Persepolis: The Story of a Childhood
by Marjane Satrapi
Persepolis (Collections and Selections — Omnibus 1-2)
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Description
An intelligent and outspoken only child, Satrapi--the daughter of radical Marxists and the great-granddaughter of Iran's last emperor--bears witness to a childhood uniquely entwined with the history of her country. Originally published to wide critical acclaim in France, where it elicited comparisons to Art Spiegelman's Maus, Persepolis is Marjane Satrapi's wise, funny, and heartbreaking memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip show more images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran's last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran: of the bewildering contradictions between home life and public life and of the enormous toll repressive regimes exact on the individual spirit. Marjane's child's-eye-view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a stunning reminder of the human cost of war and political repression. It shows how we carry on, through laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love. show lessTags
Recommendations
Member Recommendations
cransell A complementary (non-graphic) look at growing up in Iran during the Revolution.
30
souloftherose Both books show the effects of the Iranian Revolution of 1979 on Iranian families. The House of the Mosque shows its effect on a Muslim family whereas Persepolis shows its effect on a more secular family. Both authors are writing from their own experience
20
jlparent Another wonderfully done graphic novel memoir about a difficult childhood.
20
vnovak In the introduction to Psychiatric Tales, Darryl Cunningham said that he was inspired to write it after reading Persepolis. They share a spare, black and white style and a empathetic view of difficult topics.
20
ijustgetbored Another coming-of-age memoir in Iran.
EerierIdyllMeme Life at a personal level under various political regimes, told in an unconventional way.
k00kaburra Another autobiographical graphic novel :-p that's a mouthful!
susanbooks Great for answering the historical/political questions Persepolis might raise
Member Reviews
Hardship forces people to change. The author walks us along the path of political turbulence in Iran and shows us how different people react when everything around them turns upside down. Some adapt by throwing away their values and becoming more like the ruling power. Others try to fight it and get imprisoned, tortured, exiled, killed. And then there are the survivors who combine adaptation with resistance: the little girl and her parents are among them.
Through the eyes of a little girl it is terrifying to see how kind intelligent loving people have to bend and twist to the destructive whims of the powerful.
For me this was an emotional rollercoaster. Hope, despair, tenderness, rage, love, fear. I kept silently shouting at the show more characters: "Why are you doing this? Don't you see you are hurting others?" show less
Through the eyes of a little girl it is terrifying to see how kind intelligent loving people have to bend and twist to the destructive whims of the powerful.
For me this was an emotional rollercoaster. Hope, despair, tenderness, rage, love, fear. I kept silently shouting at the show more characters: "Why are you doing this? Don't you see you are hurting others?" show less
Author and illustrator Marjane Satrapi's memoir of growing up in Iran begins in 1980, when she is just ten years old. After the fall of the Shah, her affluent family finds that their privileged, Westernized lifestyle is no longer sustainable. The Ayatollah's standard bearers of Islamic theocracy are in charge, and they are watching everyone for any deviation from acceptable dress, behavior, or attitude. Those who run afoul of the government's dictates risk imprisonment, torture, and even execution.
The chief pleasure of this book is in its illustrations. Satrapi's childlike but incisive drawings effectively capture both the innocence of childhood and the harshness of life under a repressive regime. Her affection for her parents and show more grandmother is particularly evident. In the space of a few pages this book manages to go from funny, to heartbreaking, to tender, and back again, without ever seeming manipulative or forced. I highly recommend this book. show less
The chief pleasure of this book is in its illustrations. Satrapi's childlike but incisive drawings effectively capture both the innocence of childhood and the harshness of life under a repressive regime. Her affection for her parents and show more grandmother is particularly evident. In the space of a few pages this book manages to go from funny, to heartbreaking, to tender, and back again, without ever seeming manipulative or forced. I highly recommend this book. show less
Wow, this the only fourth five star review I've given a book this year. Only one of them can be considered a traditional book (Genghis Khan)- one is a collection of postcards and two are graphic novels. But Persepolis deserves it.
This is a coming-of-age book set in the coming-of-age of Iran. How does a child interpret revolutions and wars when ideologies of what's right and wrong change so violently? How does one endure when people disappear at a whim or a random bomb?
She's one of the most endearing children I've met in book form. There are sequels and I early away to find out what happens next.
My third "I better read the damn book before the movie comes out" read in a row. I borrowed this one from the library; a good move, since I read it in one sitting and might have felt cheated had I paid money for it.
Which is not to say it's a bad book, not worth buying. Rather, it's better to read and share than to display on a shelf. The story is by turns tragic, infuriating, funny, bittersweet, hopeful and hopeless. A young girl who lives through the Islamic Revolution and the Iran-Iraq war? Whose grandparents were princes and prime ministers? How could she -not- have a story to tell?
This is one of those "lest we forget" books that demands to be read by a wider audience. The art, in black and white but very expressive, is excellent and show more the writing is top-notch. Go read it now. show less
Which is not to say it's a bad book, not worth buying. Rather, it's better to read and share than to display on a shelf. The story is by turns tragic, infuriating, funny, bittersweet, hopeful and hopeless. A young girl who lives through the Islamic Revolution and the Iran-Iraq war? Whose grandparents were princes and prime ministers? How could she -not- have a story to tell?
This is one of those "lest we forget" books that demands to be read by a wider audience. The art, in black and white but very expressive, is excellent and show more the writing is top-notch. Go read it now. show less
This one-of-a-kind graphic novel will make most readers an instant fan of the genre. After all, here is a book that can't (yet) be enjoyed on a Kindle or iPad. The illustrations are simple yet also complex, black-and-white but also colorful-- in these sense that they vividly portray a young girls' childhood and the culture of a grossly misunderstood culture. Marjane Satrapi's voice in this novel is one of a universal adolescent-- only the things that make her feel angst are not the norm. Satrapi grows up around protests, bombings, war, political upheavals. She is opinionated, fiesty, but also very confused and frustrated. While some of the content is quite disturbing, high (and some middle) school students can handle it and will greatly show more benefit from reading this (and probably enjoy it a great deal!). I thoroughly enjoyed this book, both text and illustrations, and truly feel like I know Marjane. This book is more important than ever to read, considering current day prejudices and misconceptions of Arabs and Iranians in the Muslim world. show less
A compelling memoir of growing up in Iran during the Islamic Revolution, Marjane Satrapi's Persepolis is both a moving portrait of one young girl's life, and a keenly-observed record of the political and religious events unfolding in her country. The author chronicles her family's initial jubilation at the fall of the brutal and corrupt regime of the Shah, their dismay at the growing repressiveness of the new theocracy, and their suffering (along with their countrymen) during the Iran-Iraq War.
Usually indifferent to the charm of comics and graphic-novels, I was all-the-more impressed by Persepolis, which I found both intellectually and visually engaging. Satrapi's seemingly effortless marriage of image and word is a joy to experience, show more and her observations of the world around her sometimes struck a powerful chord in me.
Her belief, as a child, that she would grow up to be one of God's prophets, made me chuckle in self-recognition. Who has not felt the self-evident rightness of their own position, particularly before maturity teaches us that it is possible for more than one belief to be "right?" Her parents' observation at one point, that it was the religious authorities who were the true perverts, reminded me strongly of similar conversations about authority figures on the part of my own parents. It is a mark of her genius that Satrapi's narrative can be so utterly foreign and familiar at the same time. show less
Usually indifferent to the charm of comics and graphic-novels, I was all-the-more impressed by Persepolis, which I found both intellectually and visually engaging. Satrapi's seemingly effortless marriage of image and word is a joy to experience, show more and her observations of the world around her sometimes struck a powerful chord in me.
Her belief, as a child, that she would grow up to be one of God's prophets, made me chuckle in self-recognition. Who has not felt the self-evident rightness of their own position, particularly before maturity teaches us that it is possible for more than one belief to be "right?" Her parents' observation at one point, that it was the religious authorities who were the true perverts, reminded me strongly of similar conversations about authority figures on the part of my own parents. It is a mark of her genius that Satrapi's narrative can be so utterly foreign and familiar at the same time. show less
I'm not a fan of graphic novels and I've read more than my fair share about the Iranian revolution, so I was surprised to find myself fully absorbed by this book after reading just a few sentences at Border's. The graphic novel format really fits the child's eye perspective of the book. With short, sharp illustrated anecdotes, we see how unreal and confusing a cultural revolution is for a 10-year-old girl. Little Marjane is surprisingly adorable in her yearning for her father to be arrested and tortured so that she can be the most popular girl in school. Little by little, reality creeps in in the form of executed neighbors and dying relatives. As Marjane comes of age, we see how monstrous the revolution really is but neither she nor her show more family are saints -- just like Americans talking about the war in Iraq, the family switches easily from political discussion to neighborhood gossip. Eighties fads and childhood fights are as much a part of this book as suffering through the reign of the Ayatollah. This made the family easy to relate to, which is probably why the ending moved me so much. I'd recommend this book to anyone, including those who've OD'd on memoirs of Iran or don't usually like graphic novels. show less
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Published Reviews
ThingScore 88
Satrapi’s style is almost primitive, consisting of flat figures with simple shapes and features. It’s more sophisticated than a child’s creations, but it superficially resembles them, an approach that supports the presentation of memories from that period of life.
added by lampbane
Marjane Satrapi's ''Persepolis'' is the latest and one of the most delectable examples of a booming postmodern genre: autobiography by comic book.
added by jlelliott
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Author Information
Some Editions
Awards and Honors
Awards
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Notable Lists
Series
Belongs to Publisher Series
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Common Knowledge
- Canonical title
- Persepolis: The Story of a Childhood
- Original title
- Persepolis [Film 2007]
- Original publication date
- 2003 (English translation) (English translation)
- People/Characters
- Marjane Satrapi (called 'Marji'); The Shah; Mehri; Hossein; Ramin; Siamak Jari (show all 19); Mohsen Shakiba; Laly; Taji Satrapi; Uncle Anoosh; Kaveh; Pardisse; Mali; Mrs. Nasrine; Shahab; Uncle Taher; Khosro; Niloufar; Neda Baba-Levy
- Important places
- Tehran, Iran; Iran; Vienna, Austria
- Important events
- Iranian Revolution (1979); Iran-Iraq War (1980 | 1988)
- Related movies
- Persepolis (2007 | IMDb)
- Dedication
- To my parents
- First words
- This is me when I was 10 years old. This was in 1980.
- Quotations
- EXCEPT FOR MY GRANDMOTHER I WAS OBVIOUSLY THE ONLY ONE WHO BELIEVED IN MYSELF.
IT WAS FUNNY TO SEE HOW MUCH MARX AND GOD LOOKED LIKE EACH OTHER. THOUGH MARX'S HAIR WAS A BIT CURLIER.
TO EACH HIS OWN WAY OF CALMING DOWN. - Last words
- (Click to show. Warning: May contain spoilers.)It would have been better just to go.
(Click to show. Warning: May contain spoilers.)C'était le début de la guerre . . . - Blurbers
- Pullman, Philip; al-Shaykh, Hanan; Steinem, Gloria; Cisneros, Sandra; Joe Sacco
- Original language
- French
- Disambiguation notice
- Persepolis was originally published in 4 volumes. Some later editions, especially in the U.S., combined volumes 1-2 into one work Persepolis: The Story of a Childhood; volumes 3-4 were combined into Persepoli... (show all)s: The Story of a Return. Keep this in mind when combining/separating.
Please determine if your item is a videorecording of the film adaptation Persepolis, a copy of the first of four Persepolis graphic novels published in France, a copy of the English edition Persepolis: The Story of a Childhoo... (show all)d, or a copy of the Complete Persepolis. Then please separate it and combine it with the appropriate item.
Classifications
- Genres
- Graphic Novels & Comics, Teen
- DDC/MDS
- 741.5944 — Arts & recreation Drawing & decorative arts Drawing Comic books, graphic novels, fotonovelas, cartoons, caricatures, comic strips History, geographic treatment, biography European France & Monaco
- LCC
- PN6747 .S245 .P4713 — Language and Literature Literature (General) Literature (General) Collections of general literature Comic books, strips, etc.
- BISAC
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- Reviews
- 379
- Rating
- (4.21)
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- 21 — Chinese, Czech, Danish, Dutch, English, Finnish, French, German, Greek, Hebrew, Hungarian, Italian, Lithuanian, Norwegian, Polish, Romanian, Russian, Serbian, Spanish, Thai, Turkish
- Media
- Paper, Ebook
- ISBNs
- 46
- ASINs
- 6







































































































