The Best Science Fiction and Fantasy of the Year, Volume 3
by Jonathan Strahan (Editor)
Best Science Fiction and Fantasy of the Year (3)
On This Page
Description
The depth and breadth of what science fiction and fantasy fiction is changes with every passing year. The two dozen stories chosen for this book by award-winning anthologist Jonathan Strahan carefully maps this evolution, giving readers a captivating and always-entertaining look at the very best the genre has to offer. Jonathan Strahan has edited more than twenty anthologies and collections, including The Locus Awards, The New Space Opera, The Jack Vance Treasury, and a number of year's best show more annuals. He has won the Ditmar, William J. Atheling Jr., and Peter McNamara Awards for his work as an anthologist, and is the reviews editor for Locus. show lessTags
Recommendations
Member Reviews
Pretty good, but as always a mixed bag.
The good or thought-provoking:
Ted Chiang's "Exhalation," in which a world of wind-up robots realizes that their very acts of moving, thinking and talking is slowly ending their universe.
Peter S. Beagle's "Uncle Chaim and Aunt Rifke and the Angel," is a fantastic character study and slice-of-life of mid-century Jewish New Yorkers.
Paolo Bacigalupi's "The Gambler," about a Vietnamese immigrant's career as a journalist. He has one last chance to tell a sensational story.
Paul Mcauley's "The Thought War," about a zombie invasion that's really reality changing with observation.
Meghan McCarron's "The Magician's House," about a teenaged girl learning magic. Very different view on magic and how it could be show more taught.
Margo Lanagan's "Machine Maid," is about a new bride who finds that her wind-up maid is her key to escaping her husband.
Greg Egan's "Crystal Nights" is a great story because the main character misses so much, even while other characters clearly understand what's going on. A dot-com gazillionaire tries to create AI through directed evolution within a computer.
Hannu Rajaniemi's "His Master's Voice," is like Homeward Bound crossed with nannites. A cat and a dog strive to bring their master back to life.
The ones that annoyed me, or were just plain bad:
Jeff Vandermeer's "Fixing Hanover" is about an engineer who fled his empire when he found out what his inventions were being used for. Years later, he makes a living as an unrespected handyman. But then he repairs one too many things, and the empire comes back again...Could have been good, but the only characterization we have in regards to the main character is that the hottest chick in the village has sex with him all the time and everyone's really jealous. Seriously, that's all we're shown about this man, who's supposedly wracked with shame over the wars he helped win. Vandermeer has consistently disappointed me.
John Kessel's "Pride and Prometheus" is a shameless attempt to write Frankenstein fanfic while pretending it has something to do with Austen. He seems to have randomly decided that Mary Bennet is an inquisitive naturalist, held back only by her foolish family's sexism. Cuz that totally jives with her actual source material! The story itself is not nearly good enough to warrant the use of Austen and Shelley's characters--it's basically just Mary, Frankenstein, and the monster talking to each other.
Kij Johnson's "26 Monkeys, Also the Abyss." Too weird and senseless for me. show less
The good or thought-provoking:
Ted Chiang's "Exhalation," in which a world of wind-up robots realizes that their very acts of moving, thinking and talking is slowly ending their universe.
Peter S. Beagle's "Uncle Chaim and Aunt Rifke and the Angel," is a fantastic character study and slice-of-life of mid-century Jewish New Yorkers.
Paolo Bacigalupi's "The Gambler," about a Vietnamese immigrant's career as a journalist. He has one last chance to tell a sensational story.
Paul Mcauley's "The Thought War," about a zombie invasion that's really reality changing with observation.
Meghan McCarron's "The Magician's House," about a teenaged girl learning magic. Very different view on magic and how it could be show more taught.
Margo Lanagan's "Machine Maid," is about a new bride who finds that her wind-up maid is her key to escaping her husband.
Greg Egan's "Crystal Nights" is a great story because the main character misses so much, even while other characters clearly understand what's going on. A dot-com gazillionaire tries to create AI through directed evolution within a computer.
Hannu Rajaniemi's "His Master's Voice," is like Homeward Bound crossed with nannites. A cat and a dog strive to bring their master back to life.
The ones that annoyed me, or were just plain bad:
Jeff Vandermeer's "Fixing Hanover" is about an engineer who fled his empire when he found out what his inventions were being used for. Years later, he makes a living as an unrespected handyman. But then he repairs one too many things, and the empire comes back again...Could have been good, but the only characterization we have in regards to the main character is that the hottest chick in the village has sex with him all the time and everyone's really jealous. Seriously, that's all we're shown about this man, who's supposedly wracked with shame over the wars he helped win. Vandermeer has consistently disappointed me.
John Kessel's "Pride and Prometheus" is a shameless attempt to write Frankenstein fanfic while pretending it has something to do with Austen. He seems to have randomly decided that Mary Bennet is an inquisitive naturalist, held back only by her foolish family's sexism. Cuz that totally jives with her actual source material! The story itself is not nearly good enough to warrant the use of Austen and Shelley's characters--it's basically just Mary, Frankenstein, and the monster talking to each other.
Kij Johnson's "26 Monkeys, Also the Abyss." Too weird and senseless for me. show less
Ratings
Members
- Recently Added By
Author Information

Jonathan Strahan was born in 1964 in Belfast, Northern Ireland. He is an editor and publisher of science fiction. His family moved to Perth, Western Australia in 1968, and he graduated from the University of Western Australia with a Bachelor of Arts in 1986. In 1990 he co-founded Eidolon: The Journal of Australian Science Fiction and Fantasy, and show more worked on it as co-editor and co-publisher until 1999. He was also co-publisher of Eidolon Books which published Robin Pen's The Secret Life of Rubber-Suit Monsters, Howard Waldrop's Going Home Again, Storm Constantine's The Thorn Boy, and Terry Dowling's Blackwater Days. In 2015 he was nominated in the editor and anthology categories for the Locus Awards with the title Reach for Infinity. In 2018, he won the 2017 Aurealis Awards for the best Australian anthology for his book, Infinity Wars. (Bowker Author Biography) show less
All Editions
Some Editions
Awards and Honors
Distinctions
Series
Work Relationships
Contains
Common Knowledge
- Canonical title
- The Best Science Fiction and Fantasy of the Year Volume Three; The Best Science Fiction and Fantasy of the Year, Volume 3
- Alternate titles
- The Best Science Fiction and Fantasy of the Year Volume 3
Classifications
- Genres
- Fiction and Literature, Science Fiction, Fantasy
- DDC/MDS
- 813.087608 — Literature & rhetoric American literature in English American fiction in English By type Genre fiction Adventure fiction Speculative fiction Collections
- LCC
- PS648 .S3 .B45 — Language and Literature American literature American literature Collections of American literature Prose (General)
- BISAC
Statistics
- Members
- 150
- Popularity
- 218,221
- Reviews
- 2
- Rating
- (3.46)
- Languages
- English
- Media
- Paper, Ebook
- ISBNs
- 2
- ASINs
- 3




























































