On This Page

Description

Chronicles the joys and sorrows of the four March sisters as they grow into young ladies in nineteenth-century New England.

Tags

Recommendations

Member Recommendations

Member Reviews

507 reviews
This is not the first time I have read Little Women, in fact I tried many times in my teens to read the story, but I always so loathed it because I couldn't help thinking how backwards these women were. Joe was scandalous for not being a proper lady (and sadly she was the one I related to the most). Each time I was left feeling bleh about the thing and wondering what was wrong with me for not enjoying such a classic. At about sixteen I had decided that it wasn't me who had the problem, it was that I could not relate to the story because I was a modern woman and let it go at that, vowing never to read the stupid thing again.

Then I got a Nook and found myself with very little money and a load of free books and went to town. Suddenly all I show more had left was Little Women. I figured what the heck, it was better than nothing, I was fairly sure. I was surprised how differently I felt about it this time. Now, having children, I can see the way I have tried to use some of Mrs. March's subtle techniques. Knowing other mothers, wanting a little girl, I found myself suddenly entrenched with their lives and wondering if I would have a Joe like me, or what would I do if I had an Amy! The things that seemed antiquated in my youth, now seemed nostalgic and charming. It is amazing how books change as we change! If you have read it before and weren't sure you cared for it, perhaps you should try it again! show less
Enamored of this coming-of-age novel as a child, I reread this American classic after seeing the musical. Loosely based on Alcott's own family and sisters, the novel presents an idealized and highly moralistic version of a family in the last years of the Civil War. It's the story of four sisters—pretty, domestic Meg; impetuous, tomboy Jo; quiet, homebody Beth; and artistic, self-centered Amy— who are living at home with their mother while their father is a chaplain in the Civil War. When the book opens, Meg is 16 and Amy 12, and it ends with the marriages of three of the girls. Alcott was asked to write a book for young girls by her publisher. She resisted at first, but acquiesced and wrote Little Women in ten weeks. It was an show more instant best seller and has remained beloved by generations of American girls.

Revisiting childhood classics as an adult is always a dangerous move. Will the cherished books hold up under adult scrutiny? In addition, in this case, I had seen many movie and now musical adaptations. The verdict is mixed. The work is clearly dated, having been written more than 150 years ago, and I was surprised by the heavy moral overtones, which I didn't remember from my youthful readings. Gender roles and responsibilities are very traditional, and yet Jo rebels against those expectations in ways I found interesting now, even if she succumbs in the end. I have always found her attraction to Professor Bhaer much more understandable than to Laurie. So while I found the Pilgrim's Progress references and moral lessons heavy-handed, I appreciated Alcott's attempt to push the boundaries. I would love to do a more in-depth comparison of the book and her own life.
show less
I found the characters too cutesy-old-fashioned when I tried it as a kid (I was a realistic fiction and sci-fi reader exclusively), so I'd somehow never read the whole thing! Greta Gerwig's movie inspired me to finish it, finally.

As brilliant as that adaptation is, there are still some enjoyable bits that are never filmed, especially in the second half when they're adults -- like the hilarious sequence where Amy makes Jo go visiting with her and Jo keeps fucking it up. I still find Marmee insufferable: turns out the reason every film Marmee is a holy spouter of platitudes is because she's actually written that way, in every single scene. I also really needed some acknowledgement that these are allegedly poor people *with a servant*, so show more what does Hannah's life look like when she isn't making everyone a meal at odd hours? But overall, ok, I get it now! This book is great, and deservedly groundbreaking! show less
Re-reading this as an adult, I've realized that my goal is to become Amy. Because SHE GETS EVERYTHING SHE WANTS - most of which she takes away from poor, useless, ragtag Jo.

Amy gets beauty; she gets popularity; she gets the rag money to buy pickled limes. She gets Jo's trip to Europe; she gets Jo's dream of wealth and mansions and horses; she gets the easy, instant affability and social brilliance that Jo can never achieve; and then she gets Jo's boyfriend.

She's beautiful and gracious and good hearted (because she never has any trials!), she's a good artist, as little as she makes of it, she's damn rich, and she's married to that teasing, vexing Lawrence boy, certainly the best choice out of the three husbands. (And much better than
show more Fred Vaughn - ugh.)

Did I mention she gets to sleep with Laurie?
"What does Amy call you?"
" 'My lord.' "


Yeah, that sounds about right.
show less
I committed to reading a classic every month this year and since I remember enjoying the abridged version I read as a child I decided to start with Little Women. Mistake.

Unpopular opinion here. I found Little Women to be incredibly boring, filled with Pilgrim's Progress references and preaching (too much even given the time period), and overall lacked any depth of story. I don't care who marries who or how many children they have and this being a classic can't change that.

What I couldn't get past is how hypocritical I found Little Women. While continually telling me the only way to be happy is through virtuousness and generosity all they did was complain about how bad off they were. Poor us, we can only afford one servant. Woe is me, show more I'm so poor, let me just run off to New York or Europe for a few months to console myself. I'm just too beautiful, these boys won't leave me alone, let me flirt with them some more. I married such a poor man and have home with everything I need but can't spend $50 on a piece of material. Let me just steal the money from him instead. (($50 in 1868 is equivalent to nearly $1,000 purchasing power today so this is beyond ridiculous. Yes, I looked it up.))

Once again, I'm obviously in the minority here. Just not for me.
show less
"Cuatro pequeños baúles en fila, cubiertos de polvo y gastados por el paso del tiempo. Cuatro mujeres que han aprendido a trabajar y amar. Cuatro hermanas, separadas por el tiempo, ninguna de ellas falta, aunque una se marcho antes que el resto, pues el amor inmortal la hace más presente que nunca. Cuando a las cuatro les llegue la hora de abrir sus baúles ante el Señor, espero que rebosen de dicha, actos de bondad y vidas llenas de valor. que sus almas se eleven felices y, que tras la lluvia, luzca un sol eterno."

Cuando un libro te llega tan hondo es difícil hablar de él porque las palabras demeritan lo que te hace sentir. Lo primero que quiero decir es los personajes de está historia te enamoran, todos y cada uno de ellos show more tiene algo que para el final del libro hace que se quede fijo en ti, pero definitivamente Jo fue mi chica favorita y creo que se debe a que es la que más se adapta al rol femenino de la actualidad, es lista, sarcástica, fuerte e independiente sin que por ello deje de ser tierna, compasiva, maternal y amigable.

"En toda vida, hay días de lluvia, días oscuros y días tristes y grises

La historia es conmovedora, te hace pensar, reír, entristecer, enojarte, es decir que te hacer pasar por un montón de sentimientos, y para mi que fue la primera vez que me acercaba, lo único que sabia era gracias al sr. Joey Tribbiani (porque trate de olvidar todo lo que dijo Rachel y funciono...en un 90%) y a la introducción de la edición que tengo (Gracias Lumen), y esa ignorancia creo que fue muy buena porque todo fue nuevo, increíble y me sentí como una niña que iba creciendo con ellas.

"Con las mujeres, al igual que con los sueños, todo puede ocurrir al revés de lo que uno espera"

Algo a resaltares que la vida de estas hermanas es narrada con una enorme carga moral, de verdad ENORME, durante todo el transcurso del libro encontraras varias referencias al rol de la mujer, el hombre, la religión, el comportamiento social y las clases sociales...cuando tomas en cuenta que no por estar ahí debes tomarlo al pie de la letra pero parte de esas enseñanzas podrían servirnos para ser mejores seres humanos entiendes una pequeña parte de porque ha trascendido esta historia.

"Si tiene edad para plantear la pregunta, tiene edad paraescuchar la respuesta. Yo no le meto ideas en la cabeza, me limito a ayudarle a desarrollar las que ya tiene."

Lo que no me gusto quedará en este spoiler

Señora March, es usted una señora muy sabia y agradable pero, de verdad, Jo y Laurie estaban hechos el uno para el otro, y ODIO que Laurie se quedara con Amy, no me importa cuanto haya cambiado ella.

Lo de Beth, querida Alcott me debes una explicación, por lo que entendí (corrijanme sí me equivoco, por favor) murió a causa de una recaída de la escarlatina que tuvo de niña pero estuvo más de 1 año enferma y no dijo nada ¿Sí hubiera hablado no la habrían podido salvar? Sí es así ¿Porqué no lo dijo? La única razón que vi a esto fue lograr que Amy se casara con Laurie (porque Jo sí estaba enamorada de él, sólo que aun no era el momento. Lo rechazo porque pensó que Beth lo amaba no porque ella no lo hiciera).

Lo último que no me gusto, pero al mismo tiempo lo ame por realista, fue que al final nadie logro conquistar sus Castillos en el aire, pero Jo, mi querida Jo, el tuyo fue el más triste porque ya no escribías y siempre creí que podrías hacer tu vida en familia y continuar con tu sueño (aunque no te convirtieras en la gran escritora).


"Valoro mi libertad y no tengo prisa por perderla a cambio de ningún hombre"

Ese final fue tan agridulce, me sentí bien por ellos porque, a pesar de lo que no me gusto, son felices y pueden serlo mucho tiempo, pero me sentí triste por que era una despedida, por todo lo que creí que sería (y que los habría hecho más felices...sólo digo) y no fue.

"Antes de morir espero hacer algo importante, algo heroico o maravilloso que me permita seguir viva en el recuerdo. No sé qué es, pero no pararé hasta descubrirlo y, algún días, os asombraré a todas."

Este libro pasa a mi lista de favoritos y lo volveré a leer en un futuro no muy cercano.
show less
One of the pleasures of old age is unashamedly finally reading a book that for most of my life I would have dismissed as little-girl-literature and confessing I enjoyed it. One reason for this was unexpected, though. Jo, the second of the March girls, and self-evidently the alter ego of the author, is a tall, clumsy, impetuous bundle of energy who is repeatedly described as having boyish traits. Aside from wishing she could marry her older sister Meg to prevent the family circle from breaking, there is not so much a suggestion of lesbianism here as there is of rebellion against societally-constructed norms of what is appropriate for one gender or the other. There is a clear expectation in Jo’s mind of what a girl “is,” and she show more most definitely is not that, and her regret that she is not is decidedly minor. I can only imagine how much good this book has done in the 150 years since it appeared for other young girls who have read it and wrestled with similar conflicts.
There are other pleasures as well, such as the evocation of life in a New England town in the mid-nineteenth century. The overall arc of the plot is relatively simple: All four girls are virtuous and loveable, but each struggles against a major character flaw. In the second volume of the book, each succeeds in overcoming her flaw; the book’s conclusion is too fairy-tale-like to convince, although this reader would gladly grant that the Marches and their affiliates did indeed live happily ever after. A good read.
show less

Members

Recently Added By

Published Reviews

ThingScore 100
Almost every single line is overflowing with passion, the choice of words, the portrayal of characters, and the eloquence of emotions, all of this just makes me wonder how is it even possible for someone to write so elegantly with a simple yet appealing tone. This is surely one of those books where you know it is going to be a classic masterpiece at first glance. It delivers so well that I show more feel as if I am there, in that house along with the characters. show less
Jan 1, 2020
added by danielx

Lists

Favorite Childhood Books
1,602 works; 512 members
1001 Books You Must Read Before You Die
1,448 works; 1,131 members
Read the book and saw the movie
1,170 works; 195 members
Books That Made Me Cry
199 works; 105 members
BBC Big Read
191 works; 45 members
501 Must-Read Books
508 works; 71 members
Christmas Books
370 works; 40 members
Favourite 19th century fiction
257 works; 60 members
Favorite Coming of Age Novels.
164 works; 51 members
Elevenses
316 works; 88 members
Best Books With Sisters
130 works; 30 members
Best Family Stories
241 works; 22 members
Great American Novels
158 works; 42 members
PBS The Great American Read
100 works; 21 members
Best Books about Readers
23 works; 14 members
Best middle grade books
130 works; 23 members
Female Protagonist
1,056 works; 56 members
Books Set in Massachusetts
41 works; 8 members
Books About Girls
219 works; 17 members
Honey For a Child's Heart
1,152 works; 25 members
BBC Big Read
100 works; 10 members
CCE 1000 Good Books List
1,033 works; 12 members
Sonlight Books
1,487 works; 25 members
Ambleside Books
459 works; 18 members
Books Featured on Gilmore Girls
307 works; 21 members
Best Young Adult
399 works; 101 members
Necessary & Exquisite
30 works; 4 members
End of Your Life Book Club
134 works; 4 members
Movie Adaptations
111 works; 4 members
Started, Not Finished
7 works; 1 member
Ryan's Books
34 works; 1 member
19th Century
190 works; 16 members
Books tagged favorites
390 works; 30 members
Best First Lines
133 works; 8 members
Just Kids by Patti Smith
43 works; 1 member
Favorite Romance Fiction
247 works; 115 members
Read For Your Life
157 works; 1 member
Bookshelf from Interstellar
62 works; 1 member
Top Five Books of 2020
982 works; 350 members
.
396 works; 1 member
READ IN 2020
172 works; 1 member
The Five Books That Represent Us
389 works; 146 members
al.vick-series
381 works; 2 members
Greatest Books, allegedly
484 works; 9 members
Before Austen Comes Aesop
318 works; 9 members
Books We Love to Reread
688 works; 296 members
Have read
18 works; 1 member
ebooks_TBR_Kindle
600 works; 1 member
DigitalDreamDoor top 300
300 works; 4 members
Ambleside Year 5
55 works; 1 member
.
194 works; 2 members
Books That Made Us Cry
278 works; 145 members
BitLife
212 works; 3 members
Books We Loved As Children
603 works; 252 members
Junky Paperbacks
15 works; 1 member
Works in the game of Authors
44 works; 2 members
Victorian Period
113 works; 10 members
1970s
657 works; 23 members
Internationale Romantik
15 works; 1 member
AP Lit
363 works; 6 members
Our Favorite Comfort Reads
334 works; 200 members
Recommended Reading List
219 works; 1 member
1,001 BYMRBYD Concensus
723 works; 27 members
Top Five Books of 2013
1,564 works; 717 members
Shannon's Read-Alikes List
71 works; 8 members
Religious Fiction
58 works; 13 members
Best of American Literature
146 works; 9 members
Best Domestic Fiction
77 works; 6 members
500 Great Books by Women
507 works; 60 members
A Novel Cure
742 works; 23 members
Favorite Literary Love Stories
182 works; 100 members
Carole's List
445 works; 13 members
Best family sagas
244 works; 34 members
Favourite Books
1,817 works; 316 members
Didactic Fiction
29 works; 3 members
Books to Reread Someday
53 works; 7 members
Best books I read in 2013
152 works; 3 members
Female Author
1,235 works; 67 members
Historical Fiction
889 works; 91 members
Literature About Social Class
134 works; 19 members
Fictional Biographies
17 works; 3 members
Women's Stories
88 works; 13 members
Novels featuring Mothers
64 works; 8 members
Novels featuring siblings
133 works; 8 members
The American Experience
173 works; 18 members
New England Books
101 works; 10 members
Bibliography for Among Others
159 works; 15 members
Unread books
1,063 works; 87 members
Readable Classics
110 works; 15 members
I Can't Finish This Book
189 works; 22 members
Books Read in 2020
4,379 works; 123 members
PRC 2015 Years 7&8
50 works; 1 member
Bildungsromans
26 works; 1 member
Favourite Love Stories
53 works; 1 member
My TBR
371 works; 3 members
Protagonists - Women
29 works; 2 members
BBC Top Books
78 works; 3 members
Books on my Kindle
162 works; 3 members
children's/y.a. reclist
43 works; 2 members
1860s
25 works; 4 members
Mothers and Daughters
114 works; 11 members
Books I've Read More Than Once
602 works; 49 members
Books Read in 2015
3,298 works; 126 members
Books I've read
87 works; 2 members
Women's reading list
50 works; 7 members
Love and Marriage
93 works; 10 members
Five star books
1,755 works; 107 members
Best Book and Movie Combos
70 works; 11 members
Dishonourable Mentions of 2014
80 works; 23 members
In Our Time books
4,934 works; 2 members

Talk Discussions

Past Discussions

Jo in Little Women in Geeks who love the Classics (May 2024)

Author Information

Picture of author.
459+ Works 108,172 Members
Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Two years later, she moved with her family to Boston and in 1840 to Concord, which was to remain her family home for the rest of her life. Her father, Bronson Alcott, was a transcendentalist and friend of Ralph Waldo Emerson and Henry David Thoreau. Alcott early realized that her show more father could not be counted on as sole support of his family, and so she sacrificed much of her own pleasure to earn money by sewing, teaching, and churning out potboilers. Her reputation was established with Hospital Sketches (1863), which was an account of her work as a volunteer nurse in Washington, D.C. Alcott's first works were written for children, including her best-known Little Women (1868--69) and Little Men: Life at Plumfield with Jo's Boys (1871). Moods (1864), a "passionate conflict," was written for adults. Alcott's writing eventually became the family's main source of income. Throughout her life, Alcott continued to produce highly popular and idealistic literature for children. An Old-Fashioned Girl (1870), Eight Cousins (1875), Rose in Bloom (1876), Under the Lilacs (1878), and Jack and Jill (1881) enjoyed wide popularity. At the same time, her adult fiction, such as the autobiographical novel Work: A Story of Experience (1873) and A Modern Mephistopheles (1877), a story based on the Faust legend, shows her deeper concern with such social issues as education, prison reform, and women's suffrage. She realistically depicts the problems of adolescents and working women, the difficulties of relationships between men and women, and the values of the single woman's life. (Bowker Author Biography) show less

Some Editions

Almine (Translator)
Auerbach, Nina (Afterword)
Barreca, Regina (Introduction)
Barsky, Lisa (Editor)
Becker, May Lamberton (Introduction)
Bedell, Madelon (Introduction)
Bennett, Juanita (Illustrator)
Bergvall, Sonja (Translator)
Berneis, Susie (Narrator)
Blaisdell, Elinore (Illustrator)
Blos, Joan W (Introduction)
Bromley, Robin (Afterword)
Brundage, Frances (Illustrator)
Burd, Clara M. (Illustrator)
Burns, Rebecca (Narrator)
Burr, Sandra (Reader)
Caruso, Barbara (Narrator)
Cauti, Camille (Introduction)
Cheever, Susan (Introduction)
Cheng, Judith (Illustrator)
Ciolkowski, Laura (Introduction)
Cooney, Barbara (Illustrator)
Cummins, Jeff (Illustrator)
Danziger, Paula (Introduction)
Doucet, Julie (Illustrator)
Douenat, Patrice (Illustrator)
Dryhurst, Dinah (Illustrator)
Duncan, Lois (Afterword)
Dunn, Robert (Illustrator)
Elgin, Jill (Illustrator)
Emmes, Andrea (Narrator)
Eyre, Justine (Narrator)
香, 藤田 (イラスト)
Favre, Malika (Cover designer)
Friday, Amanda (Narrator)
Gardam, Jane (Preface)
Giulianini, Tiziano (Illustrator)
Grüntal, Tanni (TÕlkija.)
Gray, Carole (Illustrator)
Gray, M. E. (Illustrator)
Green, Rebecca (Illustrator)
Guarnieri, Rossana (Translator)
Haapanen, Tyyni (Translator)
Hague, Michael (Illustrator)
Hargreaves, Martin (Illustrator)
Harrington, Andy (Narrator)
Hébert, C. M. (Narrator)
Heindel, Robert (Illustrator)
Howlett, Lee Ann (Narrator)
Huang, Linda (Cover designer)
Hughes, Shirley (Illustrator)
Iurato, Ramona (Illustrator)
Ives, Ruth (Illustrator)
Jambour, Louis (Illustrator)
James, Derek (Illustrator)
Joba, Anne (Traduction)
Jonge, Reint de (Cover artist)
Judge, Phoebe (Narrator)
Keith, Gabe (Illustrator)
Kell, Christine (Cover designer)
King, Lorelei (Narrator)
Klett, Elizabeth (Narrator)
Krautmann, Milada (Illustrator)
Lacey, Mike (Illustrator)
Lauter, Richard (Illustrator)
Library, Listening (Publisher)
Listen2aBook.com (Publisher)
Littlewood, William (Illustrator)
Lonette, Reisie (Illustrator)
Méndez, Gloria (Translator)
Magagna, Anna Marie (Illustrator)
Maggie, Becca (Narrator)
Malesiani, Giulia (Translator)
Masterman, Dodie (Illustrator)
Matthies, Don-Oliver (Illustrator)
Maynard, Guy (Illustrator)
McIntyre, Kevin (Illustrator)
McKowen, Scott (Illustrator)
Meigs, Cornelia (Introduction)
Merrill, Frank T. (Illustrator)
Morgan, P.J. (Narrator)
Mornet, Pierre (Cover Design)
Noe, Eva (Illustrator)
Osorio, Eduardo (Illustrator)
Paul, Julian (Illustrator)
Pecoud, A. (Illustrator)
Pitz, Henry (Introduction)
Pitz, Henry C. (Illustrator)
Prunier, James (Illustrator)
Quindlen, Anna (Contributor)
Reading, Kate (Narrator)
Rennison, Louise (Introduction)
Ricci, Christina (Narrator)
Ross, Liza (Narrator)
Rowe, Gavin (Illustrator)
Rozier-Gaudriault (Illustrator)
Särm, Agnes (Illustreerija.)
Sari (Illustrator)
Sciamanna, Giancarlo (Illustrator)
Signorini, U. (Illustrator)
Smart, Jean (Narrator)
Smiley, Jane (Introduction)
Smith, Jessie Wilcox (Illustrator)
Smith, Patti (Foreword)
Soileau, Hodges (Illustrator)
South, Anna (Afterword)
Stahl, Ben (Illustrator)
Stein, Harvé (Illustrator)
Stewart, Arvis (Illustrator)
Stone, David K. (Illustrator)
Straight, Susan (Afterword)
Studio, Pablo Marcos (Illustrator)
Sumpter, Rachell (Cover artist)
Thiede, Adolf (Illustrator)
Thorne, Jenny (Illustrator)
Trabalza, Ciro (Translator)
Tudor, Tasha (Illustrator)
Van Abbe, S (Illustrator)
van Stockum, Hilda (Illustrator)
Webster, William Earl (Illustrator)
Weeks, Edward (Introduction)
Wheeler, Joe (Introduction)
Whlean, Patrick (Illustrator)
Xiaoling, Zhao (Translator)

Awards and Honors

Notable Lists

Series

Belongs to Publisher Series

rororo (13665)

Work Relationships

Is contained in

Has the adaptation

Is abridged in

Common Knowledge

Canonical title*
Piccole donne
Original title
Little Women
Original publication date
1868
People/Characters
Amy March; Theodore "Laurie" Laurence; Robert March; James Laurence; Hannah Mullet; Aunt March (show all 11); John Brooke; Josephine "Jo" March; Margaret "Meg" March; Beth March; Marmee March
Important places
Concord, Massachusetts, USA; New York, New York, USA; New England, USA; Massachusetts, USA; New York, USA
Important events
American Civil War; Christmas; 19th century
Related movies
Little Women (1933 | George Cukor | IMDb); Little Women (1949 | Mervyn LeRoy | IMDb); Little Women (1994 | Gillian Armstrong | IMDb); Great Performances: Little Women (2001 | IMDb); Little Women (2017 | IMDb); Little Women (2018 | IMDb) (show all 10); Little Women (2019 | IMDb); Little Women (1970 | IMDb); Little Women (1977 | IMDb); Little Women (1978 | IMDb)
Epigraph*
Go then, my little Book, and show all that entertain, and bid thee welcome shall, what thou dost keep close shut up in thy breast; and wish that thou dost show them may be blest to them for good, may make them choose to be pi... (show all)lgrims better, by far, than thee or me.
Tell them of Mercy; she is one who early hath her pilgrimage begun. Yea, let young damsels learn of her to prize the world which is to come, and so be wise; for little tripping maids may follow God along the ways which saintly feet have trod. - adapted from John Bunyan
First words
“Christmas won't be Christmas without any presents,” grumbled Jo, lying on the rug.
Quotations
I am not afraid of storms for I am learning to sail my ship.
Last words
(Click to show. Warning: May contain spoilers.)“Oh, my girls, however long you may live, I never can wish you a greater happiness than this!”
Publisher's editor
Niles, Thomas
Original language
English
Canonical DDC/MDS
813.4
Canonical LCC
PS1017
Disambiguation notice
Just so you know: Some editions of Little Women also contain the sequel, titled Good Wives in the UK. In America this duology has been published in an omnibus single volume. Publishers have retained only the title Little Wom... (show all)en and renamed the second book Part II. Chapter numbers in the second part are continuous from part I.
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genres
Children's Books, Fiction and Literature
DDC/MDS
813.4Literature & rhetoricAmerican literature in EnglishAmerican fiction in EnglishLater 19th Century 1861-1900
LCC
PS1017Language and LiteratureAmerican literatureAmerican literatureIndividual authors19th century
BISAC

Statistics

Members
33,007
Popularity
97
Reviews
471
Rating
(4.01)
Languages
33 — Arabic, Bengali, Catalan, Chinese, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Greek, Gujarati, Hebrew, Hungarian, Indonesian, Italian, Japanese, Korean, Latvian, Lithuanian, Marathi, Malay, Polish, Russian, Slovak, Spanish, Swedish, Thai, Turkish, Ukrainian, Portuguese (Portugal)
Media
Paper, Audiobook, Ebook
ISBNs
1,250
UPCs
17
ASINs
535