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Kim Stanley Robinson

Author of Red Mars

142+ Works 43,741 Members 1,213 Reviews 158 Favorited

About the Author

Kim Stanley Robinson was born in Orange County, California on March 23, 1952. He received a B. A. and Ph. D. from the University of California at San Diego and an M. A. from Boston University. His first trilogy of books, Orange County, collectively won a Nebula Award and two Hugo Awards. His other show more works include the Mars trilogy, 2312, and Aurora. He has won an Asimov Award, a World Fantasy Award, a Locus Reader's Poll Award, and a John W. Campbell Award. (Bowker Author Biography) show less

Series

Works by Kim Stanley Robinson

Red Mars (1992) 8,388 copies
Green Mars (1993) 5,219 copies
Blue Mars (1996) 4,773 copies
The Years of Rice and Salt (2002) 3,502 copies
2312 (2012) 2,213 copies
Aurora (2015) 1,743 copies
The Ministry for the Future (2020) 1,617 copies
Forty Signs of Rain (2004) 1,430 copies
New York 2140 (2017) 1,370 copies
Antarctica (1997) 1,204 copies
The Wild Shore (1984) 1,119 copies
The Martians (1999) 1,104 copies
Fifty Degrees Below (2005) 1,038 copies
Icehenge (1984) 870 copies
Galileo's Dream (2009) 847 copies
The Gold Coast (1988) 793 copies
Sixty Days and Counting (2007) 792 copies
Pacific Edge (1990) 672 copies
Shaman (2013) 632 copies
The Memory of Whiteness (1985) 596 copies
Red Moon (2018) 537 copies
Escape From Kathmandu (1989) 468 copies
The Planet on the Table (1986) 241 copies
A Meeting With Medusa | Green Mars (1988) — Author — 195 copies
The Best of Kim Stanley Robinson (2010) — Author — 192 copies
The Lucky Strike (2009) 175 copies
Future Primitive: The New Ecotopias (1994) — Editor — 149 copies
The Blind Geometer / The New Atlantis (1989) — Contributor — 133 copies
A Short, Sharp Shock/The Dragon Masters (1990) — Contributor — 40 copies
Remaking History (1991) 32 copies
Green Planets: Ecology and Science Fiction (2014) — Editor — 32 copies
Mars la rouge, tome 1 (2003) 27 copies
Mars la rouge, tome 2 (2003) 19 copies
Escape from Kathmandu/Two Views of a Cave Painting (1987) — Contributor — 13 copies
Venice Drowned [novelette] (1981) 12 copies
Before I Wake 5 copies
Mercurial (1985) 5 copies
2013 4 copies
Our Town 4 copies
Stone Eggs (1983) 4 copies
The Disguise (1977) 4 copies
Coming Back To Dixieland (1976) 3 copies
Zurich 3 copies
Muir On Shasta (1990) 3 copies
The Translator 3 copies
Crveni Mars (1996) 2 copies
Luna rossa: romanzo (2019) 2 copies
To Leave a Mark 2 copies
Chaman 1 copy
Sixty Days 1 copy
Ledeni hram (1997) 1 copy
I marziani (2020) 1 copy
A Story 1 copy

Associated Works

Journey to the Centre of the Earth (1864) — Introduction, some editions — 15,015 copies
Ubik (1966) — Introduction, some editions — 7,668 copies
Stand on Zanzibar (1968) — Introduction, some editions — 3,232 copies
The Best Alternate History Stories of the 20th Century (2001) — Contributor — 569 copies
Brave New Worlds: Dystopian Stories (2011) — Contributor — 510 copies
The Big Book of Science Fiction (2016) — Contributor — 424 copies
The Year's Best Science Fiction: Ninth Annual Collection (1992) — Contributor — 418 copies
The Hard SF Renaissance (2003) — Contributor — 349 copies
Year's Best SF 5 (2000) — Contributor — 256 copies
The Year's Best Science Fiction: Third Annual Collection (1986) — Contributor — 228 copies
Alternate Empires (What Might Have Been, Vol. 1) (1989) — Contributor — 210 copies
The Mammoth Book of Alternate Histories (2010) — Contributor — 205 copies
The Year's Best Science Fiction: Fourth Annual Collection (1987) — Contributor — 204 copies
Future on Fire (1991) — Contributor — 188 copies
A Science Fiction Omnibus (1973) — Contributor — 150 copies
The Year's Best Science Fiction: First Annual Collection (1984) — Contributor — 134 copies
Full Spectrum 2 (1990) — Contributor — 118 copies
The Mammoth Book of Science Fiction (2002) — Contributor — 117 copies
Universe 1 (1990) — Contributor — 115 copies
Futures from Nature (2007) — Contributor — 113 copies
Orbit 19 (1977) — Contributor — 106 copies
Nebula Awards 33 (1999) — Contributor — 101 copies
The Year's Best Science Fiction: Second Annual Collection (1985) — Contributor — 101 copies
Alternate Americas (What Might Have Been, Vol. 4) (1992) — Contributor, some editions — 99 copies
Life on Mars: Tales from the New Frontier (2011) — Contributor — 98 copies
The Best Science Fiction of the Year #11 (1982) — Contributor — 96 copies
Mythmakers and Lawbreakers: Anarchist Writers on Fiction (2010) — Introduction — 96 copies
I'm With the Bears: Short Stories from a Damaged Planet (2011) — Contributor — 92 copies
New Skies: An Anthology of Today's Science Fiction (2003) — Contributor — 87 copies
Nebula Award Stories 17 (1983) — Contributor — 87 copies
Drowned Worlds (2016) — Contributor — 85 copies
The Truth and Other Stories (2021) — Foreword — 79 copies
Nebula Awards Showcase 2014 (2014) — Contributor — 77 copies
The Best Science Fiction of the Year #14 (1985) — Contributor — 73 copies
Terry's Universe (1987) — Contributor — 72 copies
In the Field of Fire (1987) — Contributor — 68 copies
Nebula Awards 23 (1989) — Contributor — 67 copies
Universe 14 (1984) — Contributor — 64 copies
Worldmakers: SF Adventures in Terraforming (2001) — Contributor — 63 copies
Some of the Best from Tor.com: 2015 Edition (2016) — Contributor — 60 copies
Stories for Chip: A Tribute to Samuel R. Delany (2015) — Introduction — 60 copies
Explorers: SF Adventures to Far Horizons (2000) — Contributor — 55 copies
Under African Skies (1993) — Contributor — 54 copies
The Best Science Fiction of the Year #16 (1987) — Contributor — 50 copies
Universe 15 (1985) — Contributor — 50 copies
Clarion SF (1977) — Contributor — 49 copies
Interzone: The 4th Anthology (1983) — Contributor — 41 copies
Other Edens 2 (1988) — Contributor — 40 copies
Universe 13 (1983) — Contributor — 38 copies
Isaac Asimov's Moons (1997) — Contributor — 37 copies
80! Memories & Reflections on Ursula K. Le Guin (2010) — Contributor — 37 copies
Future Crimes (2003) — Contributor — 36 copies
Future Washington (2005) — Contributor — 35 copies
The Eagle Has Landed: 50 Years of Lunar Science Fiction (2019) — Contributor — 34 copies
Universe 12 (1982) — Contributor — 33 copies
Sense of Wonder: A Century of Science Fiction (2011) — Contributor — 32 copies
Future Sports (2002) — Contributor — 32 copies
Universe 11 (1981) — Contributor — 32 copies
Isaac Asimov's Mars (1991) — Contributor — 29 copies
The Very Best of Gene Wolfe (2009) — Introduction — 24 copies
The Savage Humanists (2008) — Contributor — 22 copies
Isaac Asimov's Earth (1992) — Contributor — 22 copies
Exploring the Horizons (2000) — Contributor — 20 copies
The Dark Ride: The Best Short Fiction of John Kessel (2022) — Introduction — 18 copies
Orbit 18 (1976) — Contributor — 17 copies
Science Fiction: Voyage to the Edge of Imagination (2022) — Interviewee — 15 copies
Polder: A Festschrift for John Clute and Judith Clute (2006) — Contributor — 13 copies
Infinity Plus One (2001) — Contributor — 11 copies
Voyager 5 - Collector's Edition (2000) — Contributor — 11 copies
Promised Land (2007) — Introduction — 10 copies
Orbit 21 (1980) — Contributor — 10 copies
Transfusion — Translator, some editions — 9 copies
Lightspeed Magazine, Issue 46 • March 2014 (2014) — some editions — 9 copies
Univers 1986 (1986) — Contributor — 9 copies
Ikarus 2002 (2002) — Contributor — 8 copies
Ikarus 2001. Best of Science Fiction. (2001) — Contributor — 7 copies
I mondi del possibile (1993) — Contributor — 7 copies
Arc 1.4: Forever alone drone (2012) — Contributor — 7 copies
Science Fiction — Contributor — 6 copies
The WisCon Chronicles Vol. 10: Social Justice (Redux) (2016) — Contributor — 4 copies
Lightspeed Magazine, Issue 103 • December 2018 (2018) — Contributor — 4 copies
Das Blei der Zeit (1993) — Contributor — 1 copy
Science Fiction Eye #08, Winter 1991 — Contributor — 1 copy
Locus Nr.492 2002.01 — Contributor — 1 copy
Mondaugen — Contributor — 1 copy
80年代SF傑作選〈上〉 (ハヤカワ文庫SF) (1992) — Contributor — 1 copy

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Common Knowledge

Members

Discussions

Kim Stanley Robinson article in The New Yorker in Science Fiction Fans (April 2022)
Red Mars in Science Fiction Fans (August 2013)

Reviews

In "The High Sierra," Kim Stanley Robinson says that "Shaman" is his work of fiction that most closely resembles his High Sierra life, despite being set thirty thousand years in the past. Having enjoyed "The High Sierra," I thought I should give "Shaman" a chance.

I keep coming back to the writing of KSR because I like his choice of subjects. Musing on life thirty thousand years ago is a worthwhile meditation. That said, I often feel let down be the KSR's methodically plodding prose.

My wish was that "Shaman" would be a deeply weird book, like a myth. Many myths feels too peculiar to have been manufactured; no matter how many times you hear them, they remain inscrutable, growing more mysterious with each passing year. "Shaman" does not have this sense of mystery to it. Although there are animist elements to the book, and moments of mystery, they do not form the black whole at the center of the book's galaxy.

For example, the story begins with a passage dripping with terror at the end of of the protagonist's vision fast where he is being pursued by a humanoid but beastly entity. Given the dark power of the haunting vision, one might think that it would be an anchor point for the rest of the book. Instead, not only does KSR leave this vision languishing, at the end of the book, the protagonist's teacher dispels any weight the vision might have had by saying a neighboring shaman probably dressed up as this geist, and not to make anything of it.

KSR continues to sidestep potentially potent core themes. Our protagonist has a child, but very little is made of this seemingly significant life chapter. Although shamans are said to be healers, our protagonist spends almost none of his time doing healing work.

To make matters worse, the bulk of the book is taken up when our protagonist's life is sidetracked by the kidnapping of his wife and his subsequent enslavement. Like many of the social norms in the book, this trope of slavery seems to have more to do with modern social norms than with inspired archeology and anthropology. KSR is perpetually projecting contemporary bigotry onto our ancient ancestors; for example, monogamous relationship guarded by jealousy. If I'm reading a book set thirty thousand years in the past, I don't want any of the social norms to feel familiar—otherwise the book should just be contemporary.

The one other major flaw of the plot involves an incident of cannibalism perpetrated against a friendly and helpful Neanderthal. The plot point feels entirely unnecessary (do we need more fiction justifying cannibalism?), and also comes across as racist (if they had to eat someone, why did it have to be the only Neanderthal whose name we learn?).

Despite the let downs of "Shaman," I have not given up on Late Pleistocene fiction. Next up: "Reindeer Moon" by Elizabeth Marshall Thomas.
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willszal | 35 other reviews | Jun 13, 2024 |
I've read a handful of books by Kim Stanley Robinson and if there's one thing I can say for sure about him, it's that he really puts the science in science fiction. As much as I liked the Mars trilogy, what I remember most about them is slogging my way through dozens of pages that I couldn't understand. Red Moon definitely had paragraphs here and there that did the same thing, but I don't think it took away from the story. Or maybe I'm wrong, and someone who actually knows a thing about science would get something completely different from this book than I did.

Even without understanding the scientific descriptions, I liked Red Moon. It was part sci-fi, part revolutionary tale, part murder mystery. Not all the characters were able to hold my interest, but the three main folks kept me turning the pages. There are uprisings happening in both the US and China in the near future and all the characters of this book are wrapped up in them one way or another. Even though the action is happening on Earth, the politics are carrying over to the Moon, where many countries have bases set up, but China has the biggest presence. The characters bounce back and forth between to the locations (mostly China on Earth and the poles of the Moon), as they're trying to outwit people who want to take them prisoner and kill them.

As anyone who has read KSR could probably guess, this is a fat book. But unlike some others, the pages turn easily. I found myself halfway through before I realized, and the story was entertaining enough to distract me from the rough time I'm having with life right now. As much as I liked it though, it probably wouldn't even be in the top ten books I read this year.
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bookonion | 22 other reviews | Jun 10, 2024 |
I enjoyed this a lot more than the previous entry, Red Mars. I think KSR's writing style may just be too technical for me to ever FULLY appreciate, as there were long sections of discussions of geology and tectonics and the like that I ended up just sort of glazing over. But KSR does a fantastic job at envisioning alternative ways to live, to govern, and to develop culture.

I'll be finishing the series for certain, but I'll probably do several less dense books before then.
½
 
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James_Knupp | 62 other reviews | Jun 5, 2024 |
Overview:
This is a story of the potential consequences of environmental mismanagement, specifically climate mismanagement. Along with ways on how people cope with the tragedies. Stimulating a reflection upon the potential destruction, and ways that can avert the destruction. A reflection of the psychological coping mechanisms to the destruction, the science and technology of climate management, and the global political and economic ramifications of the changes.

When India gets ravaged by a heat wave that produces havoc, a movement is started to prevent further catastrophes. But the rest of the world is not so eager to make changes. Even a global agency meant to protect present and future beings known as The Ministry for the Future, is hesitant to make changes as rapidly as they would like. India starts the changes, and breaks global political restraints on methods used to battle the deleterious climate. Years pass by with much of the world resisting changing their practices to become environmentally sustainable.

There are groups that cannot stand for the lack of change, the lack of responsibility for the environment. These groups rise up in resistance to those who would seek to destroy the environment. Groups that protect the environment initiate a War for the Earth. The methods are steeped in violence, but increase the costs of producing greenhouse gases. Creating a search for alternative means of production, without damaging the environment. The world economic and political stance on the environment gradually changes from resistance, to persecution of those who damage the environment. Changing the way people think, and behave in relation to their environment.

Caveats?
The book is composed of various ideas and narratives. With so many different perspectives, their transitions are poor. The book contains various ideas from environmental science, economics, politics, and psychology. But the ideas are not given much detail, and the way the ideas are described contain the biases of the author. The author presents many different ideals, in resolution of a single major ideal, but they are sometimes a distraction to the major ideal.

The science itself is simplified to promote an ideal for the climate, but there is a loss to information within that simplification. Science rarely does not have unintended consequences, while the resolutions to the climate problem in this book appear to be completely sustainable and without negative effects.

The ways in which policies change in this book, utilize instrumental evil. Doing acts of evil, for good outcomes. The promotion of these behavior is inappropriate, and have contradictory outcomes. Wars to end violence have historically tended to create more violence. But in this book, this type of tyranny has created a society in which people accept violence as righteous and do not abuse this method. Within this book, there appears to be no problem with persecution of any dissenter from the environmental policies enacted. Seemingly minor incidents on the way to changing policies, only bring about greater defense of the methods used to persecute those who think differently.

With global changes to the economic system, there are acknowledged major economic disruptions. Within this book, production methods and products quickly make adjustments. Daily life seems to be going without much disruptions. There appears to be nothing wrong with the different economic system.

An economic policy that is promoted in the book is a carbon coin, that pays to prevent release of carbon. Before the carbon coin, the author berated rents. Rents are incomes that peoples receive without doing anything. While the rents of the carbon coin are promoted in the book without any seeming contradiction. There appears to be nobody in this book who takes advantage of the policy. Historically, similar policies have been used, with devastating effect. Firms have produced more unwanted products, for which they wanted an income to prevent releasing the product. Damaging the environment way more than before the policy.
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Eugene_Kernes | 70 other reviews | Jun 4, 2024 |

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Nalo Hopkinson Commentary
Ken MacLeod Commentary
Gwyneth Jones Commentary
Andy Duncan Commentary
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Gib Prettyman Contributor
Imre Szeman Contributor
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Andrew Milner Contributor
Eric C. Otto Contributor
Melody Jue Contributor
Timothy Morton Contributor
Christina Alt Contributor
Elzette Steenkamp Contributor
Brent Bellamy Contributor
Christopher Palmer Contributor
Rob Latham Contributor
Sabine Höhler Contributor
George Barr Cover artist
Peter Elson Cover artist
Don Dixon Cover artist
Jakob Schmidt Translator
Elisabeth Bösl Translator
Winfried Petri Translator
Kirk Benshoff Cover designer
Maria Carella Designer
Jamie S. Warren Youll Cover designer
Tony Roberts Cover artist
Alan Ayers Cover artist
Ali Ahn Narrator
Dominic Forbes Cover artist
Suzanne Toren Narrator
Stephan Martiniere Cover artist
Bob Warner Cover artist
Andrea Baruffi Cover artist
Jean-Pierre Pugi Translator
David Camus Traduction
Dominique Haas Traduction
Dominic Harman Cover artist
Michal Karcz Cover artist
Joe Bergeron Cover artist
Mark Salwowski Cover artist
Fred Gambino Cover artist
Sean Curtin Photographer
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Lee Gibbons Cover artist
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Statistics

Works
142
Also by
120
Members
43,741
Popularity
#385
Rating
3.8
Reviews
1,213
ISBNs
570
Languages
18
Favorited
158

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