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The Picture of Dorian Gray (1890)

by Oscar Wilde

Other authors: See the other authors section.

MembersReviewsPopularityAverage ratingConversations / Mentions
34,03256358 (3.99)15 / 1324
An exquisitely beautiful young man in Victorian England retains his youthful and innocent appearance over the years while his portrait reflects both his age and evil soul as he pursues a life of decadence and corruption.
  1. 250
    The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson (chrisharpe)
  2. 170
    The Importance of Being Earnest by Oscar Wilde (sturlington, Morteana)
    sturlington: Read Oscar Wilde at his finest.
    Morteana: Dorian Grey is Wilde in his darkest of moods, but Earnest is one of his lightest.
  3. 150
    The Tell-Tale Heart and Other Writings [Bantam Classics] by Edgar Allan Poe (WSB7)
  4. 92
    Death in Venice by Thomas Mann (roby72)
  5. 60
    Against Nature by Joris-Karl Huysmans (roby72, Zeeko, JuliaMaria)
    JuliaMaria: Wie in Wikipedia zu 'Gegen den Strich' beschrieben: "Ein französischer Roman, der den Protagonisten in Oscar Wildes Roman Das Bildnis des Dorian Gray zu dekadenten Ausschweifungen inspiriert, wird häufig als Anspielung auf À rebours gedeutet. Wilde war - wie auch Stéphane Mallarmé - ein Bewunderer des Romans."… (more)
  6. 61
    The Stranger by Albert Camus (SanctiSpiritus)
  7. 94
    Perfume: The Story of a Murderer by Patrick Süskind (spiphany)
  8. 40
    The Secret Life of Oscar Wilde by Neil McKenna (unknown_zoso05)
    unknown_zoso05: McKenna touches upon what influenced Wilde to write "The Picture of Dorian Gray".
  9. 41
    Oscar Wilde: A Certain Genius by Barbara Belford (veracity)
    veracity: Belford discusses both editions of Dorian Gray.
  10. 20
    The Man in the Picture by Susan Hill (OneMorePage)
  11. 10
    Lucio's Confession by Mário de Sá-Carneiro (mysimas)
  12. 11
    A fehér tigris by Ervin Lázár (Lucy_Skywalker)
  13. 00
    Eugene Onegin by Alexander Pushkin (TheLittlePhrase)
  14. 00
    The Wild Ass's Skin by Honoré de Balzac (Lapsus_Linguae)
    Lapsus_Linguae: Both novels use fantastic elements and focus on the depiction of moral degradation of the main heroes.
  15. 00
    Picture of Evil by Graham Masterton (Scottneumann)
  16. 00
    Shadow Dance by Angela Carter (rbtanger)
  17. 01
    Aubrey Beardsley Drawings by Aubrey Beardsley (SnootyBaronet)
  18. 12
    Orlando: A Biography by Virginia Woolf (Anonymous user)
  19. 12
    Six Characters in Search of an Author by Luigi Pirandello (SandSing7)
  20. 57
    The Scarlet Letter by Nathaniel Hawthorne (chrisharpe)

(see all 22 recommendations)

1890s (1)
Read (50)
Romans (26)

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Group TopicMessagesLast Message 
 Fine Press Forum: Amaranthine Books — The Picture of Dorian Gray63 unread / 63goldenotebook, May 13
 Fine Press Forum: Lyra's Books- The Picture of Dorian Gray535 unread / 535ultrarightist, April 13
 One LibraryThing, One Book: Dorian Gray: Influence6 unread / 6cpg, March 2014
 One LibraryThing, One Book: Dorian Gray: Discussion topics?43 unread / 43LoisB, March 2014
 One LibraryThing, One Book: Dorian Gray: Favorite one-liners?25 unread / 25dltucker, February 2014
 One LibraryThing, One Book: Dorian Gray: The Ending19 unread / 19LenitaSheridan, February 2014
 One LibraryThing, One Book: Dorian Gray: Dorian = Faust?3 unread / 3TheoClarke, February 2014
 One LibraryThing, One Book: Dorian Gray: First impressions58 unread / 58Devanna, February 2014
 One LibraryThing, One Book: Dorian Gray: Homoerotic subtext20 unread / 20LolaWalser, February 2014
 One LibraryThing, One Book: Dorian Gray: How does Dorian stack up against Wilde's other work?5 unread / 5LenitaSheridan, February 2014
 One LibraryThing, One Book: Dorian Gray: Characters6 unread / 6musecure, February 2014
 One LibraryThing, One Book: Dorian Gray: Links2 unread / 2lorannen, February 2014
 Book talk: The only novel of Oscar Wilde deserves your attention!1 unread / 1leccol, October 2013
 1001 Books to read before you die: 1001 Group Read: October, 2011: The Picture of Dorian Gray10 unread / 10dste, October 2011
 The Green Dragon: BOOK DISCUSSION: The Picture of Dorian Gray Caution Contains Spoilers14 unread / 14MrAndrew, October 2009

» See also 1324 mentions

English (522)  Spanish (14)  French (10)  Italian (4)  Catalan (3)  German (2)  Swedish (2)  Portuguese (Portugal) (2)  Finnish (1)  Dutch (1)  Arabic (1)  Norwegian (1)  Hungarian (1)  All languages (564)
Showing 1-5 of 522 (next | show all)
I must admit: it did not grab me as his other works, nor as I expected it should. I wish to be Lord Henry. ( )
  AlunStokes | May 17, 2022 |
Unbearable characters. ( )
  tonimeter | May 13, 2022 |
Dorian Gray was the LibraryThing book club read in January 2014. Here I compile (and lightly redact) my comments from that activity:

1) About 5 chapters in, it's hard to imagine how this book will be very haunting, what with Lord Henry cracking wise every few seconds. It's like a Gothic novel written by Groucho Marx.

2) "Ho, ho," I thought, "Criticizing authors for being wordy is like criticizing Mozart for using too many notes." I mean, the more words we can get from masters of the language, the better, right? Then I got to Chapter 11 of Dorian Gray. It's the most blatant example of padding I've ever encountered in a classic novel. It's the literary equivalent of reading the phone book into the record during a filibuster.

3) The edition I'm reading has sparse footnotes in chapters 1 through 10, and then about 200 footnotes in chapter 11. As I recall, some of those footnotes pinpoint the exhibit catalogs and merchant catalogs that Wilde seemed to be using when writing chapter 11. It reminds me of Capote's quip: "That's not writing: that's typing." IMO, chapter 11 is bankrupt of literary worth. (Sorry.)

4) Geez, take it easy on the furniture!

"And Lord Henry flung himself down on the divan and opened his cigarette-case." (Chapter 2)

"Lord Henry flung himself into a large wicker arm-chair and watched him." (Chapter 2)

"The hot tears welled into his eyes; he tore his hand away and, flinging himself on the divan, he buried his face in the cushions, as though he was praying." (Chapter 2)

"As the door closed behind them, the painter flung himself down on a sofa, and a look of pain came into his face." (Chapter 2)

"Then he lit a cigarette and flung himself down on the sofa." (Chapter 4)

"He flung himself down on the sofa and turned away his face." (Chapter 7)

"He threw himself into a chair and began to think." (Chapter 7)

"Then he rose from the table, lit a cigarette, and flung himself down on a luxuriously cushioned couch that stood facing the screen." (Chapter 8)

"He went towards the little, pearl-coloured octagonal stand that had always looked to him like the work of some strange Egyptian bees that wrought in silver, and taking up the volume, flung himself into an arm-chair and began to turn over the leaves." (Chapter 10)

"'What is it all about?' cried Dorian in his petulant way, flinging himself down on the sofa." (Chapter 12)

"Then he flung himself into the rickety chair that was standing by the table and buried his face in his hands." (Chapter 13)

"He sent him to bed, and threw himself down on the sofa in the library, and began to think over some of the things that Lord Henry had said to him." (Chapter 20)

5) When I mentioned the sources that Wilde seemed to be using while writing chapter 11, I was apparently being too generous. That he copied verbatim from various books on embroideries, tapestries, gemstones, etc., is apparently well-documented, in particular in the OUP edition of his complete works.

6) "A man cannot be too careful in the choice of his enemies."

Note that this is a truism, with one word replaced by its antonym. This is also the formula Wilde (allegedly) used in: "One must have a heart of stone to read the death of little Nell without laughing." In general, Wilde's one-liners seem formulaic to me. Just as (according to Monty Python) an argument is not the automatic gainsaying of any statement the other person makes, wit requires more than the inversion of bromides.

7) By the way, on the topic of Oscar Wilde, formulaic witticisms, and Monty Python, there's a Python sketch that starts out:

"The Prince of Wales: Ah, my congratulations, Wilde. Your play is a great success. The whole of London's talking about you.

Oscar Wilde: Your highness, there is only one thing in the world worse than being talked about, and that is not being talked about.

(There follows fifteen seconds of restrained and sycophantic laughter)

The Prince of Wales: Oh, very witty, Wilde . . . very, very witty.

James McNeill Whistler: There is only one thing in the world worse than being witty, and that is not being witty.

(Fifteeen more seconds of the same)

Oscar Wilde: I wish I had said that, Whistler.

James McNeill Whistler: Ah, you will, Oscar, you will.

(more laughter)

Oscar Wilde: Your Highness, do you know James McNeill Whistler?

The Prince of Wales: Yes, we've played squash together.

Oscar Wilde: There is only one thing worse than playing squash together, and that is playing it by yourself.


Oscar Wilde: I wish I hadn't said that.

James McNeill Whistler: But you did, Oscar, you did." ( )
  cpg | May 11, 2022 |
This was so interesting and different ! It has a really bold statements but it is normal for the time it was written. Really good read. ( )
  Hanna_Rybchynska | Apr 29, 2022 |
A man is obsessed with his youth dies after destroying the one thing keeping him young. ( )
  caanderson | Feb 27, 2022 |
Showing 1-5 of 522 (next | show all)

» Add other authors (45 possible)

Author nameRoleType of authorWork?Status
Wilde, Oscarprimary authorall editionsconfirmed
Ackroyd, PeterIntroductionsecondary authorsome editionsconfirmed
Allen, JerryIntroductionsecondary authorsome editionsconfirmed
Amante, MarcoTranslatorsecondary authorsome editionsconfirmed
Amberg, BillCover designersecondary authorsome editionsconfirmed
Arnold, HansCover artistsecondary authorsome editionsconfirmed
Baeza, RicardoTranslatorsecondary authorsome editionsconfirmed
Baldinucci, LoredanaTranslatorsecondary authorsome editionsconfirmed
Baud, ElisabethTranslatorsecondary authorsome editionsconfirmed
Beardsley, AubreyIllustratorsecondary authorsome editionsconfirmed
Beattie, SusanEditorsecondary authorsome editionsconfirmed
Beraud, JeanCover artistsecondary authorsome editionsconfirmed
Bickford-Smith, CoralieCover artistsecondary authorsome editionsconfirmed
Bini, Benedettatraduzione e curasecondary authorsome editionsconfirmed
Bollinger, MaxIllustratorsecondary authorsome editionsconfirmed
Borger, AstridTranslatorsecondary authorsome editionsconfirmed
Brassinga, AnnekeTranslatorsecondary authorsome editionsconfirmed
Breitkreuz, MeikeTranslatorsecondary authorsome editionsconfirmed
Bristow, JosephEditorsecondary authorsome editionsconfirmed
Brodzky, HoraceIllustratorsecondary authorsome editionsconfirmed
Busby, BrianIntroductionsecondary authorsome editionsconfirmed
Busi, AldoPrefacesecondary authorsome editionsconfirmed
Bustelo, GabrielaTranslatorsecondary authorsome editionsconfirmed
Callow, SimonIntroductionsecondary authorsome editionsconfirmed
Calzini, RaffaeleTranslatorsecondary authorsome editionsconfirmed
Cardona Castro, Francisco LuisForewordsecondary authorsome editionsconfirmed
Cauti, CamilleEditorsecondary authorsome editionsconfirmed
Chaplin, BenActorsecondary authorsome editionsconfirmed
Chichester Clark, EmmaIllustratorsecondary authorsome editionsconfirmed
Corcos, LucilleIllustratorsecondary authorsome editionsconfirmed
Corvisieri, EnricoTranslatorsecondary authorsome editionsconfirmed
Couperus, Louis (mevrouw)Translatorsecondary authorsome editionsconfirmed
Crevier, RichardTranslatorsecondary authorsome editionsconfirmed
Crossley, StevenNarratorsecondary authorsome editionsconfirmed
Culbard, IanIllustratorsecondary authorsome editionsconfirmed
Cyrino, FabioEditorsecondary authorsome editionsconfirmed
D'Amico, MasolinoIntroductionsecondary authorsome editionsconfirmed
Davis, Robert GorhamIntroductionsecondary authorsome editionsconfirmed
Dettore, UgoTranslatorsecondary authorsome editionsconfirmed
Donaldson, AllanIntroductionsecondary authorsome editionsconfirmed
Drew, John M LIntroductionsecondary authorsome editionsconfirmed
Drewsen, StenTranslatorsecondary authorsome editionsconfirmed
Etienne, MichelTraductionsecondary authorsome editionsconfirmed
Eugenides, JeffreyIntroductionsecondary authorsome editionsconfirmed
Faulkner, PeterEditorsecondary authorsome editionsconfirmed
Fehr, BernhardIntroductionsecondary authorsome editionsconfirmed
Feldmanowa, MariaTł.secondary authorsome editionsconfirmed
Ferrucci, FrancoTranslatorsecondary authorsome editionsconfirmed
Flores, EnriqueIllustratorsecondary authorsome editionsconfirmed
Fry, StephenNarratorsecondary authorsome editionsconfirmed
Gattégno, JeanTranslatorsecondary authorsome editionsconfirmed
Gaulke, JohannesTranslatorsecondary authorsome editionsconfirmed
Gómez de la Serna, JulioTranslatorsecondary authorsome editionsconfirmed
Glasauer, WilliIllustratorsecondary authorsome editionsconfirmed
Goettems, DorisTranslatorsecondary authorsome editionsconfirmed
Grazzi, EmanueleTranslatorsecondary authorsome editionsconfirmed
Greenstein, DavidIntroductionsecondary authorsome editionsconfirmed
Gullvåg, HåkonIllustratorsecondary authorsome editionsconfirmed
Hanft, Joshua E.Editorsecondary authorsome editionsconfirmed
Harness, PeterAfterwordsecondary authorsome editionsconfirmed
Heuvelmans, TonAfterwordsecondary authorsome editionsconfirmed
Hoeppener, ChristineTranslatorsecondary authorsome editionsconfirmed
Hoog, ElseTranslatorsecondary authorsome editionsconfirmed
Horstmann, UlrichNachwortsecondary authorsome editionsconfirmed
Στεφανοπού… ΤίναTranslatorsecondary authorsome editionsconfirmed
Jones, GarethDesignersecondary authorsome editionsconfirmed
Joyce, JamesContributorsecondary authorsome editionsconfirmed
Kaila, KaiTranslatorsecondary authorsome editionsconfirmed
König, Eva-MariaEditorsecondary authorsome editionsconfirmed
Keeling, CecilCover artistsecondary authorsome editionsconfirmed
Keen, HenryIllustratorsecondary authorsome editionsconfirmed
Kenny, JohnIntroductionsecondary authorsome editionsconfirmed
Kosztolányi, DezsőTranslatorsecondary authorsome editionsconfirmed
Kvam, RagnarOvers.secondary authorsome editionsconfirmed
Larios, JordiTranslatorsecondary authorsome editionsconfirmed
Laurent, AlbertoTranslatorsecondary authorsome editionsconfirmed
López Muñoz, José LuisTranslatorsecondary authorsome editionsconfirmed
Leite, JanuárioTranslatorsecondary authorsome editionsconfirmed
Magrinya, LuisForewordsecondary authorsome editionsconfirmed
MajeskaIllustratorsecondary authorsome editionsconfirmed
Mann, DavidIllustratorsecondary authorsome editionsconfirmed
Manso, LeoIllustratorsecondary authorsome editionsconfirmed
Marcos, PabloIllustratorsecondary authorsome editionsconfirmed
Marenco, FrancoIntroductionsecondary authorsome editionsconfirmed
Martín Gaite, CarmenForewordsecondary authorsome editionsconfirmed
Mathias, RobertCover designersecondary authorsome editionsconfirmed
Maurois, AndréIntroductionsecondary authorsome editionsconfirmed
Míguez, Manuel FranciscoEditorsecondary authorsome editionsconfirmed
Mendes, OscarTranslatorsecondary authorsome editionsconfirmed
Mighall, RobertIntroductionsecondary authorsome editionsconfirmed
Milanese, CesareIntroductionsecondary authorsome editionsconfirmed
Moffatt, JohnReadersecondary authorsome editionsconfirmed
Montazzoli, PaulIntroductionsecondary authorsome editionsconfirmed
Moretzsohn, José Eduardo RibeiroTranslatorsecondary authorsome editionsconfirmed
Mortier, DanielForewordsecondary authorsome editionsconfirmed
Moyes, LizCover artistsecondary authorsome editionsconfirmed
Murray, Isobel M.Editorsecondary authorsome editionsconfirmed
Nagy, AndrasEditorsecondary authorsome editionsconfirmed
Naugrette, Jean-PierreIntroductionsecondary authorsome editionsconfirmed
Novák, Jiří ZdeněkTranslatorsecondary authorsome editionsconfirmed
Nuis, AadAfterwordsecondary authorsome editionsconfirmed
Orta Manzano, MarianoTranslatorsecondary authorsome editionsconfirmed
Page, MichaelNarratorsecondary authorsome editionsconfirmed
Pearce, JosephEditorsecondary authorsome editionsconfirmed
Petherbridge, EdwardNarratorsecondary authorsome editionsconfirmed
Petrie, KateNarratorsecondary authorsome editionsconfirmed
Piglia, PaolaIllustratorsecondary authorsome editionsconfirmed
Pire, LucianaPsecondary authorsome editionsconfirmed
Planta, Anna vonTranslatorsecondary authorsome editionsconfirmed
Podwil, JeromeCover artistsecondary authorsome editionsconfirmed
Prebble, SimonNarratorsecondary authorsome editionsconfirmed
Raby, PeterAfterwordsecondary authorsome editionsconfirmed
Reed, JeremyIntroductionsecondary authorsome editionsconfirmed
Rein, IngridÜbersetzersecondary authorsome editionsconfirmed
Ross, TonyIllustratorsecondary authorsome editionsconfirmed
Sander, ErnstTranslatorsecondary authorsome editionsconfirmed
Sandys, Anthony FrederickCover artistsecondary authorsome editionsconfirmed
Sardelli, GiuseppeTranslatorsecondary authorsome editionsconfirmed
Savine, AlbertTranslatorsecondary authorsome editionsconfirmed
Schmidgall, GaryIntroductionsecondary authorsome editionsconfirmed
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Sheen, MichaelNarratorsecondary authorsome editionsconfirmed
Shefter, HarryEditorsecondary authorsome editionsconfirmed
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The studio was filled with the rich odor of roses, and when the light summer wind stirred amid the trees of the garden, there came through the open door the heavy scent of lilac, or the more delicate perfume of the pink flowering thorn.
[Preface] The artist is the creator of beautiful things.
'Your rank and wealth, Harry; my brains, such as they are—my art, whatever it may be worth; Dorian Gray's good looks—we shall all suffer for what the gods have given us, suffer terribly.'
'Harry,' said Basil Hallward, looking him straight in the face, 'every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the coloured canvas, reveals himself. The reason I will not exhibit this picture is that I am afraid that I have shown in it the secret of my own soul.'
He played with the idea and grew willful; tossed it into the air and transformed it; let it escape and recaptured it; made it iridescent with fancy and winged it with paradox. The praise of folly, as he went on, soared into a philosophy, and Philosophy herself became young, and catching the mad music of pleasure, wearing, one might fancy, her wine-stained robe and wreath of ivy, danced like a Bacchante over the hills of life, and mocked the slow Silenus for being sober. Facts fled before her like frightened forest things. Her white feet trod the huge press at which wise Omar sits, till the seething grape-juice rose round her bare limbs in waves of purple bubbles, or crawled in red foam over the vat's black, dripping, sloping sides. It was an extraordinary improvisation. He felt that the eyes of Dorian Gray were fixed on him, and the consciousness that amongst his audience there was one whose temperament he wished to fascinate seemed to give his wit keenness and to lend colour to his imagination. He was brilliant, fantastic, irresponsible. He charmed his listeners out of themselves, and they followed his pipe, laughing. Dorian Gray never took his gaze off him, but sat like one under a spell, smiles chasing each other over his lips and wonder growing grave in his darkening eyes.
Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them.
The only thing worse than being talked about is not being talked about.
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This is the main work for The Picture of Dorian Gray by Oscar Wilde. Please do not combine with any adaptation, abridgement, etc.
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Wikipedia in English (3)

An exquisitely beautiful young man in Victorian England retains his youthful and innocent appearance over the years while his portrait reflects both his age and evil soul as he pursues a life of decadence and corruption.

No library descriptions found.

Book description
Dorian Gray, un giovane di straordinaria bellezza, si è fatto fare un ritratto da un pittore. Ossessionato dalla paura della vecchiaia, ottiene, con un sortilegio, che ogni segno che il tempo dovrebbe lasciare sul suo viso, compaia invece solo sul ritratto. Avido di piacere, si abbandona agli eccessi più sfrenati, mantenendo intatta la freschezza e la perfezione del suo viso. Poiché Hallward, il pittore, gli rimprovera tanta vergogna, lo uccide. A questo punto il ritratto diventa per Dorian un atto d'accusa e in un impeto di disperazione lo squarcia con una pugnalata. Ma è lui a cadere morto: il ritratto torna a raffigurare il giovane bello e puro di un tempo e a terra giace un vecchio segnato dal vizio.
Haiku summary
Miroir, oh, miroir.
Dis-moi qui est le plus beau!
Je sais le plus laid.
L'âme en ce portrait. Miroir d'hier et du jour. Choc et élégance.

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Penguin Australia

6 editions of this book were published by Penguin Australia.

Editions: 0141439572, 0141037687, 0141442468, 014119264X, 0143106147, 0141199490

Urban Romantics

2 editions of this book were published by Urban Romantics.

Editions: 1907832335, 1907832378

Tantor Media

An edition of this book was published by Tantor Media.

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