura (1991) — Author — 7 copies
Choses vues 1830-1848 (1997) 6 copies
Les Miserables II (1967) 6 copies
Victor Hugo, dessins (1980) 6 copies
Oeuvres poétiques (2000) 6 copies
Obras inmortales (1981) 6 copies
Les misérables : abridged 6 copies, 1 review
Les Miserables IV (2010) — Author — 6 copies
Les rayons et les ombres (2012) 6 copies, 1 review
Le Rhin, tome 1 6 copies, 1 review
Los miserables. Tomo II (2009) 6 copies
Les orientales (2018) 6 copies
Nędznicy. tom I (2011) 5 copies
Skrattmänniskan (1985) 5 copies
Bug-Jargal / Claude Gueux (2008) — Author — 5 copies
Ecrits politiques (2002) 5 copies
Les misérables volume 2 — Author — 5 copies
Les misérables. Livre CD (2001) 5 copies
25 Favorite Novels II (2013) 5 copies
Les Misérables, tome 1 (1978) 5 copies
Victor hugo poesie t.2 (2002) 5 copies
Le Rhin, tome 2 5 copies, 1 review
Sefiller 2 Cilt Takim (2013) 4 copies
Elogio de París (2010) 4 copies
Jersey et Guernesey (2010) 4 copies, 1 review
Les Contemplations I (2012) 4 copies
Les plus beaux poemes (V. hugo) 010397 (1992) — Author — 4 copies
Les miserables tome 1 (2002) 4 copies
L'archipel de la Manche (2014) 4 copies
Fantine (2000) 4 copies
Choix De Poemes (1957) 4 copies
Oeuvres poétiques, vol I, II et III (1964) 4 copies, 1 review
Poésies (1984) 4 copies
Les Misérables T3 (3) (2019) 4 copies
Le Pape 4 copies
Choses vues 1870-1885 (1972) 4 copies
Préface de "Cromwell" (2023) 4 copies
Hüljatud. 2. 4 copies
Dramas 4 copies
Corcunda de Notre-Dame, O (2004) 4 copies
Hüljatud. 1 4 copies
Marius et Jean Valjean (2004) 4 copies
Choses vues, 1849-1869 : (1972) 3 copies
Les misérables 3 copies
Sefiller II (2004) 3 copies
Los Miserables. Compendio (2010) 3 copies
Los miserables. Tomo I (2009) 3 copies
Los Miserables (1983) 3 copies
El exilio (2013) 3 copies
The Works of Victor Hugo (1928) 3 copies
Les Misérables: Extraits (2014) 3 copies
Lettres à la fiancée (2017) 3 copies
Torquemada (1996) — Author — 3 copies
Voyages en Suisse (1990) 3 copies
Jadnici, dio 1 3 copies
I miserabili (1983) 3 copies
L'Intervention: Comédie (2012) 3 copies
Les miserables, tome 2 (1967) 3 copies
Oration on Voltaire (1923) 3 copies
Literatura y Filosofía (2015) 3 copies
Doksan Üc (2018) 3 copies
Poésie 3 copies
Ce que c'est que l'exil (2008) 3 copies
POEMES FEERIQUES (1900) 3 copies
De elendige, Bind 2 (1974) 3 copies
Victor Hugo, pittore (1993) 3 copies
Les contemplations II (2016) 3 copies
Poems in Three Volumes (1892) 3 copies
T. 1 3 copies
T. 2 3 copies
T. 3 3 copies
Los miserables I (2011) 3 copies
Ruy Blas Les burgraves (1938) 3 copies
Les Miserables (BBC Radio Collection) (2002) 3 copies, 1 review
Nedznicy : Tom IV (1999) 3 copies
Guerre aux démolisseurs (2022) 3 copies
Os miseráveis 3 copies
Heidelberg. (2003) 3 copies
Actes et paroles 1 (2011) 3 copies
Poèmes choisis (1995) 3 copies
NJERIU QË QESH 3 copies
Ren (1987) 3 copies
Dzwonnik z Notre-Dame (1992) 3 copies
Coisas do entardecer (1979) 3 copies
Jadnici, dio 2 3 copies
The Alps and Pyrenees (2001) 3 copies
Os Miseravéis II (2022) 2 copies
Poésies théâtre (1986) 2 copies
O noventa e três (PSL12) (2012) 2 copies
L' homme qui rit (1869) — Author — 2 copies
Tutto il teatro 2 copies
os miseraveis (1900) 2 copies
Les miserables. Level 6 (2016) 2 copies
Toute La Lyre II (1889) 2 copies
Les Plus belles pages (2000) 2 copies
Lettres à Juliette Drouet, 1833-1883 (1987) 2 copies, 1 review
Os Miseráveis 2 copies
Norante-tres (1989) 2 copies
En Voyage 2 copies
Poems by Victor Hugo (2016) 2 copies
Ode et Ballades 2 copies
Les Misérables [1952 film] — Original book — 2 copies
HAN 2 copies
Los Miserables (Volumen I) 2 copies, 1 review
Au Jardin des plantes (2002) 2 copies
Dor Suprema (2007) 2 copies
7 Keys to Freedom (2015) 2 copies
O reiciño de Galicia (2005) 2 copies
Les Misérables: Volume 2 (2017) 2 copies
Under Sentence of Death (2015) 2 copies
Nędznicy. 1 (2018) 2 copies
Les Misérables - T 2 (2) (2019) 2 copies
Galejslaven 2 copies
Les Miserables, V4 (2002) 2 copies
Fantine 2 copies
Em viagem III 2 copies
The wretched 2 copies
Han z Islandii 2 copies
Eschilo (1991) 2 copies
De Bruselas a Brujas (2014) 2 copies
Oamenii mării 2 copies
Romans 1, 2 en 3 (2013) 2 copies
Hugo Victor 2 copies
Ninety-Three / Bug Jargal (1979) 2 copies
Oeuvres complètes (1985) 2 copies
Lotte sociali (2019) 2 copies
Sefiller I 2 copies
Morceaux choisis 2 copies, 1 review
Të mjerët 2 copies, 2 reviews
Viti 93 2 copies, 2 reviews
L'art et la science (1993) 2 copies
Paris (2002) 2 copies, 1 review
The Hunchback of Notre Dame (Van Gool's) (1995) 2 copies, 1 review
Histoire d'un crime. 2 — Author — 2 copies
Les misérables : tome 3 (1966) 2 copies
Les Mise'rables 2 copies
Guerra ai demolitori| (1993) 2 copies
Hans of Iceland and Bug-Jargal — Author — 2 copies
The Works of Victor Hugo (2009) 2 copies
The Burgraves ; Amy Robsart — Author — 2 copies
Hernani ; Esmerelda — Author — 2 copies
Alpes et Pyrénées (2011) 2 copies
Antología Poética (1987) 2 copies
Théâtre. (1979) 2 copies
Océan (suite) 2 copies
Reno romantico (1998) 2 copies
Combats politiques et humanitaires (2002) 2 copies, 1 review
Les misérables - Tome 1 (1997) 2 copies
Choses vues 2 2 copies, 1 review
A Fight with a Cannon (2016) 2 copies
Mes Fils (1874) 2 copies
SUBLIME EXPIAÇÃO (1976) 2 copies
Poésies — Author — 2 copies
Les Misérables, Vol 3 (2017) 1 copy
البؤساء (2019) 1 copy
Ч. 1,2 1 copy
Fantine 1 copy
Os Imortais 1 copy
Il caso Tapner (2005) 1 copy
Bog 1 copy
Der lachende Mann 4 (2015) 1 copy
Les trois enfants (1972) 1 copy
KLOD FUKARAI 1 copy
N.MURAVIEVA 1 copy
Párias em redenção (2020) 1 copy
Nedznicy-3 1 copy
Les plus beaux poèmes (2015) 1 copy
Të mjerët Vëllimi 1 1 copy, 1 review
Viti 93 1 copy
Gavroshi 1 copy, 1 review
Kozeta 1 copy
Notre-dame de Paris (1971) 1 copy
Les Misérables tomes I et II (1963) 1 copy, 1 review
TË MJERËT 1 copy
Mary Tudor (2017) 1 copy
Rondônia 1 copy
Esmerelda 1 copy
Dor suprema 1 copy, 1 review
Dramata 1 copy
Novantatrè 1 copy
Fantine (1975) 1 copy
Los Djinns 1 copy, 1 review
Sefiller-Gencler Icin (2000) 1 copy
The Spanish Dancer (2002) 1 copy
The Aerial Valley (2015) 1 copy
Victor Hugo versei (1975) 1 copy
Theatre III (1870) 1 copy
Theatre 4 (1868) 1 copy
Theatre II 1 copy
LOS MISERABLES I y II 1 copy, 1 review
Histoire d'un crime (1963) 1 copy
SEFİLLER 1 copy
Les trois enfants (1959) 1 copy
les misérables tome 3 (1963) 1 copy
ImzlaḌ 1 copy
Cugetări 1 copy
Nędznicy. Tom 1 (2022) 1 copy
POESÍAS 1 copy
Les Plus Beaux Poèmes (1992) 1 copy
Mizerabilii 1 copy
[Works] (1900) 1 copy
Works: Ninety-three (2018) 1 copy
Hugo's Works: Dramas (2007) 1 copy
L'Âme en fleur (2025) 1 copy
Pamplona (2014) 1 copy
Hernani 1 copy, 1 review
Les Miserables Vol. V 1 copy, 1 review
Les Miserables Vol. IV 1 copy, 1 review
Jadnici / 2 1 copy
Théâtre complet I (1963) 1 copy
Amy Robsart (2001) 1 copy
Poems (Hugo) (2008) 1 copy
Hernani / Chatterton (2015) 1 copy
Avant l'Exil 1 copy
I miserabili. vol. 3 (1991) 1 copy
Kurjat. 1-2 1 copy
I miserabili. vol. 4 (1991) 1 copy
I miserabili. vol. 2 (1991) 1 copy
I miserabili. vol. 1 (1972) 1 copy
Dramas (Two Volumes) (1910) 1 copy
Discours sur Voltaire (2011) 1 copy
Nesrečniki 1 copy
Poésie 1 copy
Noventa e tres (2008) 1 copy
Les misérables V (2020) 1 copy
Em viagem II 1 copy
Les Misérables 5 (2013) 1 copy
Les Misérables 4 (2015) 1 copy
Les Misérables 3 (2015) 1 copy
Les Misérables 1 (2015) 1 copy
THEATRE, 4 TOMES (1883) 1 copy
Poematy wybrane (1985) 1 copy
THEATRE, 3 TOMES (1856) 1 copy
Choses vues: 1849-1869 (1972) 1 copy
Værker 1 copy
Odes 1 copy
L'avenir 1 copy
Poésies intimes (2010) 1 copy
Victor Hugo's Works (6 VOLUME SET) — Author — 1 copy
Toilers of the Sea (1890) 1 copy
L'ogre de Moscovie (2008) 1 copy
Poésies Tome II (1950) 1 copy
Four Novels 1 copy
I miserabili 1 copy
Κλοντ Γκε (2019) 1 copy
Victor Hugo en el Perú — Author — 1 copy
Fantine 1 copy
LOS MISERABLES II (1967) 1 copy
BEDÁRI 3 (1909) 1 copy, 1 review
BEDÁRI 2 (1909) 1 copy, 1 review
Ubožáci 1 copy
Sefiller 2 Cilt (2015) 1 copy
Rui Blas 1 copy
Rheinreise (1982) 1 copy
De ellendigen 1 copy, 1 review
Marie Tudor 1 copy
Los Miserables. Tomo V. 1 copy, 1 review
Poèmes (2011) 1 copy
FA181 1 copy
Les Romans 1 copy
Victor Hugo's Hernani (2019) 1 copy
Lucrezia Borgia (2017) 1 copy
£ ı £ £ 1 copy
LOS MISERABLES - TOMO 1-2 1 copy, 1 review
Theatre I (1972) 1 copy
Les Misérables, Tome 2 : Cosette (2008) — Author — 1 copy
NISANLIYA MEKTUPLAR (2004) 1 copy
La Poupée de Cosette (2012) 1 copy
Los tres hermanos (1979) 1 copy
Le Crapaud (2010) 1 copy
1966 1 copy
Der Mann 1 copy
L'Âne 1 copy
L'arte di essere nonno (2011) 1 copy
Les Pyrénées (1984) 1 copy
Nędznicy. Tom 2 (2009) 1 copy
Romans. II 1 copy
Romans I 1 copy
Nędznicy. 2 (2018) 1 copy
Romans. III 1 copy
Cosette (1992) 1 copy
Mirovên hejar (2001) 1 copy

Associated Works

Les Misérables [2012 film] (2012) — Original book — 832 copies, 6 reviews
Gargantua (1534) — Foreword, some editions — 731 copies, 12 reviews
Prefaces and Prologues to Famous Books (2004) — Contributor — 618 copies, 2 reviews
The Illustrated Treasury of Children's Literature, Volumes 1-2 (1955) — Contributor — 524 copies, 4 reviews
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributor — 499 copies, 2 reviews
The Penguin Book of War (1999) — Contributor — 497 copies, 1 review
The Hunchback of Notre Dame [1996 film] (1996) — Original book — 465 copies, 3 reviews
Men at War: The Best War Stories of All Time (1942) — Contributor — 341 copies
Les Misérables (Piano/Vocal/Songbook) (1987) — Original novel — 333 copies, 2 reviews
Victor Hugo: A Biography (1997) 244 copies, 3 reviews
Les Miserables [1998 film] (1998) — Original book — 219 copies, 3 reviews
Candide [Norton Critical Edition, 1st ed.] (1966) — Contributor — 213 copies, 3 reviews
The Moral Life: An Introductory Reader in Ethics and Literature (1999) — Contributor — 202 copies, 2 reviews
Great Stories of the Sea & Ships (1940) — Contributor — 196 copies
Rigoletto [sound recording] (2019) — Source — 186 copies
Ten Tales of Christmas (1972) — Contributor — 177 copies, 3 reviews
100 Eternal Masterpieces of Literature, Volume 1 (2017) — Contributor — 175 copies
Best Loved Books for Young Readers 04 (1831) — Author — 121 copies, 2 reviews
World's Great Detective Stories (1928) — Contributor — 114 copies, 2 reviews
Les Miserables: A BabyLit French Language Primer (2016) — Contributor — 107 copies, 1 review
Les Miserables: Original 1987 Broadway Cast Recording (1995) — Original novel — 101 copies
French Short Stories (1998) — Contributor — 94 copies
World's Great Adventure Stories (1929) — Contributor — 83 copies
The Hunchback of Notre Dame II [2002 film] (2002) — Original novel — 82 copies, 1 review
100 Eternal Masterpieces of Literature, Volume 2 (2021) — Contributor — 81 copies
The Hunchback of Notre Dame [1923 film] (1923) — Original book — 69 copies
The Portable Romantic Reader (1957) — Contributor — 56 copies
Treasury of the Theatre: From Aeschylus to Ostrovsky (1967) — Contributor — 50 copies
Pathetic Literature (2022) — Contributor — 50 copies, 1 review
The Romantics on Shakespeare (1992) — Contributor — 44 copies
The Man Who Laughs: A Graphic Novel (2013) — Original Story; Author — 42 copies
The Hunchback of Notre Dame [1939 film] (1939) — Original book — 41 copies
Fairy Poems (Everyman's Library Pocket Poets Series) (2023) — Contributor — 35 copies
The Hunchback of Notre Dame (Ladybird Book of the Film) (1996) — Original book — 31 copies
The Man Who Laughs [1928 film] (1928) — Original book — 31 copies, 1 review
The Greatest War Stories Ever Told: Twenty-Four Incredible War Tales (2001) — Contributor — 31 copies, 1 review
The Romantic Influence (1963) 31 copies
Fantastic and Visionary Painting (1974) — Illustrator — 29 copies
Les Misérables: A Graphic Novel (Classic Fiction) (2018) — Contributor — 28 copies
Stories to Remember: Literary Heritage Series (1967) — Contributor — 22 copies
The Heart of a Stranger: An Anthology of Exile Literature (2019) — Contributor — 21 copies
Un été avec Victor Hugo (2016) 21 copies
The Masterpiece Library of Short Stories Volumes 3 & 4 (1905) — Contributor — 19 copies
The Paris Review 167 2003 Fall (2003) — Contributor — 15 copies
Victor Hugo (1951) — Contributor — 14 copies
Les Misérables: Masterpiece [2018 TV mini series] (2019) — Original book — 13 copies, 1 review
The Hunchback of Notre Dame [1982 TV movie] (1982) — Original book — 11 copies, 1 review
ESSENTIAL COLLECTION OF CLASSIC BANNED BOOKS (2014) — Contributor — 11 copies
Clifton Fadiman's Fireside Reader (1961) — Contributor — 10 copies, 1 review
The Hunchback of Notre Dame [1956 film] (1956) — Original novel — 9 copies
International Short Stories, Volume 3: French Stories (2010) — Contributor — 9 copies
The Hunchback of Notre Dame: Studio Cast Recording (2014) — Original story — 8 copies
Le Dernier jour d'un condamné, Victor Hugo (2001) — Contributor — 8 copies
Profil d'Une Oeuvre: Hugo: Les Contemplations (1994) — Author — 7 copies
The Works of Voltaire, Volume I. Introduction. Candide. (2012) — Contributor — 7 copies
Der Orchideengarten: Phantastische Blätter (1919) — Contributor — 6 copies
Great Love Scenes from Famous Novels (1943) — Contributor — 6 copies
Mon cher Papa... : Des écrivains et leur père (2007) — Contributor — 5 copies
Sea Devils [1953 film] (1953) — Original novel — 5 copies
Europa. Analysen und Visionen der Romantiker. (1982) — Contributor — 4 copies
Miserables, les - I jean valjean (BD) (1995) — some editions — 4 copies
International Short Stories - French (2004) — Contributor — 4 copies
Four Novels for Adventure (1960) — Contributor — 3 copies
Profil D'une Oeuvre (French Edition) (1992) — Contributor — 3 copies
A Book of Narratives (1917) — Contributor — 2 copies
Quasi [2023 film] (2023) — Original characters — 2 copies
The Man Who Laughs [1966 film] (1966) — Original novel — 1 copy
Ferdinand Freiligraths Werke - Neue Pracht-Ausgabe (1900) — Contributor — 1 copy
Don Quichotte [Programme Opéra de Paris, 2024] (2024) — Contributor — 1 copy
Marvel Classics Comics No. 3 — Story — 1 copy, 1 review
Gespenster - Handliche Bibliothek der Romantik (2019) — Illustrator — 1 copy
Literaire rechtspraak — Contributor, some editions — 1 copy

Tagged

19th century (1,111) classic (1,693) classic literature (314) classics (2,123) ebook (241) fiction (5,031) France (1,581) French (1,442) French fiction (201) French literature (2,105) French Revolution (406) historical (229) historical fiction (911) history (231) Hugo (194) Kindle (294) literature (1,660) novel (1,001) own (220) Paris (504) poetry (361) read (364) revolution (175) Roman (321) romance (216) Romanticism (161) to-read (3,199) translation (240) unread (296) Victor Hugo (357)

Common Knowledge

Canonical name
Hugo, Victor
Legal name
Hugo, Victor-Marie
Birthdate
1802-02-26
Date of death
1885-05-22
Gender
male
Education
Lycée Louis-le-Grand, Paris, Île-de-France, France
Occupations
novelist
playwright
poet
Awards and honors
state funeral
Académie française (1841)
Relationships
Hugo, Adèle (wife)
D'Aunet, Leonie (lover)
Hugo, François-Victor (son)
Short biography
Victor Marie Hugo (26 February 1802) – 22 May 1885) was a French poet, novelist, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, letters public and private, and dramas in verse and prose.

Hugo is considered to be one of the greatest and best-known French writers. Outside France, his most famous works are the novels Les Misérables, 1862, and The Hunchback of Notre-Dame (French: Notre-Dame de Paris), 1831. In France, Hugo is renowned for his poetry collections, such as Les Contemplations (The Contemplations) and La Légende des siècles (The Legend of the Ages). Hugo was at the forefront of the Romantic literary movement with his play Cromwell and drama Hernani. Many of his works have inspired music, both during his lifetime and after his death, including the musicals Les Misérables and Notre-Dame de Paris. He produced more than 4,000 drawings in his lifetime, and campaigned for social causes such as the abolition of capital punishment.

Though a committed royalist when he was young, Hugo's views changed as the decades passed, and he became a passionate supporter of republicanism; his work touched upon most of the political and social issues and the artistic trends of his time. His opposition to absolutism and his colossal literary achievement established him as a national hero. He was honoured by interment in the Panthéon.
Cause of death
pneumonia
Nationality
France
Birthplace
Besançon, Bourgogne-Franche-Comté, France
Places of residence
Madrid, Spain
Brussels, Belgium
Channel Islands, UK
Place of death
Paris, Île-de-France, France
Burial location
The Pantheon, Paris, Île-de-France, France
Map Location
France

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Discussions

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Reviews

997 reviews
Let's say that I could choose a single book with the guarantee that every man, woman, and child would read it. I would not choose my top three favorites, nor would I choose the one whose remnants are permanently inked upon me. I would choose this one. You argue, the length! The time period! The cultural barriers! It's just another long expounding by some old dead white guy whose type has suffocated literature for centuries! Women will be frustrated with poor representation, people who aren't show more white will be angered by no representation, and everyone will bored to tears! Alright, I see that. Now, let me explain.

Human rights have not been perfected. They are as much a work in progress now as they were 150 years ago when this book was first published. If you wish to find the book that gives every variation on the theme of humanity its due, it does not exist, and in all likelihood never will. With that in mind, it is this book that I choose, as while Victor Hugo may have been limited by the era he grew up in, he did a damn good job in dreaming beyond it. He wrote what he knew, but he also wrote what he hoped, and together they form a piece of writing that can mean something to everyone, whatever their life consists of.

The book is called 'The Miserables'. I have a feeling that it is the blatant despair that this title provokes that has dissuaded publishers from rendering it into English, instead keeping it in that slightly prettier to the ear French form. It can even be shortened to that chic and oh so clever 'Les Mis', as is the norm whenever the play is discussed. In that light, when you say that truncated phrase it brings to mind not the triumphant book in its majestic entirety, but the abridged version, or perhaps the even more abridged play. You think of the story, but you do not think of the author's ideas, ones that he devotes full chapters to and are just as important to this tome as the characters he has sent running through it. And this is a tragedy.

Is tragedy too harsh a word? I don't think so. The book itself is one where tragedy heavily outweighs every other emotional aspect, and reducing it to a pittance of itself is flat out disgraceful. You have countless flavors of human sorrow worked out here: imprisonment, ostracization, slavery, decay of health, decay of morals, decay of life through the brutality of war as well as the slow grind of society’s wheels. There are also the more subtle restrictions on the human spirit, propagated by a firmness of belief that slowly stagnates into constricting bigotry, where humans substitute bias for their reality and confine themselves to a small and mean existence. These confines are more difficult to escape from than the strongest chains, which may bend and break under pressure, whereas prejudices will turn in on themselves and feed on the opposition. It is these barriers that build the barricades, it is these walls that let slip the dogs of war, it is these restrictions that make someone relish petty glories gained in the downfall of their fellow human beings. Where a difference of opinion exists, there will be conflict, and Victor Hugo was intimately familiar with the facets of this violent mechanism.

He did not want this for the world. More specifically, he did not want this for his France, his Paris, his creative beacon that teems with contagious culture and ridiculous fashions to this very day, one that can be silly but is often so very, very brave. Like Gavroche the gamin, it thumbs its nose at the world and thinks it slow and stupid, but all the same it loves its fellow human beings, and lives for the times when it can lead them, striding forward towards that thing called Progress. Victor Hugo loved the concept of Progress, and he wished that everyone would love it as well. In his words:

Go on, philosophers—teach, enlighten, kindle, think aloud, speak up, run joyfully toward broad daylight, fraternize in the public squares, announce the glad tidings, lavish your alphabets, proclaim human rights, sing your Marseillaises, sow enthusiasms, tear off green branches from the oak trees. Make thought a whirlwind.


He sent his characters off with this dream of Progress, of finding a life for themselves, of living in a world that bettered itself by the passing day, where the future was not dreary but vibrant and brimming with unlimited potential. Many of them do not succeed. Many fall by the wayside, desiccated by sickness, shot down in wars, slain by grief and the resignation that life is not so much better than death. Some survive in miserable conditions, as restricted by their morality as by a chain around their neck. Some survive only by having stripped their morality as easily as a snake sheds its skin, and in the conditions, who can blame them? The weight of society squeezes the supports, and one is so much lighter and flexible without cumbersome thoughts of being good and kind.

In all this sadness and life cut short by miserable conditions long before its time, there is still hope. Victor Hugo illustrated this in his diverging sections as thoroughly as he did in his main story, as hard as that may be to believe. It is true, though. For example, his section on the Battle of Waterloo seems no more than an endless list of casualties, pages of warfare and tactics, and death, so much death. But at the very end, he points out it is not this battle that we remember in so much detail, nor any that came before it. We remember literature. In Hugo’s words:

Nowadays when Waterloo is merely a click of sabers, above Blücher Germany has Goethe, and above Wellington England has Byron.


And what of the other sections? There are many, but two that are particularly powerful in their own subtle ways are the sections on argot and the sewers. Argot is the language of criminals disguising their speech from the ignorant and the all too interested. It is an ever-changing labyrinth of slang, idioms, innuendos, wordplay that whips itself into more contorted evolutions in its effort to escape the law. If this kind of creativity runs rampant on the street, how would it fare if given a warm place to sleep, three meals a day, and a chance to improve its station in life? And the sewers. When first described, they are dirty, desperate, despicable things that do nothing but spread filth and disease and provide a home for the equally depraved. This however was Hugo’s vision of how it had been in the past. In his time, they were clean and meticulous in their function, as well designed as the streets above and ten times as useful. If humans can so improve the lot of that out of sight contraption that carries their shit, imagine what they could do with the parts of life that are meant for open viewing and enjoyment.

One last mention. Victor Hugo’s prose has been accused of excessive flouncing about, rambling sentences that quickly devolve into meaningless lists without form or function beyond the enjoyment of their own existence. I say, isn’t that last part enough? Reading his sentences brings to mind a dance, an endless waltz, to a symphony that builds and builds to a final crescendo, for Hugo is very good at taking his countless paragraphs and using them to reach a final glorious message. He could have said it plainly, but it would not have been nearly as powerful without all the exposition; just as his point about the memory of Byron outliving the memory of Waterloo would not have been nearly as striking had he not gone through the motions of describing every minute detail of that terrible battle. To bring the reader to his level of understanding and to make them feel as much as he does about these things, the prose is essential. And frankly, I have yet to come across another author that is as joyous to read as he is, for even while he is going on and on about useless trivia from a time long past, his enthusiasm is contagious. He loved what he wrote about, and he wanted you to love it too, progressing sentences growing more and more triumphant much like the Progress he wished for mankind. An ideal where all, I repeat, all are allowed to flourish and grow, developing their own ideas while more importantly learning to accept those of others, where a stretch of one's limb doesn't require the injury or confinement of another's.

So, read the full version, if you can. You’re welcome to the other, shorter versions, but read the full one at least once in your lifetime. Read the introduction even, for in this particular edition there is a wonderful amount of detail about Victor Hugo’s life that brings the book into beautiful focus. The introduction also calls the abridged version insufficient, and says:

It is almost impossible to predict the individual detail, the flashing image or human quirk precisely observed, that will burn its way into a reader’s mind for good.


I cannot agree more.

And lastly, for the tl;dr'ers, a summary for what I have said above, which rests within the very first pages of the book:

So long as there shall exist, by reason of law and custom, a social condemnation which, in the midst of civilization, artificially creates a hell on earth, and complicates with human fatality a destiny that is divine; so long as the three problems of the century—the degradation of man by the exploitation of his labor, the ruin of woman by starvation, and the atrophy of childhood by physical and spiritual night—are not solved; so long as, in certain regions, social asphyxia shall be possible; in other words, and from a still broader point of view, so long as ignorance and misery remain on earth, there should be a need for books such as this.
–Hauteville House, 1862
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Does Les Mis really deserve 5 stars after all the overly-long, inexcusably nationalistic info-dumping historical sections? NOPE! Am I still going to give it 5 stars anyway because reading this book was one of the most beautiful and cathartic experiences of my life? HECK YES
(9) Oh my. I thought I would never finish. Surely the longest book I ever read. I saw the musical with my Dad as a teenager and was mesmerized, but really had rather forgotten most of it. I have been meaning to read the book for some time not realizing just. how. long. it is. until it arrived in the mail. Imprisoned for literally stealing a crust of bread, Jean Val Jean escapes and goes on the run attempting to make a life for himself. Triumph after tragedy after triumph - he steals away show more with the little girl, Cosette - the daughter of a prostitute working for a dastardly couple as slave labor at their inn. He is constantly pursued by chief inspector Javert, who will never give up on the law -- or will he? All in the backdrop of post-Revolution Paris. The monarchy has been re-established, but the people are restless. The fervor of the Republic is ready to rise up with the slightest provocation. I most certainly remember some climactic scenes at the barricade from the musical.

When the action and character and world building took place - the book was vert engaging. But when Hugo went on tangents, it was dreadful. Less readable than Moby Dick and the minutia of whaling at these times. So many Paris streets, allusions to antiquity, examples upon examples upon examples of the point he may be trying to make about good, evil, conscience, duty, government, the patois of the underclass, etc., etc, etc. All one could do was skim certain (many) chapters of adjacent memoranda. Painful at times which prevents a higher rating.

I do feel a sense of accomplishment having finished and I enjoyed Chris Bohjalian's Afterword that helped me appreciate what I just read and put it in context. I would love to see the musical again or at the very least, find one of the movie adaptations which I have never seen. I am both glad to be finished, but glad I read. Pauvre Jean Val Jean - he deserved better.
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½
Oh this is very excellent!
I can only translate the blurb on the back of this book because it's perfect.

"Victor Hugo was 26 years old when he wrote, in two and a half months, The Last Day of a Condemned Man.
We willl not know who the condemned man is, nor will we know what crime he committed. Because the purpose of the author is not to enter a debate but to exhibit the horror and the absurdity of the situation in which any man finds himself whose neck we are about to slice in a few hours. show more
This book - with strangely modern accents - has a great power of suggestion that the reader ends by identifying with the narrator with whom he shares anxiety and vain hopes. Till the last lines of the book, Victor Hugo's genius has us participating in a grueiling wait: that of the screeching noise that the blade will make following the rails of the guillotine."

Part of the genius of the book is how the book begins: two explications. The first, that this book was discovered as a pile of crumpled yellow sheets of paper. The second, that a philospher imagined it all. Victor Hugo lets the reader decide for himself.

We are then presented with "A comedy about a tragedy", a short one act play with characters discussing this new book about a condemned man that has just come out. The characters reactions?
"It's a terrible book."
"At each chapter there is an ogre that eats a child."
"It takes place in Iceland."
"They have no right to make a reader suffer physically."
"It is certain that books are often a subversive poison to social order."

Then comes the actual narrative of the condemned man. Oh how he makes us feel pity and emotionally involved with his situation. We seek his innocence! (Never mind the fact that he briefly states that he has spilled blood.) When he cleverly gets a guard to almost switch clothes with him how we want to laugh in the guard's face.

And then, while the crowd parades around the guillotine waiting for the final chop, a man cries "who needs a spot?" to which our condemned man reflects "who wants mine?".

We ride with the condemned man to the guillotine, we have our hands tied behind our back, our hair chopped, our collar removed and then, reprising our role as the reader we stop to think: if the condemned man is the narrator how can he be relating this to us all? And that is Victor Hugo's final genius.

FOUR O'CLOCK.
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1860s (2)
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1830s (1)
Romans (1)

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Associated Authors

Manuel Serdav Translator
Lucy Corvino Illustrator
Greg Rebis Illustrator
Georges Bess Adaptor
John Gay Screenwriter
Bernard Capo Dessins
Lewis Milestone Director 1952
Orson Welles Actor, Director
Jean-Marie Michaud Dessins, Couleurs
Ricardo Silva-Santisteban Editor, Translator
Gilbert Campbell Translator
Brian Blessed Narrator
Margot Bakker Translator
John Woodvine Narrator
Ian Holm Actor
John Golder Translator
Richard J. Hand Translator
John Beal Actor
Arnaud Boutle Couleurs
Jimmy Bertini Adapted by
Manuel González Prada Translator, Contributor
Ignacio Noboa Translator, Contributor
Joss Ackland Narrator
Frank Gillett Illustrator
Annie Chourau Notes et dossier pédagogique
Sally Evans Director
Emily Bruni Narrator
Roger Allam Narrator
Manuel Beltroy Translator
Mario Vargas Llosa Contributor
Estuardo Núñez Contributor
Juan de Arona Translator
Fabienne Hervieux Notes et dossier pédagogique
Juan Tassara Translator
Alberto Ureta Contributor
César Vallejo Contributor
Samuel Velarde Translator
Ricardo Palma Translator
Ciro Alegría Contributor
Federico Barreto Translator
Yves Gohin Editor
Bruguera Editor
Lowell Bair Translator
Adrien Goetz Préface, Preface
Eino Voionmaa Translator
Bill Homewood Narrator
Mario Picchi Translator
Robert Tombs Introduction
Peter Washington Introduction
Lynd Ward Illustrator
Adam Thirlwell Introduction
Julie Rose Translator
Charles Keeping Illustrator
Jillian Tamaki Cover artist
Norman Denny Translator
J. V. Lehtonen Translator
bartkomichal Translator
cobbwalterf Translator
Eugenie Walter Translator
André Maurois Afterword
Ineke Verhagen Illustrator
Halbo C. Kool Translator
Karl Bauer Translator
Phyllis La Farge Translator
fuentesngel Translator
Sergio Panattoni Translator
Walter Keiler Translator
Gerdi Boor Translator
James Hill Cover artist
Else von Schorn Translator
Marcelo Diniz Translator
Quentin Blake Illustrator
Andrew Lang Introduction
John Sturrock Translator
Marcel Laverdel Illustrator
Arthur Vincet Narrator
Catherine Liu Translator
Jan van Aken Afterword
Gerda van Stedum Translator
Erez Volk Translator
Ondrej Mrlian Translator
László Antal Translator
Carlo Bo Introduction
Maj Bylock Overs.
Gellu Naum Translator
Bas Terpstra Translator
hornwinkel Translator
Attie Spitzers Translator
Clara Lusignoli Translator
Arthur A. Dixon Illustrator
Jessie Haynes Translator
Franz Kottenkamp Übersetzer
Helmuth Leonhardt Übersetzer
Julio C Acerete Translator
Walter J. Cobb Translator
Huugo Jalkanen Translator
Simon Vance Narrator
Andrew Haynes Translator
bastosjorge Translator
Michaela Meßner Übersetzer
Graham Robb Introduction
James Hogarth Translator
W. Moy Thomas Translator
Johan M. Palm Translator
Aki Räsänen Translator
Libby Purves Foreword
Kate Allen Afterword
Geoff Woollen Translator
J. M. Calisch Translator
Harry Shaw Narrator
Urho Kivimäki Translator
John E. Matzke Translator
Florence Naugrette Présentation, annotation, dossier, chronologie et bibliographie
Juana Bignozzi Translator
Eduardo Romano Translator
James K. Robinson Introduction
Tim Newcomb Translator
Etienne Kern Présentation, notes, , dossier, chronologie, bibliographie
Eugenio de Ochoa Translator
Huntington Smith Translator
Anne Gauthier Contributor
Henri LeFort Illustrator
Herbert Kühn Afterword
Matthieu Kerroux Contributor
Brooks Haxton Translator
T. H. Joyce Translator
Arthur Locker Translator
Peter Glossop Don Carlo
Renato Bruson Don Carlo
Sherrill Milnes Don Carlo
Riccardo Muti conductor
Mario Sereni Don Carlo
Boris Christoff Don Ruy Gomez da Silva
Camille Page Adaptation
Paolo Rui Illustrator
Claire de Gastold Illustrator
Philippe Delpeuch Carnet de lecture

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