Cat's Cradle
by Kurt Vonnegut
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Cat's Cradle is Vonnegut's satirical commentary on modern man and his madness. An apocalyptic tale of this planet's ultimate fate, it features a midget as the protagonist; a complete, original theology created by a calypso singer; and a vision of the future that is at once blackly fatalistic and hilariously funny.Tags
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Se há livros que quebram certezas e perturbam convicções, este é um deles.
Qual a relação entre um químico, um dos pais da bomba atómica, uma religião inventada, uma ilha pobre no meio das caraíbas, a destruição do mundo e uma cama de gato? Vê a cama? Vê o gato? pergunta um anão, filho do químico. Eu não vi cama, nem gato. Mas estou confusa, parece que a cama e o gato estão mesmo lá.
- Diga-me o senhor, como morre um homem quando privado do consolo da literatura?
- De uma de duas maneiras - disse ele - putrefação do coração ou atrofia do sistema nervoso.
- Nenhuma delas muito agradável, imagino eu. - sugeri.
- Não - disse Castle mais velho. - Por amor de Deus, vocês os dois, por favor, continuem a escrever!
- show more «Muitas mãos tornam o trabalho bem mais leve.» É um provérbio chinês antigo.
- Eram espertos em muitas coisas, esses chineses, lá isso eram.
- Sim, devemos manter viva a sua memória.
- Agora gostava de ter lido mais sobre eles.
- Bem, era difícil, mesmo em condições ideais.
- Agora gostava de ter lido mais sobre tudo.
- Todos nós temos os nossos arrependimentos, mamã.
- Não vale a pena chorar sobre o leite derramado.
- Tal como disse o poeta, mamã: «De todas as palavras de ratos e homens, as mais tristes são: "Podia ter sido."»
- Isso é muito bonito, e bem verdade. show less
Qual a relação entre um químico, um dos pais da bomba atómica, uma religião inventada, uma ilha pobre no meio das caraíbas, a destruição do mundo e uma cama de gato? Vê a cama? Vê o gato? pergunta um anão, filho do químico. Eu não vi cama, nem gato. Mas estou confusa, parece que a cama e o gato estão mesmo lá.
- Diga-me o senhor, como morre um homem quando privado do consolo da literatura?
- De uma de duas maneiras - disse ele - putrefação do coração ou atrofia do sistema nervoso.
- Nenhuma delas muito agradável, imagino eu. - sugeri.
- Não - disse Castle mais velho. - Por amor de Deus, vocês os dois, por favor, continuem a escrever!
- show more «Muitas mãos tornam o trabalho bem mais leve.» É um provérbio chinês antigo.
- Eram espertos em muitas coisas, esses chineses, lá isso eram.
- Sim, devemos manter viva a sua memória.
- Agora gostava de ter lido mais sobre eles.
- Bem, era difícil, mesmo em condições ideais.
- Agora gostava de ter lido mais sobre tudo.
- Todos nós temos os nossos arrependimentos, mamã.
- Não vale a pena chorar sobre o leite derramado.
- Tal como disse o poeta, mamã: «De todas as palavras de ratos e homens, as mais tristes são: "Podia ter sido."»
- Isso é muito bonito, e bem verdade. show less
Oh, Kurt Vonnegut, you're totally still funny! And the criticism of the arms-race and neutrality-of-science mentalities is still trenchant, and ice-nine is still terrifying, and you have kind of queasily problematic attitudes about pretty women and black dudes and midgets--namely, that they're all there in part for comedy--but this still makes a great airport read. Theodore Sturgeon said you'd better take it lightly because if you don't you'll never sleep again, or words to that effect. Good, accurate blurbing, that.
The title's string game is used as a symbol to express the meaninglessness of virtually everything in this absurdist drama. Religion? Bunk. Sex and romance? Nothing but comedy. Politics? Gawd help you. Science? Probably the death of you. There's no where to turn for any ground to stand on, random events will just keep rolling at you. Which of these events are the good news, and which are the bad? Impossible to tell.
Yes, there is a plot of sorts. Our hero is interested in writing the biography of a philanthropist on a tiny island in the Caribbean. In the course of research he gets mixed up with the island's religion, tumbles into a romance, wrestles with its politics, and eventually gets confronted by some pretty formidable science. None show more of it offers him a whole lot of comfort, but if he can overlook that and follow the model of others by just embracing the madness he might stand a chance. Or the madness might embrace him back.
Is this nothing but a pack of playing cards, or an allegory for the lessons of the Cuban Missile Crisis? I don't know, it's impossible to tell. show less
Yes, there is a plot of sorts. Our hero is interested in writing the biography of a philanthropist on a tiny island in the Caribbean. In the course of research he gets mixed up with the island's religion, tumbles into a romance, wrestles with its politics, and eventually gets confronted by some pretty formidable science. None show more of it offers him a whole lot of comfort, but if he can overlook that and follow the model of others by just embracing the madness he might stand a chance. Or the madness might embrace him back.
Is this nothing but a pack of playing cards, or an allegory for the lessons of the Cuban Missile Crisis? I don't know, it's impossible to tell. show less
4/5
No damn cat. No damn cradle. Cat's Cradle is a satire of some of the largest structures in society, showcasing the emptiness of their promises, and questioning our free will to change anything about our lives. Virtually plotless, like many of Vonneguts other works, Cat's Cradle is bleak, playful, absurdist, subtle, and strikingly unsubtle all at the same time. I won't even provide a 'plot' overview, because there would be simply too much to cover.
The closest a book has ever come to matching the energy, pacing, and tone of a Wes Anderson movie. I can see all the events of the book so clearly represented in the colors that Anderson uses, with the actors that frequently collaborate with him. I usually groan when someone draws show more comparisons between completely unrelated works of literature and film, but I just can't get this one off my mind.
Thematically very focused on the hollowness of many facets of modern society/life. Religion and science are specifically targeted as structures that lack the morality and empathy that they tout. Yet there is also a thread of Vonnegut discussing the necessary and welcome 'untruths' that we tell ourselves to better understand our world, to make ourselves happy and useful. Very interesting to see Vonnegut's perception of the scientists working on the Manhattan Project as indifferent to the ramification of their discoveries. There's also criticism of US government and politics, specifically as they relate to banana republics in central America.
Ice-9 is a hall of fame level SF concept, one that I use a benchmark of creativity in the genre, though it's hardly the focus on the novel. Vonnegut focuses the bulk of the novel on Bokononism, and it is here that he makes many of his thematic points. Some aspects of Cat's Cradle haven't aged so well though. Severally of the characters are drawn with a ham fist and stereotypical representations, and the prose itself isn't anything to write home about.
I struggled finding any cohesion to my thoughts on this work, even though I've now read it twice. I'm not frustrated by this though, more so puzzled in pleasing way. There's depth and nuance here that doesn't make itself plain on the surface. show less
No damn cat. No damn cradle. Cat's Cradle is a satire of some of the largest structures in society, showcasing the emptiness of their promises, and questioning our free will to change anything about our lives. Virtually plotless, like many of Vonneguts other works, Cat's Cradle is bleak, playful, absurdist, subtle, and strikingly unsubtle all at the same time. I won't even provide a 'plot' overview, because there would be simply too much to cover.
The closest a book has ever come to matching the energy, pacing, and tone of a Wes Anderson movie. I can see all the events of the book so clearly represented in the colors that Anderson uses, with the actors that frequently collaborate with him. I usually groan when someone draws show more comparisons between completely unrelated works of literature and film, but I just can't get this one off my mind.
Thematically very focused on the hollowness of many facets of modern society/life. Religion and science are specifically targeted as structures that lack the morality and empathy that they tout. Yet there is also a thread of Vonnegut discussing the necessary and welcome 'untruths' that we tell ourselves to better understand our world, to make ourselves happy and useful. Very interesting to see Vonnegut's perception of the scientists working on the Manhattan Project as indifferent to the ramification of their discoveries. There's also criticism of US government and politics, specifically as they relate to banana republics in central America.
Ice-9 is a hall of fame level SF concept, one that I use a benchmark of creativity in the genre, though it's hardly the focus on the novel. Vonnegut focuses the bulk of the novel on Bokononism, and it is here that he makes many of his thematic points. Some aspects of Cat's Cradle haven't aged so well though. Severally of the characters are drawn with a ham fist and stereotypical representations, and the prose itself isn't anything to write home about.
I struggled finding any cohesion to my thoughts on this work, even though I've now read it twice. I'm not frustrated by this though, more so puzzled in pleasing way. There's depth and nuance here that doesn't make itself plain on the surface. show less
"Science is magic that works."
Dr Felix Hoenikker, one of the founding ‘fathers’ of the atomic bomb, has left behind three eccentric children and deadly legacy to the world, ‘ice-nine’, a lethal chemical capable of freezing the entire planet known about by only a handful of people among them a crazed Caribbean dictator.
Cat’s Cradle was first published in 1963 there are elements that speak of its time. There is misogyny and racial slurs; I'm still unsure as to whether or not a black leader was pivotal to the destruction of mankind and that a white man came along as saviour but failed was meant to be ironic, thought provoking or simply racist. I guess it boils down to the individual reader. But the story covers some pretty big show more issues, nuclear war, environmental concerns and the role of governments as well.
In particular it preys on our deepest fears of not only witnessing Armageddon but worse still, surviving it. A theme that still feels relevant today.
Likewise, the pseudo-religion of Bokononism, although on the face of it ridiculous, resonates with how some societies are looking at religion not only for comfort but also for explanations to the big questions of life. The story seems to be warning that easy answers are not always the correct ones whilst warning that science can be a boon to humanity but left unchecked can also lead to its ultimate destruction.
"Beware of the man who works hard to learn something, learns it, and finds himself no wiser than before."
On the surface, this is a tale about a dysfunctional family yet it also looks at human's need for family, relationships and love and the strange things that some people do to achieve it.
This is my fifth book by the author but my least favourite. The tale is told in Vonnegut's distinctive deadpan irony and bitter satire that I usually like but ultimately this one is just too weird for me. Yet despite its apparent depressing tone I found it somewhat uplifting as I felt that hope rather than despair was the underlining message and as such this book deserves to continue to be read. show less
Dr Felix Hoenikker, one of the founding ‘fathers’ of the atomic bomb, has left behind three eccentric children and deadly legacy to the world, ‘ice-nine’, a lethal chemical capable of freezing the entire planet known about by only a handful of people among them a crazed Caribbean dictator.
Cat’s Cradle was first published in 1963 there are elements that speak of its time. There is misogyny and racial slurs; I'm still unsure as to whether or not a black leader was pivotal to the destruction of mankind and that a white man came along as saviour but failed was meant to be ironic, thought provoking or simply racist. I guess it boils down to the individual reader. But the story covers some pretty big show more issues, nuclear war, environmental concerns and the role of governments as well.
In particular it preys on our deepest fears of not only witnessing Armageddon but worse still, surviving it. A theme that still feels relevant today.
Likewise, the pseudo-religion of Bokononism, although on the face of it ridiculous, resonates with how some societies are looking at religion not only for comfort but also for explanations to the big questions of life. The story seems to be warning that easy answers are not always the correct ones whilst warning that science can be a boon to humanity but left unchecked can also lead to its ultimate destruction.
"Beware of the man who works hard to learn something, learns it, and finds himself no wiser than before."
On the surface, this is a tale about a dysfunctional family yet it also looks at human's need for family, relationships and love and the strange things that some people do to achieve it.
This is my fifth book by the author but my least favourite. The tale is told in Vonnegut's distinctive deadpan irony and bitter satire that I usually like but ultimately this one is just too weird for me. Yet despite its apparent depressing tone I found it somewhat uplifting as I felt that hope rather than despair was the underlining message and as such this book deserves to continue to be read. show less
This was my third read of Cat's Cradle. I am not much of a re-reader, but there are a few books I come back to as I need them and this is one. (As is Slaughterhouse Five. Vonnegut is one of four authors with multiple books on my re-read list.) Each time I read this book it tells me something different. This time it told me that people, particularly Americans, have always ignored what was in front of their face, choosing their personal folklore over verifiable facts. It is fair to say QAnon would not have surprised Mr. Vonnegut one bit. And it would not have surprised Vonnegut how most people pay no attention to assaults on liberty and decency and the survival of humans on earth, opting to just play cat's cradle, to fiddle while Rome show more burns.
I won't go much into the plot, since thousands have recounted it already. All you need to know is that the narrator ("Call me Jonah") is purportedly writing a book about what real people were doing when the bomb was dropped on Hiroshima. He ends up getting entangled in the lives of the unusual adult children of one of the A-bomb's inventors who was also working on something as lethal as the bomb (though different) at the time of his death. The subject of his last work was created in response to the Marines asking if he could "do something about mud" since Marines were tired of being dirty. As mentioned the inventor dies, the children have the new invention. The eldest son finds himself in a position of power on a colonized island, and his estranged sister and brother meet up with him on the island because he is supposed to get married. Hijinks of a sort (an apocalyptic sort) ensue.
I will say this is a post-modern satire aimed squarely at "pure" science, organized religion, and America. It is a post-apocalyptic/pre-apocalyptic 2.0/post-apocalyptic 2.0 story. I learned while reading this that Cat's Cradle was Vonnegut's Masters thesis at University of Chicago where he earned a Masters in Anthropology and that factoid actually changed the way I read the book.
The important stuff: This book is very funny provided one appreciates ice cold irony and has some basic grounding in 20th century American history. This is also one of the canniest 20th century novels I have read mocking American colonialism (there are many earlier books that delightfully stuck it to the British Empire of course.) This is often classified as science fiction, but as with Slaughterhouse Five I think it is a vast overstatement to call this sci-fi and people who read it looking for that are sure to be disappointed. Read it as one of the smartest sendups of nationalism, tribalism and religion. Vonnegut was a genius. He could say more with 100 pages of jokes that most cultural commentators say in 800 page heavily footnoted tomes, and in addition to saying a lot, it is hilarious. Win-win. show less
I won't go much into the plot, since thousands have recounted it already. All you need to know is that the narrator ("Call me Jonah") is purportedly writing a book about what real people were doing when the bomb was dropped on Hiroshima. He ends up getting entangled in the lives of the unusual adult children of one of the A-bomb's inventors who was also working on something as lethal as the bomb (though different) at the time of his death. The subject of his last work was created in response to the Marines asking if he could "do something about mud" since Marines were tired of being dirty. As mentioned the inventor dies, the children have the new invention. The eldest son finds himself in a position of power on a colonized island, and his estranged sister and brother meet up with him on the island because he is supposed to get married. Hijinks of a sort (an apocalyptic sort) ensue.
I will say this is a post-modern satire aimed squarely at "pure" science, organized religion, and America. It is a post-apocalyptic/pre-apocalyptic 2.0/post-apocalyptic 2.0 story. I learned while reading this that Cat's Cradle was Vonnegut's Masters thesis at University of Chicago where he earned a Masters in Anthropology and that factoid actually changed the way I read the book.
The important stuff: This book is very funny provided one appreciates ice cold irony and has some basic grounding in 20th century American history. This is also one of the canniest 20th century novels I have read mocking American colonialism (there are many earlier books that delightfully stuck it to the British Empire of course.) This is often classified as science fiction, but as with Slaughterhouse Five I think it is a vast overstatement to call this sci-fi and people who read it looking for that are sure to be disappointed. Read it as one of the smartest sendups of nationalism, tribalism and religion. Vonnegut was a genius. He could say more with 100 pages of jokes that most cultural commentators say in 800 page heavily footnoted tomes, and in addition to saying a lot, it is hilarious. Win-win. show less
This is a re-read. I first read it about 15 years ago, and it still holds up. On the one hand, this is a hilarious satire on the cold war and the atom bomb; the weapon everyone wants, but whose use can only mean everybody loses. It certainly has Dr Strangelove Or How I Learned To Stop Worrying And Love The Bomb - the idea of a doomsday weapon that can't NOT be set off - for a cousin. The Cuba crisis looms large.
At the same time, it's a bit more than that. Despite the fact that it's obviously more than 40 years old, Cat's Cradle still feels quite relevant; both in its discussions on American foreign policy
The highest possible form of treason (...) is to say that Americans aren't loved wherever they go, whatever they do.
and on the whole show more debate of rationality vs irrationality, science vs religion. People on both sides could do well to read this. As dismissive as Vonnegut is of the idea that science will always make the world perfect - the main target of the satire - his wish isn't a return to superstitoin but an advance to humanism. A large part of the narrative is carried by the fictional religion of Bokononism, a calypso-based religion that claims as its first gospel that all religions are lies, especially Bokononism, and that the only thing holy is man. Of course it's a crackpot religion, but then again, it's a crackpot mankind.
It wouldn't be Vonnegut if this rational rant against the completely rational wasn't delivered as an absolute farce, where everything goes to hell and nothing's as bleakly funny as the end of the world. The image that has always stuck with me is the one for which the book is named:
Newt remained curled in the chair. He held out his painty hands as though a cat's cradle were strung between them.
"No wonder kids grow up crazy. A cat's cradle is nothing but a bunch of X's between somebody's hands, and little kids look and look and look at all those X's . . ."
"And?"
"No damn cat, and no damn cradle."
In a world where the alternatives seem to be either blind faith or blind progress, Cat's Cradle is a pratfall of a novel saying HEY! It's just a piece of string! LOOK at it! Look at how the world is made up of people, and we've in our infinite wisdom arrived at a point where we need to recognize each other for the fuck-ups we are or we'll be laughing ourselves into an early grave. 44 years on, I see no reason to pronounce him wrong. show less
At the same time, it's a bit more than that. Despite the fact that it's obviously more than 40 years old, Cat's Cradle still feels quite relevant; both in its discussions on American foreign policy
The highest possible form of treason (...) is to say that Americans aren't loved wherever they go, whatever they do.
and on the whole show more debate of rationality vs irrationality, science vs religion. People on both sides could do well to read this. As dismissive as Vonnegut is of the idea that science will always make the world perfect - the main target of the satire - his wish isn't a return to superstitoin but an advance to humanism. A large part of the narrative is carried by the fictional religion of Bokononism, a calypso-based religion that claims as its first gospel that all religions are lies, especially Bokononism, and that the only thing holy is man. Of course it's a crackpot religion, but then again, it's a crackpot mankind.
It wouldn't be Vonnegut if this rational rant against the completely rational wasn't delivered as an absolute farce, where everything goes to hell and nothing's as bleakly funny as the end of the world. The image that has always stuck with me is the one for which the book is named:
Newt remained curled in the chair. He held out his painty hands as though a cat's cradle were strung between them.
"No wonder kids grow up crazy. A cat's cradle is nothing but a bunch of X's between somebody's hands, and little kids look and look and look at all those X's . . ."
"And?"
"No damn cat, and no damn cradle."
In a world where the alternatives seem to be either blind faith or blind progress, Cat's Cradle is a pratfall of a novel saying HEY! It's just a piece of string! LOOK at it! Look at how the world is made up of people, and we've in our infinite wisdom arrived at a point where we need to recognize each other for the fuck-ups we are or we'll be laughing ourselves into an early grave. 44 years on, I see no reason to pronounce him wrong. show less
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ThingScore 100
"Cat's Cradle" is an irreverent and often highly entertaining fantasy concerning the playful irresponsibility of nuclear scientists. Like the best of contemporary satire, it is work of a far more engaging and meaningful order than the melodramatic tripe which most critics seem to consider "serious."
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Author Information

291+ Works 201,093 Members
The appeal of Kurt Vonnegut, especially to bright younger readers of the past few decades, may be attributed partly to the fact that he is one of the few writers who have successfully straddled the imaginary line between science-fiction/fantasy and "real literature." He was born in Indianapolis and attended Cornell University, but his college show more education was interrupted by World War II. Captured during the Battle of the Bulge and imprisoned in Dresden, he received a Purple Heart for what he calls a "ludicrously negligible wound." After the war he returned to Cornell and then earned his M.A. at the University of Chicago.He worked as a police reporter and in public relations before placing several short stories in the popular magazines and beginning his career as a novelist. His first novel, Player Piano (1952), is a highly credible account of a future mechanistic society in which people count for little and machines for much. The Sirens of Titan (1959), is the story of a playboy whisked off to Mars and outer space in order to learn some humbling lessons about Earth's modest function in the total scheme of things. Mother Night (1962) satirizes the Nazi mentality in its narrative about an American writer who broadcasts propaganda in Germany during the war as an Allied agent. Cat's Cradle (1963) makes use of some of Vonnegut's experiences in General Electric laboratories in its story about the discovery of a special kind of ice that destroys the world. God Bless You, Mr. Rosewater (1965) satirizes a benevolent foundation set up to foster the salvation of the world through love, an endeavor with, of course, disastrous results. Slaughterhouse-Five; or The Children's Crusade (1969) is the book that marked a turning point in Vonnegut's career. Based on his experiences in Dresden, it is the story of another Vonnegut surrogate named Billy Pilgrim who travels back and forth in time and becomes a kind of modern-day Everyman. The novel was something of a cult book during the Vietnam era for its antiwar sentiments. Breakfast of Champions (1973), the story of a Pontiac dealer who goes crazy after reading a science fiction novel by "Kilgore Trout," received generally unfavorable reviews but was a commercial success. Slapstick (1976), dedicated to the memory of Laurel and Hardy, is the somewhat wacky memoir of a 100-year-old ex-president who thinks he can solve society's problems by giving everyone a new middle name. In addition to his fiction, Vonnegut has published nonfiction on social problems and other topics, some of which is collected in Wampeters, Foma and Granfalloons (1974). He died from head injuries sustained in a fall on April 11, 2007. (Bowker Author Biography) show less
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The Sirens of Titan • Mother Night • Cat's Cradle • God Bless You, Mr. Rosewater • Slaughterhouse-Five by Kurt Vonnegut
Novels & Stories, 1963-1973: Cat's Cradle / God Bless You, Mr. Rosewater / Slaughterhouse-Five / Breakfast of Champions / Stories by Kurt Vonnegut
Slaughterhouse-Five • The Sirens of Titan • Player Piano • Cat's Cradle • Breakfast of Champions • Mother Night by Kurt Vonnegut
Cat's Cradle • The Sirens of Titan • God Bless You, Mr. Rosewater • Welcome to the Monkey House • Slaughterhouse Five by Kurt Vonnegut
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Common Knowledge
- Canonical title*
- Kissan kehto
- Original title
- Cat's Cradle
- Original publication date
- 1963
- People/Characters
- Felix Hoenikker; Newton "Newt" Hoenikker; John; Miguel "Papa" Monzano; Franklin "Frank" Hoenikker; Mona Aamons Monzano (show all 18); Lionel Boyd Johnson; Emily Hoenikker; Angela Hoenikker Conners; Edward McCabe (Corporal); Julian Castle; H. Lowe Crosby; Hazel Crosby; Philip Castle; Horlick Minton; Claire Minton; Asa Breed (Dr.); Dr. Schlichter von Koenigswald
- Important places
- San Lorenzo; Ilium, New York, USA; USA
- Important events
- Atomic Bombings of Hiroshima and Nagasaki (1945)
- Related movies
- Cat's Cradle (pre-production | IMDb)
- Epigraph
- Nothing in this book is true.
'Live by the foma* that make you brave
and kind and healthy and happy.'
The Books of Bokonon. 1:5
*Harmless untruths - Dedication
- For Kenneth Littauer, a man of
gallantry and taste. - First words
- Call me Jonah.
- Quotations
- "No wonder kids grow up crazy. A cat's cradle is nothing but a bunch of X's between somebody's hands, and little kids look and look and look at all those X's..."
"And?"
"No damn cat, and no damn cradle."
'Aamons, Mona', the index said, 'adopted by
Monzano in order to boost Monzano's
popularity, 194-199, 216n; childhood in com
pound of House of Hope and Mercy, 63-81;
childhood romance with P. Castle, 72f; death of ... (show all)father, 89ff; death of mother, 92f; embarrassed
by role as national erotic symbol, 80, 95, 166n.,
209, 247n., 400-406, 566n., 678; engaged to P.
Castle, 193; essential naivete, 67-71, 80, 95f,
116n., 209, 274n., 400-406, 566n., 678; lives with
Bokonon, 92-98, 196-197; poems about, 2n., 26,
114, 119, 311, 316, 477n., 501, 507, 555n., 689,
718ff, 799ff, 800n., 841, 846ff, 908n., 971, 974;
poems by, 89, 92, 193; returns to Monzano, 199?
returns to Bokonon, 197; runs away from
Bokonon, 199; runs away from Monzano, 197;
tries to make self ugly in order to stop being
erotic symbol to islanders, 80, 95f, 116n., 209,
247n., 400-406, 566n., 678; tutored by Bokonon,
63-80; writes letter to United Nations, 200;
xylophone virtuoso, 71'.
I showed this index entry to
She hated people who thought too much. At that moment she struck me as an appropriate representative for almost all mankind.
,"...I was very upset about how Americans couldn't imagine what it was like to be something else, to be something else and proud of it."
"The highest possible form of treason," said Minton, "is to say that Americans aren't loved wherever they go, whatever they do. Claire tried to make the point that American foreign policy should recognise hate rather than ima... (show all)gine love."
There was a quotation from The Books of Bokonon on the page before me. Those words leapt from the page and into my mind, and they were welcomed there.
The words were a paraphrase of the suggestion by Jesus: “Render there... (show all)fore unto Caesar the things which are Caesar’s.”
Bokonon's paraphrase was this:
"Pay no attention to Caesar. Caesar doesn't have the slightest idea what's really going on."
"She broke my heart. I didn't like that much. But that was the price. In this world, you get what you pay for."
Crosby...had the drunkard 's illusion that he could speak frankly, provided he spoke affectionately.
"I think, therefore I am, therefore I am photographable."
"Science is magic that works."
Think of what a paradise this world would be if men were kind and wise. - Last words
- (Click to show. Warning: May contain spoilers.)If I were a younger man, I would write a history of human stupidity; and I would climb to the top of Mount McCabe and lie down on my back with my history for a pillow; and I would take from the ground some of the blue-white poison that makes statues of men; and I would make a statue of myself, lying on my back, grinning horribly, and thumbing my nose at You Know Who.
- Blurbers
- Ballard, J.G.; Aiken, Conrad; Southern, Terry
- Original language
- English
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.
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- ISBNs
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- ASINs
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