The Remains of the Day
by Kazuo Ishiguro
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Description
A tragic, spiritual portrait of the perfect English butler and his reaction to his fading insular world in post-war England.Tags
Recommendations
Member Recommendations
browner56 The consequences of misguided devotion treated from both the British and Japanese perspectives.
Also recommended by bibliobibuli
70
thorold It's fascinating to put these two classic studies of the relationship between the English upper classes and their domestic servants side-by-side: one a delicate psychological novel, the other a gossipy work of social history.
40
electronicmemory Slow, languid stories about regret and life choices not understood until they've passed by.
62
bluepiano Only the skeleton of the books is the same: Aged former servants in accounts of their of years in service obliquely tell of their employers' unsavoury nature . Remains more immediately rewarding but Inquisitory more enduringly so.
WSB7 Both have the feeling of restraint/seil-restraint foregrounded.
11
JuliaMaria Nette aus der Welt gefallene Männer erklären die Welt.
KayCliff Both books discover Nazi affiliations in the past in prominent statesmen.
01
Member Reviews
I saw the movie years ago when it first came out, with Emma Thompson and Anthony Hopkins, and thought it was a masterful, beautiful performance. I thought, how can the book live up to the movie?
But it does. It is interesting that the novel is told largely in retrospect, one man looking back over his life and wondering whether he made the right choices. He strove to live up to a certain standard, to inhabit a particular idea of service, and yet what did he accomplish at the end of the day; and what shall he do with the remains of the day?
The portrait of Mr. Stevens is so elegantly done; the portrait of Miss Kenton scarcely less so. These two people have chosen to serve everyone except themselves. It is in the subtext of their careers show more that their relationship lies, and that is also the tragedy.
The prose of the novel is simple and beautiful, and there is not a wasted word. POV is first person, single narrator, past tense. show less
But it does. It is interesting that the novel is told largely in retrospect, one man looking back over his life and wondering whether he made the right choices. He strove to live up to a certain standard, to inhabit a particular idea of service, and yet what did he accomplish at the end of the day; and what shall he do with the remains of the day?
The portrait of Mr. Stevens is so elegantly done; the portrait of Miss Kenton scarcely less so. These two people have chosen to serve everyone except themselves. It is in the subtext of their careers show more that their relationship lies, and that is also the tragedy.
The prose of the novel is simple and beautiful, and there is not a wasted word. POV is first person, single narrator, past tense. show less
Well written and psychologically astute. Ishiguro's portrait of the justifications surrounding service—in all senses of the word—manages to encompass the personal, political, and class anguish of a changing post-WWII England. He does a great job of building the narrator's deeply ingrained, but also furiously willed, sublimation of the self over the course of the story. That controlled pain, written with a steady hand but also compassion and a dry humor, was complex and struck a deep note for me: at what point does dedication cancel out the bearer? I'll be mulling this book over for a while, I think.
An aging butler goes for a trip in the west of England in 1956. Along the way he takes stock of his life and finds a wealth of regrets. Simple in plot, The Remains of the Day is a masterfully told, devastating story, gradually spooling out the details of a moral collapse. My only criticism is of a slight smugness about the danger of authority. It’s easy to look down on Stevens because he abdicates so much in the face of such obvious evil. Things aren’t usually so simple.
As my daughter was packing to leave after a recent visit with us, she pulled this book off the shelves in her old bedroom (where I keep much of my TBR overload), plopped it in front me and said "Read this". Of course, I've been meaning to, for years. So under direct orders, I did. I can't for the life of me figure out why this book is so compelling, or how Ishiguro made his main character so utterly real, but I couldn't put it down. I struggled through the prologue, which I found tedious and belabored, but with several high recommendations behind the book, I continued reading, and somewhere around page 30 I realized I was hooked. There is nothing obviously striking about the prose itself, and the story line is minimal...just a framework show more from which to hang Mr. Stevens' musings about himself and his past. Mr. Stevens is an English butler of the old order, and he is painfully conscious of the fact that, in the second half of the 20th century, his kind may be facing extinction. He has lived a life based on service, on suborning his own opinions and denying the existence of personal feelings. Throughout a road trip across the English countryside he wrestles with memories, defending his former employer's lapses of humanity and rationalizing his own seemingly heartless behavior. Running under it all is a glimmer of hope that a meeting with former housekeeper, Miss Kenton, may hold promise of a different sort of future for Mr. Stevens. I join the legions of LT'ers who give this book high marks. To quote my daughter, "Read this." show less
I think this is definitely Ishiguro's most readable book I've read, I had none of my complaints about the other ones (relying on gimmicks about memory, though I suppose Remains does a little it doesn't feel forced) and it made me understand why he deserved the Nobel Prize. I haven't seen the movie yet, and I'm really looking forward to it, but I'm also glad that I didn't watch it before reading the book because everything unfolded so well in this and I honestly can't imagine how a movie could tell a story this subtle and subjective.
Towards the start this book seems like a character study, but in actuality it's a really carefully constructed nonlinear narrative so I was glad that the story went somewhere instead of him just reminiscing. show more The pastoral frame story of a road trip gave the novel a very leisurely pace even though it's pretty brisk, it was very relaxing to read but it didn't put me to sleep at all! Obviously the book is mostly character-driven, by Stevens, who's super in denial about everything. The reason this is such a masterpiece is because of how believable his voice is... it was Nabokovian levels of unreliable-narrator (think Pale Fire). I am pretty familiar with Ishiguro so I caught on really soon that Stevens was in denial and super repressed the whole time, and if anything it felt too obvious. I didn't think the book lacked subtlety, except for the conversation with the guy at the end which was really on the nose. A lot of the political atmosphere and class commentary of the book reminded me of Zweig's Post Office Girl... The whole time, I was thinking "is this book supposed to be funny?" because there's some serious irony going on the whole time... so even though this is known as quite a sad story, it's honestly really funny, and surprisingly romantic. show less
Towards the start this book seems like a character study, but in actuality it's a really carefully constructed nonlinear narrative so I was glad that the story went somewhere instead of him just reminiscing. show more The pastoral frame story of a road trip gave the novel a very leisurely pace even though it's pretty brisk, it was very relaxing to read but it didn't put me to sleep at all! Obviously the book is mostly character-driven, by Stevens, who's super in denial about everything. The reason this is such a masterpiece is because of how believable his voice is... it was Nabokovian levels of unreliable-narrator (think Pale Fire). I am pretty familiar with Ishiguro so I caught on really soon that Stevens was in denial and super repressed the whole time, and if anything it felt too obvious. I didn't think the book lacked subtlety, except for the conversation with the guy at the end which was really on the nose. A lot of the political atmosphere and class commentary of the book reminded me of Zweig's Post Office Girl... The whole time, I was thinking "is this book supposed to be funny?" because there's some serious irony going on the whole time... so even though this is known as quite a sad story, it's honestly really funny, and surprisingly romantic. show less
I had seen the wonderful movie with Anthony Hopkins and Emma Thompson -- must be 20 years ago. In spite of getting the usual process backwards, it did not stop me from enjoying this book at all. I think it might have gently enhanced it, actually, imagining much of Stevens' voice as if it were spoken by the indomitable Hopkins and imagining Miss Kenton having a crooked smile like Thompson.
Ishiguro has a deft, precise hand. I loved thinking the thoughts he wanted me to think, to read between the lines he wanted me to read, and to care deeply for a stuffy old butler whose only quirk is being a stuffy old butler through and through. Well, almost. And it's that slowly building, perfectly executed "almost" that makes the story something special.
Ishiguro has a deft, precise hand. I loved thinking the thoughts he wanted me to think, to read between the lines he wanted me to read, and to care deeply for a stuffy old butler whose only quirk is being a stuffy old butler through and through. Well, almost. And it's that slowly building, perfectly executed "almost" that makes the story something special.
A deceptively quiet and moving novel, The Remains of the Day is the story of Stevens, an English butler coming to the end of his service. And that service has been his whole life, his identity wrapped up in devotion to duty, loyalty, and dignity. It's a sad story, really. Stevens' life has not been his own, and as he makes a journey to the west of England, we learn just how empty that life may have been. The discomfort of realization, the justification for self-deception, the sense of wasted time - it's all beautifully evoked by Ishiguro in elegant, austere prose. After a slow beginning, as the layers of the story were peeled away, I settled in nicely to this thought-provoking and heartbreaking read.
4.25 stars
4.25 stars
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ThingScore 75
The Remains of the Day is too much a roman à thèse, and a judgmental one besides. Compared to his astounding narrative sophistication, Ishiguro's message seems quite banal: Be less Japanese, less bent on dignity, less false to yourself and others, less restrained and controlled. The irony is that it is precisely Ishiguro's beautiful restraint and control that one admires, and, in the case of show more the last novel [The Remains of the Day], his nerve in setting up such a high-wire act for himself. show less
added by jburlinson
Kazuo Ishiguro's tonal control of Stevens' repressive yet continually reverberating first-person voice is dazzling. So is his ability to present the butler from every point on the compass: with affectionate humor, tart irony, criticism, compassion and full understanding. It is remarkable, too, that as we read along in this strikingly original novel, we continue to think not only about the old show more butler, but about his country, its politics and its culture. show less
added by stephmo
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Past Discussions
Ishiguro: The Remains of the Day in Author Theme Reads (November 2009)
Group Read 2: The Remains of the Day by Kazuo Ishiguro Part 1 in 1001 Books to read before you die (September 2009)
Author Information

61+ Works 82,182 Members
Kazuo Ishiguro was born in Nagasaki, Japan on November 8, 1954. In 1960, his family moved to England. He received a bachelor's degree in English and philosophy from the University of Kent in 1978 and a master's degree in creative writing from the University of East Anglia in 1980. He became a British citizen in 1982. His first novel, A Pale View show more of Hills, received the Winifred Holtby Award from the Royal Society of Literature. His second novel, An Artist of the Floating World, received the Whitbread Book of the Year Award in 1986. His third novel, The Remains of the Day, received the Man Booker Prize for Fiction in 1989 and was adapted into a film starring Anthony Hopkins and Emma Thompson. His other works include The Unconsoled, When We Were Orphans, Never Let Me Go, Nocturnes: Five Stories of Music and Nightfall, and The Buried Giant. He was awarded the OBE in 1995 for services to literature and the Chevalier de l'Ordre des Arts et des Lettres by the French government in 1998. He received the 2017 Nobel Prize in Literature. He has also written several songs for jazz singer Stacey Kent and screenplays for both film and television. (Bowker Author Biography) show less
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The Big Jubilee Read (1982-1991 – 1989)
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Common Knowledge
- Canonical title*
- De rest van de dag
- Original title
- The Remains of the Day
- Original publication date
- 1989
- People/Characters
- Stevens; Lord Darlington; Miss Kenton; Farraday; William Stevens; Reginald Cardinal (show all 17); Sir David Cardinal; Edward Frederick Lindley Wood, 1st Earl and 3rd Viscount of Halifax (British Foreign Secretary); David Lloyd George (British Prime Minister); Winston Churchill; Joachim von Ribbentrop; Mr. Lewis; Monsieur Dupont; Herr Karl-Heinz Bremann; Oswald Mosley; Carolyn Barnet; Nancy Astor
- Important places
- Darlington Hall (fictional); Salisbury, Wiltshire, England, UK; Weymouth, Dorset, England, UK; Taunton, Somerset, England, UK; Tavistock, Devon, England, UK; Cornwall, England, UK (show all 11); Devon, England, UK; Somerset, England, UK; Dorset, England, UK; Wiltshire, England, UK; England, UK
- Related movies
- The Remains of the Day (1993 | IMDb)
- Dedication
- In memory of Mrs Lenore Marshall.
- First words
- It seems increasingly likely that I really will undertake the expedition that has been preoccupying my imagination now for some days.
- Quotations
- The English landscape at its finest—such as I saw this morning—possesses a quality that the landscapes of other nations, however more superficially dramatic, inevitably fail to possess. It is, I believe, a quality that wi... (show all)ll mark out the English landscape to any objective observer as the most deeply satisfying in the world, and this quality is probably best summed up by the term 'greatness.' And yet what precisely is this greatness? I would say that it is the very lack of obvious drama or spectacle that sets the beauty of our land apart. What is pertinent is the calmness of that beauty, its sense of restraint. It is as though the land knows of its own beauty, of its own greatness, and feels no need to shout it.
- Last words
- (Click to show. Warning: May contain spoilers.)I should hope, then, by the time of my employer's return, I shall be in a position to pleasantly surprise him.
- Blurbers
- Barnes, Julian; Beattie, Ann; Herr, Michael; Kingston, Maxine Hong; Lessing, Doris; Rushdie, Salman (show all 8); Stone, Robert; Thubron, Colin
- Original language
- English
- Canonical DDC/MDS
- 823.914
- Canonical LCC
- PR6059.S5
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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